Rock & Indie Vinyl 5228 Items

LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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Berurier Noir

Concerto Pour Detraques

22,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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I Robot UltraDisc One-Step Edition

Alan Parsons Project

LP | 1977 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Subterranean Jungle Violet Vinyl Edition

Ramones

LP | 1983 | EU | Reissue (Warner)

LP | 1970 | EU | Reissue (Guerssen)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today." (Original RD: February 1983)

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Crystalline

Axe Music

LP | 1971 | EU | Reissue (Bonfire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Chillum

20,99 €*

LP | 1985 | JP | Reissue (XXX)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Gauze

Fuck Heads

LP | 1986 | JP | Reissue (XXX)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Originally released in 1985. GAUZE's legendary 1st album!!

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Gauze

Equalizing Distort

EP-LP Black Vinyl Edition

Release: 1986 / JP – Reissue

Genre: Rock & Indie

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GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

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Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Junior's Got Brain Damage

Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

Rock Joint Cither - Silk Road Black Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Assagai

Solid Oak Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Top Drawer

LP | 1972 | EU | Reissue (Guerssen)

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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One of the rarest private pressings from the US, originally released in 1972 by this band from Mansfiel, Ohio. Psychedelic hard rock with a charming, homemade feel. Including the monster psych opus "Song Of A Sinner" plus more cool tracks with great guitar/organ interplay.

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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Tom Ze

Todo Os Olhos

36,99 €*

Correio Da Estacao Do Bras

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

36,99 €*

Violent Restitution Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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Razor

LP | 1988 | EU | Reissue (High Roller)

LP | 1978 | US | Reissue (Tomato)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony

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Townes Van Zandt

Our Mother The Mountain

80,99 €* 89,99 € -10%

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US original.
Sleeve has light edge wear.
LP has only few surface marks.

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COS

Viva Boma

LP | 1977 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Bonfire)

Veronique Chalot

J'ai Vu Le Loup

22,99 €*

LP | 1971 | EU | Reissue (Parlophone Label Group)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Deep Purple

Fireball

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Demons And Wizards Art Of The Album Edition

Uriah Heep

LP | 1972 | EU | Reissue (BMG/Sanctuary)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Helloween Gold Vinyl Edition

Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Rhino)

Fleetwood Mac

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Join Inn 50th Anniversary Edition

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

LP | 1970 | US | Reissue (Friday Music)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Dave Mason

Alone Together

42,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Laissez-Nous Vous Embrassez Ou Vous Avez Mal

Peloquin Sauvageau

LP | 1972 | US | Reissue (Return To Analog)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | JP | Reissue (Alchemy)

Sekiri

Take Me To Sekiri

36,99 €*

LP | 1982 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Sparks

Angst In My Pants

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Croatia)

Time

30,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | US | Reissue (Last Laugh)

The Embarrassment

Death Travels West

LP | 1971 | EU | Reissue (Bonfire)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Before they broke up in 1983, this quartet from Wichita, Kansas rocked furiously, with less brittle/more melodious guitar than the Scottish new wave pop bands Orange Juice and Josef K to whom the Embos were sometimes compared. While John Nichols’ vocals weren’t incredible (Bill Goffrier’s guitar work nearly was), the Embarrassment did convey a promising array of nuances—from wistfulness to sarcasm—and an inquisitive, adventurous way with arrangements. The lyrics vary in quality, but “Don’t Choose the Wrong Song” and “Elizabeth Montgomery’s Face” show budding verbal pithiness; “Wellsville” has a laconic melodic strength. Best of all, most of the debut EP’s five songs grow on you with each listen.

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Miller Anderson

Bright City

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miller Anderson is a guitarist and vocalist, born on April 12, 1945, in Houston, Renfrewshire, Scotland. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Deep Purple's Jon Lord and folk-rock balladeer Donovan. His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca that released new records from 1966 onwards for the likes of Moody Blues, Caravan, Camel and several british jazz-rock legends. The album is a brilliant example of modern folk with lush strings arrangements thanks to guitarist and producer William ‘Junior’ Campbell, leader of the Scottish pop-rock group The Marmalade. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. Harold Beckett (John Surman, Graham Collier) on flugelhorn and Lyn Dobson (The Keef Hartley Band, The People Band, Third Ear Band) on flute were literally stalwarts of the british jazz-rock and experimental scene, their contributions is behind greatness. Same with keyboard player Mick Weaver another Keef Hartley alumni. The album - faithfully remastered - offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of such luminaries as Donovan or Nick Drake

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Money For Nothing Remastered 2022

