Rock & Indie Vinyl 5942 Items

LP | 1975 | EU | Reissue (BMG Rights Management)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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In the early 70s, Hendrix’s old friend & collaborator Curtis Knight moved to London and formed Curtis Knight Zeus, recruiting a young guitarist named “Fast” Eddie Clarke (later of Motörhead fame).

Sea Of Time was recorded at Olympic Studios in 1973 but never actually released in the UK, only in a few European countries. Psychedelic hard-rock with soul/funk influences and even some raw proto-punk moves. All songs were written by Curtis, showcasing his versatile songwriting talent, and he’s also on lead vocals / guitar.

Includes the underground heavy-funk-rock hit “The Devil Made Me Do It” and more!

Recommended if you like Jimi Hendrix, Arthur Lee’s “Vindicator”, Chubby Checker’s “Chequered”…

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Nazareth

Hair Of The Dog

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (BMG Rights Management)

Nazareth

Expect No Mercy

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Dischord)

Faith / Void

Split

19,99 €*

The Good, The Bad & The 4 Skins Yellow Vinyl Edtion

Release: 1982 / US – Reissue

Genre: Rock & Indie

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The classic split album of legendary DC hardcore, plus the side by THE Faith.

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The 4 Skins

LP | 1982 | EU (Radiation Reissues)

18,99 €*

Understand? Blue Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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The Good, The Bad & The 4-Skins' is the debut LP - originally released on Secret Records in 1982 - from East End Oi! legends The 4-Skins. Recorded with the first stable line-up after numerous changes, fronted by legendary vocalist Panther (who stepped in after the original singer Gary Hodges' defection), this is violent, political, and as real as Oi! gets, this is one of the absolute classic LPs of the genre. Featuring studio recordings on Side A and amped up live versions of such OI! classics as 'A.C.A.B' or 'Chaos' on Side B.

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Naked Raygun

LP | 1989 | UK | Reissue (Audio Platter)

The Last Fourfathers Transparent Blue Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Re-issue of 'Understand?' the fourth album by Chicago post-hardcore band Naked Raygun, originally released in 1989 through Caroline Records - NOW ON Stunning Blue Vinyl!

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The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

22,99 €*

Suicidal Tendencies Red Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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Suicidal Tendencies

LP | 1983 | EU | Reissue (Munster)

Wild Paarty Sound Record Store Day 2022 Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Suicidal Tendencies's debut has been regarded by critics as one of the most influential punk rock albums of all time and has inspired an untold number of influential musicians. "Suicidal Tendencies" has also been cited as an influence or favorite album by each of the "big four" of thrash metal (Metallica, Megadeth, Slayer and Anthrax) as well as California punk bands such as The Offspring and Nofx. Red colored vinyl includes original lyric sheet. In 1982 Suicidal Tendencies emerged from Venice, CA, with a dedicated audience among area skaters and surfers. As they established themselves on the Los Angeles punk scene, the group released their self-titled debut on Frontier Records with songs like 'Institutionalized,' 'Fascist Pig,' and 'Suicide's an Alternative.' "Suicidal Tendencies" became the bestselling American punk album of all time and launched the band into their long-lasting career. 'Institutionalized' has been referenced in many other songs, mostly its quote "all I wanted was a Pepsi". It is referenced in the Sage Francis song 'Slow Down Gandhi,' Limp Bizkit also referenced it in the song 'Stuck', also the lines "All I wanted was a Pepsi " are also quoted near the ending of the Cypress Hill song 'How I Could Just Kill a Man,' and Body Count recorded a cover version of 'Institutionalized', with new lyrics written by singer Ice-T, called 'Institutionalized 2014.' Suicidal Tendencies became the chameleons of aggressive rock 'n' roll. Starting with their debut album on Frontier Records in 1983, the band progressed from the punk rock genre into heavy metal/thrash. Throughout this transformation, singer, founder, and leader Mike Muir broadcast his own message with wit and wisdom to anyone that would listen. After the video for 'Institutionalized' broke through the MTV airwaves as the first hardcore video for the channel, the song gained further notoriety on the soundtrack for the cult film "Repo Man" in 1984. The original album continues to be a perennial punk rock best seller due to its wide appeal and catchy tunes. Every song on it is great. It's a perfect crossover between hardcore punk and metal.

