Rock & Indie Vinyl 2337 Items

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Massacred Melodies White Vinyl Edition

Major Accident

Voice Of A Generation Green Vinyl Edtion

Release: 1982 / EU

Genre: Rock & Indie

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Formed in late 1977 in Darlington, UK, legendary punkers Major Accident were initially influenced by the Pistols and the Clash. A very sad fate befell their early studio activities: both their first recording sessions in 1980, which was supposed to be their debut single (Terrorist Gang/War Boots) and the following one, which produced a completely mucked-up, unusable first edition of this LP, remained unreleased for years. It took until late 1982 for their first proper release to see the light of day: produced by Donkeys guitarist Neil Ferguson, their debut album Massacred Melodies finally came out on Step Forward, supported by a full UK tour with label-mates Chelsea. The distinctive 'Clockwork Orange' image (they were the first punk band to adopt the look from Kubrick's famous movie, which was banned in the UK at the time and impossible to see anywhere) and their song writing, by far more peculiar than the average Uk82 punk band, allowed them to grow a sizable following, and their classic sleeve artwork by Paul Dillon started appearing on the back of more than a few black leather jackets.

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Blitz

Under The Scalpel Blade Red Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. This new version of the long out of print classic includes three bonus tracks (2 from the 'Carry On Oi!' comp and one from the 'Total Noise' comp).

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Disorder

LP | 1984 | EU (Radiation Reissues)

12" | 1982 | EU | Reissue (Spittle)

Release: 1984 / EU

Genre: Rock & Indie

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Bristol Punk Pioneers Disorder formed around 1980, during the second wave of UK punk rock. Their approach to DIY ethics was so deep that they decided not to sign to Riot City, but to create a label of their own, for a bunch of classic singles the average distortion level of which led BBC DJ John Peel to describe Disorder as sounding like "shit". In fact, unlike many contemporaries like Crass or Conflict, Disorder showed no ambitions in stylistic experimentation: their debut LP 'Under The Scalpel Blade' is one blast after the other of pure rage, packaged in two-minute bursts of hyper-speed drumming, distorted guitars, and screaming vocals. Limited edition of 500 copies on burgundy vinyl, remastered audio and double-sided lyric insert.

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Neon

Obsessions

One Struggle One Fight White Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Obsessions' is clearly a cult single of the era and one of their personal highlights. The band recorded the 4 track live in April 1982 and then reprocessed the take at Kindergarten Studio. The twelve inch was then released on the highly influential indie label Materiali Sonori. Neon is still considered as a legend of the Italian new-wave scene, one of the leading figure of the Florence underground movement that spread between the late '70s and the early' 80s.

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The Varukers

LP | 1985 | EU (Radiation Reissues)

Shattered Glass Blue Vinyl Edtion

Release: 1985 / EU

Genre: Rock & Indie

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Reissue for the Varukers’ 1985 absolute breakneck metal-punk crossover masterpiece, originally released on the band's own Liberate label. An uncopromising and fiery hardcore statement with powerful political lyrics, and over-the-top riffing that redefined the whole Uk82 sound.

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Paranoia

LP | 1984 | EU (Radiation Reissues)

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1984 / EU

Genre: Rock & Indie

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Skating the lines of punk, post-punk and goth, Paranoia was formed in the northern potter’s town of Stoke On Trent from the ashes of politically-oriented protest group, Civil Defence. With the Brereton Brothers on drums and guitar, and bassist Mick Edgington and his wife Jan on vocals, the group had an intimacy not often encountered in punk, their outlook and northern location bringing them onto Riot Squad’s Rot Records for this sole LP. The music is fast, bold and deals with pertinent themes, “Vietnam,” “1984” and “My World” protesting political failures, “Dead Mans Dreams” and “Man In Black” edging towards the gothic. An overlooked classic that reflects the underground musical shifts of the early 1980s.

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Carl Erdman

Bizzarrophytes

18,99 €* 19,99 € -5%

You Know What They'll Say

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Spliffs

7" | 1986 | EU | Reissue (One Way Ticket)

City Babys Revenge Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that any serious music aficionado would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut 45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sidney, Melbourne and Brisbane opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.

Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.

