Rock & Indie Vinyl 2224 Items

Bennesbeh Labokra ... Chou?

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.

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Ziad Rahbani

LP | 1978 | EU | Reissue (Wewantsounds)

Folkal Point Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.

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Folkal Point

LP | 1972 | US | Reissue (Beat Ball Music)

LP | 1974 | EU | Reissue (Esoteric)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* Faithfully restored artwork from the original vinyl
* 180 gram heavy weight vinyl
* Laminated old style tip-on gate folded jacket
* Obi strip / Includes 8 page insert with rare photos
* Limited edition

In 2015, a successful bid of £3,560 (some ₩5 million) was made on a single album on eBay – this was the 1972 original UK press of Folkal Point’s album. This album had remained shrouded in mystery for more than 4 decades without ever being officially reissued, after most of the original material and master tapes were lost to fire and flooding. So how did it come to pass that this album, which featured unassuming music that reflected the trends of its time – modern and traditional folk – became so sought-after?

In the early 1970s, there were three teenagers from Bristol, a port city in south-western England, who played American modern folk songs. The boys – Stuart Amesbury, Mark Steed, and Paul Cook – were offered to play at a school concert. Realizing that none of them could sing properly, they began looking for a singer. They recruited Cherie Musialik, who was recommended to them by a music teacher. After making a successful debut by performing tunes by Tom Paxton, the Seekers, and Bob Dylan, word of the band soon spread to London. A radio appearance by Alan Green of the Midas label led to his producing the band’s album. A total of 500 copies were pressed, with 250 copies going to the band’s members and 250 copies kept in storage by Midas. However, due to the lack of any real promotion, the records had to be sold by the members themselves at concerts. Because of this, they had trouble breaking even, let alone covering the production costs. To make matters worse, the copies that were being stored by Midas were lost forever to fire and flooding, after which the band eventually disappeared from the public eye. However, as word of the album’s beauty gradually spread among collectors, it soon came to be praised as one of the masterpieces of British folk. In addition to traditional British folk songs, this album featured covers of five tunes – Dylan’s ‘You Ain’t Going Nowhere’, Paxton’s ‘Victoria Dines Alone’, Baez’s ‘Sweet Sir Galahad’, Mitchell’s ‘Circle Games’, and ‘Anathea’ by Judy Collins – which have been elegantly arranged without encroaching on the source material. However, what really set this album apart was the million-dollar voice of Cherie Musialik, which has a deeply moving and enchanting quality to rival any of the greats of her time. It’s no exaggeration to say that what could have been an unremarkable work was elevated to greatness by virtue of Musialik’s voice. As the first installation in the British Rare Folk series from Merry Go Round Records, this is the first official reissue to fully recreate the cover design of the original version, including an 8-page insert that is lavishly laid out with lyrics and photos of the band members. Through its reissue, this album has crossed over from the realm of the unknowable to become a welcome part of our lives. How rare it is, to finally regard a legend under a plain light to end up cherishing it even more rather than being disappointed – but this is precisely what this album by Folkal Point achieves.

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Michael Mcgear

McGear

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Fat Possum)

Wild Gift

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The Pictorial Jackson Review

Felt

LP | 1988 | EU | Reissue (Cherry Red)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Anti)

Tom Waits

Heart Of Saturday Night

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Scary Monsters (And Super Creeps) [2017 Remastered Version]

David Bowie

LP | 1980 | EU | Reissue (Parlophone)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1979 | EU | Reissue (Reprise)

Neil Young & Crazy Horse

Live Rust

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Epic)

Fly on the wall

LP | 1978 | US | Reissue (Universal)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Kiss

Peter Criss

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Sunpower)

Kiss

Love Gun

Release: 1977 / US – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Sony)

The Clash

Combat Rock

Release: 1982 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | FR | Reissue (Epic)

Back in black

LP | 1977 | Reissue (Rhino)

Release: 1980 / FR – Reissue

Genre: Rock & Indie

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sampled by BDP, Beastie Boys, LL Cool J ...