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V.A.

LP | 1981 | EU | Reissue (Lantern)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)

Landscape Of Life Clear Green Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

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Osanna

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Innermost Limits Of Pure Fun Feat. Dragon Brothers

Farm

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The Jet Set Junta Red Vinyl Edition

The Monochrome Set

7" | 1983 | EU | Reissue (Optic Nerve)

12,99 €*

LP | 1976 | EU | Reissue (Cosmic Rock)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

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Relatively Clean Rivers

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Long before the term Cosmic Americana was of common use there was a band ideally fitting the role. Back in 1976 the long psychedelic wave was rapidly fading away, but the market of private press was still in demand. The self-debut album of Relatively Clean Rivers came out the same year on the leader Phil Pearlman label. Pacific Is released just this sole album and was to a certain extent an original example of do it yourself. The brainchild of Phil Pearlman, the band was rapidly crossing genres focusing on extended long jam verging on Californian psych and proto-ambient country/folk. The man, a sort of local guru, was previously involved in two other projects: Orange County own The Beat Of The Earth and The Electronic Hole, so to speak different names for the same group of musicians. While those two early efforts were explicitly devoted to a sort of LSD inducted trip, the Relatively Clean Rivers stand on their own, merging styles and – finally – proposing an accurate songwriting. The first press of this sough after underground masterpiece has been traded for thousand dollars, now here’s your chance to grab this rural manifesto. With much of the music being acoustic, there are elements of morphing electric guitars, smattered with strange spacey moments belaying a certain stoned atmosphere. The album is imaginative, melancholic, mellow, and exotically webbed. And then there’s the band Wilco, citing the Relatively Clean Rivers as being inspirational. Not a bad companion, right ? And if you just look at Jeff Tweedy instant progression from ‘Summerteeth’ to ‘Yankee Hotel Foxtrot’ the ‘suspect ‘ is more than reasonable. We’ll give you one more hint, Kevin Morby has been probably fascinated but this long lost gem as well.

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Carl Erdman

Bizzarrophytes

19,99 €*

LP | 1972 | EU | Reissue (Virgin)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Roxy Music

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Mobile Fidelity)

Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

31,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Tapete)

Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Hall Of The Mountain King Black Vinyl Edition

Savatage

LP | 1987 | EU | Reissue (Earmusic)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | US | Original (MCA)

Point Blank

The Hard Way

6,79 €* 7,99 € -15%

Very 'Eavy, Very 'Umble Limited Picture Disc Edition

Release: 1980 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with a small cut out.

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Uriah Heep

LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (ORG Music)

Bad Brains

Quickness

30,99 €*

Dedalus Crystal Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Dedalus

LP | 1973 | EU | Reissue (AMS)

Tango 2000 Remastered Deluxe Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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One of the most experimental bands of the Italian Prog scene, Dedalus were founded at the beginning of the '70s by Michele Bonansone (keyboards, cello, vocals) and Marco Di Castri (guitar, saxophone) in Pinerolo, near Turin.

Their first eponymous LP consists of instrumental jazz-rock compositions, influenced by artists like Nucleus, Miles Davis, Soft Machine, Stockhausen and many other musical innovators of the time. "Dedalus" was originally released in 1973, and in the same year the band took part at the Avantgarde and New Trends Festival in Naples, being pointed as the real revelation of the event.

The album, enclosed in one of the most peculiar Italian Prog artworks by Cesare Monti, already contains some of the avantgarde hints which would be fully developed in the following "Materiale per tre esecutori e nastro magnetico".

