Rock & Indie Vinyl 5293 Items

Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge

Release: 1983 / TR – Reissue

Genre: Rock & Indie, Pop

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2021 Re-mastered, reissue, 180g Red Colored Vinyl. Originally released in 1983 by the talented artist who is one of the inventors of Anatolian Rock in 1960s. Although this sort of music was pretty much disappeared around 1980, this album still has the psychedelic rock elements. Erkin Koray took 3 songs from The Devil’s Anvil’s (American Psychedelic Rock Band) 1967 debut album called “Hard Rock From Middle East” and wrote the Turkish lyrics. The fuzzy and groovy guitar tunes never get you bored.

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V.A.

LP | 1988 | EU | Reissue (Strip-Tease)

LP | 1975 | EU | Reissue (RCA)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Wacked, Honk'n'grind Sax/Guitar/Grunt-Laden Buttshake Tunes From The 50s & Early 60s. Now Back In Soon!! Remastered!! Exotic Deluxe Gatefold Edition!!

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Banco

Banco Blue Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (RCA)

Loredana Berte

Jazz Blue Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Premiata Forneria Marconi

Photos Of Ghosts Colored Vinyl Edition

LP | 1973 | EU | Reissue (Numero Uno)

30,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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La Storia Di Sabazio Orange Vinyl Edition

Triade

LP | 1973 | EU | Reissue (Vinylmagic)

33,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1983 | EU | Reissue (Svart)

Sielun Veljet

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Showmen Blue Vinyl Edtion

The Showmen

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carioca Yellow Vinyl Edtion

Loredana Berte

LP | 1985 | EU | Reissue (Columbia)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Fear No Evil Clear Vinyl Edition

Grim Reaper

LP | 1985 | EU | Reissue (Reaper (Grim Reaper))

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Esoteric)

Michael Mcgear

McGear

34,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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7" | 1987 | EU (Beat Generation)

Tercera Guerra Mundial

Violencia

11,99 €*

Release: 1987 / EU

Genre: Rock & Indie

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7" | 1978 | EU (Mad Butcher Classics)

The Rebels

Suicide

10,79 €* 11,99 € -10%

LP | 1975 | EU | Reissue (Sommor)

Release: 1978 / EU

Genre: Rock & Indie

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Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

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Second Sign

LP | 1988 | EU (Replica Nova)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Mid-70s UK hard/progressive/psychedelic band in the vein of Narnia, Saturnalia or Fruupp with connections to doom outfit Warlord. Featuring female vocalist Irene Menasche. This is the first ever vinyl release of their 1975 studio recordings. Music ranges from ultra-raw hard-rock to folk-rock, culminating in the 9-minute epic psych-prog masterpiece “Golden Age”.

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Garbage Collector

1988

15,29 €* 16,99 € -10%

Release: 1988 / EU

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Spittle)

Good Missionaries

Fire From Heaven

13,49 €* 14,99 € -10%

First Century Dementia: The Oldest Novelty Records Of All Time Black Friday Record Store Day 2020 Edition

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Born out of the ashes of Alternative TV, The Good Missionaries embodied Mark Perry's new and advanced Experimental-Post-Punk vision. Avoiding all kinds of average Rock cliches, Perry got more and more deeply into an uncompromised form of music. A totally new area where his solid Punk roots were confronted by a more free, radical approach to the sound material. During their lifetime The Good Missionaries toured and gigged with other distinctive, unconventional bands such as The Fall, The Pop Group, Crass, Scritti Politti... Recorded live on their 1979 tour, Fire from Heaven comes as tangible proof of the band's explosive energy on stage. An infectious mix of electric noise, raw grooves, space, and resolute Punk attitude. This brand new, digitally remastered edition comes as the first vinyl reissue since its 1979 original release. Don't miss it!!!

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Dr. Demento

2LP | 1970 | EU | Reissue (Liberation Hall)

29,69 €* 32,99 € -10%

LP | 1988 | DE | Original (Music Maniac)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 1200 copies.

An album of early 20th century novelty songs, compiled by the expert himself, Dr. Demento (who is coming up on his 50th anniversary as “The Doctor”!) This RSD Black Friday release marks its first time on vinyl.

