Rock & Indie Vinyl 2186 Items

LP | 1973 | EU | Reissue (Polydor)

Goats Head Soup

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Exile On Main Street Half Speed Remastered Edition

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Emotional Rescue Half Speed Remastered Edition

LP | 1980 | EU | Reissue (Polydor)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Dirty Work Half Speed Remastered Edition

LP | 1986 | EU | Reissue (Polydor)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Rock Hard Silver Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Rock Hard Black Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Rock Hard Bi-Color Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Mission Accomplished...But The Beat Goes On

The Rezillos

LP | 1979 | EU (Drastic Plastic)

20,99 €*

Release: 1979 / EU

Genre: Rock & Indie

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12" | 1983 | EU | Reissue (Miss You)

The Redhots

Redhot

9,74 €* 14,99 € -35%

7" | 1978 | EU (Mad Butcher Classics)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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The Rebels

Suicide

10,79 €* 11,99 € -10%

LP | 1980 | US | Reissue (Hollywood)

Release: 1978 / EU

Genre: Rock & Indie

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Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

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The Queen

Game

Release: 1980 / US – Reissue

Genre: Rock & Indie

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The Last Fourfathers Transparent Blue Vinyl Edition

The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

7" | 1986 | UK | Reissue (Optic Nerve)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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The Primitives

Really Stupid

12,74 €* 14,99 € -15%

4LP | 1983 | Reissue (Universal)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 5.0 Reissue Series.

Limited to 750 copies worldwide . Pressed on Purple Vinyl . Includes poster.

The Primitives' second single was originally released in 1986 on Lazy Records.

This issue contains all three tracks from the 12” . (None of which were included on their debut album), with a slightly different sleeve design that is a mixture of the original 12” and 7” release.

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The Police

Synchronicity Box

138,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Polydor)

The Police

Reggatta De Blanc

27,54 €* 28,99 € -5%

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Warner)

The Pogues

Rum, Sodomy And The Lash

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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If I Should Fall From Grace With God

The Pogues

LP | 1988 | EU | Reissue (Warner)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU (Survival Research)

The Plugz

Better Luck

16,99 €*

Release: 1981 / EU

Genre: Rock & Indie

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The Plastic People Of The Universe

Pasijove Hry Velikonocni / Passion Play

LP | 1980 | EU | Reissue (Guerilla)

50,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Egon Bondy's Happy Hearts Club Banned Marbled Vinyl Edition

The Plastic People

LP | 1978 | UK | Reissue (Moved By Sound)

38,99 €*

LP | 1970 | EU | Reissue (Bear Family)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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(ltd 300 copies on smokey vinyl and 700 copies on black vinyl) housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist government. Banned and jailed under Czech communism The Plastic People Of The Universe are a true story of artistic perseverance, Authorities claimed their music would have a "negative social impact", and they were banned from playing for the public, having to play secret shows in remote locations. The raw DIY sound of their recordings escaped to Europe on tape and was released without the band's knowledge, their first album being a document of artistic defiance against the control of a stringent political environment they lived under.

Egon Bondy's Happy Hearts Club Banned, PPU's debut LP, was recorded in 1973-74, but not released until 1978 (and even then, only in France). A beguiling album of lo-fi experimental rock that falls somewhere between CAN / THE Fall and Canterbury psych-folk with Ayler-esque sax solos. First-time vinyl reissue and it is limited. Essential.

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The Petards

Hitshock

23,99 €*

Every Good Boy Deserves Favour

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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The Moody Blues

LP | 1971 | EU | Reissue (Universal)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Jet Set Junta Red Vinyl Edition

The Monochrome Set

7" | 1983 | EU | Reissue (Optic Nerve)

12,99 €*

LP | 1985 | US | Reissue (Jackpot)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

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The Miracle Workers

Inside Out

LP | 1983 | EU | Reissue (Damaged Goods)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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When the 80s U.S. garage/psych explosion started, one record in that genre towered above all others — THE MIRACLE WORKERS’ 1985 debut LP Inside Out.
Initially formed in 1982, the classic line-up on this debut was a five-headed, five-star beast and one of the most ferocious live bands of the era. With four songwriters, they rarely had to rely
on the crutch of cover versions that many of their paisley contemporaries had to lean on. No lazy Pebbles compilation wanna-bees or drippy long-form psych yawns here; just 13
songs that are up there in the pantheon of garage rock (and really any other rock genre).

