Rock & Indie Vinyl 22521 Items

LP | 2024 | US | Original (Wrong)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Following the release of their universally acclaimed, Mercury and Ivor Novello Award Nominated fourth studio album "False Lankum", which collected Album Of The Year honours from UNCUT magazine, The Guardian, Loud & Quiet, The Quietus, as well as very high rankings from MOJO, NPR, DIY, Crack, Songlines, Music OMH, The Line Of Best Fit, Louder Than War, The Skinny and numerous other media worldwide. Rough Trade Records are excited to announce the release of "Live in Dublin" by Lankum. Recorded across three sold out nights at Dublin"s Vicar Street, the album features Lankum performing songs from across their catalogue including "The Rocky Road to Dublin", which up until now has never been officially released.

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Dead Bob

Life Like

Dark Shadows Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

Dead Bob is the solo incarnation of John Wright, drummer from long time and apparently legendary but now retired Punk rock band NoMeansNo. Life Like, a NMN cover actually, is the first album John has released on his own. Though primarily written and performed by John he can not take all the credit having engaged the help of several friends to get this thing done including—Byron Slack (Invasives), Kristy Lee Audette (Rong), Ford Pier (doa, Rheostatics), Selina Martin, and his son Aidan Wright, as well as two old collaborations with his brother Rob in the writer's chair Recorded and Produced by John in the wilds of British Columbia, this album's material spans several decades and there is lots more in the archives. As might be expected the songs roll out cohesively but defy the cookie cutters and pigeon holes hence "Genre" is a tough one to convey but one thing that is not unclear is it is not to be listened to quietly! Play loud and enjoy!

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Cold Sun

LP | 2024 | EU | Original (Guerssen)

LP | 2024 | EU | Original (Sublime Frequencies)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Vivid peyote-induced psychedelia from Texas sounding like an impossible meld between the Elevators and the Velvet Underground but possessing a strongly unique disposition.

Recorded in 1970 but never released at the time, featuring future members of Roky Erickson’s backing band Bleib Alien / The Aliens.

Formed in Austin in the late 1960s by visionary lyricist and autoharp player Billy Bill Miller and his friend Tom McGarrigle on guitar, Cold Sun evolved from a band called Cauldron (later Amethyst) which at one point featured drummer John Kearney from Roky Erickson’s first band The Spades. Miller, a proto-Goth figure always dressed in black, highly influenced by Joe Meek and vintage sci-fi / horror movies, started to experiment with weird noises out of his electrified autoharp, favoring the audio-oriented drug mescaline over the LSD associated with hippies. Amethyst jammed with musicians such as Benny Thurman from the 13th Floor Elevators and Steve Webb from the Lost And Found (another International Artists band). The definitive Amethyst line-up, with Hugh Patton on drums and Mike Waugh on bass, played at venues like the I.L. Club, a historical landmark of Austin blues & psychedelic music.

It was through Mike Waugh’s friendship with Elevators drummer John Ike Walton that Billy Miller and the band (still unsure about their name but calling themselves The Daily Planet, changing it to Dark Shadows, and then to Cold Sun) hooked up with the local label / studio Sonobeat (Mariani, Wildfire, Johnny Winter…), who expressed interest in recording an album with the intention to shop it to a major label: thus, the now-legendary Cold Sun album was born. The band, driven by Miller’s strange electrified autoharp sounds plus the massive fuzz guitar of McGarrigle, dressed with feedback and futuristic lyrics, laid down several tracks in between rehearsals at Miller’s house on Castle Hill (west Austin). The album opens with “South Texas” (“the ultimate psychedelic track,” according to Patrick “The Lama” Lundborg), climbing to a psychedelic summit with the final 11 minutes of the fervently intoxicated “Ra-Ma”.

Never released at the time, the Cold Sun album languished in oblivion and the musicians moved on to other things. Billy Bill Miller along with drummer Hugh Patton founded Bleib Alien (later The Aliens), the famous backing band of Roky Erickson, with Billy being essential in bringing Roky back to music after his stay at Rusk Mental Hospital.

It wasn’t until 1990 that the Cold Sun album was finally released on vinyl by the Rockadelic label (in a tiny edition of 300 copies), followed by a new edition on German label World In Sound in 2008, now out of print.

For this new edition on Guerssen, we’ve tried to imagine how the Cold Sun album could have looked like if it had been actually released in 1970. It comes in a hard cardboard sleeve with vintage styled artwork by psychedelic illustrator Callum Rooney.

Sourced from the same audio master as the original Rockadelic LP, the sound has been vastly improved thanks to the meticulous and careful restoration / remastering by audiophile engineer Ezra Lesser, who has also penned the definitive story of Cold Sun for the liner notes.

*Hard cardboard sleeve with vintage styled artwork by Callum Rooney *Audiophile restoration / remastering by Ezra Lesser *Insert with detailed liner notes and photos *Download card

“One of the most important psychedelic records, and unlike any other one.” – Paul Major

“Cold Sun is an anomaly in Texas psych history. As significant as Bubble Puppy or Moving Sidewalks but in no way similar, the Austin quartet cut one cult classic in its brief existence, the spell-binding Dark Shadows, which Jello Biafra called “the best psychedelic album I know of.” – Austin Powell (Austin Chronicle)

“Billy Miller invented Post-Punk in 1970” – Julian Cope (Head Heritage)

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The Handover

3LP | 2024 | US | Original (Dra City)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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Gastr Del Sol

We Have Dozens Of Titles

78,99 €*

The Art Of The Lie Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Nearly twenty-five years after disbanding, Gastr del Sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run. This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!