File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan – Scandinavia’s biggest record fairs

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GBH

LP | 1983 | EU (Radiation Reissues)

2LP | 1982 | EU | Reissue (Spittle)

Release: 1983 / EU

Genre: Rock & Indie

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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘uk82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.

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Thomas Leer

Contradictions

Orchestra Spettacolo Raoul Casadei

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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La Banda Degli Angeli

LP | 1984 | EU | Reissue (Ariston)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Orchestra Spettacolo Raoul Casadei

Ja Ja Allegria

LP | 1977 | EU | Reissue (WEA)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Orchestra Spettacolo Raoul Casadei

LP | 1978 | EU | Reissue (WEA)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Ch 3

Fear Of Life

Sick Of It All Green Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Channel 3, aka CH3, was formed in 1980 in suburban Cerritos, about 20 miles southeast of Los Angeles, with frontman Mike Magrann, guitarist Kimm Gardener, bassist Larry Kelly and drummer Mike Burton. Signing to Posh Boy in 1981, their eponymous EP had the hit ‘Manzanar,’ which was championed by John Peel on the BBC. Posh Boy founder Robbie Fields was in the producer’s chair for their excellent debut, Fear of Life, a blistering punk assault on American values. Free from the heavy metal leanings of their later work, this no-holds-barred debut is a must for all fans of So-Cal hardcore.

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Sick Of It All

7" | 1987 | US | Reissue (Revelation)

The Skull Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound are now back on vinyl again after being unavailable for years.

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Trouble

LP | 1985 | EU | Reissue (Hammerheart)

The Incredible Shrinking Dickies

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Trouble’s second album “The Skull” from 1985 is a cornerstone of Doom Metal.

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Dickies

LP | 1979 | EU (Survival Research)

10" | 1983 | JP | Reissue (EM)

Release: 1979 / EU

Genre: Rock & Indie

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Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists!

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Kiyoaki Iwamoto

Sougi +

Psalm 9 Grey Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Forty years ago this summer, Joy Division released what became their only chart hit, Love Will Tear Us Apart.

December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl or CD, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love ...” , by the Japanese duo Chisato and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker. Liner notes written by Koki Emura, with English text & lyrics.

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Trouble

LP | 1984 | EU | Reissue (Hammerheart)

LP | 1974 | EU | Reissue (Warner Music Poland)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Trouble’s classic debut album from 1984 with faithfully restored audio represents everything that Doom Metal should be.

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SBB

LP | 1984 | EU | Reissue (Damaged Goods)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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This is 180g vinyl.

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The Milkshakes

Thee Knights Of Trashe

LP+7" | 1971 | EU | Reissue (Wah Wah)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Classic beat album by the milkshakes available once again.

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Mormos

Great Wall Of China

LP | 1983 | EU | Reissue (Damaged Goods)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies!

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The Milkshakes

In Germany

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Damaged Goods)

Deep Wound

12" | 1982 | UK | Reissue (Emotional Rescue)

Release: 1983 / Reissue

Genre: Rock & Indie

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This is a 24 track Vinyl compilation compiled by J Mascis (DINOSAUR JR) featuring all the recorded material from his first band DEEP WOUND. DEEP WOUND were a hardcore punk band from western Massachusetts formed in 1982 and J Mascis's first band. They released one self-titled EP in 1983. They are often noted as being, along with SIEGE, one of the early inspirations for Grindcore. Members were: J Mascis - drums, Lou Barlow - guitar, Scott Helland - bass guitar, Charlie Nakajima - Vocals.

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The Impossible Dreamers

Spin Feat. Nad Versions

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Preorder shipping from 2024-08-09

Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Samhain

Initium

LP | 1984 | EU (Plan 6)

Release: 1984 / EU

Genre: Rock & Indie

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LP | 1971 | EU (Survival Research)

Next Morning

Release: 1971 / EU

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Radiation Reissues)

U.X.A.

Illusions Of Grandeur

Chelsea Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Non-standard Californian punkband United Experiments of America was formed in San Francisco in 1978, centring on frontwoman Denise Semiroux, alias De De Troit, and guitarist Michael Kowalsky, who tragically died of a heroin overdose that same year. Debut album Illusions of Grandeur, released by Posh Boy in 1980, captured the tense atmospheres and in-between nature of the group’s sound, part hardcore and part dirge-rock. With original pressings trading at sky-high prices, this reissue comes with rarities ‘Social Circle’ and the angst-ridden theme song ‘U.X.A.’, from the esteemed Tooth And Nail compilation. Intense!