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The Milkshakes

In Germany

18,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Michael Schenker Group

Built To Destroy

LP | 1983 | Reissue (Chrysalis)

22,09 €* 25,99 € -15%

Release: 1983 / Reissue

Genre: Rock & Indie

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Teenagers From Outer Space

The Meteors

LP | 1986 | UK | Reissue (Big Beat)

17,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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7" | 1978 | US | Reissue (Superior Viaduct)

The Mekons

Where Were You?

11,99 €*

The Quality Of Mercy Is Not Strnen

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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The Mekons

LP | 1979 | US | Reissue (Superior Viaduct)

7" | 1978 | US | Reissue (Superior Viaduct)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Debut album by UK post-punk legends The Mekons
• Originally released in 1979 on Virgin Records
• First-time vinyl reissue
• Liner notes by Simon Reynolds
• No export outside US/Canada

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The Mekons

Never Been In A Riot

11,99 €*

We're The Meatmen And You Suck

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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The Meatmen

LP | 1983 | Reissue (Touch & Go)

LP | 1970 | US | Reissue (Don Giovanni)

Release: 1983 / Reissue

Genre: Rock & Indie

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...AND YOU STILL SUCK. Recorded "live" in 1988, this was thee Meatmen album at the time of its release (also in 1988). Incredibly well recorded for a live punk album (cough, cough), this is the one that catches the 'men as they always should have sounded. Full on, over the top punk/metal recorded with a crack band and the manliest Meat himself, Tesco Vee as master of ceremonies of the apocalypse. The material is all top notch, the cream of the crop of their originals like "Tooling For Anus," "One Down Three To Go," "Lesbian Death Dirge" and so on plus crazy covers of "Razamanaz" (Nazareth) and "Rebel Rowser" (Sweet). 5 bonus tracks round out this incredible release, including some material recorded in 1986 with Minor Threat's Lyle Preslar on guitar.

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The Maglory Dengluch

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Staubgold)

The Lo Yo Yo

Extra Weapons

Nobody Loves Me / Don't Want You Back

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Lo Yo Yo"s only album from 1985 for the first time reissued on vinyl. Featuring Mick Hobbs (The Work, Half Japanese) and Alig Fodder (Family Fodder), produced by Charles Bullen (This Heat). Limited to 500 copies worldwide.The Lo Yo Yo was founded in 1984 by Family Fodder"s John Pearce, aka Alig Fodder. They were active for two years and released one cassette, one split cassette with French band Look De Bouk and one full-length LP. The Lo Yo Yo"s line-up went through changes over its whole lifetime, but with some constants - most notably singer Joey Stack and drummer Carrie Brooks. Charles Bullen of This Heat occasionally played drums with Family Fodder and produced The Lo Yo Yo"s LP Extra Weapons in 1985. Alig says "It was impossible not to get together. In this era it was quasi compulsory to get a band together with your mates. It was normal to be left-wing, inclusive, anti-racist, anti-sexist, anti-homophobic and in opposition. And to form a band, with or without experience. It started as a rhythm section: Carrie on drums and myself on bass. She brought a mate along (Joey Stack) and so did I (Mick Hobbs)."Pearce"s punchy bass playing and Carrie Brooks" hard-hitting drumming form the backbone of The Lo Yo Yo sound, with Jo"s singing and keyboard sitting firmly on top. It was made complete with Mick Hobbs on guitar and percussion, and the addition of cellist Annie Hunt.

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The Letters

7" | 1980 | EU | Reissue (You Are The Cosmos)

13,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Second pressing (only 300 copies) of this powerpop/punk gem, originally released in 1980.

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LP+CD | 1988 | UK | Reissue (Fire)

Lick Deluxe Edition

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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LP | 1988 | UK | Reissue (Fire)

Lick

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1987 | UK | Reissue (Fire)

Hate Your Friends

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…

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LP | 1988 | UK | Reissue (Fire)

Creator

LP | 1985 | US | Reissue (Digital Regress)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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The Kiwi Animal

Mercy

Release: 1985 / US – Reissue

Genre: Rock & Indie

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State Of Confusion Blue Vinyl Edition

LP | 1983 | US | Reissue (Friday Music)

41,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sanctuary)

Soap Opera

25,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sanctuary)

Schoolboys In Disgrace

25,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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2LP | 1974 | EU | Reissue (Sanctuary)

Preservation Act 2

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Sanctuary)

Preservation Act 1

25,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Percy Record Store Day 2021 Edition

LP | 1971 | Reissue (Sanctuary)

I've Got The Music In Me Half-Speed Master

Release: 1971 / Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.