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Mark Enbatta

Hidden Passions

9,99 €*

LP | 1978 | US | Original (Columbia)

Release: 1988 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

few paper scuffs

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Tom Scott

Intimate Strangers

8,99 €*

LP | 1983 | EU (Euthanasie)

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original inner sleeve. With insert.

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Reich Orgasm

Release: 1983 / EU

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Federal Green)

Viith Temple

Under The Burning Sun

30,99 €*

Jiri Schelinger & Skupina Frantiska R. Cecha

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Recorded in late '70s Ontario, just prior to the synth-punk masterpiece by their alter-ego, Drama, this is a heady stew of hypnotic psych prog pomp, coupled with bashing drums and mystical and magickal lyrics. Each song swells as it progresses, reaching a frenzied climax, drawing you into the same place out of time this was birthed in. Incredibly rare in its original state, this is a lovingly remastered improvement on the impossibly expensive original.

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...Nam Se Libi...

LP | 1978 | EU | Reissue (Supraphon)

21,24 €* 24,99 € -15%

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Supraphon)

Greenhorns (Zelenaci)

Greenhorns '71

22,94 €* 26,99 € -15%

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Traversion Red Vinyl Edtion

Offenbach

LP | 1978 | CA | Reissue (Return To Analog)

27,54 €* 28,99 € -5%

Release: 1978 / CA – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Green Tree)

Silver Laughter

Handle With Care

12,74 €* 14,99 € -15%

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Nice To Meet Miss Christine Record Store Day 2022 Edition

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

2LP | 1982 | EU | Reissue (Spittle)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Thomas Leer

Contradictions

LP | 1974 | EU | Reissue (Karisma)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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Ruphus

Ranshart

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Vinyl Magic / AMS)

Il Baricentro

Trusciant

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Karisma)

Ruphus

Manmade

17,49 €* 24,99 € -30%

7" | 1982 | EU (Mad Butcher Classics)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Manmade” is the sixth and last album from the legendary Norwegian prog/jazz rock band Ruphus, originally released in 1979. A worthy end to a career of a band who made an everlasting catalogue of exciting music. After the previous album (“Flying Colours” in 1978), Ruphus lost three of the five band members. One of them was Thor Bendiksen (drums), who had been in the band from the start. It seemed impossible to replace one of the founding members, but Bjørn Jenssen filled the vacant drum stool like a charm. On keyboards, Kjell Rønningen replaced Jan Simonsen, and on vocals Gudny Aspaas returned for a third period in the band. With Gudny back in the band and new forces on keys and drums, they ventured to England to record a new album with Steven O’Donnell and Colin H. Jennings as producers. The result was a bona fide classic, and this new version of Ruphus did an extensive tour of Europe in support of it. “Manmade” is the sixth and last album in a series of Ruphus re-issues from Karisma Records, remastered by Jacob Holm-Lupo (White Willow, The Opium Cartel, etc).

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Dead Wretched

Convicted / Infiltrator

7,69 €* 10,99 € -30%

The Man Who Hated Mornings

Release: 1982 / EU

Genre: Rock & Indie

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Brummie punks Dead Wretched only managed to release 2 EP’s “NO Hope FOR Anyone” and “convicted/infiltrator”, but in those 2 releases were songs of such strength and catchiness that they still stand up today as some of the best songs to ever come out of the punk rock scene. They were originally called The Wretched, but on discovering that there was a band from Newcastle already with that name they decided on Dead Wretched. This rules. Absolute quality.

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Michael Chapman

LP | 1977 | EU | Reissue (Mooncrest)

Mattanza Record Store Day 2022 Orange Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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The Classic 1977 Folk album .and follow up to Savage Amusement. Feat: Mick Ronson, Andy Latimer & Keef Hartley. Recorded at Sawmills Studios, Cornwall, Tapestry Studios, London and Fairview Studios, Hull. Incl. Extensive Sleeve Notes from Andru Chapman & Marc Higgins With bonus track: Steel Bonnets (Instrumental) Limited Edition on 180 gram vinyl

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Napoli Centrale

LP | 1978 | EU | Reissue (Ricordi)

38,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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More Hot Rocks (Big Hits & Fazed Cookies) Record Store Day 2022 Colored Vinyl Edition

The Rolling Stones

2LP | 1972 | Reissue (ABKCO)

39,99 €*

LP | 1989 | EU | Reissue (V2)

Release: 1972 / Reissue

Genre: Rock & Indie

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Limited to 7200 copies.

