Rock & Indie Vinyl 2049 Items

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Rock Joint Cither - Silk Road Black Vinyl Edition

Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Assagai

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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Tom Ze

Todo Os Olhos

36,99 €*

Correio Da Estacao Do Bras

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

36,99 €*

Discipline (Steven Wilson Mix)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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King Crimson

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Violent Restitution Black Vinyl Edition

Razor

LP | 1988 | EU | Reissue (High Roller)

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony

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COS

Viva Boma

LP | 1971 | EU | Reissue (Parlophone Label Group)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Deep Purple

Fireball

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Demons And Wizards Art Of The Album Edition

Uriah Heep

LP | 1972 | EU | Reissue (BMG/Sanctuary)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Helloween Gold Vinyl Edition

Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Rhino)

Fleetwood Mac

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Join Inn 50th Anniversary Edition

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

LP | 1970 | US | Reissue (Friday Music)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Dave Mason

Alone Together

42,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Laissez-Nous Vous Embrassez Ou Vous Avez Mal

Peloquin Sauvageau

LP | 1972 | US | Reissue (Return To Analog)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | JP | Reissue (Alchemy)

Sekiri

Take Me To Sekiri

36,99 €*

LP | 1972 | EU | Reissue (Croatia)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Time

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | US | Reissue (Last Laugh)

The Embarrassment

Death Travels West

LP | 1971 | EU | Reissue (Bonfire)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Before they broke up in 1983, this quartet from Wichita, Kansas rocked furiously, with less brittle/more melodious guitar than the Scottish new wave pop bands Orange Juice and Josef K to whom the Embos were sometimes compared. While John Nichols’ vocals weren’t incredible (Bill Goffrier’s guitar work nearly was), the Embarrassment did convey a promising array of nuances—from wistfulness to sarcasm—and an inquisitive, adventurous way with arrangements. The lyrics vary in quality, but “Don’t Choose the Wrong Song” and “Elizabeth Montgomery’s Face” show budding verbal pithiness; “Wellsville” has a laconic melodic strength. Best of all, most of the debut EP’s five songs grow on you with each listen.

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Miller Anderson

Bright City

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miller Anderson is a guitarist and vocalist, born on April 12, 1945, in Houston, Renfrewshire, Scotland. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Deep Purple's Jon Lord and folk-rock balladeer Donovan. His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca that released new records from 1966 onwards for the likes of Moody Blues, Caravan, Camel and several british jazz-rock legends. The album is a brilliant example of modern folk with lush strings arrangements thanks to guitarist and producer William ‘Junior’ Campbell, leader of the Scottish pop-rock group The Marmalade. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. Harold Beckett (John Surman, Graham Collier) on flugelhorn and Lyn Dobson (The Keef Hartley Band, The People Band, Third Ear Band) on flute were literally stalwarts of the british jazz-rock and experimental scene, their contributions is behind greatness. Same with keyboard player Mick Weaver another Keef Hartley alumni. The album - faithfully remastered - offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of such luminaries as Donovan or Nick Drake

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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12" | 1981 | UK | Reissue (Fortuna)

Minimal Compact

Statik Dancin'

19,99 €*

Money For Nothing Remastered 2022

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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An unbelievable post-punk shuffler from 1981, by Tel-Aviv-Brussels band Minimal Compact! This tune is one of our favorite tracks ever and we've been wanting to reissue it since day one. But this is no ordinary reissue! The 12'' includes an unreleased instrumental version plus a spaced-out extended dub mix by the living legend, Mad Professor!

Killer stuff as ever from the Fortuna Records crew!!!

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Dire Straits

2LP | 1985 | CZ | Reissue (Mercury)

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

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Baris Manco & Kurtalan Ekspres

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

Illa Ki Red Vinyl Edition

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Erkin Koray

LP | 1983 | TR | Reissue (Mega Müzik)

23,99 €*

LP | 1973 | EU | Reissue (BMG Rights Management)

Release: 1983 / TR – Reissue

Genre: Rock & Indie, Pop

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2021 Re-mastered, reissue, 180g Red Colored Vinyl. Originally released in 1983 by the talented artist who is one of the inventors of Anatolian Rock in 1960s. Although this sort of music was pretty much disappeared around 1980, this album still has the psychedelic rock elements. Erkin Koray took 3 songs from The Devil’s Anvil’s (American Psychedelic Rock Band) 1967 debut album called “Hard Rock From Middle East” and wrote the Turkish lyrics. The fuzzy and groovy guitar tunes never get you bored.

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Nazareth

Razamanaz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Shake Some Action Green Vinyl Edition

Flamin' Groovies

LP | 1976 | US | Reissue (Jackpot)

2LP | 1989 | EU | Reissue (Virgin Music Las)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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A masterclass in rock ’n’ roll cool, Jackpot Records is thrilled to reissue the Flamin’ Groovies seminal album Shake Some Action on limited-edition color vinyl. Taking notes from the British Invasion and inspiration under the San Francisco sun, the Flamin’ Groovies became synonymous with the stylish, raunchy rock of the early-1960s, with Shake Some Action remaining their undisputed classic. Earning a perfect 5-star review from AllMusic and an 8.5/10 from Pitchfork, Shake Some Action is upheld for its ability to sound moody, wild, and unabashedly “’60s”. Mastered by legendary sound engineer Kevin Gray from the record’s original 1976 master tapes, standout tracks like “You Tore Me Down”, “Let the Boy Rock and Roll”, and “I Can’t Hide” have never sounded better.

