Rock & Indie Vinyl 600 Items

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Ark 2 White Vinyl Edition

Flaming Youth

LP | 1969 | EU | Reissue (Klimt)

LP | 1968 | EU | Reissue (Life Goes On)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Ark 2 is the only studio album by the short lived British rock band Flaming Youth. It was released in October 1969 by Fontana Records, and was written and produced by the songwriting team of Ken Howard and Alan Blaikley. Its concept, inspired by the media attention to the 1969 Moon landing, tells the story of man's evacuation from a burning Earth and its journey into space. Each member of the band sings a lead vocal. It was drummer Phil Collins' first major label recording.

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The Insect Trust

Gianni Morandi Blue Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.

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Gianni Morandi

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

The Wind In The Willows

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.

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Nova Local

Nova 1

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.

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Summerhill

Rare Bird Orange Vinyl Edtion

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").

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Rare Bird

LP | 1969 | EU | Reissue (Klimt)

LP | 1967 | US | Reissue (Warner)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.

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The Grateful Dead

24,29 €* 26,99 € -10%

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | JP | Original (Liberty)

The Ventures

Live Again!

Psychedelic Sounds In Japan

Release: 1968 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with minimal wear

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The Mops

LP | 1968 | EU | Reissue (Life Goes On)

I Quelli Red Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Welcomed re-issue of this sough after Japanese masterpiece, just released during the 1968 turmoil. The Mops are one of Japan’s best known “group sounds” bands, particularly noted for their psychedelic period. The group was founded in 1966 by high school friends Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (lead guitar) and Kaoru Murakami (bass), playing mostly instrumental rock. Their debut album is still considered a cornerstone of the so-called proto-garage revolution. Their flower-power is revealed through a cosmic artwork, ethnic clothing, fuzz guitars and sitar playing. The album includes covers of the Airplane’s hits “Someone To Love” and “White Rabbit”, the Doors' “Light My Fire”, the Animals' “San Franciscan Nights” and “Inside Looking Out”, as well as the Mops theme song “I Am Just A Mops”

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Quelli

LP | 1969 | EU | Reissue (RCA)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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La Fine Del Mondo / Marylou Blue Vinyl Edition

Edoardo Bennato

7" | 1969 | EU | Reissue (Numero Uno)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Magic Lantern Black Vinyl Edition

Haymarket Square

LP | 1968 | EU | Reissue (Guerssen)

After All Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the “Magic Lantern” album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed out / wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster.

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)

Nazz Nazz Purple Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Nazz

LP | 1969 | US | Reissue (Cleopatra)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The Piper At The Gates Of Dawn

Pink Floyd

LP | 1967 | EU | Reissue (Parlophone)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Parlophone)

Pink Floyd

A Saucerful Of Secrets

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (International Artists)

13th Floor Elevators

Easter Everywhere

LP | 1969 | EU (Endless Happiness)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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The Cyrkle

Neon

Quicksilver Messenger Service

Release: 1969 / EU

Genre: Rock & Indie

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Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Much closer to late 60’s garage (proto) punk than psychedelia, the album was released in 1969.

They were best known for their 1966 song "Red Rubber Ball" (written by Paul Simon) which went to #2 on the Billboard Hot 100 chart. The band was discovered and managed by Brian Epstein and given the unique spelling of their name by John Lennon. The group was formed by guitarists and lead singers Don Dannemann and Tom Dawes (bass guitar), who met while studying at Lafayette College in Easton, Pennsylvania. The other members were Earl Pickens on keyboards and Marty Fried on drums.

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Shady Grove

LP | 1969 | EU | Reissue (Endless Happiness)

Quicksilver Messenger Service

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)

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LP | 1968 | EU | Reissue (Endless Happiness)

Roger Saloom & The Vest Pocket Players

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Quicksilver Messenger Service's debut effort was a little more restrained and folky than some listeners had expected, given their reputation for stretching out in concert. While some prefer the mostly live Happy Trails, this self-titled collection is inarguably their strongest set of studio material, with the accent on melodic folk-rock. Highlights include their cover of folksinger Hamilton Camp's "Pride of Man," probably their best studio track; "Light Your Windows," probably the group's best original composition; and founding member Dino Valenti's "Dino's Song" (Valenti himself was in jail when the album was recorded). "Gold and Silver" is their best instrumental jam, and the 12-minute "The Fool" reflects some of the best and worst traits of the psychedelic era. (all music)

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The City In An Owl's Eye

LP | 1967 | US | Reissue (Void)

23,74 €* 24,99 € -5%

The Story Of Simon Simopath Purple Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom. Salloom was in the center of the 1960s San Francisco psychedelic scene, playing the Fillmore with Santana, Van Morrison, BB King and Procul Harum. In the 1970s he moved to Nashville to pursue songwriting, then disappeared for two decades to raise a family as a single parent and draw a syndicated cartoon. There is a story here. A story so intriguing that it enticed an award-winning filmmaker to make a film about the subject. So Glad I Made It, the Saga of Roger Salloom, America’s Best Unknown Songwriter, won six awards, was on the 2006 Grammy ballot, and received rave reviews across the U.S.