Exclusive limited edition package for Record Store Day, celebrating the 50th anniversary of this landmark double album release. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!! More Hot Rocks…offers hits, some of the best deeper cuts, and a whole LP side’s worth of rarities that hadn’t yet been available in the United States when this compilation was released.Originally released in 1972, this indispensable 25-track, collection features Not Fade Away, It’s All Over Now, The Last Time, Lady Jane, Dandelion, She’s a Rainbow, Have You Seen Your Mother Baby, Standing in the Shadow?, Out of Time, Tell Me, and We Love You. The rarities include their 1963 debut single Come On, early R&B covers of Fortune Teller and Bye Bye Johnnie, great slide guitar on Muddy Waters’ I Can’t Be Satisfied, (recorded at Chess Studios and in stereo here) and the soulful 1966 U.K. B-side Long Long While. Also included is the stereo version of the psychedelic non-LP B-side Child Of The Moon, previous to the 1972 release, was only heard in mono. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!!

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Thelonious Monster

Oh That Monster

14,39 €* 15,99 € -10%

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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7" | 1982 | EU (Mad Butcher Classics)

The Fits

The Last Laugh E.P.

10,79 €* 11,99 € -10%

The Pointer Sisters Live At The Opera House

Release: 1982 / EU

Genre: Rock & Indie

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The Fits were a punk rock band from Blackpool, Lancashire, England. Originally released on Rondelet Music, this EP entered the UK Indie Chart in December 1982 and peaked at number 44.

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Pointer Sisters

2LP | 1974 | US | Original (Blue Thumb)

9,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Raccomandata Ricevuta Ritorno

Per Un Mondo Di Cristallo

LP | 1972 | EU | Reissue (Vinyl Magic-Warner)

28,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Goldencore)

Schloss

Ready For The Show

22,99 €*

LP | 1972 | US | Reissue (Manufactured)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Reissue of this obscure Rock/Metal album from the German band Schloss.

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Nitai Dasgupta

Songs Of India

22,94 €* 26,99 € -15%

La Torre Di Babele Legacy Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Manufactured Recordings reissues two Indian Classical LPs, Songs Of India from prominent vocalist Nitai Dasgupta and Three Sitar Pieces by trained instrumentalist Pandit Kanwar Sain Trikha, both originally released on Vic Keary’s underground label, Mushroom Records, in the early 70s.

While Vic Keary’s background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare Psych, Prog and Acid Folk, Nitai Dasgupta and Pandit Kanwar Sain Trikha’s diverse LPs fit in perfectly with their British Psych and Prog label mates like Simon Finn, Magic Carpet, and Chillum.

Nitai Dasgupta was one of the most talented Indian classical singers in Great Britain. His sweetness and flexibility created a unique style complemented by his melodious voice and composing abilities. Songs Of India pleases the lovers of Indian classical and semi-classical music while enticing pop and folk lovers. This LP even caught the ears of acclaimed electronic artist, Four Tet, who featured track “Cham Cham Cham Cham” on his NTS Radio show.

I inherited the Nital Dasgupta LP from my grandfather. I’ve no idea how he came to have it and after he died it sat on a shelf for many years before I found it and gave it a listen. – Kieran Hebden aka Four Tet

Both LPs are fascinatingly diverse pieces of work that dive into the intersection of folk, classical, and psychedelic music.

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Edoardo Bennato

2LP | 1976 | EU | Reissue (Legacy)

34,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Universal)

Stradaperta

Maida Vale

34,84 €* 40,99 € -15%

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Finardi 40th Anniversary Edition Clear Vinyl Edition

Eugenio Finardi

LP | 1981 | EU | Reissue (WEA)

33,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Master Music)

V.A.

Donna Circo

26,99 €*

Release: 1974 / EU – Reissue

Genre: Hip Hop, Rock & Indie

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Alligator Clear Red Vinyl Edition

Leslie West (Mountain)

LP | 1989 | EU | Reissue (Floating World)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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12" | 1987 | DE | Original (Arista)

Cruzados

Bed Of Lies

3,59 €* 3,99 € -10%

LP | 1985 | US | Original (Columbia)

Release: 1987 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has a tiny cut out, otherwise NM!

