Rock & Indie Vinyl 5592 Items

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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Straight Shooter Atlantic 75 Series

2LP | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)

71,99 €*

Release: 1975 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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LP | 1976 | JP | Original (Island)

Run With The Pack

16,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert.

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LP | 1976 | JP | Original (Island)

Run With The Pack

17,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, no obi.

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LP | 1979 | US | Original (Swan Song)

Desolation Angels

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | US | Reissue (ORG Music)

Bad Brains

I And I Survive

Bachman-Turner Overdrive II

Release: 1982 / US – Reissue

Genre: Rock & Indie

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"I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The recordings come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades.

This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Bachman-Turner Overdrive

LP | 1973 | US | Original (Mercury)

11,99 €*

Release: 1973 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP+10" | 1973 | EU | Reissue (Bonfire)

Bachdenkel

Lemmings

29,99 €*

LP | 1978 | US | Reissue (Mehum)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bachdenkel was an English rock band that started under the name The U (Don't) No Who in 1968. The three piece consisted of band leader Colin Swinburne on vocals/guitars/keyboards, Peter Kimberley on bass/piano/vocals and Brian Smith on drums, with Karel Beer as an additional musician, engineer and producer. The group relocated to France to live, perform and record. Thei first effort – Lemmings – was released on Philips France in 1973, showing their excellent musicianship and songwriting. Conceived as a three sided album it was recorded during the summer of 1970. This double version includes 3 missing tracks originally conceived for the Initial Recording Company EP, a small label ran by Karel Beer. The album has an evident late sixties british psych-rock flavor, but comes with occasional harder moments and longer, more developed compositions in a proto Prog rock manner.

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Babylon

Release: 1978 / US – Reissue

Genre: Rock & Indie

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7" | 1988 | CH | Original (Lux Noise)

Baby Jail

Moonshine Baby

Release: 1988 / CH – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1972 | EU | Reissue (Music On Vinyl)

Babe Ruth

First Base

LP | 1980 | UK | Original (Asylum)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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B. A. Robertson

Initial Success

Release: 1980 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1979 | DE | Original (Asylum)

B. A. Robertson

Bang Bang

LP | 1984 | UK | Original (WEA)

Release: 1979 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split.

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Aztec Camera

Knife

2LP | 1983 | EU | Reissue (Morning Trip)

Release: 1984 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

seam split. Original inner sleeve.

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Aziz & Friends

Waves Of Peace

38,99 €*

Aynsley Dunbar / Blue Whale

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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1983’s Waves of Peace is an album of gentle reflection. The sound of ocean waves permeates every track. Sitar, tambura, synthesizer, and bamboo flute are among the instruments that Aziz & Friends use to conjure their blissful oceanic meditation.

Aziz reminisces: “Waves of Peace was born in the beautiful oceanside town of Santa Cruz, California. Living there in 1982 was the first timeI had ever lived so close to the ocean. I would walk down to the beach on a daily basis. Nature has always been a major source of inspiration in my quest to create beautiful original music. Equally important to me has been recognizing the healing potential of harmonious sound. This potential was made clear to me through my illuminating work with the Sufi order, as well as various modern dance companies. Finally, my music has always been shaped by my lifelong commitment to peace and non-violence. With all of these things in mind, drawing inspiration from the nearby ocean and the growing popularity of New Age music, I produced Waves of Peace.

Waves of Peace was my first album to combine instrumental music with the sounds of nature. Graced by the presence of some truly exceptional local musicians, most of the music was performed and recorded live in the studio. Waves of Peace was created to facilitate relaxation, meditation, healing, and awakening for the body, mind, heart and soul. Let the rhythmic waves of the ocean nourish and inspire you to find your peace within”. - Aziz Paige, 2022

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Days / Willing To Fight

7" | 1971 | FR | Original (BYG)

LP | 1987 | US | Reissue (Luxury Products)

Release: 1971 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Small deeper scratch on side 1.
Writing on cover.

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AXEMEN

Derry Legend

31,99 €*

7" | 1984 | US | Reissue (Prank)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.

