Rock & Indie Vinyl 2379 Items

Songs Opaque Brown Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Some records so perfectly capture an artist at a critical point in their creativity, and make such an impact, that they become not just synonymous with the band, but an essential piece of music history. Such is the case with Shock Troops, the album that not only became Cock Sparrer’s most acclaimed record, but a defining moment for Oi!, punk rock, and underground music in general! Originally released by Razor Records in 1983, Shock Troops proved to consist of song after song which would each become anthems of the burgeoning Oi! scene and far beyond. From the opening of “Where Are They Now?” on through “Take ‘Em All,” “We’re Coming Back,” all the way to the closing chords of “Out On An Island,” there isn’t a song in the bunch that any self respecting punk rocker can’t shout along to. These working class anthems are just as vital today, as proven by the crowds of beloved fans worldwide that continue to go wild at Sparrer’s live shows, where Shock Troops tracks still make up the heart of their setlists. For nearly 15 years, Pirates Press Records has made certain this classic stayed in print, in an absolutely stunning assortment of coloured vinyl pressings. In celebration of the band’s 50th year, we were proud to present a remastered version of Shock Troops, from the original 1⁄4” tapes, sounding better than ever! The 50th anniversary gold jacket versions are sadly all sold out but now we have the remastered versions on colored vinyl with the original artwork! Pure class. SIDE A:1. Where Are They Now2. Riot Squad3. Working4. Take 'em All5. We're Coming Back SIDE B:1. Watch Your Back2. I Got Your Number3. Secret Army4. Droogs Don't Run5. Out on an Island

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Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

Frehley's Comet Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Into The Dark Past Picture Disc Edition

Angel Dust

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | JP | Reissue (Warner Musi Japan)

Flower Travellin' Band

Make Up

47,99 €*

2LP | 1979 | US | Reissue (Feel It)

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's last album in the 70's, "make UP", has been decided! The strongest new rock band, Flower Travelin' Band (ftb) The last album in the 70's, full of live feeling that most embodies the band's style. Produced by: Flower Travelin' Band, Yuya Uchida, Ikuzo Orita

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The Toms

45,99 €*

Separate Oceans Blue Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

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Ned Doheny

2LP | 1976 | EU | Reissue (Numero Group)

35,99 €*

Black Sugar II Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Sea Splash Blue Vinyl.With no less than a mansion, a state beach, and a three-milestretch of road bearing his fabled family's name, Ned Dohenyeasy-glided into the 1970s on a crest of wealth and privilege.Signposting Ned's sojourn through the LA recording industrywere Jackson Browne, Glenn Frey, Don Henley, Chaka Khan,Graham Nash, "Mama" Cass Elliot, Bonnie Raitt, and DavidGeffen_each a household name both inside and far fromsouthern California. And while no bust of Ned Dohenyappears alongside those of his Laurel Canyon brethren in thepantheon of classic rock, it's not for lack of songwriting abilitiesor recording chops.Over the last three decades, Doheny's albums have slid in andout of print on LP and CD, budget jobs without any involvementfrom the self-described "avatar for casual vulgarity." SeparateOceans examines Ned Doheny's first ten years adrift in song,pulling together choice album cuts and 11 previously unissueddemos. An 8000 word essay is illustrated by images from thearchives of noted rock photographers Henry Diltz, MosheBrahka, Clive Arrowsmith, and Gary Heery, creating the firstever overview of this unheralded marina rocker.

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

LP | 1970 | EU | Reissue (Akarma)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Bruce Palmer

The Cycle Is Complete

Schleimer K Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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After leaving the Buffalo Springfield because of a drug bust, bassist Bruce Palmer released this 1970 solo album for Verve Forecast. Consisting of only four tracks, The Cycle Is Complete seamlessly explores psych, folk and jazz territories to cultivate a sound that now seems decades ahead of its time. Opening track "Alpha - Omega - Apocalypse" features vocals by Rick Matthews (later known as psychedelic soul star Rick James). An exploratory cult classic.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

32,99 €*

Steeler Record Store Day 2023 Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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Steeler

LP | 1983 | Reissue (Sound City)

33,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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The Complete Score From The Catherine Wheel Record Store Day 2023 Black Vinyl Edition

David Byrne

LP | 1981 | Reissue (Warner)

48,99 €*

Bloodsuckers Clear Vinyl Edition

Release: 1981 / Reissue

Genre: Rock & Indie

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Limited 2 x 140g 12" Black vinyl album. RSD 2023. An absolutely monumental masterpiece of late 20th century music is the seamless funk opera score David Byrne created for choreographer Twyla Tharp’s The Catherine Wheel in 1981. This 2LP set marks the vinyl debut of the full score (previous releases contained only a 1LP condensed version). The tracks "Big Blue Plymouth", "My Big Hands", "Big Business" and "What a Day That Was" were all performed live by Talking Heads in 1982 and 1983.