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Clarence Clemons

Hero

9,74 €* 14,99 € -35%

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Premiata Forneria Marconi

Jet Lag Blue Vinyl Edition

LP | 1977 | EU | Reissue (Rca Label)

22,94 €* 26,99 € -15%

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Claire Lepage & Compagnie

LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Original (Ariola)

Pete Wyoming Bender

Als Ob Es Gar Nichts Wär

2,49 €* 4,99 € -50%

Release: 1982 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Buck Owens & His Buckaroos

Bridge Over Troubled Water Black Friday Record Store Day 2021 Edition

LP | 1971 | US | Reissue (Sundazed)

LP | 1982 | EU | Original (Capitol)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In celebration of the 50th anniversary of the the- controversial album of Buck Owens, Don Rich and the rest of the Buckaroos doing countrified covers of Simon & Garfunkel, Donovon, and Dylan along with some originals. We shipped the original reels to Kevin Gray to do an all analog thing of sonic beauty. This is known as Buck's big thumbs-up to the folk-rock sound and it's time we celebrate it. All analog and on clear vinyl.

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Moon Martin

Mystery Ticket

6,79 €* 7,99 € -15%

Faithful Colored Vinyl Edition

Release: 1982 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Price sticker on cover.

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Todd Rundgren

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Hollywood Hollywood Record Store Day 2021 Edition

Roberto Vecchioni

LP | 1982 | EU | Reissue (East West)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

11,89 €* 13,99 € -15%

Orchestra Spettacolo Raoul Casadei

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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LP | 1978 | EU | Reissue (WEA)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Splodgenessabounds Black Record Store Day 2021 Edition

Splodgenessabounds

LP | 1981 | EU (Radiation Reissues)

Ian Dury & The Blockheads

Release: 1981 / EU

Genre: Rock & Indie

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Record Store Day 2021 Release. Punk parodists Splondgenessabounds achieved more than most in the early 1980s, with three chart hits, including a top-ten smash and another in the top thirty. Formed above a mini-cab office in Peckham, southeast London, they scored a contract with major label Deram through a Battle of the Bands contest, debut single B-side ‘Two Pints of Lager and a Packet of Crisps’ hitting number 7 on the singles chart in June 1980. An equally unlikely cover of Boer War saga ‘Two Little Boys’ hit the top thirty and initial single A-side ‘Simon Templar,’ based on the theme from The Saint, was also popular. This incredible debut album has each of these tracks and so much more, with plenty of fart songs and a closing dub of ‘Two Pints.’ This is the sound of the band at their magnificent best, a pick of the bunch for all Splondgs fans.

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Hit Me With Your Rhythm Stick Record Store Day 2021 Edition

12" | 1979 | EU | Reissue (BMG)

LP | 1983 | EU | Original (Cattle)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.

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Cherokee Jack Hickory

Land Of My Fathers

19,99 €*

Release: 1983 / EU – Original

Genre: Rock & Indie

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LP | 1985 | DE | Original (Woolfe Recs)

Pee Wee Bluesgang

Cool Man's Burning

7,99 €* 9,99 € -20%

Ballad Of A Lady Gun Slinger

Release: 1985 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM!

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Dummy Club

7" | 1985 | DE | Original (Zensor)

7,64 €* 8,99 € -15%

LP | 1982 | DE | Original (Editor-Musik)

Release: 1985 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl has some slight paper scuffs.

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Editor

Kontraste

17,99 €* 44,99 € -60%

LP | 1976 | EU | Reissue (Capitol)

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to Near Mint.

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Wings

Venus And Mars

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Original (Dischord)

Three

Dark Days Coming

26,99 €*

LP | 1973 | DE | Original (Vertigo)

Release: 1989 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with edge wear and a bit of damage

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Black Sabbath

Sabbath Bloody Sabbath

Minna Tanoshiku Shonen Knife

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Original sleeve is missing.