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Chelsea

LP | 1979 | EU (Radiation Reissues)

LP | 1974 | EU (Fata Morgana)

Release: 1979 / EU

Genre: Rock & Indie

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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!

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Bob Desper

New Sounds

The Only Sound / New Musical Express

Release: 1974 / EU

Genre: Rock & Indie

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Accidentally blinded at adolescence, the Portland-based Bob Desper released just one record-- in 1974, and limited to a 500-copy pressing on a local Christian imprint-- before fading into the woodwork, leaving only this tiny morsel of music behind for anyone to find and follow back to its source. New Sounds is a classic lost record, though whether it counts as a lost classic is pretty relative, considering that even folk heavy hitters Nick Drake or Bert Jansch were once tagged as totally obscure by all but the most ardent followers of the form. New Sounds isn't the sort of record that would appeal to casual toe-dippers, anyway. Rather, it's the kind of recording, like Gary Higgins' similarly recently unearthed Red Hash, pretty much designed to be lost and rediscovered decades later.

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Dansette Damage

7" | 1978 | UK | Reissue (Soul Jazz)

LP | 1972 | US | Reissue (Fire)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Superb exact reproduction of this excellent two-sider (double B-side!) "The Only Sound"/ "New Musical Express", the debut punk single by Dansette Damage from Birmingham, originally released on the tiny Shoestring Records in early 1978. Pop trivia: the tracks were produced incognito by Robert Plant from Led Zeppelin. Dansette Damage"s "nme" features on Soul Jazz Records" Punk 45 "I"m A Mess".

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Groundhogs

Who Will Save The World

19,79 €* 21,99 € -10%

Bitchin' Summer Record Store Day 2023 Picture Disc Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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The final instalment to the trio of masterpieces from the legendary British rock group, The Groundhogs' gets a special reissue for first time since 1991 on yellow vinyl. Treading more progressive realms 'Who Will Save The World' sees Tony McPhee moving away from the blues territory of their earlier releases and towards a heavier more psychedelic sound. Achieving Top 10 album success back in 1972, 'Who Will Save The World' is the last record that features the classic line up of Tony McPhee, Pete Cruickshank and Ken Pustelnik. A definitive collector's item as part of the ongoing Fire catalogue campaign. This special reissue features the iconic artwork accompanied by a deluxe comic book insert, a bumper sticker and postcard, along with sleeve notes and an interview with the original Marvel artist Neal Adams. Also includes a bonus download of an unreleased live recording from their final live show in Pocono, USA.

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Agent Orange

7" | 1982 | EU (Radiation Reissues)

The Album Red Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records.

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Eater

LP | 1977 | EU (Radiation Reissues)

LP | 1987 | EU | Reissue (Onderstroom)

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Aroma Di Amore

Koudvuur

LP | 1986 | EU | Reissue (Onderstroom)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Aroma Di Amore

Harde Feiten

LP | 1984 | EU | Reissue (Onderstroom)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore

Koude Oorlog

Abstract Reality Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Nasty Savage

LP | 1988 | UK | Reissue (Alone)

LP | 1982 | US | Reissue (Dischord)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Third release from this Florida band of mayhem metal mongrels led by the maniac Nasty Ronnie. This is a one-sided 4-song Ep, with "Unchained Angel", which first appeared on their classic demo

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Faith / Void

Split

Hey! Child / 21st Century Arabian Night

Release: 1982 / US – Reissue

Genre: Rock & Indie

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The classic split album of legendary DC hardcore, plus the side by THE Faith.

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Jungle's

7" | 1982 | JP | Reissue (P-Vine)

LP | 1980 | EU | Reissue (Restless Empire)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Take a step into the abrasive live venues of 80s Japan with this 7” edition single reissue for gritty post-punk wranglers Jungle’s. Originally released in 1982, the original 7” combination of “Hey! Child” and “21st Century Arabian Night” was a revelation to those it reached, and the guitars hammer home the punk spirit at the heart of their sound. P-vine is excited to be reissuing this second and final single the group put together for this limited release.