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The Varukers

LP | 1983 | EU | Reissue (Audioplatter)

17,99 €*

A Sultan's Ransom Splatter Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

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Cloven Hoof

LP | 1989 | EU | Reissue (High Roller)

Master Control 35th Anniversary Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023 with original cover art, electric blue w/ black & white splatter vinyl, ltd 200, lyric sheet, restored original master, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, new cutting by SST

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | TR | Reissue (Modern Plakcliik)

Müslüm Gürses

Mutlu Ol Yeter

LP | 1974 | TR | Reissue (Ada Müzik)

Release: 1981 / TR – Reissue

Genre: Rock & Indie

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Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

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3 Hür El

Hur El Arsiv

The Album Red Vinyl Edition

Release: 1974 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs

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Eater

LP | 1977 | EU (Radiation Reissues)

The Dark Side Of The Moon Live At Wembley 1974 2023 Master

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Pink Floyd

LP | 1973 | EU | Reissue (Warner)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Dark Side Of The Moon 50th Anniversary Deluxe Box Set

Pink Floyd

Box | 1973 | EU | Reissue (Warner)

276,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | JP | Reissue (P-Vine)

Totsuzen Danball

Can I?

35,99 €*

LP | 1980 | EU | Reissue (Polydor)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Formed around the undeniable talent of the Tsutaki brothers in 1977, the genre-defying music of Totsuzen Danball was introduced to the world in 1981 with the release of their first album, Can I? With a name translating to Suddenly Cardboard, the band’s trademark sense of humor is on full display. Whether it’s the sardonic anti-bossa of their cover of “A Girl From Ipanema”, or experimental tape manipulation on “ゆっくり立つ　ゆっくり座る” (lit. stand up slowly sit down slowly), you can’t help but be amazed at the band’s ability to communicate so much through their music. Can I? quickly became notorious overseas, with high praise from both Lol Coxhill and Fred Frith (ex. Henry Cow); who would later collaborate with the band! (Keep an eye out for reissues of those recordings!) Reissued on vinyl for the first time ever, this limited edition pressing comes with one of our obi-strips! Get Totsuzen Danball’s Can I? only from P-vine Records!

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The Cure

Seventeen Seconds

LP | 1979 | PL | Reissue (Polydor)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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The Cure

Three Imaginary Boys

LP | 1985 | UK | Reissue (Beggars Banquet)

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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The Cult

Love Black Vinyl Edition

LP | 1987 | US | Reissue (Scat)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Beggars Arkive will release a long-awaited vinyl reissue of THE Cult"s second album Love on February 24th. THE Cult is fronted by Ian Astbury on vocals and Billy Duffy on guitar. Their music and albums at this point need no introduction as they have cemented themselves over the years since they began in 1983, as one of the greatest rock bands around. Love was the Cult"s second album, originally released in 1985. It was their breakthrough and produced many singles including "Rain", "Revolution" and the epic anthem "She Sells Sanctuary" - songs that still resonate today - in fact "She Sells Sanctuary" was recently featured in Season Two of the hit TV show Euphoria. The album eventually defined their career, but at the time, it flew in the face of everything that was going on in music.

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Guided By Voices

Sandbox

Eliminator Gold Nugget Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.

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ZZ Top

LP | 1983 | EU | Reissue (Warner)

2LP | 1978 | US | Reissue (Mobile Fidelity)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the groundbreaking and chart topping album. Includes "Legs" and "Sharp Dressed Man." (Original RD: March 1983)

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Warren Zevon

Excitable Boy

75,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Just Add Water)

Coloured Balls

Ball Power

39,99 €*

LP | 1981 | EU | Reissue (Glossy Mistakes)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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50th Anniversary Edition of this touchstone of Aussie Rock n Roll. This 1973 LP should need no introduction. Just in case it does, it's simply one of the finest albums to ever come out of Australia. Coloured Balls are the godfathers of Aussie punk, hard rock, psychedelic boogie, etc. They played too many different styles to be just any one thing. Lobby, Bobsie, Trevor, and Janis created something very special with this album and it sounds as fresh and vital as the date it was originally released.

This pressing has been painstakingly sourced directly from the 1973 quarter inch mix-down master tapes and sounds incredible. This has been an entirely analog production chain and hasn't been touched by a computer at any stage of the process. Hear Coloured Balls as nature intended.