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Shonen Knife

LP | 1982 | JP | Reissue (P-Vine)

35,99 €*

LP | 1973 | US | Reissue (Friday Music)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix! These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

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Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

161,99 €*

Time Flies + Rats Black Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Subhumans

LP | 1983 | US | Reissue (Pirates Press)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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7" | 1978 | EU | Reissue (You Are The Cosmos)

No Sweat

Start All Over Again

13,99 €*

Junior's Got Brain Damage

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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First official reissue of their first 7", originally released in 1978 by Rip Off Records (Ireland) + the two tracks released in a small run in 2007. Limited edition of 400 copies

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Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

LP | 1979 | EU | Reissue (Legacy)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Rockcelona

La Bruja

25,49 €* 29,99 € -15%

Torment In Fire Splatter Vinyl

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Considered by many worldwide collectors as one of the best hard-rock albums ever, Rockcelona's "La Bruja" saw the light in 1978 and sank without trace. The band came from Barcelona and could be seen as one of the early Spanish proto-punk bands along with La Banda Trapera Del Rio. Killer sound with primitive English/Spanish vocals and heavy, and I mean Heavy fuzz-wah wah assaults from start to finish!! A must!!!

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Sacrifice

LP | 1985 | EU | Reissue (High Roller)

30,99 €*

Harvest 50th Anniversary Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, ultra clear w/ red & yellow "fire" splatter vinyl, ltd 700, lyric sheet, 4 page insert, poster, A5 photo card, 425gsm heavy card board cover, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal Thrash Metal classic! FOR EUROPE ONLY!

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Neil Young

Box | 1972 | EU | Reissue (Reprise)

157,99 €*

Groovy Things Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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2LP + 7" + 2dvd

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

32,99 €*

LP | 1972 | EU | Reissue (Life Goes On)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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Music Box

Songs Of Sunshine

Land Of Mystery Bicolor Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Here we have another magical achievement of the early 70’s counterculture. Officially released in 1972 on the small imprint Westwood Recordings, the album has an intimate, predominantly acoustic flavor. Flutes, chimes and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens and even Peter Pan dominates the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of the group, became a renowned luthier and you can hear the care and love of the acoustic guitar in his music. The short lived british folk trio released just this single before vanishiong. The album consists of nine acoustic folk tracks of their own material and the Bob Dylan's classic Tom Thumb Blues.

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Black Hole

LP | 1985 | EU | Reissue (High Roller)

27,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Ghjuvan Petru Graziani & Rinatu Coti

Corsica Ribella

LP | 1983 | EU | Reissue (Aitone Library)

37,99 €*

Marathon Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This first reference (ate001) is a reissue of Corsica Ribella, which is the second album by Ghjuvan Petru Graziani (GP.G) in collaboration with the poet Rinatu Coti. Limited to 300 copies, the reissue includes the restoration of the cover as well as an 8-page booklet containing sketches, poems and exclusive interviews with the artists translated into three languages (French/English/Corsican). Below a bit more about the artist Ghjuvan Petru Graziani (GP.G) : Born in Corsica, with a childhood in Toulon, then planer and toolmaker at the Renault Billancourt factory, GP.G created the Groupe Culturel Renault which had an impact in the political strike of 1971. Multi-faceted artist, GP.G is known among other things for his activist music label Les Disques Vendémiaire with which he produced a few big names in free jazz such as JEF Gilson, François Tusques, Cossi Anatz and ByardLancaster. Corsica Ribella record is born in 1984 when G.P.G was back in Corsica. He was at this time highly committed to the Corsican National Liberation Front (flnc). Corsica Ribella is then the first Corsican electronic disc ; a clever mix of electronics, poetry and field recording. Jazz-funk influenced, the LP is a cosmic ballad oscillating between ambient and leftfield with large instrumental parts against backdrop of nationalist demands, an ode to freedom.

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Santana

LP | 1979 | US | Reissue (Friday Music)

43,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Kahdet Kasvot Red Vinyl Edtion

Kummitus

LP | 1976 | EU | Reissue (Svart)

28,99 €*

Aamun Hauta Red Vinyl Edtion

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Kummitus (Finnish for “Ghost”), a band from Tampere who were active in the mid- ’70s, is certainly one of the strangest entities in the history of Finnish rock music. Their original vision was to create a mystical band that builds on horror or hysteria and performs in costumes, frightening their live audience. The band had also considered remaining completely anonymous. However, the concept proved inadequate for various reasons. Keyboardist Hannu Latva-Hakuni recalls: “We quickly ditched the masks and costumes because we had to show up before the show during the load in.” Drummer Seppo Tammilehto has speculated that in the ’70s, musical skills were even more important than in later eras of rock music. “We were laughed off the stage because of these extra musical elements.”