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John Grant

2LP | 2024 | UK | Original (Bella Union)

32,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Time I Clear Blue With White Purple Splatter Vinyl Edition

Wintersun

LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Diskodogs)

Say Yes Dog

Dräi

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | EU | Original (Irrsinn)

Edwin Rosen

Vertigo

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Mascot Label Group)

Black Country Communion

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live At Racket, Nyc Record Store Day 2024 Solid White Vinyl Edition

The Rolling Stones

LP | 2024 | EU | Original (Polydor UK)

Tears On Tape Mint Green Marble Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Recorded live at Racket, NYC on October 19th 2023. Previously only available as a bonus disc on the 2CD version of Hackney Diamonds, the band's first studio album since 2005. Heavyweight solid white vinyl.

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HiM

LP | 2013 | EU | Reissue (BMG Rights Management)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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For You Colored Vinyl Edition

BTS

12" | 2024 | JP | Original (Pony Canyon)

Amber Of Memory Black Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie, Pop

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BTS is now one of the biggest artists in the world. "for You" was released in 2015 as their first original Japanese single, and for the first time it reached No. 1 on the Japanese Oricon singles chart. The A-side of the single will feature the song, while the B-side will include the Japanese version of "Let Me Know," which was also included on the CD release. The 12-inch vinyl will be available in pure color and transparent vinyl. This is the first analog release in 12-inch/45 RPM format from the latest digital remastered sound source.

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Tommy Guerrero

LP | 2024 | US | Original (Too Good)

23,99 €*

7" | 2024 | EU | Original (Phantom)

Release: 2024 / US – Original

Genre: Rock & Indie

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Brand new album, released digitally in September of 2023 - now on vinyl. Black vinyl.

"The idea was to make something that would diminish the heavy times we were all experiencing in 2020/21.
Something perhaps uplifting with a hint of beauty... or at least a respite from the ugliness outside.
Not sure any of this was achieved but it’s a bit of a departure from my normal mode/style… which is necessary from time to time.

70’s drum machines, tremmed-out baritone guitars, verbed-out synth pads, warbly keys, and a slight 80’s sensibility add up to what I have coined, “Surf Goth”.

Yes, I joke but it might be on point. Who knows?
Thank you all for the continued support!!
Big Love"
TG

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Pisse

Jammertal / Vetschau

7,99 €*

LP | 2024 | EU | Original (Bubbles)

Release: 2024 / EU – Original

Genre: Rock & Indie

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In year eleven of the bands existence, they finally fullfil every fans heartwish of a collaboration with one of the most important, most beautiful and most prominent voices in german-speaking punk! You got it: Franny Fränzen (B'schiszn, Telesatan, Sharizza).

Brezel Göring did record everything in his pee-ka-bo dungeon in Berlin-Kreuzberg and the only two citizen of honour of Chemnitz, Zomber (Pisse chauffeur) and Jan Kummer (AG Geige) worked on a very beautiful cover artwork.

And if this isn't already enough! There is a b-side track mith guest appearance by Bela B.aswell and the record was mastered via Melody Men in Texas. Yes, Texas!

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Erlend Oye & La Comitiva

La Comitiva

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Partisan)

IDLES

Tangk Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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OST Rite Here Rite Now Coke Bottle Clear Vinyl Edition

Ghost

2LP | 2024 | Original (Loma Vista)

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie, Soundtracks

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Preorder shipping from 2024-07-19

Foxtrot Atlantic 75 Series

Genesis

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

82,99 €*

Wir Waren Hier Transparent Blue Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-31

180g 2LP 45rpm

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DIE NERVEN

LP | 2024 | EU | Original (Glitterhouse)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

My Method Actor Amber Vinyl Edition

Nilüfer Yanya

LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

Chrystabell & David Lynch

Cellophane Memories Clear Vinyl Edition

LP | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-02

Recoiled 2nd Black Vinyl Edition

Coil / Nine Inch Nails

LP | 2024 | UK | Original (Cold Spring)