Every copy includes bonus poster!

Edition of 800 copies on black vinyl.

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Earthling

Dance

Crime & The City Solution

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres.

Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines.

While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day.

Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Pirates Press)

Subhumans

EP-LP Red Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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29:29 Split Vision Red Vinyl Edition

Subhumans

LP | 1986 | US | Reissue (Pirates Press)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Junior's Got Brain Damage

Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

LP | 1988 | US | Reissue (Mississippi)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Dead Moon

In The Graveyard

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Dead Moon's first LP! Originally released in 1989, "In The Graveyard" sounded like nothing else happening at the time. Lo -fi psychedelic masterful songwriting with so much murk and mystery - it's perfect. Features absolute hits like "In The Graveyard", "God Damn I Hate The Blues and "Dead In The Saddle." This is one of the most important rock and roll releases of all time.

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Walter Wegmüller

Tarot Boxset

114,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Walter Wegmüller

Tarot

41,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Tom Ze

Todo Os Olhos

36,99 €*

Correio Da Estacao Do Bras

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

36,99 €*

Discipline (Steven Wilson Mix)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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King Crimson

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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LP | 1982 | UK | Reissue (DGM Panegyric)

King Crimson

Beat (Steven Wilson Mix)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Cosmic Rock)

Richard Twice

LP | 1978 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !

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COS

Babel

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Babel was Cos' third long playing release, issued in 1978. It represented a new step in the band's evolution with the addition of new influences that ranged from musique dodécaphonique, minimalist droning, or even a hint of disco, without turning their backs to their earlier love for Canterbury sounds or more conventional jazz-rock. Dirk Bogaert, Francis Cahen and Marc Moulin all played in its sessions, making this a superb sample of what was going on through the Belgian music scene in those days.

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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COS

Viva Boma

LP | 1977 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Television

Marquee Moon

29,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Mississippi)

Dead Moon

Defiance

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Lost Lagoon)

Robbie Basho

Bouquet

30,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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An Old Castle Of Transylvania

Cosmos Factory

LP | 1973 | EU | Reissue (Holy Basil)

LP | 1973 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog rock guitar moments, experimentally blended with the use of Hammond and Mellotron, the band lead by keyboardist / vocalist Tsutomu Izumi takes you on an adventure throughout the dark forests of Transylvania. Throughout the years, the album has become an very rare and sought after gem in the history of Japanese prog rock, this is the very first reissue ever, complete with OBI strip and insert, officially licensed by Nippon Columbia Co. Ltd. and now available worldwide through Holy Basil Records.

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Zerfas

2LP | 1982 | EU | Reissue (Chrysalis)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the material is self-penned which comes as a surprise as the tracks are uniformly strong, with lots of keyboards, sound effects, and some outstanding harmonies. An excellent mix of proto-garage, psych and even prog with a strong effort on studio wizardly. A rare gem all in all !

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Ultravox

Rage In Eden

30,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | JP | Reissue (P-Vine)

Sekiri

Take Me To Sekiri

35,14 €* 36,99 € -5%

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (BMG Rights Management)

Nazareth

2xs

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Sick Of It All Purple Vinyl Edition

Sick Of It All

7" | 1987 | US | Reissue (Revelation)

14,99 €*

Let The Power Fall Remastered Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound.

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Robert Fripp

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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God Save The Queen / Under Heavy Manners Remastered Edition

Robert Fripp

LP | 1980 | UK | Reissue (DGM Panegyric)

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Repertoire Entertainment Gmbh)

Sparks

Whomp That Sucker

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Repertoire Entertainment Gmbh)

Judas Priest

Rocka Rolla

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Gutter Ballet Black Vinyl Edition

Savatage

LP | 1989 | EU | Reissue (Earmusic)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Naya Beat)

Pinky Ann Rihal

Tere Liye (Hindi Disco)

LP | 1973 | EU | Reissue (Sommor)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

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Curtis Knight Zeus

Sea Of Time

LP | 1977 | EU | Reissue (BMG Rights Management)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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In the early 70s, Hendrix’s old friend & collaborator Curtis Knight moved to London and formed Curtis Knight Zeus, recruiting a young guitarist named “Fast” Eddie Clarke (later of Motörhead fame).

Sea Of Time was recorded at Olympic Studios in 1973 but never actually released in the UK, only in a few European countries. Psychedelic hard-rock with soul/funk influences and even some raw proto-punk moves. All songs were written by Curtis, showcasing his versatile songwriting talent, and he’s also on lead vocals / guitar.

Includes the underground heavy-funk-rock hit “The Devil Made Me Do It” and more!