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Peter Gabriel

Passion

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Golden Core)

Sieges Even

Life Cycle

17,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Heavyweight Vinyl Edition

my bloody valentine

LP | 1988 | UK | Reissue (Domino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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12" | 1982 | EU | Reissue (Spittle)

Neon

Obsessions

Informations Of Death + Oscillator (Live At Banana Moon Club On Winter 1979)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Obsessions' is clearly a cult single of the era and one of their personal highlights. The band recorded the 4 track live in April 1982 and then reprocessed the take at Kindergarten Studio. The twelve inch was then released on the highly influential indie label Materiali Sonori. Neon is still considered as a legend of the Italian new-wave scene, one of the leading figure of the Florence underground movement that spread between the late '70s and the early' 80s.

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Neon

2LP | 1980 | EU | Reissue (Spittle)

Allegory & Self Clear With Yellow Splatter Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Informations of Death' is a key single from the proto-ebm Florence band Neon, their 1980 official debut with an early duo line-up comprised of Marcello Michelotti and Stefano Gasparinetti. The single is now released on double vinyl, accompanied by 'Oscillator' (a 1979 live performance recorded at the legendary Bananamoon Club in Florence).

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Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Riflessioni: Idea D'infinito Clear Green Vinyl Edition

Dalton

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Sony)

AC/DC

Blow Up Your Video

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Goner)

Fred Lane

From The On That Cut You

LP | 1986 | US | Reissue (Goner)

Release: 1983 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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As anyone who worked in a record store from the late 1980s to the mid-1990s can relate, the two Shimmy Disc albums released by the Rev. Fred Lane were the weirdest, most bizarre, abstractly enigmatic releases any of them had ever heard. From the dadaist titles and surrealist cover artwork to the absurdly peculiar lyrics and dementedly brilliant musical bent that careened from country to jazz to Morricone-inspired Western soundtracks, From The One That Cut You and Car Radio Jerome bewitched listeners with Lane’s eccentric take on music and, by extension, life in general. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. “We would just stare at the album covers and kinda make up our own stories,” Eric Friedl of Goner Records says of the misleading recording notations, fictitious back catalogs, and vague artistic allusions that dropped mostly fake clues for Lane’s most astute fans to decipher. Then, in 2013, Lane himself surfaced at the University of Alabama for an exposition. Seven years later, Icepick To The Moon, a documentary about Lane by filmmaker Skizz Cyzyk, premiered. The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Learning the details of Lane’s albums doesn’t change their inscrutability. The alternate Alabama universe that Lane and his compatriots conjured up—in, of all places, the southern college football town of Tuscaloosa—is a metaphysical place as vast and imbued with meaning as Faulkner’s Yoknapatawpha. As Friedl raves, “They’re still different from any other record out there.”

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Fred Lane

Car Radio Jerome

Its Hard 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition

Release: 1986 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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The Who

2LP | 1982 | Reissue (Polydor)

35,99 €*

High N Dry Record Store Day 2022 Picture Disc Vinyl Edition

Release: 1982 / Reissue

Genre: Rock & Indie

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Limited to 6000 copies.

It’s Hard celebrates its 40th anniversary with a 2-lp expanded vinyl version, Disc One a ½Speed master (OrangeVinyl) contains a re-mastered version of the album while Disc Two (Yellow Vinyl) continues the rest of the album but also has a disc of rare and unreleased material. The set, with art by Richard Evans, comes with a poster from the era.

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Def Leppard

LP | 1981 | US | Reissue (Mercury)

LP | 1989 | EU | Reissue (Neubauten)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Limited to 6000 copies.

High and Dry, Def Leppard’s second album was released in 1981, and was the first produced by long term collaborator Robert ‘Mutt’ Lange, it was the album that cemented the bands status in both the UK and America.This version is presented for the first time as a picture disc

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Einstürzende Neubauten

Haus der Lüge

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Virgin)

Van Der Graaf Generator

Godbluff

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Azimut Yellow Vinyl Edition

Perigeo

LP | 1972 | EU | Reissue (RCA)

23,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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You Know What They'll Say

Spliffs

7" | 1986 | EU | Reissue (One Way Ticket)

Suite Nihonkai Transparent Red Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that any serious music aficionado would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut 45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sidney, Melbourne and Brisbane opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.

Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.

File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan – Scandinavia’s biggest record fairs

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Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

26,99 €* 29,99 € -10%

LP | 1982 | EU | Reissue (Tapete)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited edtion of 200 copies on transparent red vinyl.