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Little Feat

Time Loves A Hero

Release: 1977 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

The Doobie Brothers

Takin' It To The Streets

Release: 1976 / Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Drag City)

Dorothy Carter

Troubadour (Reissue)

Immortal Aggression Red Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The first official reissue of Dorothy Carter"s folk-music exegesis comes 46 years after its original release, 20 years after Dorothy passed, and 11 years before the centennial of her birth. Yet it seems right on time for a new celebration of her music. Appalachian folk tunes, old and ancient psalms and hymns, Scottish, Irish, French and Israeli melodies, and original tunes flow together effortlessly in hypnotic gardens of eternal world musics. A highly energized, alternately meditative and proselytic recital whose vitality has only burgeoned in the decades since it appeared. As it should be: the music of Dorothy Carter is akin to a portal, linking her and us with the eternal.This edition of Troubadour reproduces the original album package, adding an insert adorned with additional photos of Dorothy and her collection of instruments, as well as notes from Eric Demby exploring the era - his childhood - from a vantage point of some 50 years. This reissue is a long-held family dream come true, and it is dedicated in loving memory to Bob Rutman, Constance Demby, David Demby and Dorothy Carter.

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Black Shepherd

LP | 1988 | EU | Reissue (VIC)

The Kids Will Have Their Say Purple Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Belgium’s cult black speed death metal act BLACK SHEPHERD. Originally released in 1988. Luckily the band found the old reels from 1988, unluckily just four tracks on it. These are remixed, restored and remastered, other tracks restored and remastered/ Extensive liner notes with vocalist Yvan and rare and old pictures. Cover art the back then rejected original art work! REEL tracks digitalised/ restored / remixed / remastered: SIDE A:1. Immortal Aggression2. Another Day to Die 3. Make Love War 4. Corpses 5. Evil Revenge6. AnimalRestored / remastered from the LP:SIDE B:7. State of Decay 8. Preacher of Death9. Trash 10. Kill the Priest 11. Lord of Darkness Plus BONUS: Demo 1989 – ‘Welcome’ restored / remastered12. Little Bitch

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SS Decontrol

LP | 1982 | US | Reissue (Trust)

Camenbert Electrique Marbled Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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What is there to say about SS DECONTROL’s long out-of-print 1982 debut, The Kids Will Have Their Say, that hasn’t already been written? Long heralded as the first straightedge album, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered, artistic statement that’s singular in scope and vision. The Boston act’s debut was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with remastered audio and a painstaking recreation of the iconic cover art courtesy of Bryan Ray Turcotte. Over the years, the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa, and drummer Chris Foley perform live. In many ways, SSD launched the hardcore scene in Boston as we know it and the band’s kinship with Minor THREAT’s Ian MacKaye arose out of the fact that both acts refused to conform to society’s still shifting standards at the time. From the unbridled aggression of SSD’s “Boiling Point” to the strippeddown groove of “How Much Art,” the album was as reactionary as it was revolutionary and is an artistic statement that remains to be remarkably complex for a group of guys barely into adulthood. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of The Kids Will Have Their Say is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded.

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Gong

LP | 1971 | UK | Reissue (Charly)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Victim In Pain Silver Vinyl Edition

Agnostic Front

LP | 1984 | US | Reissue (Bridge Nine)

Crime & The City Solution

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Agnostic Front’s debut LP, Victim In Pain, went out of print again for a while, so Bridge Nine did a quick pressing to keep it available! This pressing features the original cover art printed as a low-contrast halftone on an almost-black matte cover. Agnostic Front and Victim In Pain are embossed and spot-UV printed so the band’s logo and album title pop off the jacket.

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Just South Of Heaven Blue

LP | 1985 | UK | Reissue (Mute)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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LP | 1973 | JP | Reissue (Universal Music Japan)

Motoaki Masuo

First

LP | 1974 | US | Reissue (Craft)

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

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Big Star

Radio City

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Gelato Metropolitano Orange Vinyl Edtion

Camerini Alberto

LP | 1977 | EU | Reissue (The Saifam Group)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Echo And The Bunnymen

Heaven Up Here

LP | 1981 | Reissue (?)