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999

Biggest Prize In Sport

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU (Mad Butcher Classics)

Red London

This Is England

LP | 1983 | EU | Original (Cattle)

Release: 1984 / EU

Genre: Rock & Indie

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RED London was formed in 1981 in Sunderland, UK as a left-wing Skinhead band that most of all mixed socialist ideas with the working class mentality. Anthemic Oi! with nods of early protest folk and the New Wave atmosheres that were so popular among their contemporaries. This band is a great example of Early Eighties political Punk Rock which needs to be rediscovered for sure.

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Cherokee Jack Hickory

Land Of My Fathers

Release: 1983 / EU – Original

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Granit)

Mu-Project

Asia Dream

19,99 €* 24,99 € -20%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Restless Empire)

Monochrome Set

Eligible Bachelors

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Neljän Pennun Ooppera Black Vinyl Edition

Kollaa Kestää

LP | 1984 | EU | Reissue (Svart)

Chisholm In My Bosom Crystal Clear Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Official reissue. Black vinyl. Includes a memorabilia insert and an A2 poster.

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Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP+7" | 1977 | EU | Original (Munster)

Warsaw Pakt

Needle Time

LP | 1974 | ES | Reissue (Wah Wah)

Release: 1977 / EU – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

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Alice Island Band

Splendid Isolation

Teen Babes From Monsanto Limited Peak Edition

Release: 1974 / ES – Reissue

Genre: Rock & Indie

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Originally pressed in a limited run of 1000 numbered copies in December 1974 The Alice Island Band is one of the rarest UK folk private pressings, having sold in auction for over 600 pounds. Little would school friends Keith Hughes, Tim Phillips and Roger Moore imagine that when they formed The Conqueroos blues band back and subsequent projects like Cinderella's Party Songbook from 1967.

By 1974, Keith, Tim and Roger were ready for something special, and the arrival of Cinny - the ‘Princess’ from the principality of Wales - completed the line up for the next LP. They became The Alice Island Band and recorded Splendid Isolation - Tim, Keith and Cinny played, Roger produced and recorded the 14 songs, some of which had been conceived back in 1968.

For those into the UK folk and psych scenes who love the homemade recordings of Peter Howell and John Ferdinando's projects (Tomorrow Come Someday, Alice Through The Looking Glass, Agincourt, Ithaca...), the bare, raw sound of Comus or those impossibly rare folk albums cut through the Deroy Sound Services – but also for lovers of good crafted songs with male & female vocals and mostly acoustic performances.

Done in close cooperation with Keith and Roger who have been very kind to provide original masters, information and photos for the gatefold insert which also includes the original lyrics – here are 500 copies for those who cannot afford or find an original copy. Comes housed in a reproduction of its original sleeve. Order yours before they fly!

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Redd Kross

LP | 1984 | EU | Reissue (Merge)

LP | 1976 | EU | Reissue (Radio Martiko)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Translucent Pink Vinyl! A little drums, a little atmosphere, and it wails like this! Hotter than anything printed by a Hearst daily, the 12-song Version Especial of Redd Kross' Teen Babes from Monsanto - all art, no filler, direct from the source, pure from the tap - reissued by Merge Records. The album features specially designed packaging that allows you to choose between two different front covers with just a flip of the wrist! Experience vintage teenaged Redd Kross as presented by Monsanto: 100% genuine, chemically inspired brilliance fueled by processed junk food.

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Abdou El Omari

Nuits D'Éte

LP | 1987 | EU | Reissue (Domestica)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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A reissue of this ultra rare Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. This is the first part of Abdou's 'Nuits' trilogy. Mystical sounds from Morocco!

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Gary Blanchard

Original Soundtrack

LP | 1978 | US | Reissue (Mehum)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Pop

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This reissue includes insert with complete biography and track-by-track notes by Gary Blanchard himself.

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Babylon

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Replica)

Moving Gelatine Plates

LP | 1975 | US | Reissue (PRP)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A vinyl reissue of the debut album (1971) by this highly regarded French progressive jazz / rock fusion band from the early 1970s. These guys were strongly influenced by Canterbury bands like Soft Machine and Caravan, and their music is also often compared to the Dutch band Supersister's.