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Avsum

Crucified By The System

17,99 €*

LP | 1983 | JP | Reissue (P-Vine)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

A limited repress of debut 6-Track EP by Swedish legends Avskum. Original released in 1984, "Crucified By The System" is a growling, lo-fi intense dose of rampaging Swedish hardcore with hoarse vocals, pounding drums and rushing guitars. The fold-out cover is near-exact replica of the original 1984 7" EP, and this edition for the records 40th anniversary includes a reprint of a band info insert from the time of release, a 3" circular vinyl sticker and is pressed on lime green vinyl with hand stamped labels.

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Auto-Mod

Requiem

35,99 €*

LP | 1984 | JP | Original (Geffen)

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

Auto-Mod is known as a pioneer band in the Japanese positive punk scene, and their aesthetic and theatrical songs influenced many artists who followed in their footsteps. Their debut album was released in 1983 by Telegraph Records, which runned by a legendary photographer Yuichi Jibiki. Tomoyasu Hotei also played in Auto-Mod as a guitarist about 20 years before his name became famous with his work for Kill Bill's main theme. This is the first time the album is reissued on vinyl!

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Australian Crawl

Semantics

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1973 | EU | Reissue (Klimt)

Aunt Mary

Janus Red Vinyl Edtion

Djamballà / Beryl's Tune (Colonna Sonora Originale Del Film)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Aunt Mary was a prog rock band formed in Fredrikstad, Østfold in Norway in the early 70's. Signed a contract with Polydor in Denmark to release Aunt Mary in 1970. The group gradually moved towards progressive rock with the records Loaded in 1972 and Janus in 73. In the spring of 1973, during the preparations of their third album, Svein and Bjørn decided to take their music even further and spent months together writing for what they wanted to be the band's international album. The music was more prog-orientated than its predecessor. Fans and critics would later compare it to Pink Floyd, King Crimson or even a psychedelic version of The Beatles ! In June 1973, the band entered the studio. But its members were so tired of life on the road that they decided to cut the album, do the launch tour and then split up. Knowing that this album was "their swansong", they really did their best to make it shine. The band spent so much time recording that the producer, Svein Robert Ludviksen, almost lost his job. But the album turned out to be what the band would consider "the best of their career".

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Augusto Martelli

7" | 1971 | IT | Original (Cinevox)

10,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Born To Be Malaj Colored Vinyl Edition

Attentat

7" | 1980 | EU (Ken Rock)

8,99 €*

Release: 1980 / EU

Genre: Rock & Indie

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Zombies Green Vinyl Edtion

Attak

LP | 1983 | EU (Radiation Reissues)

20,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU

Genre: Rock & Indie

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Probably the first experiment in mixing hardcore attitude with OI! songwriting ever made within the UK punk movement, Attak were born as a four piece in New Mills in l98l, but immediately reversed to a trio when their singer left for school commitments and released two incredible singles on the No Future label in this form, right before recruiting a new guitarist and record “Zombies”, that came out in l983 on the same label. Known for featuring Mackie from BLITZ’s sister on drums, (and sounding a lot like his band!), Attak definitely split up in late 1983. This criminally underrated classic gets reissued on vinyl with his original artwork and fully remastered. Limited to 500 copies on Color Vinyl, complete with big 60x40 cm folded poster!

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Atomic Rooster

In Hearing Of

29,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Music On Vinyl)

Atomic Rooster

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | FR | Original (Gopal)

Atma

In Transit

Release: 1981 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Atlas

Bla Vardag

LP | 1979 | EU (Replica)

22,79 €* 23,99 € -5%

7" | 1972 | US | Reissue (Just Add Water)

Release: 1979 / EU

Genre: Rock & Indie

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Originally published in 1979, the sole album from swedish band Atlas is combining playfulness with intricate, mellow melodies while infusing heavy organs, carefully refined guitar riffs and fantastic synthesized soundscapes. This album is indispensable when looking at the progressive instrumental music history and not to be overlooked !