Dire Straits

2LP | 1985 | CZ | Reissue (Mercury)

33,99 €*

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

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Forse Le Lucciole Non Si Amano Piu Transparent Green Vinyl Edition

Locanda Delle Fate

LP | 1977 | EU | Reissue (Vinyl Magic)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Illa Ki Red Vinyl Edition

Erkin Koray

LP | 1983 | TR | Reissue (Mega Müzik)

23,99 €*

LP | 1973 | EU | Reissue (BMG Rights Management)

Release: 1983 / TR – Reissue

Genre: Rock & Indie, Pop

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2021 Re-mastered, reissue, 180g Red Colored Vinyl. Originally released in 1983 by the talented artist who is one of the inventors of Anatolian Rock in 1960s. Although this sort of music was pretty much disappeared around 1980, this album still has the psychedelic rock elements. Erkin Koray took 3 songs from The Devil’s Anvil’s (American Psychedelic Rock Band) 1967 debut album called “Hard Rock From Middle East” and wrote the Turkish lyrics. The fuzzy and groovy guitar tunes never get you bored.

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Nazareth

Razamanaz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Shake Some Action Green Vinyl Edition

Flamin' Groovies

LP | 1976 | US | Reissue (Jackpot)

2LP | 1989 | EU | Reissue (Virgin Music Las)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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A masterclass in rock ’n’ roll cool, Jackpot Records is thrilled to reissue the Flamin’ Groovies seminal album Shake Some Action on limited-edition color vinyl. Taking notes from the British Invasion and inspiration under the San Francisco sun, the Flamin’ Groovies became synonymous with the stylish, raunchy rock of the early-1960s, with Shake Some Action remaining their undisputed classic. Earning a perfect 5-star review from AllMusic and an 8.5/10 from Pitchfork, Shake Some Action is upheld for its ability to sound moody, wild, and unabashedly “’60s”. Mastered by legendary sound engineer Kevin Gray from the record’s original 1976 master tapes, standout tracks like “You Tore Me Down”, “Let the Boy Rock and Roll”, and “I Can’t Hide” have never sounded better.

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Peter Gabriel

Passion

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Jimmy Carter & The Dallas County Green

Summer Brings The Sunshine Green Vinyl Edition

LP | 1977 | US | Reissue (Numero Group)

LP | 1988 | EU | Reissue (Golden Core)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Don't let the postcard-generic cover art fool you, Summer Brings The Sunshine stands head and shoulders above nearly any major label country rock album crowding mid-'70s record bins. Next to the hundreds or even thousands of slick productions flowing out of Nashville and Los Angeles, Jimmy Carter scoured his rural Missouri surroundings for farmhands and semi-pros alike to lay down eight farm-isolated originals in 1977. Tasty female backing vocals, languid pedal steel, and feisty guitar licks abound on this exalted and near-peerless slice of Cosmic American Music.

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Sieges Even

Life Cycle

17,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Heavyweight Vinyl Edition

my bloody valentine

LP | 1988 | UK | Reissue (Domino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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12" | 1982 | EU | Reissue (Spittle)

Neon

Obsessions

Allegory & Self Clear With Yellow Splatter Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Obsessions' is clearly a cult single of the era and one of their personal highlights. The band recorded the 4 track live in April 1982 and then reprocessed the take at Kindergarten Studio. The twelve inch was then released on the highly influential indie label Materiali Sonori. Neon is still considered as a legend of the Italian new-wave scene, one of the leading figure of the Florence underground movement that spread between the late '70s and the early' 80s.

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Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)

Riflessioni: Idea D'infinito Clear Green Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

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Dalton

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Uno Clear Green Vinyl Edition

Uno

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Sweet Funny Adams New Vinyl Editionsweet Funny A

Sweet

LP | 1974 | EU | Reissue (Sony)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Sony)

AC/DC

Blow Up Your Video

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Goner)

Fred Lane

From The On That Cut You

LP | 1986 | US | Reissue (Goner)