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Kristyl

LP | 1972 | US | Reissue (RCA)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Highway Robbery

For Love Or Money

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Under A Blood Red Sky Live

LP | 1983 | EU | Reissue (Island)

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Pop

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remastered re-issue on heavyweight vinyl incl. liner notes & unseen photos!

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V.A.

Simla Beat '70

Black Soul Brothers Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

Burning In The Shade Transparent Orange Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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Tygers Of Pan Tang

LP | 1987 | EU | Reissue (Cargo)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Transparent Orange Vinyl, limited to 500 copies. The Tygers of Pan Tang were one of the foremost New Wave of British Heavy Metal Bands and they hit the album charts running when their 1980 debut album Wildcat reached #18 in the UK charts. After three further albums with MCA, they recorded this album for Zebra Records in 1987. Burning in the Shade is the most melodic of their releases and features the line-up of Jon Deverill (vocals), Steve Lamb (guitar), Brian Dick (drums) with guests Steve Thompson and Phil Caffrey.

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Sherwood

On Est...Pas Des Saints!

LP | 1985 | EU (Narayan)

LP | 1983 | EU (Guns Of Brixton)

Release: 1985 / EU

Genre: Rock & Indie

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Classic Punk From Paris, Originally From 1985 - Reissue ON Narayan Records. Hard TO FIND.

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Eskorbuto

Jodiendolo Todo

Release: 1983 / EU

Genre: Rock & Indie

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The most savagely punk material Eskorbuto left us, the starting point: the self-produced cassette tape, "Jodiendolo Todo" (Fucking It All) reissued on vinyl. This is the mythical demo tape for which they were arrested and imprisoned for 36 hours, accused of apology of terrorism. The recording has undergone a rigorous restoration work and is available for the first time on vinyl. The release features a carefully designed magazine with detailed information.

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Angelic Upstarts

Reason Why?

LP | 1983 | EU (Daily)

LP | 1982 | EU | Reissue (Pharaway Sounds)

Release: 1983 / EU

Genre: Rock & Indie

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Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era.

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Edip Akbayram & Dostlar

Nice Yillara Gülüm

20,69 €* 22,99 € -10%

LP | 1979 | EU (Belgian Waffles)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The third album by Turkish psychedelic singer Edip Akbayram, originally released in 1982. This later album really ramps up the silly synthesizers. You'll hear whooshy '80s Rolands, vocals run through a harmonizer and tons of totally tubular bass popping, and it all makes it darned easy to hear just where the western intros and breaks stop. Ever wish Knight Rider's Kitt could drive to Istanbul? Take a ride on cheesy synthesizers with Edip at the wheel! This reissue comes with remastered sound and an insert.

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Hubble Bubble

Faking

20,69 €* 22,99 € -10%

7" | 1971 | EU | Reissue (Madmua)

Release: 1979 / EU

Genre: Rock & Indie

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The second album. Super mix of punk/glam and sub-Kinks pop! On this album, they branched out from straight ahead punk rock and added a bit of glam while maintaining their snotty, melodic approach. It's a classic. Originally released in 1979.

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Los Riscos

Sombras

20,89 €* 21,99 € -5%

Premiata Forneria Marconi

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LOS Riscos, Spanish band who released a few 7" from 1971 to 1976, get the Madmua treatment. This 7" includes their two best tracks, including the underground classic "Sombras" from their highly collectable, ultra hard to find 1971 EP. 500 copies only, with insert and two postcards.

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Passpartu Orange Vinyl Edition

LP | 1978 | EU | Reissue (RCA)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Mannoia Foresi & Co. Green Vinyl Edition

Mannoia Fiorella

LP | 1972 | EU | Reissue (RCA Records Label)

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1972 | EU | Reissue (RCA)

Perigeo

Azimut Red Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Amarena Red Vinyl Edition

Fabbri Lucio

LP | 1978 | EU | Reissue (Cramps)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1989 | EU (Radiation Reissues)

Toy Dolls

Wakey Wakey!