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Atlantis

I Ain't Got Time

17,99 €*

LP | 1975 | US | Original (Polydor)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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There’s “obscure” and then there’s this record. This is simply Rockin’ Horse, featuring gods Jimmy Campbell and Billy Kinksley, recording under a different name. Their incredible Yes It Is LP completely flopped in 1971 and their label, Phillips Records, just didn’t want to know. They were still under contract as Rockin’ Horse so they got around that by releasing this single as "atlantis" on their producer HAL CARTER's Fury label in 1972. They should have sold these songs to John Lennon because this smokes anything he was doing at the time yet sounds eerily just like him. Available for the first time since 1972. Edition of 300 copies.

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Atlanta Rhythm Section

Dog Days

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1979 | US | Original (Polydor)

Atlanta Rhythm Section

Are You Ready!

7,99 €*

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Retaliatory Strike Camouflage Splatter Vinyl Edition

At War

31,99 €*

Retaliatory Strike Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl

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At War

LP | 1971 | EU | Reissue (Warner Music International)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl

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Picture
Coming Soon

Asterix

Asterix 2024 Remaster

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Sulk 40th Anniversary Edition Limited Bookpak

Associates

4LP | 1982 | EU | Reissue (BMG Rights Management)

52,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Assim Assado Purple Vinyl Edition

Assim Assado

LP | 1974 | EU | Reissue (Groovie)

26,59 €* 27,99 € -5%

Interstellar Experience Yellow Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.

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Assassin

31,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Interstellar Experience Black Vinyl Edition

Assassin

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Cosmic Rock)

Assagai

Asocial And The Bedrövlers

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition

LP | 1984 | EU

20,99 €*

Asocial And The Bedrövlers

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition

LP | 1984 | EU

16,99 €*

Crossing The Line Limited Yellow Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Asia Minor

LP | 1979 | EU | Reissue (AMS)

LP | 1982 | US | Original (Geffen)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Crossing the Line” is the first album by Asia Minor, a cult band of the progressive rock scene founded by two Turkish students living in Paris, Setrak Bakirel and Erik Tekeli, who are still ...

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Asia

Release: 1982 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | JP | Original (Geffen)

Asia

Alpha

11,99 €*

LP | 1983 | JP | Reissue (Geffen)

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Asia

Alpha

10,99 €*

Endless Skies Evergreen Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM

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Ashbury

LP | 1983 | EU | Reissue (High Roller)

Seven Up 50th Anniversary Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, evergreen vinyl, ltd 500, insert printed on uncoated paper, 425gsm heavy cardboard cover, poster, mastered from a new source by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2018. New vinyl cutting by SST! Ultimate audiophile edition of this eternal classic!

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Join Inn 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Event To Come Red Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

12,99 €*

Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Arti & Mestieri

LP | 1974 | EU | Reissue (Cracki)

46,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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One Afternoon In A Hot Air Baloon

Artery

LP | 1983 | EU | Reissue (Spittle)

21,99 €*

LP | 1982 | EU | Reissue (Spittle)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Artery

Oceans

12,99 €*

First And Last Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Artattacks

7" | 1979 | EU (Overground)

10,44 €* 10,99 € -5%

Release: 1979 / EU

Genre: Rock & Indie

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Originally From 1979 - Limited Color Vinyl!

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LP | 1978 | JP | Original (CBS/Sony)

Watermark

Release: 1978 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, with insert. Record has light foxing.

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LP | 1978 | US | Original (Columbia)

Watermark

Release: 1978 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | JP | Original (CBS/Sony)

Scissors Cut

9,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original japanese pressing with obi (torn).

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LP | 1981 | JP | Original (CBS/Sony)

Scissors Cut

8,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1988 | EU | Original (CBS)

Lefty

7,99 €*

Release: 1988 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Cover has slight water damage, closer to VG+

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LP | 1975 | JP | Original (CBS/Sony)

Breakaway

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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LP | 1975 | JP | Original (CBS/Sony)

Breakaway

9,99 €*

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1973 | US | Original (Columbia)

Angel Clare

Release: 1973 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | JP | Original (CBS/Sony)

Angel Clare

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, with insert. Record has light foxing.

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LP | 1973 | JP | Original (CBS/Sony)

Angel Clare

12,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

18,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

12,34 €* 18,99 € -35%

LP | 1987 | EU | Reissue (Metal Mind Productions)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Armia

Antiarmia

30,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Original (RCA Victor)

Arizona

7,99 €*

7" | 1975 | EU | Reissue (Türküola / Arsivplak)

Release: 1976 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Small price tag on cover.