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1986 | US | Reissue (Armageddon)

Hirax

Hate, Fear And Power

LP | 1985 | US | Reissue (Armageddon)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Hirax is back in print as it was meant to be. Hirax returned in 1986 to deliver us their second album Hate, Fear and Power. A faster, more intense, more relentless speed metal release than their debut. Raging Violence. Hirax, rejuvenated with the addition of the formidable Eric Brecht on drums, the speed and intensity was kicked up a notch across the board. Hirax's second full length drops 8 tracks of great thrash in under 20 minutes. Hate, Fear And Power starts of with furious short blast that touches on DRI or Repulsion territory, and it doesn't let up until the end of the final track. No time is wasted, this album is exactly what thrash should be: straight to the point and played to maximum intensity. Returning with tighter songwriting, relentless riffing. barbaric drumming, and KATON's vocal delivery standing strong, Only a minute or so longer than Slayer's Reign In Blood, this a Hirax condensed and dialed in to it's rawest, fastest form. True raging speed/thrash from beneath the streets of L.A. Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve

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Hirax

Raging Violence

Nancy Sinatra & Lee Hazlewood

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Hirax is back in print as it was meant to be. A blistering slab of crossover/thrash/speed metal that was able to bridge the gap between the straight up metal audience and the embryonic "Crossover" hardcore/punk era that was evolving in 1985. Hirax was always fast, rough and raw, they blasted forward with energy and relentless speed. Katon delivered traditional metal style singing with upper registers often only used by Mercyful Fate or Judas Priest. Unique and uncompromising in their attack, Hirax played with bands across the heavy music spectrum in the L.A. scene and cemented their legacy with fans worldwide with a prolific amount of interviews, correspondence and tape trading. They built a fan base with a true DIY style dedication. That legacy continues today. We're happy to have this record back on its original format for old heads and new fans alike. Play it loud! Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve.

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Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Ghosts Of Princes In Towers Record Store Day 2023 Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Rich Kids

2LP | 1978 | Reissue (Parlophone Label Group)

A Quiet Normal Life Grape Vinyl Edition

Release: 1978 / Reissue

Genre: Rock & Indie

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Limited to 2500 copies worldwide. RSD Exclusive Release.
Limited 1 x 140g 12" Black vinyl album. RSD 2023. Ghosts of Princes in Towers is the only studio album by British band Rich Kids, founded in 1977 by Glen Matlock (ex Sex Pistols) and Midge Ure (Ultravox) and Rusty Egan released in August 1978 and produced by ex-Bowie guitarist Mick Ronson. Exclusive for RSD 2023, the original album will be newly remastered. Release overseen by Rich Kids Rusty Egan. Tracklisting: Side A - Strange One, Hung on You, Ghosts of Princes in Towers, Cheap Emotions, Marching Men, Side B - Put You in the Picture, Young Girls, Bullet-Proof Lover, Rich Kids, Lovers and Fools, Burning Sounds

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Warren Zevon

LP | 1986 | EU | Reissue (Warner)

Chicago Ix Picture Disc Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. A Quiet Normal Life highlights the best of Warren Zevon's Asylum albums. Includes "Werewolves of London" and "Desperados Under the Eaves." (Original RD: October 1986)

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Chicago

LP | 1975 | EU | Reissue (Warner)

LP | 1971 | EU | Reissue (Wewantsounds)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst als Picture Disc. Mit Syeor sticker. Chicago's 5X Platinum Greatest Hits collection, now on a picture disc. Includes the hits "25 or 6 to 4," "Make Me Smile, " "Saturday In The Park," "Colour My World," and "Feelin' Stronger Every Day." (Original RD: 1975)