LP | 1971 | EU | Reissue (Bonfire)

Release: 1989 / EU

Genre: Rock & Indie

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By the time Sunderland’s punk humourists the Toy Dolls released 1989’s Wakey Wakey!, bassist John ‘K’Cee’ Casey had joined founding member Olga and longstanding drummer Martin Yule for another great episode of their musical madness. Now with a metal edge underpinning their punk/Oi! hybrid, their versions of ‘Armenian folk song ‘The Sabre Dance’ and Chuck Berry’s ‘No Particular Place To Go’ are riveting and ‘Cloughy Is A Bootboy’ and ‘Lester Fiddled The Tax Man’ leave Olga’s humour intact. Many hail this is among the best Toy Dolls albums of all time – get it and understand why! Best played loud and often!

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Chillum

LP | 1974 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Unicorn

Blue Pine Trees

LP | 1972 | EU (Trading Places)

Release: 1974 / EU

Genre: Rock & Indie

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Beginning in the mid-1960s as a covers band, the group that came to be Unicorn soon determined that original material was the way to go, and after being inspired by a Crosby, Stills and Nash album, their particular brand of enlightened folk rock tinged with country shades yielded a contract with Transatlantic for their 1971 debut. Fast forward to 1974 and Blue Pine Trees finds the band at their finest with sweeping harmonies and bluegrass tinges, and with Pink Floyd’s David Gilmour in the producer’s chair, all of their glorious potential is realised on this lost gem of an album that is fully ripe for rediscovery. A truly great work!

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Dando Shaft

Lantaloon

LP | 1971 | EU (Trading Places)

Release: 1972 / EU

Genre: Rock & Indie

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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.

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Dando Shaft

An Evening With Dando Shaft

Release: 1971 / EU

Genre: Rock & Indie

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Dando Shaft’s self-titled sophomore set continued to build on the reputation established by their excellent debut, and now the arrival of female singer Polly Bolton added another textural dimension, as heard most clearly on the soaring ‘Riverboat,’ the absence of drums throughout allowing us to fully appreciate the players’ excellent musicianship, with Martin Jenkins’ masterful mandolin, flute and fiddle drawing the sound to higher realms. As it was issued on RCA’s prog sub-label Neon, which folded soon after its release, the LP is as rare as it is excellent—another must-have for fans of progressive folk and psychedelic folk rock.

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Dando Shaft

LP | 1970 | EU (Trading Places)

You Gotta Walk It Like You Talk It

Release: 1970 / EU

Genre: Rock & Indie

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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.

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Fagen & Becker

LP | 1971 | EU (Trading Places)

LP | 1974 | EU (Trading Places)

Release: 1971 / EU

Genre: Rock & Indie

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In the 1971 counterculture comedy You Gotta Walk It Like You Talk It, Zalman King tries to find the meaning of life, with Richard Pryor and Robert Downey Jr among the cameos; who better to cut the soundtrack than Steely Dan? Except that the Dan had not officially formed yet! With typical tongue-in-cheek touches, Donald Fagen and Walter Becker rise to the challenge, with fellow Dan guitarist Denny Diaz and drummer John Discepolo of previous vehicle, Jay & the Americans; if you’re a Steely Dan fan, you really need to check out this one-off soundtrack, cut just before they upset the rock applecart with Can’t Buy A Thrill.

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Tramp

Put A Record On

Zombies Green Vinyl Edtion

Release: 1974 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp had a fleeting existence in the late 60s and early 70s—here today, gone tomorrow. Based around former John Dummer Blues Band vocalist/ guitarist Dave Kelly and sister Jo Ann on harmonies and occasional lead, the group got a boost from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, and Bob Brunning, as well as former Savoy Blues keyboardist, Bob Hall. If not quite as compelling as their 1969 debut, this 1974 LP has the hallmark touches that made the Mac leaders of the British blues scene. Fleetwood Mac devotees and British blues lover, get stuck in!

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Attak

LP | 1983 | EU (Radiation Reissues)

Death Of Innocence Yellow Vinyl Edtion

Release: 1983 / EU

Genre: Rock & Indie

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Probably the first experiment in mixing hardcore attitude with OI! songwriting ever made within the UK punk movement, Attak were born as a four piece in New Mills in l98l, but immediately reversed to a trio when their singer left for school commitments and released two incredible singles on the No Future label in this form, right before recruiting a new guitarist and record “Zombies”, that came out in l983 on the same label. Known for featuring Mackie from BLITZ’s sister on drums, (and sounding a lot like his band!), Attak definitely split up in late 1983. This criminally underrated classic gets reissued on vinyl with his original artwork and fully remastered. Limited to 500 copies on Color Vinyl, complete with big 60x40 cm folded poster!