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Arif Sag & Zafer Dilek

Golden (Altin Baglama)

14,99 €*

LP | 1984 | EU | Reissue (Türküola / Arsivplak)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

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Arif Sag

Anadolu Döktürmeleri

Are(A)Zione White Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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This is a great album that originally recorded and released only in Germany, 1984. Turkish psych-folk sounds combining with electric-saz, fat bass, synths and percussions.

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Area

LP | 1975 | EU | Reissue (Cramps)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | JP | Original (EMI)

Arcadia

So Red The Rose

12" | 1985 | UK | Original (Parlophone Odeon Series)

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Includes OBI and insert. Few scuffs

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Arcadia

Election Day

Release: 1985 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Arbeiter-Musik-Assoziation Hannover

Lieder Des Internationalen Proletariats

LP | 1973 | DE | Original (Toncooperative Hannover)

20,99 €*

Bale Roue Arzur = La Marche Du Roi Arthur

Release: 1973 / DE – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Stapled sleeve. with booklet

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Ar Breizerien

LP | 1970 | FR | Original (Disques Velia)

18,99 €*

La Célèbre Ascension Abyssale De Joseph Celsius

Release: 1970 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Embossed cover.

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Après La Pluie

LP | 1978 | FR | Original (Temps 3)

46,99 €*

Apoteosi Clear Purple Vinyl Edition

Release: 1978 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Apoteosi

LP | 1975 | EU | Reissue (AMS)

LP | 1976 | EU | Reissue (Out-Sider Music)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Apoteosi were a very rare, if not the one and only, progressive voice coming from the Calabria region. Their self-titled LP, released in 1975, therefore in a period of transition for the prog-rock genre, is undoubtedly one of the most emblematic LP’s and shows how a young and geographically completely ‘out of the loop’ group has been able to create a small jewel. “Apoteosi” is a work deliciously poised between pastoral and refined moments and darker and ‘crimson’ moods, with an extremely original approach and that still deserves to be listened to carefully after exactly 40 years.

Almost every musician in the band will take off towards important careers in the music world, reflecting the talent of a group that even featured a 14-year old keyboardist Massimo Idà. There’s a curious “Coro Alessandroni” presence in the credits: “Apotheosis” was recorded in Rome, therefore we’re probably talking about the same Alessandro Alessandroni who at the time had already worked on many different soundtracks written by Ennio Morricone.

The remarkable rhythm section and the musical cohesion of the musicians are standout elements in this LP, since they were able to create a musical continuum that holds a qualitative tension along the whole work; moreover, there is a close proximity to certain models the English progressive underground, rather than the Italian one, the Canterbury scene in particular. “Apoteosi” stands still today among the hidden and precious gems delivered from a florid era of artistic ferment.

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Apocalypse

The Castle

23,99 €*

Something To Believe In Transparent Blue Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

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APB

LP | 1985 | EU | Reissue (Liberation)

30,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Äpärät

Häiriköt Tulee-Ep

7" | 1985 | EU (Voltage)

11,99 €*

LP | 1980 | DE | Original (Spiegelei)

Release: 1985 / EU

Genre: Rock & Indie

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Swedish punk classic just reissued. Originally from 1985. Raw Scandinavian hardcore punk not for the weak of heart! Limited to 500 copies on the Voltage label out of Czech Republic.

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Anyone's Daughter

39,99 €*

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | US | Original (EMI America)

Any Trouble

Wrong End Of The Race

L'orso Bruno Black Vinyl Edition#

Release: 1984 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Small sticker on cover.

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Antonello Venditti

LP | 1973 | EU | Reissue (Saifam)

39,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Antoine Avec Danièle Gilbert

Un An En Amazonie (Hot Love) / 'Scusez-moi M'sieur Antoine

7" | 1971 | FR | Original (Disques Vogue)

5,99 €*

I Don't Want To Die In Your War

Release: 1971 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Back cover slightly yellowed.

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Anti

LP | 1982 | EU | Reissue (Radiation Reissues)

21,99 €*

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.

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Annihilator

Alice In Hell

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Ohr)

Annexus Quam

Osmose