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Abdel Halimhafez

Mawood

2LP | 1972 | EU | Reissue (Warner Music Poland)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Born in Lower Egypt in 1929, Abdel Halim Hafez became, during a relatively short career that ended with his death in 1977 aged 48, one of the giants of Egyptian Music and his legend has never stopped growing since. Alongside Oum Kalthoum, Warda, Farid el Atrache and Mohammed Abdel Wahab, Hafez revolutionised Egyptian music and became a hugely popular star across the whole Arab world. Blessed with stricking good looks, Abdel Halim Hafez started his career in the early 50s and quickly attracted the attention of one of the Egyptian radio's A&Rs who took him under his wing and invited him to perform on the radio. His career went from strength to strength and from 1953, he was associated with the Egyptian revolution led by Nasser. His music mixing tradition and modernity made him one of the most loved singers of the 1950s as he developed a romantic edge that became his signature style (he was dubbed "the dark-skinned nightingale"). In the mid 50s, hot on the heels of his success in music, he launched his acting career in the thriving Egyptian film industry and also became a hugely popular actor. Hafez worked with the greatest composers of their time including Mohammed Abdel Wahab and Baligh Hamdy who composed ‘Mawood’ ("Promised.") Recorded live in 1971 (as it was the norm at the time. Singer would rarely record studio albums), 'Mawood' is one of the singer's most recognisable standards. The song stretches over the two sides of the album and consists of several sections alternating instrumental parts and sung ones. The song, written by Egyptian poet Mohamed Hamza, sees Hafez talking to his heart, apologizing for driving it from failure to failure and concluding that, to find solace, one must keep love at bay. He's backed by his full orchestra featuring traditional instrumentation and those powerful strings that influenced the likes of Jean-Claude Vannier, together with modern instrumentation including organ and electric guitar by Omar Khorshid adding his unmissable twang to the ensemble. 'Mawood' mixes tradition and modernity and develops into a hypnotic epic full of groove with a superb soulful performance by one of the greatest singers of the 20th century. An undisputed Arabic Music classic which Wewantsounds it delighted to reissue on vinyl for the first time since the 1970s.

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Czeslaw Niemen

Volume 1 & Volume 2

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Money For Nothing Remastered 2022

2LP | 1985 | CZ | Reissue (Mercury)

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

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2LP | 1970 | Reissue (Music On Vinyl)

Corrosion Of Conformity

Wiseblood

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Virgin)

Roxy Music

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Virgin)

Roxy Music

For Your Pleasure

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Finardi 40th Anniversary Edition Clear Vinyl Edition

Eugenio Finardi

LP | 1981 | EU | Reissue (WEA)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Sugar)

Umberto Tozzi

Donna Amante Mia

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Behind The Realms Of Madness White / Black Splatter Vinyl Edition

Sacrilege

2LP | 1985 | EU | Reissue (Back On Black)

The Force White / Blue Splatter Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Reissue of the legendary UK band Sacrilege's landmark debut - 'Behind The Realms Of Madness' on spectacular limited edition white and black splatter vinyl!

Originally released in 1985, Sacrilege were one of the first bands of the 80's that both punks and metalheads rallied behind. Propelled by singer Lynda 'Tam' Simpson's ferocious vocals and polticically charged lyrics, Behind The Realms Of Madness blended crust, thrash, hardcore, doom and death-metal to create a timeless album that has directly influenced scores of punks and heshers alike.

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Onslaught

2LP | 1986 | EU | Reissue (Back On Black)

Let It Be 50th Anniversary Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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"The Force" is the second studio album by English thrash metal pioneers Onslaught, originally released in 1986. More successful than their previous album, "Power From Hell", The Force is considered a thrash metal classic by fans and critics. Fast paced drumming, a huge variety of riffs from tremolo picked insanity to chugging heaviness, and a vocal performance that truly gives the genre a good name! Influencing bands such as Exodus, Slayer and Metallica, Onslaught played a big part in defining the death metal genre!

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The Beatles

LP | 1970 | UK | Reissue (Apple)

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Michael Franks

The Art Of Tea

Makoto Kubota & The Sunset Gang

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Dixie Fever

LP | 1977 | EU | Reissue (Wewantsounds)

A Muso Duro 40th Anniversary Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Pierangelo Bertoli

LP | 1979 | EU | Reissue (Atlantic)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Metamorphosis UK Green Record Store Day 2020 Edition

The Rolling Stones

LP | 1975 | EU | Reissue (Universal)

La Storia Di Sabazio Orange Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.