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Nichts

LP | 1982 | EU | Reissue (Cargo)

22,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Altercat)

Costa Blanca

Viaje A Prantia

22,99 €*

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with some of the country's best-known rock acts of the time, including Triana, Guadalquivir, Bloque or Coz, often receiving praise from fellow musicians and music critics alike. The band's sole LP takes the listener through a typical summer in the Mediterranean, from its blissful afternoons by the sea to galloping thunderstorms, and is reminiscent of some kind of Weather Report with a Mediterranean flair. Formed by four musicians of diverse musical backgrounds, the band members proved to be exceptionally skilled despite their limited experience, remarkably drummer Pedro Barceló who, aged just 17 at the time of recording, delivered an astonishing 9-minute solo and grew to become one of the most in-demand session musicians in Spain. Napi Carratalá's guitar makes sure his inclination for psychedelic rock doesn't go amiss and the imperturbable Chiki Navarret provides the funky bass lines that hold the band together, while the French saxophonist Alain Fabrizio blows the jazz influence, adding a bit of soulfulness into the blend.

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Cosmic Jokers

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Original (Asylum)

Eagles

The Long Run

7,99 €*

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition

Alusa Fallax

LP | 1974 | EU | Reissue (BTF)

2LP | 1972 | EU | Reissue (Reprise)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.

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Neil Young

Harvest

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Vinyl Magic)

Blocco Mentale

Poa Yellow Vinyl Edition

Give Me Convenience Or Give Me Death

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A very obscure and one of the rarest albums from Italian rock music scene of the 70's. This album takes on ecology as its theme and sings of the evil of polluting the planet. Terrific basic progressive music housed in a creative gimmick sleeve with window to flower. Blocco Mentale were a quintet, consisting of Aldo Angeletti (who wrote the music) on vocals and bass, Michele Arena on drums and vocals, Gigi "Roso" Bianchi on guitar and vocals, Filippo Lazzari on keyboards, harmonica and vocals, and Dino Finocchi on vocals, sax and flute. Musically Blocco Mentale is characterised by a progressive style with some personal touches. The best intruments are the horns and the keyboards.

The album opens with angular staccato sax riffs and then slides into a lush melody somewhat reminiscent of PFM ( Premiata Forneria Marconi ) in their early (and best) days. There are rich vocal harmonies blended with organ and flute, and once again a Meditteranean sensibility which distinguishes much of the best Italian progressive rock. (The opening lines of that opening track, "Capita," are recapitulated in the closing lines of the sixth track, "Ritorno," but the album still has one track to go at that point, oddly enough). Swelling Mellotrons blend into vocal harmonies, and give way to a cascading piano line. The music moves around a lot in the course of the album. The fourth track, "Io E Me," is an amazing Meditteranean blues, with a wailing harmonica taking the lead.

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Dead Kennedys

LP | 1987 | EU | Reissue (Audio Platter)

LP | 1985 | EU | Reissue (Audio Platter)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedy's 'Give Me Convienience' Available Again On Vinyl!Give Me Convenience Or Give Me Death (Stylized As Give Me Convenience Or Give Me Death) Is A Compilation Album By The American Hardcore Punk Band Dead Kennedys. It Was Released In June 1987 Through Front Man Jello Biafra's Record Label

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Dead Kennedys

Frankenchrist

LP | 1980 | EU | Reissue (Restless Empire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedy's Frankenchrist Available Again On Vinylfrankenchrist Is The Third Album Released By The American Hardcore Punk Band Dead Kennedys In 1985 On Alternative Tentacles.The Album Is An Example Of The Progressive, Psychedelic Side Of Dead Kennedys' Musical Personality. The Spaghetti Western Soundtrack Influence Is Also Noticeable In The Horn Parts And In East Bay Ray's Atmospheric Guitar Work. Frankenchrist Is Noted For Its Relative Lack Of Traditionally 'Hardcore' Material. Most Of The Songs Are Slower And Longer Than The Majority Of Other Dead Kennedys Songs. "M.T.V. - Get Off The Air" Is Notable For Its Pointed Slam Of The Music Establishment And "Stars And Stripes Of Corruption" For Its Exegesis Of Vocalist Jello Biafra's Political Philosophies.