Limited edition, remastered, picture disc vinyl. 1LP 50th anniversary release of the 1971 British comedy film soundtrack album. Performed by THE Kinks with additional orchestral arrangements by Stanley Myers. Their ninth official studio album and last on the PYE label. First re-issue on vinyl for 20 years. Sleeve artwork and textured cover as per the original release. Produced in association with THE Kinks.

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The Kiki Dee Band

LP | 1974 | UK | Reissue (Demon)

39,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Polydor)

The Jam

All Mod Cons

18,99 €*

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Radiation Reissues)

the Image Has Cracked

The Image Has Cracked

LP | 1980 | US | Reissue (BOMP!)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk towards the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era. This classic is reissued on 180 gram with 2 bonus tracks and a double-sided insert.

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The Hypstrz

Hypstrization!

LP | 1987 | UK | Reissue (Manifesto)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl reissue

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The Gun Club

Mother Juno

40,99 €*

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Original (Munster)

The Gun Club

Fire of love

24,99 €*

Release: 1981 / US – Original

Genre: Rock & Indie

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A Minute To Pray A Second To Die Red Vinyl Edtion

The Flesh Eaters

LP | 1981 | US | Reissue (Jackpot)

35,99 €*

7" | 1986 | UK | Reissue (Optic Nerve)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Jackpot Records is proud to reissue what many call arguably the greatest album of the punk rock era: The Flesh Eaters’ 1981 punk-noir masterpiece, ‘ A Minute To Pray A Second To Die.

Once referred to as an all-star roots/voodoo combo, The Flesh Eaters could only have crawled out of the myst of the late L.A. 70s punk scene. Fronted by punk poet/composer Chris D. (Desjardins), the band was a satellite for exquisite collaborators that allowed him to bring the full force of his dark, messed-up lyrical nightmares. Members of X, Wall Of Voodoo, Los Lobos, The Blasters, and The Plugz all hopped into his unmarked car to take a drive with Chris D.

Its grabbed-by-the-throat vocals are powerfully buoyed by the tight melodicism emanating from the players on this record (John Doe andDJ Bonebrake from X, Steve Berlin of Los Lobos, Dave Alvin & Bill Bateman of The Blasters). Hell, we even get the perfectly executed John Doe original, “Cyrano de Berger’s Back,” which was re-recorded by X in 1987

The creators of this record made a pulp novel for your ears with an equal chance to scar your heart. Do not miss out—this is punk noir at its greatest. Artwork, One Sheet and Wholesale Catalog Attached

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The Flatmates

I Could Be In Heaven

14,99 €*

LP | 1983 | UK | Reissue (Ace)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 5.0 Reissue Series.

Limited to 500 copies worldwide. Pressed on Pink Vinyl. Includes poster.

Debut single by The Flatmates. Originally released in 1986 on The Subway Organization label giving them a Top 20 indie hit and an appearance in John Peel's Festive Fifty.

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The Fire Escape

Psychotic Reaction

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Punks Not Dead Vinyl Edition

The Exploited

LP | 1981 | Reissue (Cherry Red)

Release: 1981 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

LP | 1985 | US | Reissue (Superior Viaduct)

The Ex

Pokkeherrie

18,69 €* 21,99 € -15%

12" | 1983 | US | Reissue (Last Laugh)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."

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The Embarrassment

Death Travels West

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Before they broke up in 1983, this quartet from Wichita, Kansas rocked furiously, with less brittle/more melodious guitar than the Scottish new wave pop bands Orange Juice and Josef K to whom the Embos were sometimes compared. While John Nichols’ vocals weren’t incredible (Bill Goffrier’s guitar work nearly was), the Embarrassment did convey a promising array of nuances—from wistfulness to sarcasm—and an inquisitive, adventurous way with arrangements. The lyrics vary in quality, but “Don’t Choose the Wrong Song” and “Elizabeth Montgomery’s Face” show budding verbal pithiness; “Wellsville” has a laconic melodic strength. Best of all, most of the debut EP’s five songs grow on you with each listen.