Genesis Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

10 Year Anniversary LP Edition! Out of print for nearly a decade, we are proud to announce the much-demanded new vinyl edition of this legendary collaboration. Black or coloured LP in full-colour sleeve with printed inner sleeve. "Recoiled" is a rambunctious alchemy, of magikal COIL sensibilities and hi-tech home circa 90's mixing technique, all fused in the cave-like early studios of Danny Hyde / Peter Christopherson.These were the unrestrained PRE- BIG studio- mix downs, of four songs which long time Coil admirer / collaborator Trent Reznor (Nine Inch Nails) requested Coil to remix. Reznor sent over the original multi-tracks and DATs to Hyde / Christopherson, who independently mixed versions and then met to synch both creations, molding them into these master versions. ”Recoiled” includes a fuller, more opulent version of the track 'Closer', which eventually made it onto the opening credits to the movie "SE7EN". These 5 lengthy compositions are pre-Ableton / laptop generation type priest song creations, with the use of baby alarms and numerous wires to create bespoke effects. These legendary tracks were always rumoured to exist and, only the due diligence of a dedicated NIN forum who hunted them down, are released/unleashed for your listening pleasure. 4 of the tracks were released on the download-only "Uncoiled". A bonus, previously unheard track from the same sessions closes the album. Jhonn Balance is also manifest on this gilded constellation. Beautifully remastered.A dizzying reworking of the NIN classic by the late and legendary Industrial duo (The Times)Beautiful, the stuff of legend (5/5, Deaf Sparrow). The music here is so thrilling... a pure and inspired collaboration (8/10, Louder Than War) A curious electronica that tends towards the lysergic, the downbeat and the perverse (Fact Mag) As time capsules go it's pretty darned effective (The Line Of Best Fit) A1. Gave Up (Open My Eyes) (5:28)A2. Closer (Unrecalled) (7:41)A3. The Downward Spiral (A Gilded Sickness) (7:59)B1. Eraser (Reduction) 8:45B2. Eraser (Baby Alarm Remix) (8:54)

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Wendy & Bonnie

LP | 2024 | US | Original (Sundazed)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Nettwerk)

Skinny Puppy

Too Dark Park

23,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

I Love You So F***Ing Much Black & White Splatter Vinyl Edition

Glass Animals

LP | 2024 | EU | Original (Polydor)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Preorder shipping from 2024-07-19

LP | 2024 | Original (Republic)

The Warning

Keep Me Fed

Release: 2024 / Original

Genre: Rock & Indie

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10" | 2024 | US | Original (Nublu)

Ayyuka

Zaman Ziyan

20,99 €*

Live 1984 Ahoy Hallen Rotterdam Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Active since 2001, Ayyuka was one of the first bands to look back at 70’s Turkish music to find a new voice. Not caught up in the Retromania but reincarnating Turkish Psychedelic within their own style, the band managed to develop an unmistakeable unique sound. Inspirations of Dick Dale, John Frusciante, and local heroes like Erkin Koray, Orhan Gencebay, make their music more guitar oriented but their fascination with film music and improvisation creates unexpected twists within their songs. Right after their eponymous debut in 2007, the band shared stage with Sonic Youth and Jonathan Richman. Heading to a completely instrumental music, their 3rd studio recording “Sömester” had already become a cult album for record collectors. They’ve collaborated with Orlando Julius, Ilhan Ersahin and had guests on almost every album. Their latest full length “Maslak Halayı” was a creative collaboration with Calibro35 genius Tommaso Colliva. The worldwide hype of "Yukadans” will now be followed by their upcoming EP "Zaman Ziyan”, showcasing four brand new instrumental tracks that will transport listeners through a kaleidoscope of musical landscapes, experimenting with techniques of music writing and flirting with genres like afro-beat, funk, dub or arabesque. Save the date for their very first performance of these, live at babylon, as a part of Akbank Jazz Festival.

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Sade

2LP | 2024 | EU (Whp)

Hardwired To Self-Destruct Flame Orange Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King". Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album "Diamond Life" plus a two piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high quality live recordings are the right stuff to start with.

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Metallica

LP | 2016 | EU | Reissue (Universal)

46,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Stay Gold Golden Vinyl Edition

First Aid Kit

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Nathaniel Rateliff & The Night Sweats

South Of Here Colored Vinyl Edition

LP | 2024 | Original (Concord)

37,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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My Light, My Destroyer Pink Clear Wave Vinyl Edition

Cassandra Jenkins

LP | 2024 | US | Original (Dead Oceans)

All HHV Exclusive Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

Cassandra Jenkins is quite simply one of the best songwriter-storytellerscurrently making music. Hers is a specific and singular corner of the Great AmericanSongwriters, artists like David Berman, Adrianne Lenker, Jeff Tweedy and Sufjan Stevens.They're artists connected by a sense of immediacy, not just in the writing - which is precise,evocative, brutal at times, pitch-back funny right when you need it - but by their delivery, bythe way they sing with an immersive, total belief that carries you through their songs. Theseare the artists and songs that sneak up and really live with us forever, and on My Light, MyDestroyer, Jenkins joins their ranks.What's most remarkable about My Light, My Destroyer is it captures anartist at an exciting leap in her evolution. So much about the album feels of-a-kind with itspredecessors; field recordings and found sound permeate, narrative songwriting crashesinto heady, swirling compositions. Jenkins sings with what can only be described as a powerwhisper(think Sufjan Stevens, Annie Lennox, Margo Timmins or YHF-era Tweedy), hervocals up close and intimate but subtly confrontational. But it all feels bigger here, morefinely honed, bolder and richer than her previous work and than her peers.Born and raised in New York City, Jenkins has been touring and performingsince she was a child, self-releasing her early recordings before releasing breakthrough AnOverview on Phenomenal Nature in 2021. On My Light, My Destroyer, many of the songs aredevoted to specific feelings, and to really getting inside those feelings as opposed to gettinginside a narrative arc. Lead single "Only one" is one example, as Jenkins's asserts that amoment, or a song, can be wholly myopic; it can embody a singular feeling, and provides noanswers.Songs like Devotion, Delphinium Blue, Clams Casino, Echo, and Only One,speak to the liberating quality of focused observation, even to the point of disillusionment."There's this idea about disillusionment that I've held on...