Recommended if you like Jimi Hendrix, Arthur Lee’s “Vindicator”, Chubby Checker’s “Chequered”…

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Nazareth

Expect No Mercy

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Dischord)

Faith / Void

Split

Understand? Blue Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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The classic split album of legendary DC hardcore, plus the side by THE Faith.

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Naked Raygun

LP | 1989 | UK | Reissue (Audio Platter)

The Last Fourfathers Transparent Blue Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Re-issue of 'Understand?' the fourth album by Chicago post-hardcore band Naked Raygun, originally released in 1989 through Caroline Records - NOW ON Stunning Blue Vinyl!

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The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

Suicidal Tendencies Red Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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Suicidal Tendencies

LP | 1983 | EU | Reissue (Munster)

29,99 €*

Wild Paarty Sound Record Store Day 2022 Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Suicidal Tendencies's debut has been regarded by critics as one of the most influential punk rock albums of all time and has inspired an untold number of influential musicians. "Suicidal Tendencies" has also been cited as an influence or favorite album by each of the "big four" of thrash metal (Metallica, Megadeth, Slayer and Anthrax) as well as California punk bands such as The Offspring and Nofx. Red colored vinyl includes original lyric sheet. In 1982 Suicidal Tendencies emerged from Venice, CA, with a dedicated audience among area skaters and surfers. As they established themselves on the Los Angeles punk scene, the group released their self-titled debut on Frontier Records with songs like 'Institutionalized,' 'Fascist Pig,' and 'Suicide's an Alternative.' "Suicidal Tendencies" became the bestselling American punk album of all time and launched the band into their long-lasting career. 'Institutionalized' has been referenced in many other songs, mostly its quote "all I wanted was a Pepsi". It is referenced in the Sage Francis song 'Slow Down Gandhi,' Limp Bizkit also referenced it in the song 'Stuck', also the lines "All I wanted was a Pepsi " are also quoted near the ending of the Cypress Hill song 'How I Could Just Kill a Man,' and Body Count recorded a cover version of 'Institutionalized', with new lyrics written by singer Ice-T, called 'Institutionalized 2014.' Suicidal Tendencies became the chameleons of aggressive rock 'n' roll. Starting with their debut album on Frontier Records in 1983, the band progressed from the punk rock genre into heavy metal/thrash. Throughout this transformation, singer, founder, and leader Mike Muir broadcast his own message with wit and wisdom to anyone that would listen. After the video for 'Institutionalized' broke through the MTV airwaves as the first hardcore video for the channel, the song gained further notoriety on the soundtrack for the cult film "Repo Man" in 1984. The original album continues to be a perennial punk rock best seller due to its wide appeal and catchy tunes. Every song on it is great. It's a perfect crossover between hardcore punk and metal.

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V.A.

LP | 1981 | EU | Reissue (Lantern)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)

29,99 €*

Landscape Of Life Clear Green Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

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Osanna

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Innermost Limits Of Pure Fun Feat. Dragon Brothers

Farm

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The Jet Set Junta Red Vinyl Edition

The Monochrome Set

7" | 1983 | EU | Reissue (Optic Nerve)

12,99 €*

LP | 1976 | EU | Reissue (Cosmic Rock)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

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Relatively Clean Rivers

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Long before the term Cosmic Americana was of common use there was a band ideally fitting the role. Back in 1976 the long psychedelic wave was rapidly fading away, but the market of private press was still in demand. The self-debut album of Relatively Clean Rivers came out the same year on the leader Phil Pearlman label. Pacific Is released just this sole album and was to a certain extent an original example of do it yourself. The brainchild of Phil Pearlman, the band was rapidly crossing genres focusing on extended long jam verging on Californian psych and proto-ambient country/folk. The man, a sort of local guru, was previously involved in two other projects: Orange County own The Beat Of The Earth and The Electronic Hole, so to speak different names for the same group of musicians. While those two early efforts were explicitly devoted to a sort of LSD inducted trip, the Relatively Clean Rivers stand on their own, merging styles and – finally – proposing an accurate songwriting. The first press of this sough after underground masterpiece has been traded for thousand dollars, now here’s your chance to grab this rural manifesto. With much of the music being acoustic, there are elements of morphing electric guitars, smattered with strange spacey moments belaying a certain stoned atmosphere. The album is imaginative, melancholic, mellow, and exotically webbed. And then there’s the band Wilco, citing the Relatively Clean Rivers as being inspirational. Not a bad companion, right ? And if you just look at Jeff Tweedy instant progression from ‘Summerteeth’ to ‘Yankee Hotel Foxtrot’ the ‘suspect ‘ is more than reasonable. We’ll give you one more hint, Kevin Morby has been probably fascinated but this long lost gem as well.