Release: 1983 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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As anyone who worked in a record store from the late 1980s to the mid-1990s can relate, the two Shimmy Disc albums released by the Rev. Fred Lane were the weirdest, most bizarre, abstractly enigmatic releases any of them had ever heard. From the dadaist titles and surrealist cover artwork to the absurdly peculiar lyrics and dementedly brilliant musical bent that careened from country to jazz to Morricone-inspired Western soundtracks, From The One That Cut You and Car Radio Jerome bewitched listeners with Lane’s eccentric take on music and, by extension, life in general. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. “We would just stare at the album covers and kinda make up our own stories,” Eric Friedl of Goner Records says of the misleading recording notations, fictitious back catalogs, and vague artistic allusions that dropped mostly fake clues for Lane’s most astute fans to decipher. Then, in 2013, Lane himself surfaced at the University of Alabama for an exposition. Seven years later, Icepick To The Moon, a documentary about Lane by filmmaker Skizz Cyzyk, premiered. The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Learning the details of Lane’s albums doesn’t change their inscrutability. The alternate Alabama universe that Lane and his compatriots conjured up—in, of all places, the southern college football town of Tuscaloosa—is a metaphysical place as vast and imbued with meaning as Faulkner’s Yoknapatawpha. As Friedl raves, “They’re still different from any other record out there.”

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Fred Lane

Car Radio Jerome

Its Hard 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition

Release: 1986 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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The Who

2LP | 1982 | Reissue (Polydor)

35,99 €*

LP | 1989 | EU | Reissue (Neubauten)

Release: 1982 / Reissue

Genre: Rock & Indie

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Limited to 6000 copies.

It’s Hard celebrates its 40th anniversary with a 2-lp expanded vinyl version, Disc One a ½Speed master (OrangeVinyl) contains a re-mastered version of the album while Disc Two (Yellow Vinyl) continues the rest of the album but also has a disc of rare and unreleased material. The set, with art by Richard Evans, comes with a poster from the era.

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Einstürzende Neubauten

Haus der Lüge

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Virgin)

Van Der Graaf Generator

Godbluff

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Mobile Fidelity)

Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The Long Run 180g 45RPM 2LP Box Set

Eagles

LP | 1979 | US | Reissue (Mobile Fidelity)

160,99 €*

Azimut Yellow Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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MASTERED FROM THE ORIGINAL ANALOGUE MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10,000 NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.

Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 10,000 copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set presents The Long Run in unparalleled sound. Akin to the audiophile label's prior Eagles UD1S sets, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, spectacular dynamics, and microscopic levels of detail. Songs come across with an epic sweep and feature front-to-back soundstages that give the music unprecedented air, roominess, and separation.

As for the noise floor? Practically non-existent. Though the Eagles are renowned for great-sounding albums, The Long Run might be the most note-perfect work in their catalogue – the result of more than 18 months of painstaking recording sessions. This UD1S version demonstrates why. The placement of the rounded bass lines, extension of the piano accents, and golden tones of the blended harmonies are constantly identifiable and practically take you inside the arrangements.

Complementing the gorgeous sonics, the premium packaging of the UD1S The Long Run pressing befits its esteemed status. The deluxe box features foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album, including the artwork.

Intentionally simple, the cover is designed by John Kosh, who devised the art for the Beatles' Abbey Road and The Who's Who's Next. The stark black-and-gray colour palette speaks to the exhaustion the band was feeling at the time – as well as the malaise conveyed in several songs. Kosh's creation also can be seen to reflect a gravestone, and though the Eagles would fall dormant for more than two decades, the tombstone interpretation is line with the tongue-in-cheek nature of the album title: The Eagles would return and outlast a majority of their lesser contemporaries and joyless critics.

"Who is gonna make it?/We'll find out in the long run," posits Don Henley on the album's opening track, an R&B-fuelled classic that reached No. 8 on the charts. Henley later addressed the irony of the lyrics; his group was in the process of breaking apart when he wrote it. Yet the singer-songwriter and colleague Glenn Frey clearly knew something others failed to recognize. Related themes of survival, resilience, and dark humour course throughout The Long Run, which also marks the arrival of bassist Timothy B. Schmit. His lead vocal anchors the No. 8 hit "I Can't Tell You Why," a staple he co-wrote with Henley and Frey.

That dynamic duo has a hand in all but one of the songs, "In the City," Joe Walsh's slide-guitar-appointed ode to endurance. Walsh also shares a writing credit on the closing "The Sad Cafe," a melodramatic favourite whose lineage extends to another of the band's long-time collaborators, J.D. Souther. He, along with Frey and Henley, teamed with Detroit legend Bob Seger on penning the record's signature anthem: the Grammy-winning "Heartache Tonight." Fuelled by rhythmic handclaps, a romping groove, and the band's trademark California-bred country-rock style, the chart-topper comfortably sits alongside deep cuts such as the winking shuffle "The Disco Strangler" and cinematic "King of Hollywood."