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Nirvana

LP | 1967 | EU | Reissue (Klimt)

23,74 €* 24,99 € -5%

Creedence Clearwater Revival

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Story of Simon Simopath is the debut album by British psychedelic band Nirvana, released by Island Records in 1967. Described by Melody Maker's Chris Welch as a "science fiction pantomime album", the songs are linked with a story on the back cover which details the dream of Simon Simopath to fly. "Pentecost Hotel" was released as a single with the non-album b-side, "Feelin' Shattered". "Wings of Love" was the next single, also with a non-album b-side, "Requiem to John Coltrane. In a retrospective review on AllMusic, Stewart Mason feels that the "unashamedly twee early concept album", with its "deliberately childlike tone", despite being "a collection of unconnected songs forced together" in a "rather silly story", is a "uniformly solid set of well-constructed psych-pop tunes". The Story of Simon Simopath was selected for The Mojo Collection as one of the most significant albums in musical history.

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LP | 1968 | EU | Reissue (Fantasy)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Creedence Clearwater Revival

Willy And The Poor Boys

LP | 1969 | EU | Reissue (Fantasy)

Presents Chocolate Moose Spearmint Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.

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The Zoo

LP | 1968 | EU | Reissue (Reel Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Waterloo Sunset Record Store Day 2022 Yelow Vinyl Edition

The Kinks

LP | 1967 | US | Reissue (Sanctuary)

Heaven / Earth Black Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1350 copies.

On the 55th anniversary of the infamous single “Waterloo Sunset,” THE Kinks are releasing the “Waterloo Sunset” EP featuring 6 of the bands biggest cult tracks including the unforgettable summer anthem ‘“Waterloo Sunset.” Also included are the fan favourites, “Act Nice And Gentl,” “Mr. Pleasant,” “Holiday In Waikiki,” “Little Miss Queen Of Darkness” and “This Is Where I Belong.” Released for the first time on 140g 12” Yellow Colored Vinyl. This release has been skillfully remastered by Tony Cousins at Metropolis and the artwork from the original 1967 French EP has been masterfully retouched for this Record Store Day 2022 release.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

The Anders & Poncia Album

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

The (St. Thomas) Pepper Smelter

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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Soft Soul Transition

SST

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Breezy Sunshine-Pop / Soft-Rock / Psych-Pop from California, 1970, featuring Peter Clark a.k.a Chet DeMilo.

Crystal clear recording, awesome vocal harmonies, superb musicianship, bossa & blue-eyed-soul-jazz touches,folk-rock moves…

In 1969 Chet Demilo was appearing at Donkin's Inn, Marina Del Rey, where he met Arnie Marcus and Ray Hames, who together were to become part of an incredible slice of history. Donkin's became the hottest and most famous destination in Southern California for the next seven years, and Chet was the magnet that started the new singles scene in Los Angeles with Marina Del Rey as ground zero.

Arnie sat in on bongos with Chet from time to time, and Ray, who was managing an apartment complex that housed 200 flight attendants, just happened to have a unit available!! Chet moved in, and he and Ray started working on songs together. Chet suggested forming a vocal group with Arnie and SST was born. For three months they practiced the intricate vocal harmonies and in early 1970 cut the album, "Soft Soul Transition". A thousand records were pressed, and an album release party was held at Donkins where SST gave their one and only performance that night!

There was interest in the project at Burt Bacharach's Blue Seas Music, but it was not to be and SST faded away...until more than 20 years later when the SST album was discovered by a new generation of DJs and collectors looking for cool and groovy sounds from the 60s-70s.

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Yays & Nays

Creedence Clearwater Revival

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Green River

LP | 1969 | US | Reissue (Fantasy)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1960 | Reissue (Waxtime In Color)

Chuck Berry

Rockin' At The Hops

Release: 1960 / Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Legacy)

Bob Dylan

Nashville Skyline

LP | 1964 | EU | Reissue (Apple)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180 gram pressing!

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The Beatles

A Hard Day's Night

7" | 1962 | JP | Original (Odeon)

Release: 1964 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

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Cliff Richard

The Young Ones

LP | 1969 | EU | Reissue (Dream Catcher)

Release: 1962 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Red vinyl.