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Triade

LP | 1973 | EU | Reissue (Vinylmagic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Speakers Corner)

Warren Zevon

Stand In The Fire

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Warren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album – put together from a five-day residency at the Roxy Theater in West Hollywood – entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, "Stand In The Fire" delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ("Jeannie Needs A Shooter") and fuels the emotional inferno with high-speed bursts of rock ("Excitable Boy"). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful "Mohammed’s Radio". In a direct comparison to this number we have the forthright, no-nonsense hit "Werewolves Of London" with its close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ("I’ll Sleep When I’m Dead") and finally in the thunderous final number – "Bo Didley’s A Gunslinger" – with its percussive and metrically complicated antiphony.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA., by Billy Youdelman and Greg Ladanyi
Production: Greg Ladanyi & Warren Zevon

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The Doobie Brothers

Minute By Minute

LP | 1982 | EU | Reissue (Speakers Corner)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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Toto

LP | 1977 | EU | Reissue (Speakers Corner)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Anyone who gives the dull name “Four” to their rock album must either be very sure of success or already have resigned. The group Toto may well have experienced such extremes as there was an enormous cleft between their amazing financial success and the crushing negative opinions voiced by the critics. Billboard criticised the superficial lyrics as being void of any sort of emotional weight while the Los Angeles Times aimed their fire at the musicians themselves, slamming them as dubious artists with a commercialised mentality.
To this Toto struck back with their fourth album, which was an unparalleled success and brought them six Grammy awards. For a whole ten months "Africa" reigned at Number 1 on the charts and together with the super-hit "Rosanna" the two smash hits were a constant presence, backed up by a collection of impressive rock classics. A trip to the record shop is all that is needed to prove that this is unlikely to change in the near future. The bright red cover with its depiction of a sword will catch your eye, as though saying: It’s got to be the Fourth!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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Little Feat

Time Loves A Hero

Paul McCartney & Linda McCartney

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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There are many dreamed-of and a number of dreamy records which reflect the American idea of freedom from a musical point of view. One of these was presented by frontman Lowell George and his superb group Little Feat in what the musical experts praised as a »symbiosis of anarchistic primitive folklore and rock finesse« (rororo Rocklexikon). The high standard which the musicians maintain over the two sides of the LP is established with "Hi Roller", a funky, energetic opening number. The multi-part title number "Times Loves A Hero" follows on with a more subdued tempo but with great dive and sophisticated percussion, which proves itself to be the most important element and governs the whole album.
Little Feat conjures with traditional forms, gets you on the dance floor with "Old Folks Boogie" and serves up a tasty mixture of honky-tonk and blues, which is refined with powerful guitar solos.
Just like a picture puzzle, rhythmic figures and figurettes dart hither and thither out of the background of this handcrafted and stalwart filigree rock ("Red Streamliner", "Keepin‘ Up With The Joneses"). But simplicity and softness is also possible: The message in "Missin‘ You" needs nothing more than chords on the acoustic guitar and men’s voices with a southern sound.

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Ram

LP | 1971 | EU | Reissue (Capitol)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | DE | Reissue (Mercury)

Metallica

Master Of Puppets

Release: 1986 / DE – Reissue

Genre: Rock & Indie

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THE classic Metallica album is back on vinyl!!

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LP | 1988 | US | Reissue (Epic)

Blow up your video

LP | 1988 | EU | Reissue (Adasam Ltd)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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180g vinyl

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Spacemen 3

Playing With Fire

At Budokan - The Complete Concert

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Cheap Trick

2LP | 1978 | EU | Reissue (Music On Vinyl)

2LP | 1971 | EU | Reissue (Island)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Cheap Trick at Budokan is a live album by Cheap Trick from 1978 and their best-selling recording. The louder, harder-rocking versions of such Rick Nielsen classics as "I Want You to Want Me" and "Come On, Come On" connected to a wide audience. The music is terrific and it certainly is interesting to hear all of this the way it was actually performed. Any hardcore Trick fan will need this document of the band's most celebrated concert.

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The Allman Brothers Band

At Fillmore East

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Here comes a great reissue of The Allman Brothers Band’s classic album. All recordings got fully remastered and cut with help from Abbey Road Mastering Direct Metal Mastering (DMM). Pressed on 180g vinyl.

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LP | 1974 | US | Reissue (Epic)

74 jailbreak

2LP | 1971 | EU (Vinyl Lovers)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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The Allman Brothers Band

At Fillmore East

2LP | 1982 | EU | Reissue (Vinyl Lovers)

Release: 1971 / EU

Genre: Rock & Indie

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180 gram gatefold cover double vinyl reissue incl. 2 bonus tracks!