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Eat Them

LP | 2024 | EU | Original (Fun In The Church)

LP | 2023 | EU | Original (Glitterbeat)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Preorder shipping from 2024-07-19

Limited to 100 copies.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

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Altin Gün

Ask

LP | 2015 | US | Reissue (Sub Pop)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Beach House

Depression Cherry

35,99 €*

Release: 2015 / US – Reissue

Genre: Rock & Indie

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LP | 2012 | EU | Reissue (BMG Rights Management)

alt-J

An Awesome Wave

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Ocaso Black Vinyl Edition

Pessimista

LP | 2021 | EU | Original (Subsound)

24,99 €*

LP | 2021 | EU | Original (Blue Note)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Formed with the idea to demonstrate the worst that exists in each person, and with a decent dose of pessimism towards the world as we know it, Brazilian black metal solo artist Pessimista has announced the worldwide release of his latest, 2021- album, titled "Ocaso". Set for release on August 20th via Subsound Records, "Ocaso“ will be available worldwide and for the first time in black vinyl (200) and strictly limited orange vinyl editions (100). Says Pessimista: "This album will finally be released on vinyl, becoming a milestone for the band and a personal milestone. I am sure that Subsound Records will do an excellent job, as I have been following their releases and I know that the various weight bands are happy with the work developed".

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Grant Green

Idle Moments

20,89 €* 24,99 € -16%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Glitterbeat)

Altin Gün

Yol Black Vinyl Edition

21,99 €*

2LP+CD | 2019 | EU | Original (Touch & Go)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Amsterdam’s Altın Gün have built a strong reputation for melding past and present to make brilliantly catchy, psychedelic pop music, as seen with their Grammy-nominated second album, Gece. They are also a renowned live band with strings of sold-out shows on three continents, who have consistently brought a muscular groove to their recordings.Yol, their third album in as many years, excitedly continues these trends; while also digging in deep to unveil a new palette of sonic surprises. Though it draws from the rich and incredibly diverse traditions of Anatolian and Turkish folk music,Yol is not just a record that reframes traditional sounds for a contemporary audience. The album often presents a textured, avant-pop sound as evidenced by the debut single "Ordunun Dereleri.” Mysterious and atmospheric, the track is a thrilling evolution for the band. It patiently coaxes the listener into a resonant soundworld of down-tempo electro beats, majestic synths and Erdinç Ecevit's yearning vocal of unrequited love. The album also signals a very different approach in making and recording for the band. Singer Merve Dasdemir takes up the story: “We were basically stuck at home for three months making home demos, with everybody adding their parts. The transnational feeling maybe comes from that process of swapping demos over the internet, some of the music we did in the studio, but lockdown meant we had to follow a different approach.”

With Yol, Altın Gün have maybe patented their own magical process of reimagining and sonic path-finding, one probably not heard since the late 1960s and early 1970s British folk- rock boom. Less of a reworking than a seduction, their recordings transport the listener to a world where the original songs never previously inhabited. Merve Dasdemir again: “After we worked on them, they got a whole new life of their own. Maybe we went a little bit too far (laughs).”

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Shellac

The End Of Radio

32,99 €*

Transient Random Noise Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Shellac Album Nummer 6, The End of Radio, besteht aus zwei bisher unveröffentlichten John Peel BBC Radio Sessions. Die erste Session wurde 1994 im BBC Maida Vale Studio 3 aufgenommen und ursprünglich im Juli 1994 in John Peels BBC Radio One Show ausgestrahlt. Die vier Songs wurden auf 24 Spuren aufgenommen und am selben Tag in Stereo gemischt. Während im Oktober 1994 auf dem Debütalbum "At Action Park" eine Studioversion von "Crow" veröffentlicht wurde, tauchten die Studioversionen von "Canada", "Disgrace" und "Spoke" erst viel später auf den Shellac-Alben Terraform (1998) und Excellent Italian Greyhound (2007) auf, so dass die 1994er Peel Session-Versionen für mehrere Jahre die einzigen offiziellen Aufnahmen dieser Songs waren. Die zweite Peel Session von 2004 ist ein "Live From Maida Vale" Konzert, das live in Stereo vor einem kleinen Publikum im BBC Maida Vale Studio 4 aufgenommen wurde. Es wurde ursprünglich im Dezember desselben Jahres ausgestrahlt. Wie bei der Session 1994 enthielt diese Aufnahme Songs, die zu dem Zeitpunkt unveröffentlicht waren und erst Jahre später als Albumversionen erscheinen würden. Studioversionen von "The End of Radio", "Steady As She Goes" und "Paco" wurden 2007 auf Excellent Italian Greyhound veröffentlicht. DIE BAND: Steve Albini - Gitarre / Todd Trainier - Schlagzeug / Bob Weston - Bass Shellac record number 16, The End of Radio, is comprised of two previously unreleased BBC Radio Peel Sessions. 1994 PEEL SESSION TRACK LISTING: Spoke / Canana / Crow / Disgrace The 1994 session was recorded at BBC Maida Vale Studio 3 and originally aired on John Peel's BBC Radio One show in July of 1994. The four songs were recorded to 24-track and then mixed to stereo on the same day. While a studio version of "Crow" was released in October of 1994 on the band's debut album At Action Park, studio versions of "Canada", "Disgrace", and "Spoke" would not appear on any Shellac albums until much later (1998's Terraform and 2007's Excellent Italian Greyhound) - making the 1994 Peel Session recordings the only official recordings of these songs for several years thereafter. 2004 PEEL SESSION TRACK LISTING: Ghosts / The End of Radio / Canada / Paco / Steady As She Goes / Billiard Player Song / Dog and Pony Show / Il Porno Star The 2004 Peel session is a "Live From Maida Vale" session recorded live to stereo in front of a small audience at BBC Maida Vale Studio 4. It originally aired in December of that same year. As with the 1994 session, this recording includes songs that were previously unreleased and would not appear as album versions until years later. (Album versions of "The End of Radio", "Steady As She Goes", and "Paco" were released in 2007 on Excellent Italian Greyhound.) PACKAGING Both the 2xLP and the 2xCD formats are packaged in a top-load single pocket wide spine jacket with two printed inner sleeves. The 2xLP includes a single CD of the full album. QC The LP was mastered at Chicago Mastering Service. The vinyl pressing was manufactured at RTI in Camarillo, California, on 180 gram audiophile quality vinyl. TOURING The band will continue to play shows or tour at the same sporadic and relaxed pace as always. There is no correlation between shows and record releases. There will be more new material in the future.