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Jaklin

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Kiss Me Quick / Suspicion

Elvis Presley

7" | 1964 | Reissue (Culture Factory)

Release: 1964 / Reissue

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Intermusic)

John Lee Hooker

House Of The Blues

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Intermusic)

Chet Baker

Angel Eyes

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Bonfire)

Siren

LP | 1968 | EU (Endless Happiness)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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The Boston Tea Party

La Conferencia Secreta Del Toto's Bar

Release: 1968 / EU

Genre: Rock & Indie

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A lecture in 60's psych pop (almost power pop with flashes of hard rock) with consistently solid melodical, up-tempo, organ driven songs, soaring vocal harmonies, anthemic choruses. Psyched, poppy & fun. Not an album that you would listen to regularly, but more like an old friend to go back when you are in that 60s mood.

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Los Shakers

LP | 1968 | EU | Reissue (Guerssen)

LP | 1968 | US | Reissue (International Artists)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in late 1968, La Conferencia Secreta del Toto’s Bar was Los Shaker’s psychedelic masterpiece. Inspired by Sgt. Pepper's Lonely Hearts Club Band - a milestone that would change the face of pop music forever back in 1967 – Los Shakers created a fundamental album in the history of South American rock music, a seminal record for many artists to come, full of pleasant surprises, magic sounds and sense of humour. It offers a complex fusion of styles, with elements from both rock and jazz, plus the use of exotic instruments like the bandoneon–widely used in tango music but unprecedented until then in pop/rock adventures. It all makes the last album by Los Shakers an essential, innovative record for any collector and aficionado. Sounding as fresh and original today as it did back in the late sixties, here’s the first ever vinyl reissue.

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13th Floor Elevators

Live

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Out-Sider)

Locksley Hall

LP | 1968 | US | Reissue (Return To Analog)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Les Lutins

En Orbite

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Return To Analog)

Les Differents

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | UK | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Encore! Leon Bibb In Concert

Leon Bibb

LP | 1963 | JP | Original (Liberty)

LP | 1968 | EU | Reissue (Columbia)

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Red Vinyl with a couple of light scuffs. Cover with sticker

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Simon & Garfunkel

Bookends

LP | 1967 | DK | Original (Storyville)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2018 reissue.

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Alex Campbell

At The Tivoli Gardens

LP | 1969 | EU | Reissue (Elektra)

Release: 1967 / DK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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The Doors

The Soft Parade

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1964 | EU (Trading Places)

Little Richard

Little Richard Is Back

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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Jasper

Liberation

Federal Duck Orange Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Before joining Dick Cuthell in jazz fusion act Trifle, keyboardist Alan Fealdman and drummer Chico Greenwood formed Jasper with bassist Jon Taylor, guitarist Steve Radford and singer/harmonica player, Nick Payne. On sole LP Liberation, released by Spark in 1969, Jasper skirts psychedelia, proto-prog and blues rock, the unusual hybrid a fluid sound that’s difficult to place. Along with unusual arrangements of ‘Baby Please Don’t Go,’ ‘St Louis Blues’ and Donovan’s ‘Cuttin’ Out,’ there are baroque motifs of the title track, repeated at varying intervals. For fans of multidimensional prog and cutting edge blues-rock.

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Federal Duck

LP | 1968 | EU | Reissue (Reel Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | Reissue (No Frills)

Booker T & The MG's

Green Onions

Release: 1962 / Reissue

Genre: Rock & Indie

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Beau

Yuya Uchida & The Flowers

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Challenge!

LP | 1969 | EU | Reissue (Absinthe)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Head Machine

Orgasm

LP | 1960 | EU | Reissue (Not Now)

Release: 1969 / EU

Genre: Rock & Indie

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Before Uriah Heep there was Fat Toe, and before Fat Toe there was The Gods, who recorded this risqué hard prog album, Orgasm, as Head Machine. Singer/keyboardist/guitarist Ken Hensley takes centre stage under the alias Ken Leslie, his lyrics alluding to the undeniable allure of human coitus and aspects of its management, the climax eventually coming in audible groans, though the guitar really drives most of the songs forward, with stereo panning. Produced by David Paramour, who had worked with Garnett Mimms and The Nocturnes, it was recorded in late 1969 and released in small number by Major Minor; this reissue spins at 45 RPM for improved fidelity.

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John Lee Hooker

That's My Story

Quicksilver Messenger Service

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

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Happy Trails

LP | 1969 | EU | Reissue (Endless Happiness)

The Velvet Underground & Nico

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Reissue for the 1969 live album for Quicksilver Messenger Service, recorded live in 1968 at the Fillmore in San Francisco.

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LP | 1967 | DE | Reissue (Polydor)

LP | 1968 | EU (Survival Research)

Release: 1967 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise. Water stain on cover.