The concept for Kummitus came from Heikki Kauppinen who had managed a booking agency called Ohjelmamiehet and sold Matthews’ gigs. “He proposed this idea to me in the very beginning”, Seppo Tammilehto recalls. Jussi Niemi from the town of Nokia became the band’s guitarist. Despite their young age, Niemi and company accompanied both Sammy Babitzin and Johnny Liebkind and played in Muska’s band for one summer. A stint in Arto Sotavalta’s Häkäpönttö was followed by military service. After that also Niemi had time to play in Matthews. “Then we moved on to plan Kummitus.”

As the band’s manager, Heikki Kauppinen designed Kummitus a light show together with Pekka Heinänen who was responsible for the costumes. Flyers saying “kummitus IS Coming” were distributed all over Finland. When the band hit the road in the summer of 1975, the light show was of course ruined by sunshine. Besides their then unreleased original material, Kummitus played cover songs mainly from British rock bands such as Rolling Stones and The Beatles.

Later on Heikki Kauppinen was contacted by Kari Kantalainen and Vesa Majanen, both coming from a journalist background, who wanted to produce Kummitus’ album. The record label Basf, who were more renowned for their cassette tapes fit for home recording, was found through Kauppinen’s contacts. The album was made in Pekka Nurmikallio’s Microvox studio in Lahti. Jussi Niemi recalls there being “two stereo recorders, so almost everything was played live. Even the choir sections were sung while we were playing. The vocals, however, were recorded separately. It was challenging, since there’s all sorts of soundscapes especially on side B.”

True to its name, Kahdet kasvot (Two Faces) clearly consists of two different sides. The straightforward and rocking side A is kicked off with ‘Paranoia’, composed by Niemi and featuring lyrics written by Tammilehto. The murky synth parts are a fine addition to the “robust rock music”, as the original pressing’s liner notes describe the song. As an uptempo rock song, Juhani Kivistö’s ‘Tuonen rock & roll’ may bring to mind early Coitus Int, whereas ‘Taivaassa taas’ and its devoted vocal performances share DNA with Kontra’s Finnrock. ‘Nauru haamuille’, written by Tammilehto, features proggy guitar patterns and a ghastly synth solo. ‘Se on ok’ was written by Niemi while the rest of the band was dining, with the purpose of making the album long enough to be sold at a full price.

The more experimental four-part entity of side B was, according to the liner notes, dedicated to “Spike Jones and an Englishman named Waters.” Pink Floyd influences are apparent in dramatic sound effects and certain details in the arrangements. ‘On the Run’ from The Dark Side of the Moon can be seen as one of the role models for the nightmarish track ‘Ilme’. The title track, written and sang by Tammilehto, is a catchy rock composition, and Kivistö’s ‘Kuudes päivä’ effectively mixes Floydian prog and blues nuances with saxophone-filled soul. The guest blower Lucjan Czaplicki played in Uranus, whose sole album Aamun hauta (1975) was also released by Basf.

The story of Kummitus continued for a while, albeit with obscure twists. “Due to certain difficulties, the band split up in the early summer of 1976,” Seppo Tammilehto recounts. “The group continued with a lineup that consisted of me, Olli Kivistö and Eero Peltonen. We backed up Mikko Alatalo under the moniker Manserock-76. This came to an end late in the summer when I reassumed the position of Alwari Tuohitorvi’s drummer. The group had become quite popular.” After the original Kummitus had split up, some other individuals played gigs under the moniker. Seppo Tammilehto has met a recently deceased musician and person of reduced mobility from Tampere, named Jukka Törmä, who used to play in the fake group. “With all due respect, he was a great guy. Törmä looked back on the gigs, where musicians were gathered before the performances, with a smile even if they didn’t work out at all. Kummitus’ manager Heikki Kauppinen had no idea who was arranging these shows. According to Törmä, the shows weren’t arranged for long and he stepped aside quite early.”

Even without the band’s unusual history, Kahdet kasvot would deserve a second coming as an original and interesting album. To cite Hannu Latva-Hakuni, “listening to the album now, almost 50 years later, I think we did a hell of a good job.”