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Stereolab

3LP | 2019 | UK | Original (Duophonic UHF Disks)

Quiet Signs Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Rock & Indie

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Reissue of their 1993 album plus demos, outtakes and alternate mixes. Comes in gatefold sleeve with 24" poster.

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Jessica Pratt

LP | 2019 | EU | Original (City Slang)

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Sound & Color Black Vinyl Edition

Alabama Shakes

2LP | 2015 | UK | Original (Rough Trade)

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2010 | EU | Original (Jackpot)

Wipers

Youth Of America

Release: 2010 / EU – Original

Genre: Rock & Indie

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2LP | 2010 | EU | Original (City Slang)

Caribou

Swim

Lemons, Limes And Orchids Tangerine Vinyl Edition

Release: 2010 / EU – Original

Genre: Rock & Indie

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Incredible new LP by Caribou. Similar to Four Tet, this one is more pulsating and dancefloor-oriented than his previous work, while keeping the experimental folksy edge we all love. Looooovely!

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Joan As Police Woman

LP | 2024 | EU | Original (Play It Again Sam)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2024 | UK | Original (Communion)

Royel Otis

Pratts & Payne

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

Transmissions Green / Purple Splatter Vinyl Edition

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Joy Division

LP | 2024 | EU | Original (Stylus Groove)

24,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

She Reaches Out To She Reaches Out Clear Vinyl Edition

Chelsea Wolfe

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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Sababa 5 / Yurika Hanashima

Kokoro Black Vinyl Edition

LP | 2024 | EU | Original (Batov)

Young Blindness Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerising new sound on "Kokoro", Sababa 5 and Yurika"s collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs.

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The Murlocs

LP | 2016 | UK | Reissue (Ato Uk)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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In Search Of The Cosmic Tale: Crossing The Galactic Portal Black Vinyl Edition

Nebula / Black Rainbows

LP | 2024 | EU | Original (Heavy Psych Sounds)

18,99 €*

7" | 2024 | US | Original (Pirates Press)

Release: 2024 / EU – Original

Genre: Rock & Indie

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There’s not much to add, two of the greatest Heavy Psych bands of the scene join the forces to give birth to an incredible Split Album. Packed with 32 minutes of the highest quality heavy rock you can find out there; a joint venture which can happen only once every 100 years!! Heavy Psych king-pioneers Nebula bring to life three brand new songs, recorded expressly for this incredible project. Three new gems which follow their latest “Holy Shit” and “Transmission….”

Black Rainbows add in three songs of their own, handpicked from the recording session of their latest success “Superskull”, released back in 2023. Delivering two Stoner in-your-face Heavy Fuzz pieces and one Heavy Space tune to celebrate this awesome collaboration!! The cover art pairs perfectly with the vision and vibe of the album and is credited to the mighty Simon Berndt.

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Cock Sparrer

Here We Stand

11,99 €*

7" | 2024 | EU | Original (Groovie)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Here We Stand.” It is a phrase that means a lot to the legendary UK punk band Cock Sparrer. It was the title of the band’s 2007 LP, which announced their arrival in the 21st century. It cropped up again as a rallying cry in the lyrics to their 2017 anthem “One By One.” And now it is the title and chorus of a brand-new single off the band’s farewell studio LP, Hand on Heart.

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The Pussycats

The Pussycats EP

13,99 €*

The Gloss Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Released as two 45’s in 1966 in the USA on CBS, become iconic with the Garage / Northern Soul “I Want Your Love” track. The tunes were featured on the essential Girls IN THE Garage compilations also in the 1980’s and 1990’s. Now we managed to licence the only EP issued outside USA, and its the mega rare Picture sleeve portuguese 1966 ep released with four tracks of their two USA 45’s. THE Pussycats!!! Limited edition of 300 copies with limited 100 colored wax ones!