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Legal Weapon

Earthbound 50th Anniversary Edition

Release: 1982 / EU

Genre: Rock & Indie

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Pioneering LA punk band Legal Weapon was formed in 1980 from the ashes of the Silencers, which Steve Reiner formed with guitarist Brian Hansen and vocalist Kat Arthur. By the time of this riveting 1982 debut LP, the band had Arthur, Hansen, future Adolescents/Agent Orange bassist Steve Soto, and drummer Charlie Vartanian. Just as Exene Cervenka was a primary draw in X and Penelope Houston in the Avengers, Kat Arthur is the major lure that kept this band outstanding, as Hansen and Soto vary the musical action, keeping their hardcore on the melodic side throughout. Essential listening for west coast punk fans!

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King Crimson

LP | 1972 | UK | Reissue (Panegyric)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Pierrot Lunaire Yellow Vinyl Edtion

Pierrot Lunaire

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | TR | Reissue (Dogan Music Company)

Yeni Türkü

Akdeniz Akdeniz

I Am Missing You Record Store Day 2022 Blue Vinyl Edition

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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2020 Re-mastered, reissue, 180g black vinyl, in gatefold cover. Originally released in 1982 by the Turkish band Yeni Turku. Their musical style is characterized by a combination of traditional Turkish bağlama, kemenche, oud, guitar and bass. This album guaranties the relaxing, mediterranean mood and will definitely satisfy if you like ethnic music.

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Shankar Family & Friends

12" | 1974 | US | Reissue (Darkhorse)

Asocial And The Bedrövlers

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Blue Vinyl Pressing for RSD 2022.

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How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition

LP | 1984 | EU

LP | 1987 | EU (Trading Places)

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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J.P. Sunshine

Scenes From The Dreams Of Angels

Release: 1987 / EU

Genre: Rock & Indie

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In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!

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Outskirts Of Infinity

LP | 1989 | EU (Trading Places)

LP | 1978 | EU (Trading Places)

Release: 1989 / EU

Genre: Rock & Indie

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After debut LP Lord Of The Dark Skies, London-based acid psych trio Outskirts Of Infinity released Scenes From The Dreams Of Angels on their own Infinity imprint. Heading deeper into space rock, the album had bassist Nick Saloman on keyboards in places and front man Bari Watts on synth, but his ripping is really spectacular throughout and there’s a nod to the Hendrix influence on a killer cover of ‘Spanish Castle Magic.’ Arguably their best album, it has style, grace, and hallucinogenic power, this edition reproducing the inner gatefold lyrics.

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Gilli Smyth

Mother

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / EU

Genre: Rock & Indie

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The London-born vocalist and former Sorbonne lecturer Gilli Smyth became known as the ‘space whisperer’ for the poems she performed in Gong, formed in Paris in 1967 with her Australian-born partner, Daevid Allen of Soft Machine, with whom she also performed. Debut solo album Mother, released by French label Charly in 1978, featured her breathy suppositions on motherhood, the cosmic lifeforce, and the powers of Mother Earth, cut with fellow Gong members such as bassist Christian Trisch, saxophonist Didier Malherbe, drummer Pip Pyle, and Allen himself, as well as their children. A must for all Gong fans!

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Kennlisch

LP | 1983 | EU | Reissue (Metal Mind Productions)

Release: 1976 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!

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Turbo

Dorosle Dzieci

LP | 1971 | EU | Reissue (Elektra)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Love

Forever Changes

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU (Trading Places)

Ben

LP | 1987 | EU | Reissue (V2)

Release: 1971 / EU

Genre: Rock & Indie

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Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips’ prog subsidiary Vertigo in 1971, but it’s a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey’s saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, Len Surtees and former Graham Bond drummer, David Sheen, keyboardist Alex Macleery and guitarist Gerry Reid adding flourishes at key moments. The songs “The Wooing Of The Child” and “The Wooing Of The Man” credit a certain K Jarrett as songwriter, making this rare beast all the more intriguing.

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Bruut! & Anton Goudsmit

Go Surfing

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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Wynder K. Frog

Into The Fire