The challenges and pressures associated with making The Long Run after dealing with the unimaginable success of Hotel California ended up grounding the Eagles. Yet the album's enduring merit, performances, and melodies confirmed Henley and Frey's beliefs. The Eagles are still thriving. They made it. The long run continues.

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Perigeo

LP | 1972 | EU | Reissue (RCA)

23,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

23,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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You Know What They'll Say

Spliffs

7" | 1986 | EU | Reissue (One Way Ticket)

LP | 1982 | EU | Reissue (Tapete)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that any serious music aficionado would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut 45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sidney, Melbourne and Brisbane opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.

Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.

File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan – Scandinavia’s biggest record fairs

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Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Frijid Pink

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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It Became Crystal Clear Blue Vinyl Edition

Blue Sharks

LP | 1972 | EU | Reissue (Redi / Btf)

Eat A Peach Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“It Became Crystal” by Blue Sharks is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

The library music LP re-release series by Redi Edizioni Musicali starts off with a true colossus in the genre. The record was written by maestros Giorgio Zinzi (under the pseudonymous “Ipcress” in the record’s credits) and Carmelo Carucci, who managed to involve composer and songwriter Stelvio Cipriani to collaborate with them in 1972: under the name “Blue Sharks” the trio created a perfect mix of rock, funk and soul, together with elements borrowed from their previous soundtrack works. The Moog synthesizer contributes to making this album unique and captivating from its first to last note. An evergreen classic!

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The Allman Brothers Band

2LP | 1974 | EU | Reissue (Vinyl Lovers)

34,99 €*

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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reissue with original insert on 180g vinyl plus three bonus tracks

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Cosmic Jokers

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2LP | 1972 | EU | Reissue (Reprise)

Neil Young

Harvest

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Campo Di Marte Clear Vinyl Ediition

Campo Di Marte

LP | 1973 | EU | Reissue (AMS)

LP | 1988 | UK | Reissue (Neon)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Campo di Marte self-titled album is considered to be one of the best italian progressive records of the Seventies. This Italian prog classic is now available from AMS Records in a new limited deluxe LP reissue on 180gr. crystal vinyl.

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Television

Double Exposure

21,99 €*

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Dialogo)

Piero Umiliani

Continente Nero

22,99 €*

Plastic Surgery Disasters

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Dead Kennedys

LP | 1982 | EU | Reissue (Audio Platter)

If I Could Only Remember My Name

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedy's 'Plastic Surgery Disasters' Available Again On Vinylplastic Surgery Disasters Is The Second Full-Length Album Released By Punk Rock Legends Dead Kennedys. Recorded In San Francisco During June 1982, It Was Produced By The Band's Guitarist East Bay Ray And Punk Record Producer Thom Wilson. The Album Is Darker And More Hardcore-Influenced Than Their Debut Album Fresh Fruit For Rotting Vegetables As A Result Of The Band Trying To Expand On The Sound And Mood They Had Achieved With Their 1980 Single "Holiday In Cambodia". It Was The First Full-Length Album To Feature Drummer D.H. Peligro, And Is Frontman Jello Biafra's Favorite Dead Kennedys Album.

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David Crosby

LP | 1971 | EU | Reissue (Rhino)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Vietato Ai Minori Di 18 Anni Clear Red Vinyl Edition

Jumbo

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Speakers Corner)

Michael Franks

The Art Of Tea

33,99 €*

Slayed? Colored Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Gorilla Biscuits Turquoise Vinyl Edition

Gorilla Biscuits

7" | 1988 | US | Reissue (Revelation)

13,99 €*

LP | 1982 | EU | Reissue (Apollon)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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De Press

Product

LP | 1984 | EU | Reissue (Türküola / Arsivplak)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

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Arif Sag

Anadolu Döktürmeleri

Isn't Anything Deluxe Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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This is a great album that originally recorded and released only in Germany, 1984. Turkish psych-folk sounds combining with electric-saz, fat bass, synths and percussions.

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my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Life Goes On)

Flower Travellin' Band

Satori

LP | 1971 | EU | Reissue (Repertoire Entertainment)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Can you pick up a better iconic band than Japanese Flower Travellin’ Band? Have a look at Julian Cope Japrocksampler cover with the band bare naked wildly ridin’ on their wheels. Is any description more appropriate? A sense of freedom has always enhanced their music, a heavy rock manifesto clearly informed by british stalwarts. Their second album Satori has been released on Atlantic Japan in 1971 and still is a masterpiece on its own. The band was made up of Joe Yamanaka (vocals) – possibly an eastern version of Rob Tyner MC5 - Hideki Ishima (guitars), Jun Kobayashi (bass) and George Wada (drums). By the end of 1970, they had relocated to Toronto, Canada and lived there until March of 1972. In April 1973, the band split up, but they reunited in January 2008 with all original members joined by Nobuhiko

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Black Widow

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Skull Black Vinyl Edition

Trouble

LP | 1985 | EU | Reissue (Hammerheart)

Paul Di'anno's Battlezone

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Trouble’s second album “The Skull” from 1985 is a cornerstone of Doom Metal.