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Cola

LP | 2024 | US | Original (Fire Talk)

Der Text Ist Meine Party (Die Hamburger Schule 1989-2000) Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark/Our outlook is restrained/Your tongue might weaken to be-fit your smile/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk.

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V.A.

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Black Sweat)

Addict Ameba

Caosmosi

19,99 €*

Umbilical Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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After their debut album the most multifaceted and unpredictable musical collective in Italy – Addict Ameba – come back with their sophomore album, “Caosmosi”. Faithful to the aim of bringing together different paths, traditions and horizons in their music, the band moves between desert-blues and afrobeat landscapes, with latin rock rides and ethio-jazz parentheses. The vision of the album is further enriched by two absolutely valuable features: Joshua Idehen, Anglo-Nigerian poet and singer and pen of Sons Of Kemet and The Comet is Coming, is the author and lead voice in “Look At Us”, a poem – or perhaps it would be more correct to say a prayer – an invitation to be protagonists and change this time, before it changes us; Rabii Brahim, Tunisian actor and musician, who in "Ya Bled" gives birth to a love song for his land, telling the nostalgia and disorientation of migrant, even when he returns to his homeland. To approach listening to this album you should project that state of melancholy euphoria that you would experience when taking part in the last great party before the disappearance of the human race... Caosmosi!

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Thou

LP+7" | 2024 | US | Original (Sacred Bones)

33,99 €*

Michael & The Red Elastic Band Head

Release: 2024 / US – Original

Genre: Rock & Indie

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Thou has always been a force of raw energy and unapologetic dissent, defying easycategorization and challenging listeners to confront the complexities of existence.Though often lumped in with New Orleans sludge bands like Eyehategod and Crowbar,Thou transcends genre boundaries, drawing inspiration from a diverse array ofinfluences spanning from `90s proto-grunge icons like Nirvana, Alice in Chains, andSoundgarden (all of whom they've covered extensively) to the raw intensity of obscure`90s DIY hardcore punk found on labels like Ebullition, Vermiform, and Crimethinc.Their latest record Umbilical, Thou's first full-length release of original music sincetheir 2018 Sacred Bones debut Magus, is their firmest nod to the latter - a record filledwith mosh-ready riffs, heavy breakdowns and scathing vocals. The band's aesthetic andpolitical impulses have always been punk and like anyone embroiled in the subcultureThou have been exploring what it means to exist within and without a rigid morality.That exploration takes thematic center on Umbilical and their self-assessment is asharsh as that of the world around them.

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Loophole

LP | 2024 | EU | Original (Virgin Music Las)

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fantomas Silver Vinyl Edition

Fantômas

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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Poptical Illusion Black Vinyl Edition

John Cale

2LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Anama Olive Green Vinyl Edition

Crumb

LP | 2024 | EU | Original (Crumb)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Remote Echoes Clear Smoke Vinyl Edition

Duster

LP | 2024 | US | Original (Numero Group)

13,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Reissue (Nuclear Blast)

Nightwish

Once Remastered

37,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

LP | 2024 | US | Original (Drag City)

Skipping Stones: The Cassette Years '92-'93

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

Indecision Black Vinyl Editoin

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

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Franka Oroza

7" | 2024 | FI | Original (Timmion)

11,99 €*

Cyan Blue Colored Vinyl Edition

Release: 2024 / FI – Original

Genre: Rock & Indie

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The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground.Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song.If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

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Charlotte Day Wilson

LP | 2024 | UK | Original (XL)

LP | 2024 | US | Original (Mom + Pop)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her." Working with producers like Leon Thomas (sza, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson"s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus. But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment." While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha. Over the past decade, she"s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson"s 2016 breakout single "Work." Additionally, she"s collaborated with artists like Kaytranada, Badbadnotgood, and SG Lewis, demonstrating that there"s no sound Wilson can"t adapt to and sprinkle her cyan-colored magic over.

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Maya Hawke

Chaos Angel

Morning View XXIII Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Maya Hawke is a musician, songwriter, actor and producer. She has released two lauded albums of music to date, Moss (2022) and Blush (2020), both of which showcase her natural gift for songwriting and storytelling, as well as a knack for striking visual presentation with sleeve designs of her own creation. “Thérèse,” the lead single from Moss, garnered global attention with its mesmerizing Brady Corbet-directed video - and tens of millions of streams - and saw Maya make an impressive network TV performance debut on the Tonight Show with Jimmy Fallon. Maya and her band picked up a slew of rave reviews for sold out shows in the US and EU, as well as support slots for Bright Eyes and Faye Webster.

Now 25 years old, Maya’s third album, Chaos Angel, takes the spare, viscerally honest songwriting she has made her name on and goes deeper and bolder. Both her most sonically sophisticated and thematically nuanced collection to date, it feels like a culmination. Across these 10 songs, Hawke catalogs upheavals, revelations, foibles, and broken promises, all while navigating the patterns we repeat while reaching towards growth, wandering astray, and finding our way back to some core understanding of ourselves.