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999

Biggest Prize In Sport

19,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Spittle)

Sad Lovers & Giants

Feeding The Flame

Emerges Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

23,99 €*

The Force White / Blue Splatter Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Onslaught

2LP | 1986 | EU | Reissue (Back On Black)

33,99 €*

Power From Hell White / Red Splatter Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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"The Force" is the second studio album by English thrash metal pioneers Onslaught, originally released in 1986. More successful than their previous album, "Power From Hell", The Force is considered a thrash metal classic by fans and critics. Fast paced drumming, a huge variety of riffs from tremolo picked insanity to chugging heaviness, and a vocal performance that truly gives the genre a good name! Influencing bands such as Exodus, Slayer and Metallica, Onslaught played a big part in defining the death metal genre!

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Onslaught

LP | 1983 | EU | Reissue (Back On Black)

31,99 €*

Psychedelic And Underground Music Yellow Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Re-issue of the debut album of one of the greatest black metal bands of all time!

Onslaught, the British thrash metal band, formed in 1983 by guitarist Nige Rockett and drummer Steve Grice, initially drew influence from the second wave of Punk bands. In 1984 Jase Stallard and Paul Mahoney joined and The band began to write more Heavy Metal songs than their original punk sound. This was mainly influenced by the early releases of Thrash Metal bands. The output of this was the 1985 release of Power from Hell on the Children of the Revolution record label.

“Power from Hell” came into a time when satanic imagery was labelled "childish Venom worship" and Black Metal was a swear word terrifying musicians labelled as such. Their convincing powerful Black Thrash is as enjoyable in 2007 as it was in 1985 – Every song on this Blackend re-release is Thrash with class!!!

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The Psycheground Group

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Speakers Corner)

Michael Franks

The Art Of Tea

33,99 €*

LP | 1977 | US | Reissue (Tooth Factory)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Saitana

Jenakuru

LP | 1985 | EU | Reissue (The Gramophone Company Of India)

Release: 1977 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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1977’s Jenakuru was self-produced and reveals a slightly darker, somewhat introspective and perhaps more vulnerable side to Saitana. A great admirer of Jimi Hendrix, Satiana often performed solo during this period. “It was really unheard of at the time to perform without a band. He could entertain people like that and a lot of people loved him because he was such a character.” There was also an increasingly Dionysian aspect to Saitana’s routine as a performer - a gradual advance into drunken showmanship akin to Jim Morrison. Taken from the original reels.

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Brij Bushan Kabra

Lure Of The Desert

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Scaling New Horizons With Guitar

Brij Bhushan Kabra

LP | 1976 | EU | Reissue (His Master's Voice)

23,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Ethiopian Modern Instrumentals Hits

V.A.

LP | 1972 | JP | Reissue (Groove Diggers)

36,99 €*

Slayed? Colored Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Mahavishnu Orchestra, John McLaughlin

The Mahavishnu Orchestra, John McLaughlin

LP | 1980 | GDR | Original (AMIGA)

5,99 €*

Force It Limited Clear Deluxe Edition

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Edge wear. Creased corner.

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Ufo

2LP | 1975 | EU | Reissue (Chrysalis)

32,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band Deluxe Edition

John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

Stanley Clarke/George Duke

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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The Clarke / Duke Project II

LP | 1983 | US | Original (Epic)

5,69 €* 5,99 € -5%

Release: 1983 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

The Worst Of Jefferson Airplane

Jefferson Airplane

LP | 1970 | EU | Reissue (Sony)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | US | Reissue (RhIno)

Dire Straits

32,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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12" | 1979 | EU | Reissue (Mental Experience)