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The Cure

Pornography

LP | 1970 | Reissue (Rhino)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!

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Genesis

Trespass 2007 Stereo Mix

Release: 1970 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

LP | 1985 | Reissue (Universal)

Pete Townshend

White City: A Novel Hsm

Release: 1985 / Reissue

Genre: Rock & Indie

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All The Best Cowboys Have Chinese Eyes Hsm

Pete Townshend

LP | 1982 | Reissue (Universal)

Release: 1982 / Reissue

Genre: Rock & Indie

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Diamond Dogs 50th Anniversary Half-Speed Mastered Vinyl Edition

David Bowie

LP | 1974 | EU | Reissue (Parlophone Label Group)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Volume 3: My Heart (My Soul Is A Wasteland) Green Vinyl Edtion

Sanullim

LP | 1978 | EU | Reissue (Guerssen)

Gift Silver Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Third album, originally released in 1978, by legendary Korean psychedelic band Sanullim. From heavy-fuzz psychedelic garage to slow burners, including the monster sidelong track “You Are Already Me”, the title track (which sounds like a Korean Blue Cheer) and more! *Original artwork in hard cardboard sleeve *Sourced from the original masters *Insert with liner notes and rare photos / memorabilia “This time, whilst the fuzz guitar and strangely basic bass and drum patterns are more familiar, it’s the frequently gruff, howling vocals that are the most noticeably different element of the sound” – Hugh Dellar (Shindig!)

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The Sisterhood

LP | 1986 | EU | Reissue (Cadiz - Merciful Release)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Major Arcana Red Vinyl Edtion

Major Arcana

LP | 1976 | EU | Reissue (Out-Sider Music)

Nina Hagen Band Black Friday Record Store Day 2023 Black & Red Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

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Nina Hagen

LP | 1978 | Reissue (Sony)

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1975 | US | Reissue (Discos Fantastico)

Grupo Celeste

El Fabuloso

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Open Your Eyes Yellow Vinyl Edition

Warzone

LP | 1988 | US | Reissue (Revelation)

2LP | 1985 | Reissue (Atomic Fire)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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There is no doubt Warzone is one of the most crucial and influential bands coming from the New York Hardcore scene. Fronted by the charismatic Ray “Raybeez” Barbieri, Warzone preached vehemently for scene unity and against racism while buzzsaw guitar riffs and wailing solos over speedy drums churned out a soundtrack found at Cbgb Sunday Matinees, The Pyramid, The Anthrax and the rest of the legendary clubs of the era. Their landmark debut LP Don’t Forget The Struggle, Don’t Forget The Streets is heralded as one of the most important Nyhc records of all time, with its 2016 reissue on Revelation Records selling thousands of copies and filling gaps in record collections all over the world. Two years later, Revelation Records proudly presents the reissue of Warzone’s second LP Open Your Eyes. This oft-overlooked record continues the sound from Don’t Forget The Struggle,... the last purely hardcore record before the band’s more metal third LP. This record featured Jerry Williams behind the board who was previously known for his work with Bad Brains, The Beastie Boys, and Reagan Youth among others, with production help from none other than Dr. Know, guitarist of Bad Brains!

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Helloween

Release: 1985 / Reissue

Genre: Rock & Indie

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2LP | 1985 | Reissue (Atomic Fire)

Helloween

Release: 1985 / Reissue

Genre: Rock & Indie

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Moontan Black Vinyl Edition

Golden Earring

2LP | 1973 | EU | Reissue (Music On Vinyl)

Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES 8-PAGE BOOKLET WITH AN ESSAY,
MEMORABILIA AND PHOTOS

REMASTERED & EXPANDED 2LP EDITION
FROM THE FIRST-GENERATION MASTER

TAPES

FEATURING 3 PREVIOUSLY UNRELEASED
MIXES AND 4 BONUS TRACKS

BLACK VINYL

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Tom Waits

2LP | 1973 | EU | Reissue (Anti)

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

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Roxy Gordon

Crazy Horse Nver Died

Schleimer K Record Store Day 2023 Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

LP | 1978 | EU | Reissue (Power Station)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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Sally Oldfield

Water Bearer

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Oriental Beat - 40th Anniversary Re(Al)Mix Red Vinyl Edition

Hanoi Rocks

LP | 1982 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Charly)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Oriental Beat by Hanoi Rocks gets the redux treatment, officially mixed and revived from the original sessions, and released on March 17th on deluxe vinyl, CD and digital formats. The CD and vinyl come with the song lyrics, checked and approved by Michael Monroe.