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Weird Scenes Inside The Gold Mine

2LP | 1972 | UK | Reissue (Warner)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Elektra)

Waiting for the sun

24,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Elektra)

24,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Original (Elektra)

Morrison Hotel

Release: 1973 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 1970 | EU | Reissue (Rhino)

Morrison Hotel

31,34 €* 32,99 € -5%

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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L.A. Woman Yellow Vinyl Edition

LP | 1971 | Reissue (Rhino International)

45,99 €*

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

L.A.Woman

41,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Acoustic Sound)

L.A. Woman

80,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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45RPM, 200g Vinyl Edition!

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LP | 1971 | EU | Original (Elektra)

L.A. Woman

21,99 €*

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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Alive She Cried Translucent Emerald Vinyl Edition

LP | 1983 | EU | Reissue (Elektra)

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Alive She Cried is The Doors electrifying second live album from 1983, available for the first time on vinyl since it's original release. The 40th anniversary reissue is on emerald vinyl and features "Light My Fire (Inc. Graveyard Poem)", "Moonlight Drive (including Horse Latitudes), and Love Me Two Times among other Doors hits.

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The Doobie Brothers

Minute By Minute

33,99 €*

12" | 1973 | US (East End)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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The Doobie Brothers

Long Train Running

13,99 €*

Release: 1973 / US

Genre: Organic Grooves, Rock & Indie

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7" | 1974 | US | Reissue (Just Add Water)

The Damned

Morning Bird / Theta

15,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

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Three Imaginary Boys Picture Disc Edition

LP | 1979 | EU | Reissue (Polydor)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.

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LP | 1979 | PL | Reissue (Polydor)

Three Imaginary Boys

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1979 | EU | Reissue (Lilith)

Three Imaginary Boys

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1980 | EU | Reissue (Vinyl Lovers)

Seventeen Seconds

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Seventeen Seconds was the second album by the Cure originally released in 1980. It was too bleak for bassist Michael Dempsey who left after hearing Robert Smith's demos. Smith went his own merry/miserable way in the end and the album is a fine example of their spindly proto-goth. It contains one of their finest moments in menacing single A Forest which exemplifies the dark nature of the material on the album.

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LP | 1980 | EU | Reissue (Polydor)

Seventeen Seconds

37,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram vinyl

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Kiss Me, Kiss Me, Kiss Me

2LP | 1987 | EU | Reissue (Polydor)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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LP | 1981 | EU (Vinyl Lovers)

Faith Grey Vinyl Edition

Release: 1981 / EU

Genre: Rock & Indie, Pop

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140 gram grey vinyl reissue!

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LP | 1981 | PL | Reissue (Polydor)

Faith

Release: 1981 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Sonic Temple Green Vinyl Edition

2LP | 1989 | UK | Reissue (Beggars Banquet)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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THE CULT is fronted by Ian Astbury on vocals and Billy Duffy on guitar.Their fourth album Sonic Temple is not just an iconic record, but a sonic tour de force that defies classification.Released in 1989, the album"s sound is rooted in classic rock and heavy metal, but incorporates a range of influences, from punk to psychedelic rock, creating a sound that is both familiar yet unique. The album"s production is slick and polished, thanks to the contributions of legendary producer Bob Rock, who helped to craft a sound that was both commercially appealing and artistically adventurous.Sonic Temple had four massive hits; "Fire Woman", "Edie (Ciao Baby)", "Sun King" and "Sweet Soul Sister".The album catapulted The Cult into superstar status and remains their most commercially successful release. Declared platinum in 1990, it was also a critical success, cementing The Cult"s place in the pantheon of hard rock and heavy metal bands and earning them a devoted following that endures to this day.

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LP | 1985 | UK | Reissue (Beggars Banquet)

Love Black Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Beggars Arkive will release a long-awaited vinyl reissue of THE Cult"s second album Love on February 24th. THE Cult is fronted by Ian Astbury on vocals and Billy Duffy on guitar. Their music and albums at this point need no introduction as they have cemented themselves over the years since they began in 1983, as one of the greatest rock bands around. Love was the Cult"s second album, originally released in 1985. It was their breakthrough and produced many singles including "Rain", "Revolution" and the epic anthem "She Sells Sanctuary" - songs that still resonate today - in fact "She Sells Sanctuary" was recently featured in Season Two of the hit TV show Euphoria. The album eventually defined their career, but at the time, it flew in the face of everything that was going on in music.