Electric Chairs

So Many Ways

18,99 €*

LP | 1973 | EU | Reissue (Rhino)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningham (flying Lizards). Expanded to 12” including hot edits / reworks by Gareth Goddard aka Cherrystones. In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, etc. He also played synthesizer on some of the tracks. Often compared to Bowie’s Low and Iggy Pop’s Lust For Life, the album combined the no-frills punk-rock sound of the band with the experimental production of Cunningham, showing his love for dub music and cut'n'paste / electronica. After a tour promoting the album, vocalist Wayne County along with guitar player Eliot Michaels departed the band and returned to New York, where County later emerged as Jayne County. The remaining Electric Chairs members - Val Haller, JJ Johnson and Henry Padovani (ex-Police!) - decided to continue under the Electric Chairs name. Their record label gave them just a month to find a replacement singer and write material for an album. After rehearsing with a few singers, none of which were suitable, the trio decided to go into the studio and record some tracks with Cunningham as producer. The result was the "So Many Ways" / "J'Attends Les Marines" 45, released in November 1979 by Safari Records. Here, Cunningham applied his most experimental production techniques, using electronic treatments on drums, rhythms and vocals. "So Many Ways", featuring Val on lead vocals, was far from anything else the band had previously done: an hypnotic punk-funk / no wave / synthetic pop hybrid that still sounds years ahead of its time. In 2013, it was included on the compilation "Under The Influence" by famous DJ James Glass. "J'Attends Les Marines" was a rework of "Waiting For The Marines" from the Things Your Mother album but adding a cool dub / experimental touch. Here's the first ever vinyl reissue of this sought after punk-funk / no wave 45, featuring the original artwork but expanded to 12" format for maximum sound quality and including two exclusive edits / reworks by Electric Chairs fan and mix/edit wizard Gareth Goddard aka Cherrystones

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John Prine

Sweet Revenge

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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7" | 1975 | EU | Reissue (Türküola / Arsivplak)

Arif Sag & Zafer Dilek

Golden (Altin Baglama)

14,99 €*

LP | 1975 | EU | Reissue (Sony)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

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Lou Reed

Coney Island Baby

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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On The Way To Eden White Vinyl Edition

Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

LP | 1986 | EU | Reissue (Mercury)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Bon Jovi

Slippery When Wet

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Dogfeet Blue Vinyl Editon

Dogfeet

LP | 1970 | EU | Reissue (Klimt)

LP | 1986 | EU | Reissue (Columbia)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Bassist Dave Nichols, singer Alan Pearse, drummer Derek Perry and guitarist Trevor Povey first came together as Chicago Max, followed by brief stints as Sopwith Camel (not to be confused with the San Francisco-based outfit), Malibou and Armageddon. Working in a blues-rock vein (wasn't every early-1970s band dipping their creative toes in the genre), they were signed by the small Reflection Records, though the label immediately demanded a new name. Musically 'On the Road' harkened back to the bands' blues-rock roots, but extended tracks such as 'Now I Know', the attractive atmospheric ballad 'Reprise' and the Western-inspired 'Since I Went Away' set them apart from most of their contemporaries. Not that it mattered. The album vanished without a trace, followed in short order by the band.

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Paul Simon

Graceland

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Lou Reed

Transformer

LP | 1982 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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Lou Reed

The Blue Mask

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Epic)

Judas Priest

Sin After Sin

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Clear Memory Black Vinyl Edition

Bomis Prendin

LP | 1984 | EU | Reissue (Mental Experience)

LP | 1983 | EU | Reissue (Sony)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.

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Stevie Ray Vaughan

Texas Flood

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Concert In Central Park Live

Simon & Garfunkel

2LP | 1982 | EU | Reissue (Sony)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Columbia)

Bob Dylan

Oh Mercy

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Love Will Tear Us Apart Remastered Edition 2020

Joy Division

12" | 1980 | EU | Reissue (Rhino)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Atmosphere Remastered Edition 2020

Joy Division

12" | 1988 | EU | Reissue (RHINO)

16,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Sticky Fingers Half Speed Remastered Edition

LP | 1971 | EU | Reissue (Polydor)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Exile On Main Street Half Speed Remastered Edition

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Warner Bros.)

Neil Young & Crazy Horse

Zuma

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Dirty Work Half Speed Remastered Edition

LP | 1986 | EU | Reissue (Polydor)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Black And Blue Half Speed Remastered Edition

LP | 1976 | EU | Reissue (Polydor)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | JP | Original (Virgin)

Julian Lennon

Valotte

14,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | EU | Reissue (Craft)

Social Distortion

Mommy's Little Monster

35,99 €*

D.O.A. The Third And Final Report Of TG

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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40 YEAR VETERANS OF THE CALI PUNK SCENE WHO ARE STILL TOURING TO THIS DAY. THIS ALBUM IS RESPONSIBLE FOR PUTTING THEM ON THE PUNK-ROCK MAP, A RAW AND RAGING CLASSIC.