Dubbed the “re(al) mix”, this 40th anniversary edition was mixed by Petri Majuri at E-Studios in Finland in collaboration with the band. Vocalist Michael Monroe calls this release “the longest and slowest album project ever,” stating that “40 years in the making, it's not just a remix, but the Real MIX supervised and approved by Hanoi Rocks”.

Recorded in London, UK in 1981, for 200 pounds a day, Oriental Beat was made during the height of the British punk + New Wave movement, when the band was hanging out with everyone from Phil Lynott to the Damned. Hanoi Rocks’ original drummer Gyp Casino says of Oriental Beat that: “Back in the days we gave heart, soul and a bit of pain to make this record something else” but the sound of the album, originally released in 1982, did not match their efforts at the time. Bassist Sami Yaffa called it “the worst sounding album of our career” and Michael Monroe said that “the producer of the album didn’t have a clue what the band was about and his mix of the album was horribly wrong”.

Oriental Beat’s original engineer Peter Wooliscroft, was not a rock producer, and according to Hanoi Rocks’ manager Richard Bishop he “tried to mix the album to sound like Spandau Ballet”. Released before the band could remix or rerecord it, as the label had run out of money, and the master tapes had gone missing, the band has always considered the original mix of Oriental Beat to be a “disaster”. With the tapes mysteriously showing up in the Universal vault recently, the band was finally able to mix and resequence the album the way they wanted it to sound.

Oriental Beat is a defining masterpiece made when Hanoi Rocks was about to explode onto the world scene and written at the absolute peak of lead guitarist Andy McCoy’s creativity as a songwriter. Rhythm guitarist Nasty Suicide says “only now, with stripping it down to the bare essentials and tweaking it to bring out what was really laid down it became our dream come true! This is what it's all about” as this definitive edition of Oriental Beat now fully displays the ultimate arrogance and attitude which defined the band. Monroe says: “now, 40 years after its original release in 1982, we finally got the album sounding as great as it deserves, with no overdubs or samples,” and McCoy adds that: “It's better now than ever. This is what it was meant to sound like. So enjoy it...Another shot of Hanoi Rocks”.

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Alice

Hardcore 81 Limited White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.

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D.O.A.

LP | 1981 | US | Reissue (Sudden Death)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Nice To Meet Miss Christine Record Store Day 2022 Edition

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

Head On Yellow Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Samson

LP | 1980 | UK | Reissue (Culture Factory)

Dark Album Pink Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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Head On is the second studio album by this British Heavy Metal band. Released in 1980, the cover art features the band’s masked drummer, Thunderstick. This is the first album with future Iron Maiden-frontman Bruce Dickinson on vocal duties.

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Wigwam

2LP | 1977 | EU | Reissue (Svart)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Gotta Groove)

Tom Wachunas

Spare Changes

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Culture Factory)

Rare Earth

One World

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Rock Hard Silver Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

Force It Limited Clear Deluxe Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Ufo

2LP | 1975 | EU | Reissue (Chrysalis)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Product Red Vinyl Edition

De Press

LP | 1982 | EU | Reissue (Apollon)

Wipers (Aka Wipers Tour 84) Florescent Pink Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

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Wipers

LP | 1984 | US | Reissue (Jackpot)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Wipers tour 1984 features tracks from the first three Wipers albums. Recorded live on Tour February - March ’84. Originally released on cassette by Greg Sage and on vinyl on Enigma Records in 1985.

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LP | 1980 | US | Reissue (Rhino)

Making Movies

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Rhino)

Communique

Release: 1979 / US – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Rhino)

Love Over Gold

Release: 1982 / US – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (O-Music)

Flower Travellin' Band

Make Up