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Uranus

LP | 1975 | EU | Reissue (Svart)

28,99 €*

Cuba 35th Anniversary Special Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Limited red vinyl, gatefold sleeve

Probably very few people today have ever heard of the Finnish band called Uranus. In the short time of their existence in the mid-seventies, the group recorded their sole album Aamun hauta (“The Grave of the Morning”) which remained mostly unnoticed by the music consuming public. As drummer Jari Unha says, “the time just wasn’t right for the kind of music we were playing”. The more rewarding it is now, nearly half a century later, to dig the album up from the grave of oblivion and let its happy soul groove reach our ears. With the help of historical perspective, it’s perhaps easier now to appreciate this extremely well played and rare early Finnish dive into the vibrating musical territory inhabited by legendary figures such as Otis Redding and Stevie Wonder.

In the autumn of ’75 Uranus drove to Lahti and recorded Aamun hauta in Pekka Nurmikallio’s Microvox studio. Jari Unha is amused to remember the pink Volga of the trombone player Hannu Lehtonen. “We went to record American soul music with the pride of the Soviet car industry. Almost like a detail from an Aki Kaurismäki movie!”

It is presumed that Aamun hauta was too daring a deviation from the mainstream of the time to get the attention it would have deserved. On top of that, Basf had no guts or will to promote the LP. It was an optional subscriber’s gift in Popfoto magazine, together with albums by Kummitus, Kyklooppi and Horseshoe, but due to the lack of money, the short-lived magazine failed to succeed.

As for Uranus, things folded soon after recording the album. Soul music didn’t sell in live circuits either. For some time the group continued accompanying Markku Aro on dance venue gigs. The members have since made long and versatile careers in music.

Meanwhile, the original vinyl of Aamun hauta has become a rare collector’s item. Majanen has noticed someone in Italy is selling the LP for the price of 70 euros. Svart Records is proud to re-release this delicious and invitingly groovy album. Happy listening!

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The Silos

2LP | 1987 | EU | Reissue (Hanky Panky)

34,99 €*

Helloween GSA White & Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.

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Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

27,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Slovenly)

Eddie And The Subtitles

Skeletons In The Closet

Abstract Reality Clear/Silver/Green Splatter Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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Nasty Savage

LP | 1988 | UK | Reissue (Alone)

Best Of Firefall Blue Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Third release from this Florida band of mayhem metal mongrels led by the maniac Nasty Ronnie. This is a one-sided 4-song Ep, with "Unchained Angel", which first appeared on their classic demo

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Firefall

LP | 1981 | US | Reissue (Friday Music)

42,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Kalapana II Blue Vinyl Edition

Kalapana

LP | 1976 | US | Reissue (Aloha Got Soul)

17,99 €*

Bright And Guilty Pale Blue Color Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Following the massive success of their debut album in 1975, Kalapana returned to the studio in 1976, this time at Audiotronics in West Covina, California, this time taking the lead in producing the record. Barry Fasman, the Los Angeles-based producer whom the band credited with making their first record shine, joined them in the studio for string arrangements and to conduct certain tracks. However, on Kalapana II, the band felt fully prepared to produce the album themselves. And they did so, marvelously.

Little did they know, this would be the last time all four original band members would record an album together.

Second in a trio of eponymous albums from 1975 to 1977, Kalapana II expanded upon Kalapana I’s now-classic sound while leaning into styles not previously heard on their debut: lead vocalist Malani Bilyeu weaved a love-lorn country ballad into the new LP with “Wandering Stranger”, and keyboardist Kirk Thompson forever left his mark on the group’s legacy with the latin jazz-funk instrumental, “Black Sand”. (The tune became a staple for the band’s live performances: they’ve opened practically every concert ever since with the composition).

Considering the mastery and timelessness of Kalapana I, a sophomore LP could have easily fallen short of the high standard they had set. Yet they did it, cutting a second LP with back-to-back, timeless hits that continue to resonate today. As a quartet — supported by the propulsion of drummer Alvin Fejarang and saxophonist Michael Paulo’s prowess — Mackey Feary, Malani Bilyeu, D.J. Pratt, and Kirk Thompson solidified their legacy as one of Hawaii’s greatest groups of all-time with this recording.

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The Wolfhounds

2LP | 1989 | EU | Reissue (Optic Nerve)

40,99 €*

LP | 1970 | US | Reissue (Superior Viaduct)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Deluxe reissue of their 1989 sophomore album pressed on pale blue Color Vinyl. Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.