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Fighting Back Clear Vinyl Edition

LP | 1986 | EU | Reissue (Back On Black)

17,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Stanley Clarke/George Duke

The Clarke / Duke Project II

LP | 1983 | US | Original (Epic)

5,69 €* 5,99 € -5%

Release: 1983 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1984 | JP | Original (CBS/Sony)

Steve Perry

Street Talk

9,99 €*

LP | 1976 | JP | Original (EMI)

Release: 1984 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.
Sleeve has foxing.

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Olivia Newton-John

Don't Stop Believin'

8,99 €*

LP | 1971 | FR | Reissue (Sony Legacy)

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Carole King

Tapestry

LP | 1982 | US | Reissue (Rhino)

Release: 1971 / FR – Reissue

Genre: Rock & Indie

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Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

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Dire Straits

Love Over Gold

32,99 €*

Release: 1982 / US – Reissue

Genre: Rock & Indie

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12" | 1979 | EU | Reissue (Mental Experience)

Electric Chairs

So Many Ways

LP | 1971 | EU | Reissue (Rhino)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningham (flying Lizards). Expanded to 12” including hot edits / reworks by Gareth Goddard aka Cherrystones. In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, etc. He also played synthesizer on some of the tracks. Often compared to Bowie’s Low and Iggy Pop’s Lust For Life, the album combined the no-frills punk-rock sound of the band with the experimental production of Cunningham, showing his love for dub music and cut'n'paste / electronica. After a tour promoting the album, vocalist Wayne County along with guitar player Eliot Michaels departed the band and returned to New York, where County later emerged as Jayne County. The remaining Electric Chairs members - Val Haller, JJ Johnson and Henry Padovani (ex-Police!) - decided to continue under the Electric Chairs name. Their record label gave them just a month to find a replacement singer and write material for an album. After rehearsing with a few singers, none of which were suitable, the trio decided to go into the studio and record some tracks with Cunningham as producer. The result was the "So Many Ways" / "J'Attends Les Marines" 45, released in November 1979 by Safari Records. Here, Cunningham applied his most experimental production techniques, using electronic treatments on drums, rhythms and vocals. "So Many Ways", featuring Val on lead vocals, was far from anything else the band had previously done: an hypnotic punk-funk / no wave / synthetic pop hybrid that still sounds years ahead of its time. In 2013, it was included on the compilation "Under The Influence" by famous DJ James Glass. "J'Attends Les Marines" was a rework of "Waiting For The Marines" from the Things Your Mother album but adding a cool dub / experimental touch. Here's the first ever vinyl reissue of this sought after punk-funk / no wave 45, featuring the original artwork but expanded to 12" format for maximum sound quality and including two exclusive edits / reworks by Electric Chairs fan and mix/edit wizard Gareth Goddard aka Cherrystones

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John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Sony)

Die Ärzte

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Carmen Maki Blues Creation

LP | 1971 | JP | Reissue (Nippon Columbia)

43,99 €*

Stone Roses Clear Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Folk singer-turned-rock singer Carmen Maki collaborated with Blues Creation on this album ('71).

Immediately after the release of her masterpiece 'The Devil and the Eleven Children', Carmen Maki's youthful voice, which was influenced by Janis Joplin, fused with a sturdy sound reminiscent of Bruce Creation's LED Zeppelin, and it was a miracle of the early days of Japanese rock music.

Later on, Kazuo Takeda's Blues Creation was active as Creation, and Carmen Maki formed OZ. This is a monumental album that can be said to be a milestone for both artists to dominate the Japanese rock scene.

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The Stone Roses

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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10" | 1983 | JP | Reissue (EM)

Kiyoaki Iwamoto

Sougi +

Black Merda Clear Beer Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Forty years ago this summer, Joy Division released what became their only chart hit, Love Will Tear Us Apart.

December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl or CD, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love ...” , by the Japanese duo Chisato and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker. Liner notes written by Koki Emura, with English text & lyrics.

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Black Merda

LP | 1970 | EU | Reissue (Lilith)

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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Dream Theater

When Dream And Day Unite

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Lou Reed

Transformer