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Apryl Fool

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1968 / EU

Genre: Rock & Indie

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Preorder shipping from 2024-07-19

The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Wynder K. Frog

Out Of The Frying Pan

LP | 1968 | EU | Reissue (Tiger Bay)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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The Deviants

Disposable

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | UK | Reissue (Outernational Sounds)

Shankar Jaikishan

Raga Jazz Style

LP | 1967 | EU | Reissue (CY Music)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail.

Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.

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Mavi Isiklar

Iyi Düsün Tasin

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The holy grail of turkisch surf-rock.

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The Eyes Of Blue

Crossroads Of Time

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond, who penned some of the most significant tunes on the album. Heavily Hammond organ driven athmospheres taking things one step further than The Nice, guitar pyrotechnics, an excellent vocal work, some eastern influenced guitar raga, a great taste in choosing cover versions and strong songwriting make Crossroads Of Time one of the best progressive LPs from 1968.

First ever legit vinyl reissue, in a limited run of only 500 copies, in remastered sound and featuring an insert with photos and liner notes.

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Velvet Underground

White light / white heat

LP | 1968 | JP | Reissue (CBS/Sony)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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Simon & Garfunkel

Bookends

Emily's Illness / Home Before Dark Clear Blue Vinyl Edition

Release: 1968 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1969 reissue.

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Nora Guthrie

7" | 1967 | JP | Reissue (EM)

LP | 1969 | EU (Ethelion)

Release: 1967 / JP – Reissue

Genre: Rock & Indie

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2024 repress of "nora Guthrie - Emily’s Illness / Home Before Dark" (7") has been announced, and this time in Clear Blue Vinyl!! The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the previous edition! The long-awaited reissue that will bring tears to the eyes of psychedelic and soft rock fans alike! This is a must buy! Repressed for the first time in over 14 years. The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the 2009 edition! The daughter of American folk musician Woody Guthrie, sister of singer-songwriter Arlo Guthrie, and granddaughter of noted Yiddish poet Aliza Greenblatt, Nora Guthrie released her only and treasured single in 1967, at age 17.

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Igginbottom

Igginbottom's Wrench

Release: 1969 / EU

Genre: Rock & Indie

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Killing Floor

Mutantes Bottle Green Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon’s ‘You Need Love.’ This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

20,89 €* 21,99 € -5%

Motherlight Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Bobak, Jons, Malone

LP | 1969 | EU | Reissue (Morgan Blue Town)

LP | 1969 | UK | Reissue (Sanctuary)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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1969 album from the Morgan Blue Town stable, a classic psychedelic prog album. Album features Mike Bobak, Andy Jons & Wil Malone. Now on Limited Edition 180 gram Pearl Colored Vinyl.

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Bert Jansch

Birthday Blues

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Metromedia)

Sugar Creek

Please Tell A Friend

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1968 | US | Reissue (Mainstream)

Tangerine Zoo

Outside Looking In

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1964 | US | Reissue (Red Bird)

Shangri-Las

Leader Of The Pack

Release: 1964 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Yorktown)

The Ugly Ducklings

Somewhere Outside

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Mainstream)

A Pot Of Flowers

With love

Expressions East feat. the Oud of John Berberian

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Expressions East

LP | 1967 | US | Reissue (Mainstream)

LP | 1969 | US | Reissue (Mainstream)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Nucleus

2LP | 1969 | US | Original (Decca)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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The Who

Tommy

All The News That's Fit To Sing

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Indianapolis Pressing.
Cover with ring wear.

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Phil Ochs

LP | 1964 | RU (Audio Clarity)

7" | 1967 | FR | Original (Impact)

Release: 1964 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2019 reissue.

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The Smoke

Have Some More Tea

7" | 1964 | UK | Original (Columbia)

Release: 1967 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Record has some hairlines and a few superficial scratches,
but is close to VG.

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Downliners Sect

Little Egypt

LP | 1968 | EU (Trading Places)

Release: 1964 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.
Ships in a label sleeve.

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Dr. K's Blues Band

Rock And Roll Queen / Road To Birmingham

Release: 1968 / EU

Genre: Rock & Indie

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After briefly replacing Eric Clapton in John Mayall’s Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K’s Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as ‘I Can’t Lose,’ ‘Key To The Highway’ and ‘Pet Cream Man,’ as well as spirited originals such as ‘Strobe Lemming’s Lament’ and the piano stomp ‘Crippled Clarence,’ but the album failed to break through. Grab a copy of this rarity to be blown away!

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Mott The Hoople

7" | 1969 | DE | Original (Island)

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

19,94 €* 20,99 € -5%