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Throbbing Gristle

LP | 1978 | EU | Reissue (Mute)

25,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Back On Black)

Warfare

Pure Filth

15,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sony Music Catalog)

Willie Nelson

Red Headed Stranger

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

Genetic Control

First Impressions

Revolucion Electronica En Musica Venezolana

Release: 1984 / US – Reissue

Genre: Rock & Indie

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We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

A Different Kind Of Tension Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Buzzcocks

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Singles Going Steady Black Vinyl Edition

Buzzcocks

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1989 | UK | Reissue (Earache)

Godflesh

Streetcleaner

Rehab Doll Deluxe Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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2019 will be the 30th anniversary of this seminal record from the hugely influential GODFLESH. 10 tracks of atmospheric and minimalistic industrial metal from one of the genre’s founding fathers. Godflesh was the brainchild of Justin Broadrick, a founding member of Napalm Death who played on the A side of the legendary ‘Scum’ album. Over the band’s career, Godflesh became one of the most influential industrial bands ever, touring the globe with the likes of Ministry, Fear Factory, Danzig and Type O Negative, and gaining influential fans including the likes of Metallica’s Kirk Hammett.

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Green River

2LP | 1988 | EU | Reissue (Sub Pop)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Original (Epic)

Sly & The Family Stone

Greatest Hits

5,99 €*

LP | 1978 | EU | Reissue (Polydor)

Release: 1970 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

US original.
Sleeve has heavy wear.
LP has scratches.

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Siouxsie & The Banshees

The Scream

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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In Rock (2018 Remastered Version)

Deep Purple

LP | 1970 | EU | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Love Bites Black Vinyl Edition

Buzzcocks

LP | 1978 | UK | Reissue (Domino)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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2LP | 1988 | EU | Reissue (Mercury)

Metallica

And Justice For All

42,99 €*

Lamb Lies Down On Broadway

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Remastered 180g Vinyl

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Genesis

2LP | 1974 | EU | Reissue (Atlantic)

44,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | DE | Reissue (Atlantic)

Genesis

32,99 €*

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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Ptooff! Clear Vinyl Edition

Deviants

LP | 1986 | EU | Reissue (Tiger Bay)

20,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Radiation Reissues)

The Crack

In Search Of The Crack

16,99 €*

LP | 1978 | EU | Reissue (Espacial Discos)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Founded in 1982, the CRACK didn't release their debut album until 1989. These British punkers were often tied into the Oi! scene of the mid-80s along with Cockney Rejects, and The Business, they had more in common with the melodic punk stylings of 999 and mod groups like The Jam or Secret Affair. Featuring a blistering wall of guitars and biting melodies, from the classic album opener "My World" to the raw closer "The Giddy House" The Crack deliver ten fantastic original tunes that, while firmly rooted in 1980s UK anthemic punk, also features a pop sensibility that presages the oncoming Brit-pop scene that would absolutely dominate the '90s. Seriously, we'd bet the farm that the young Gallagher brothers were blasting this back in 1989. Absolutely essential 1980s UK punk that bridges the gap between 80s OI! and the Brit-pop/power-pop revival. Killer.

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Hot Pepper

Spanish Movement

LP | 1989 | US | Reissue (Boner)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue of this obscure Cosmic Disco / Balearic / Afro gem from Mexico, originally released as a private pressing in 1978 and featuring famous drummer Jesús Muñoz “Tilico”, a giant musician who appeared on countless recordings and accompanied famous figures like Paul Mauriat and Carl Tjader among many others.
Four superb long tracks including the Cosmic underground club classic “Ritual Song”.
Hot Pepper was a studio project created by Mexican drummer / producer /arranger Jesús Muñoz “Tilico” who in the late 70s decided to record an album in a disco-funk vein, helped by some of his friends who were top session musicians. “Spanglish Movement” was the result, written and produced by “Tilico”, released in 1978 as a tiny private edition housed in a fabulous Afro cover. Being “Tilico” an enormous drummer, you can expect here lots of heavy drums, congas and percussion, surrounded by crazy space synths, male-female vocals, Latin horns, Afro touches and occasional fuzz guitar.

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Melvins

Ozma