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Crime

San Francisco's Doomed

LP | 1978 | JP | Reissue (P-Vine)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The legend of Crime looms large among punk aficionados the world over. Formed in the mid-1970s, the band's dual-guitar sound, confrontational image and sleazed methodology still serve as inspiration decades later. With only a handful of singles released during their active lifespan, Crime's legacy grew significantly as archival recordings began to trickle out in the early 1990s. Of all these excavations, San Francisco's Doomed was one of the first and certainly one of the most powerful. Culled from 1978-79 studio demos and rehearsal tapes, San Francisco's Doomed captures the frenzy of Crime's sound in a fittingly loose, devil-may-care framework. Side one is a gloriously unpolished assault of classic, gutter-level punk with vicious live set staples like "Feel The Beat" and "Piss On Your Dog" taking marquee placement over the more well-known singles tracks. Side two finds Crime taking aim at the so-called New Wave, augmenting their attack with ripped odes that bear the direct influence of science fiction and rockabilly on the group. Few recordings from US punk's first wave match the raw intensity heard on San Francisco's Doomed. As Michael Stewart Foley writes in the liner notes, "Unimpressed with the once idealistic counter-culture and all the bands associated with it, Crime declared itself San Francisco's First And Only Rock 'N' Roll Band. Dressed in police uniforms and driving sonic ice picks through listeners' eardrums with the volume cranked past 10, they looked more like a street gang that might take your wallet and slash your face with a switchblade just to watch you bleed. But despite the band's best efforts to stand apart, Crime could have come from nowhere else, at no other time."

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Matthew Cassell

Matt The Cat

36,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1978 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The follow up to “Pieces”, “Matt the Cat” (1978) and Cassell’s last released single, “Love to Love / When I go Down” (1980) are being compiled on vinyl for the first time ever! With Cassell at the height of his powers as both a performer and songwriter, this record sees him expand on the iconic sound that defined his previous work with each song packing a soulful punch. Don’t miss this LP on limited edition vinyl available only from P-vine Records.

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Souls Of Inspyration

31,99 €*

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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LP | 1985 | UK | Reissue (Public Opinion Music)

Painters & Dockers

Kill Kill Kill

23,39 €* 25,99 € -10%

LP | 1988 | JP | Reissue (Alchemy)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Never available in this format before, Kill Kill Kill was originally released by Painters AND Dockers as a 4-track 12” ep in 1985.

This new full lengthy album version presents those covers of The Groovy Guru, Supernaut, The Ramones, and The Saints, alongside a couple of more covers (The American Breed, and The Velvet Underground), plus a handful of rare b-sides from the band’s 80’s singles.

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S.O.B Kaidan

Noise,Violence & Destroy

36,99 €*

Survivors Mikly Clear Vinyl Edition

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sabotage Organized Barbarian, best known by their acronym S.O.B were part of a hardcore punk movement in the 80s that envigorated Japanese youth along with other acts like Gism and Gauze. The ravaging tempos and punishing aural densities grappled with the ears, and their sphere of influence quickly broke the banks of their native Osaka, with acts like Napalm Death acknowledging the bands importance for their own sound and grindcore to come.

In 1988, S.O.B teamed up with Alchemy Records founder Jojo Hiroshige, and his prolific Japanoise band Hijokaidan to form S.O.B Kaidan. With Hiroshige’s crushing distortion squeals stacked on top of S.O.B’s high-tempo percussive aggression, the two made quick work of anything that dared to obstruct their path at the cross-sections of hardcore and noise.

Their only LP Noise Violence and Destroy remains the only relic of their collaboration, and has become hard to find. The initial batch of 3000 LPs were quickly snapped up, and the brief CD runs that followed are now rare items. As part of the Alchemy Records Essential Collections series, P-vine is thrilled to reissue Noise Violence and Destroy on limited edition vinyl for the first time with an iconic Japanese obi strip attached.

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Samson

LP | 1979 | UK | Reissue (Culture Factory)

37,99 €*

Tülay German & Francois Rabbath

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Debut album by British Heavy Metal band Samson. Released in 1979, The 2 big hits are “It’s Not as Easy as It Seems” & “Big Brother.”

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Homage To Nazim Hikmet

LP | 1982 | EU | Reissue (Zehra)