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Carl Erdman

Bizzarrophytes

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Tapete)

Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Hall Of The Mountain King Black Vinyl Edition

Savatage

LP | 1987 | EU | Reissue (Earmusic)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Frijid Pink

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Very 'Eavy, Very 'Umble Limited Picture Disc Edition

Uriah Heep

LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (ORG Music)

Bad Brains

Quickness

30,99 €*

Dedalus Crystal Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Dedalus

LP | 1973 | EU | Reissue (AMS)

Tango 2000 Remastered Deluxe Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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One of the most experimental bands of the Italian Prog scene, Dedalus were founded at the beginning of the '70s by Michele Bonansone (keyboards, cello, vocals) and Marco Di Castri (guitar, saxophone) in Pinerolo, near Turin.

Their first eponymous LP consists of instrumental jazz-rock compositions, influenced by artists like Nucleus, Miles Davis, Soft Machine, Stockhausen and many other musical innovators of the time. "Dedalus" was originally released in 1973, and in the same year the band took part at the Avantgarde and New Trends Festival in Naples, being pointed as the real revelation of the event.

The album, enclosed in one of the most peculiar Italian Prog artworks by Cesare Monti, already contains some of the avantgarde hints which would be fully developed in the following "Materiale per tre esecutori e nastro magnetico".

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Nichts

LP | 1982 | EU | Reissue (Cargo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Eat A Peach Colored Vinyl Edition

The Allman Brothers Band

2LP | 1974 | EU | Reissue (Vinyl Lovers)

34,99 €*

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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reissue with original insert on 180g vinyl plus three bonus tracks

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Cosmic Jokers

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition

Alusa Fallax

LP | 1974 | EU | Reissue (BTF)

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.

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Blocco Mentale

Poa Yellow Vinyl Edition

LP | 1985 | EU | Reissue (Audio Platter)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A very obscure and one of the rarest albums from Italian rock music scene of the 70's. This album takes on ecology as its theme and sings of the evil of polluting the planet. Terrific basic progressive music housed in a creative gimmick sleeve with window to flower. Blocco Mentale were a quintet, consisting of Aldo Angeletti (who wrote the music) on vocals and bass, Michele Arena on drums and vocals, Gigi "Roso" Bianchi on guitar and vocals, Filippo Lazzari on keyboards, harmonica and vocals, and Dino Finocchi on vocals, sax and flute. Musically Blocco Mentale is characterised by a progressive style with some personal touches. The best intruments are the horns and the keyboards.

The album opens with angular staccato sax riffs and then slides into a lush melody somewhat reminiscent of PFM ( Premiata Forneria Marconi ) in their early (and best) days. There are rich vocal harmonies blended with organ and flute, and once again a Meditteranean sensibility which distinguishes much of the best Italian progressive rock. (The opening lines of that opening track, "Capita," are recapitulated in the closing lines of the sixth track, "Ritorno," but the album still has one track to go at that point, oddly enough). Swelling Mellotrons blend into vocal harmonies, and give way to a cascading piano line. The music moves around a lot in the course of the album. The fourth track, "Io E Me," is an amazing Meditteranean blues, with a wailing harmonica taking the lead.

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Dead Kennedys

Frankenchrist

LP | 1980 | EU | Reissue (Restless Empire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedy's Frankenchrist Available Again On Vinylfrankenchrist Is The Third Album Released By The American Hardcore Punk Band Dead Kennedys In 1985 On Alternative Tentacles.The Album Is An Example Of The Progressive, Psychedelic Side Of Dead Kennedys' Musical Personality. The Spaghetti Western Soundtrack Influence Is Also Noticeable In The Horn Parts And In East Bay Ray's Atmospheric Guitar Work. Frankenchrist Is Noted For Its Relative Lack Of Traditionally 'Hardcore' Material. Most Of The Songs Are Slower And Longer Than The Majority Of Other Dead Kennedys Songs. "M.T.V. - Get Off The Air" Is Notable For Its Pointed Slam Of The Music Establishment And "Stars And Stripes Of Corruption" For Its Exegesis Of Vocalist Jello Biafra's Political Philosophies.

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999

Biggest Prize In Sport

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Spittle)

Sad Lovers & Giants

Feeding The Flame

Emerges Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

LP | 1971 | CA | Reissue (Return To Analog)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Sex

Sex Yellow Vinyl Edition

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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Psychedelic And Underground Music Yellow Vinyl Edition

The Psycheground Group

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Tooth Factory)

Saitana

Jenakuru