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Electric Blue Vinyl Edition

LP | 1987 | UK | Reissue (Beggars Banquet)

26,59 €* 27,99 € -5%

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Electric, their third album, came out in 1987 and really caused the band to explode to new levels of fame. It contains the massive hits "Love Removal Machine", Wild Flower" and "Lil" Devil" and was produced by Rick Rubin.Electric is a seminal work, featuring some of the band"s most iconic songs. It is a departure from the band"s previous work, with a raw, agressive and stripped-down sound. The album"s opening track, "Wild Flower," sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury"s wailing vocals.Electric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.The Cult has remained an important and enduring force in the rock music world. The band has sold millions of records worldwide and has earned critical acclaim for its powerful live performances. The Cult continues to tour and record new music, and their influence on rock music shows no signs of diminishing.

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Electric Black Vinyl Edition

LP | 1987 | UK | Reissue (Beggars Banquet)

LP | 1981 | EU (Radiation Reissues)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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The Crowd

A World Apart

16,99 €*

Gordon / Situations Vacant

Release: 1981 / EU

Genre: Rock & Indie

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It is impossible to overstate the significance of The Crowd to the nascent L.A. hardcore scene. Whilst bands like early Agent Orange and Social Distortion were playing to handfuls of fans in northern Orange County, in 1979 the Crowd were already filling backyards on their home turf in Huntington Beach, California. Ironically, it was further afield in the San Gabriel Valley that I first saw them perform, opening for the still punk Go-Gos in a small club. Without the continuing success of The Crowd in 1979 and throughout the summer of 1980, I would have packed my bags for London. Instead, the L.A. hardcore scene lifted off!

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The Cravats

7" | 1978 | EU (Overground)

10,99 €*

Release: 1978 / EU

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Radiation Reissues)

The Crack

In Search Of The Crack

16,99 €*

Groovy Things Colored Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Founded in 1982, the CRACK didn't release their debut album until 1989. These British punkers were often tied into the Oi! scene of the mid-80s along with Cockney Rejects, and The Business, they had more in common with the melodic punk stylings of 999 and mod groups like The Jam or Secret Affair. Featuring a blistering wall of guitars and biting melodies, from the classic album opener "My World" to the raw closer "The Giddy House" The Crack deliver ten fantastic original tunes that, while firmly rooted in 1980s UK anthemic punk, also features a pop sensibility that presages the oncoming Brit-pop scene that would absolutely dominate the '90s. Seriously, we'd bet the farm that the young Gallagher brothers were blasting this back in 1989. Absolutely essential 1980s UK punk that bridges the gap between 80s OI! and the Brit-pop/power-pop revival. Killer.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Tranquil Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Clouds

7" | 1987 | EU | Reissue (Optic Nerve)

10,99 €*

12" | 1981 | EU | Reissue (Merge)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 3.0 Reissue Series . Limited to 800 copies worldwide. Pressed on Red Vinyl Printed inner sleeve. Includes postcard and poster. Glasgow based The Clouds only single was originally released in 1988 on Subway and became an indie top 20 hit. This version is pressed on Red vinyl with inner sleeve. Includes all 3 tracks from the 12”.

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The Clean

Boodle Boodle Boodle

23,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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3LP | 1980 | EU | Reissue (Columbia)

Sandinista!

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1979 | EU | Reissue (Sony)

London Calling

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Remastered for a fresh 180 gram pressing!

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2LP | 1979 | US | Reissue (Sony)

London Calling

42,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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One of the most influential albums of all time!

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LP | 1978 | EU | Reissue (Columbia)

Give 'Em Enough Rope

25,64 €* 26,99 € -5%

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Optic Nerve)

The Charlottes

Are You Happy Now

14,99 €*

What Does Anything Mean? Basically Clear Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Formed in Huntingdon, Cambridgeshire after drummer Simon Scott met Guitarist Graham Garduilo in local band The Giant Polar Bears.

They were tour buddies to Ride and most of the late 1980s shoegaze bands. Simon Scott was stolen by Slowdive after a gig at the White Horse in Hampstead in 1990, where the Boo Radleys opened the three-band bill.

They split after releasing two albums. John Peel loved them and NME gave debut album Lovehappy 9 out of 10.

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The Chameleons

LP | 1985 | EU | Reissue (Blue Apple Music)

47,99 €*