Chaos Angel is also a document of Hawke coming more fully into her own as a musician. More adventurous in the studio after her previous two albums, Hawke leaned into her ambition. Many of these tracks are still anchored by acoustic guitar and Hawke’s graceful yet conversational vocals, but their surroundings are more intricate and lush than ever before. She reconvened with longtime collaborators Benjamin Lazar Davis and Will Graefe, with Christian Lee Hutson serving as producer.

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Incubus

2LP | 2024 | EU | Original (Virgin Music Las)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Light Verse Yellow Transparent Vinyl Ediiton

Iron And Wine

LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Guruguru Brain)

Lair

Ngélar

Blood Hot Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In Ngélar—the sextet’s sophomore LP—deeper social narratives and more intimate subject matters are more apparent. In which they speak a lot about ‘tanah’ or ‘land/soil,’ owing a lot to the fact that their hometown, Jatiwangi’s history of being the country’s largest producer of clay/terracotta-based products. The people in Jatiwangi’s intertwining relationship with ‘tanah’ is simply unparalleled—even their instruments are mostly made of terracotta.

From the reimagining of their hometown’s past glories, Lair, along with singer/songwriter Monica Hapsari (who co-wrote and co-composed three songs in the album) and Go Kurosawa (Kikagaku Moyo) helming the project as the producer, sings about the rituals and traditions of harvest, to sending off prayers towards their once-prospering land and the ruins of what was once a dense forest in Jatiwangi, which they are currently trying to reclaim while racing with the massive wave of industrialisation. It is a contextually-sorrowful album as much as it is a candid, cheery commemoration of the band members’ everyday life in today’s northern shores of Java, Indonesia.

Ngélar is one of the words that might be able to describe the essence of Lair as a group. The word itself can be traced back to the locals’ culture of ‘going around in celebration of something.’ In their village, ngélar simply means a traveling performance, in which the performers would play music and go around the village, greeting the people around them as they move from place to place, or simply within their immediate surroundings, indicating that there is something nearby that is being celebrated.

Lair is simply in love with ‘journey,’ ‘time,’ and all of their interactions. Ngélar, for them, is a representation of their journey. How they go around, interacting and communicating, to celebrating and making sense of everything that is going on within and around them. For Lair, Ngélar is a method, a creative process, and—as an album—a culmination of each of their journeys since the group’s founding.

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Tess Parks

LP | 2013 | UK | Reissue (Optic Nerve)

Infants Under The Bulb Black Vinyl Edition

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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A native of Toronto, Tess Parks moved to London, England at the age of seventeen where she briefly studied photography before deciding to focus on music.

Tess made an impression on industry legend Alan McGee, founder of Creation Records, albeit the timing of their meeting could hardly have been less ideal; McGee was no longer involved in music and Tess was due to move back to Toronto. After moving back to her hometown in 2012, Tess formed a band on the advice of McGee and less than a year after their meeting, he returned to music with his new label, 359 Music.

Tess became one of his first signings and released her debut record ‘Blood Hot’ in November 2013 to excellent reviews. One reviewer described her as “Patti Smith on Quaaludes”. Others have mentioned her “gauzy psychedelic sound” and“smouldering voice”.

Alan McGee himself said: “She’s only 24 and is already an amazing songwriter... she just doesn’t quite know she is yet ... her most beautiful quality is her lack of ego. Tess is an amazing lady”.

‘Blood Hot’ is inimitably confident. It’s slow and psychedelic at times, while being loud and ready to fill a stadium at others. There isn’t a moment on the album that isn’t relatable or that doesn’t ring to the tune of a timeless classic to be talked about for years to come (the same way people discuss The Velvet Underground or My Bloody Valentine records today).

Her cult-like following has turned into a movement. And Tess is gladly leading us all

back into that space within ourselves, both deeply personal and entirely universal. Incredibly relevant yet timeless.Cool and anti-cool. An enigma that doesn’t need solving. Tess Parks is as she’s always been. Her best work is already out there. And her best yet is still to come.

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Uranium Club

LP | 2024 | Original (Static Shock)

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Untourable Album Black Vinyl Edition

Men I Trust

LP | 2024 | CA | Original (Men I Trust)

33,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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Opt Out Black Vinyl Edition

Oum Shatt

LP | 2024 | EU | Original (Wanda Y.)

19,99 €*

Walls Have Ears Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Six years ago, Oum Shatt released a critically acclaimed debut album that led to Song of the Year awards from Berlin Radio Eins ("Gold To Straw") and TAZ Popblog ("Power To The Women Of The Morning Shift"), as well as BBC and Arte features and appearances at Sxsw, Transmusicales in France and Electric Picnic in Ireland.

Now, the Berlin-based band, whose members are otherwise known from bands such as Kissogram, Fenster, Die Türen, Golden Showers and Peaches, consisting of singer and songwriter Jonas Poppe, founding member Chris Imler on drums, guitarist Richard Murphy, and Rémi Letournelle on bass and synthesizer – return with a second effort that even surpasses their debut. Building on the minimal-rock style of their debut album (Vogue Magazine), OUM Shatt weaves a mystic, at times psychedelic soundscape with meandering guitars, a wild percussive aesthetic, and Jonas Poppe’s evocative, mantra-like baritone. "Opt Out" also stands as a thematic concept album, delving into the individual's various forms of resistance against societal expectations. While drawing from obscure influences, the album remains unmistakably unique.

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Sonic Youth

2LP | 2024 | US | Original (Goofin)

Bergtatt - Et Eeventyr I 5 Capitler Re-Issue 2024

Release: 2024 / US – Original

Genre: Rock & Indie

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“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

“The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before Evol was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

“In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

“The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” – Brian Turner

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Ulver

LP | 2024 | EU | Reissue (Century Media Catalog)

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Nippon Acid Folk 1970-1980

V.A.

LP | 2024 | UK | Original (Time Capsule)

Rat Wars Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.

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Health

LP | 2024 | US | Original (Concord)

Release: 2024 / US – Original

Genre: Rock & Indie

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Goodnight, God Bless, I Love U, Delete Colored Vinyl Edition

Crosses

2LP | 2023 | EU | Original (Warner Bros.)

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (RCA International)

Bring Me The Horizon

Post Human: Nex Gen

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dance, No One's Watching Opaque Red Vinyl Edition

Ezra Collective

2LP | 2024 | UK | Original (Partisan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Dance, No One's Watching Deluxe Vinyl Edition

Ezra Collective

2LP | 2024 | UK | Original (Partisan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rocket)

Gnod

Spot Land

24,99 €*

Inferno Burning Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Gnod, the ever-transient psychedelic musical unit from northern England with over 15 years and dozens of releases under their belt, return in 2024 with a recalibrated sound and a new sense of freedom. Spot Land’s five songs are tender and detailed, unfolding slowly with wistful guitar textures, brushed drums and interjections of lap steel, piano and kalimba.

As founder member Paddy Shine says, the results sound like old Gnod and new Gnod at the same time. On the face of it, Spot Land is a big step away from the intense, loud, sludgy offerings found on the group’s more recent studio albums, such as 2022’s Hexen Valley – nevertheless, these too are heady fogs to lose yourself in, with on-record personnel starting at different points and meeting on the same wavelength. Its exploratory sense might make seasoned Gnod heads think of 2014 triple LP Infinity Machines, or really early oddities like The Somnambulist’s Tale from 2008, but you can also jump in right here if needs be because Spot Land has its own unique vibe too.

The album was recorded in a Rochdale mill over four days in August 2023, with Paddy handling all the production and mixing – the first time he’s been fully in the hot seat for any Gnod release. He’s also the only member to feature on each of the five tracks, with others coming and going in suitably informal manner. Everyone – Paddy, fellow Gnod founder Chris Haslam, Alex Macarte, Raikes Parade and Al Wilson – plays at least two instruments over these 40 minutes. There are no vocal credits among them, but Spot Land is embellished beautifully by sampled voices, notably on the album’s opening and closing pieces. Benedictine monks intone hymnally on ‘Peace At Home’, gliding over the top of jazzy, graceful desert music, while during quarter-hour ambient rock frazzler ‘Pilgrim’s Progress’ we hear – yes – Christian pilgrims chanting in a church in Azores.

These songs are unquestionably the product of jamming, improvisation and an open mind, with little of any of what you hear having much in the way of a preconceived structure, but don’t imagine this to be self-indulgent or bloated, thanks especially to Paddy’s judicious editing process. ‘Luz Natural’ is a beatific beatless wonder crafted from synth, piano and lap steel, a soundtrack for a rainforest located somewhere along the Pennines. ‘Dream On’ is Spot Land’s most rhythm-forward moment, alien-sounding synths snaking through sharply shuffling bass and drums, whereas ‘Kapal Bhati’ is its height of abstraction: thumb piano, bizarro dub treatment and distant voices that could be anyone, from anywhere.

Though Gnod’s shift in sound from album to album is rarely planned too far ahead, there’s been a quiet desire among the band to do something of this nature for a while. The results might confound the expectations of some listeners, but in the longer view Spot Land is liquid Gnod. The arresting cover artwork is a showcase for Chris Haslam’s illustrative skills; his process here, he says, was “starting on something, never knowing when it’s complete, just when it feels finished. Like the music, really.”

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Lacrimosa

2LP | 2024 | Reissue (Reigning Phoenix Music)

Release: 2024 / Reissue

Genre: Rock & Indie

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Colony Silver Vinyl Edition

In Flames

LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Bureau B)

Sprung Aus Den Wolken

1981 - West-Berlin

Release: 2024 / EU – Original

Genre: Rock & Indie

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Batman (Feat Gary The Tall & Exotic Gardens Reversion)

Die Radierer

7" | 2024 | UK | Original (Emotional Rescue)

15,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Expensive Woodland)

Black Sabbath

California Jam

Release: 2024 / EU – Original

Genre: Rock & Indie

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Five Dice, All Threes Ghostly Blue Vinyl Edition

Bright Eyes

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Real Gone Music)

Firehouse

41,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Music On Vinyl)

Cold

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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SORCS 80 Coke Bottle Green Vinyl Edition

Osees (Thee Oh Sees)

LP | 2024 | UK | Original (Castle Face)