From the meeting of the legendary Tsugaru Jamisen Maestro Chisato Yamada with volcanic mind of the composer Tasheshi Terauchi and his Oriental Fantastic Orchestra, a collaboration and a unique record, a conceptual work, is born in which innovative songs transcend the boundaries of traditional music by mixing modernity, rural and electronic atmospheres, local arias and contemporary music.
A record with strongly evocative and cinematic sounds.
Comes with OBI and a two-panel fold out sheet with original liner notes of the time translated in English that explains in an exhaustive way the inspirations from tradition and popular music and the very accurate digital recording techniques of the time that make it a record sought after by audiophiles looking for sounds unedited in the Western tradition.

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Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Frijid Pink

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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It Became Crystal Clear Blue Vinyl Edition

Blue Sharks

LP | 1972 | EU | Reissue (Redi / Btf)

2LP | 1972 | EU | Reissue (Reprise)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“It Became Crystal” by Blue Sharks is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

The library music LP re-release series by Redi Edizioni Musicali starts off with a true colossus in the genre. The record was written by maestros Giorgio Zinzi (under the pseudonymous “Ipcress” in the record’s credits) and Carmelo Carucci, who managed to involve composer and songwriter Stelvio Cipriani to collaborate with them in 1972: under the name “Blue Sharks” the trio created a perfect mix of rock, funk and soul, together with elements borrowed from their previous soundtrack works. The Moog synthesizer contributes to making this album unique and captivating from its first to last note. An evergreen classic!

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Neil Young

Harvest

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Campo Di Marte Clear Vinyl Ediition

Campo Di Marte

LP | 1973 | EU | Reissue (AMS)

LP | 1988 | UK | Reissue (Neon)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Campo di Marte self-titled album is considered to be one of the best italian progressive records of the Seventies. This Italian prog classic is now available from AMS Records in a new limited deluxe LP reissue on 180gr. crystal vinyl.

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Television

Double Exposure

21,99 €*

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Dialogo)

Piero Umiliani

Continente Nero

22,99 €*

LP | 1981 | EU | Reissue (Audio Platter)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Dead Kennedys

In God We Trust

If I Could Only Remember My Name

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedy's 'In God We Trust' Available Again On Vinylin God We Trust Is A Hardcore Punk Ep By The Dead Kennedys And The First Of The Group's Albums With Drummer D.H. Peligro. The Record Is A Screed Against Things Ranging From Organised Religion And Neo-Nazis, To The Pesticide Kepone And Government Indifference That Worsened The Effects Of Minamata Disease Catastrophes. In God We Trust, Inc. Is Also The First Dead Kennedys Album Released After The Presidential Election Of Ronald Reagan And Features The Band's First References To Reagan, For Which They_and Hardcore Punk As A Genre_would Become Notorious.

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David Crosby

LP | 1971 | EU | Reissue (Rhino)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Vietato Ai Minori Di 18 Anni Clear Red Vinyl Edition

Jumbo

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Speakers Corner)

Michael Franks

The Art Of Tea

Slayed? Colored Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Gorilla Biscuits Turquoise Vinyl Edition

Gorilla Biscuits

7" | 1988 | US | Reissue (Revelation)

13,99 €*

LP | 1982 | EU | Reissue (Apollon)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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De Press

Product

Isn't Anything Deluxe Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

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my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Blizzard Of Ozz Colored Vinyl Edition

Ozzy Osbourne

LP | 1980 | EU | Reissue (Sony)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Life Goes On)

Flower Travellin' Band

Satori

LP | 1971 | EU | Reissue (Repertoire Entertainment)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Can you pick up a better iconic band than Japanese Flower Travellin’ Band? Have a look at Julian Cope Japrocksampler cover with the band bare naked wildly ridin’ on their wheels. Is any description more appropriate? A sense of freedom has always enhanced their music, a heavy rock manifesto clearly informed by british stalwarts. Their second album Satori has been released on Atlantic Japan in 1971 and still is a masterpiece on its own. The band was made up of Joe Yamanaka (vocals) – possibly an eastern version of Rob Tyner MC5 - Hideki Ishima (guitars), Jun Kobayashi (bass) and George Wada (drums). By the end of 1970, they had relocated to Toronto, Canada and lived there until March of 1972. In April 1973, the band split up, but they reunited in January 2008 with all original members joined by Nobuhiko

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Black Widow

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Skull Black Vinyl Edition

Trouble

LP | 1985 | EU | Reissue (Hammerheart)

Paul Di'anno's Battlezone

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Trouble’s second album “The Skull” from 1985 is a cornerstone of Doom Metal.

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Fighting Back Clear Vinyl Edition

LP | 1986 | EU | Reissue (Back On Black)

17,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | FR | Reissue (Sony Legacy)

Carole King

Tapestry

LP | 1982 | US | Reissue (Rhino)

Release: 1971 / FR – Reissue

Genre: Rock & Indie

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Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

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Dire Straits

Love Over Gold

32,99 €*

Release: 1982 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | JP | Reissue (P-Vine)

Phew

LP | 1986 | EU | Reissue (Sony)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Undoubtedly this album is one of the important discs of Japanese new wave and German krautrock history. "Phew" is Japanese female vocalist who is well known as a member of legendary punk band "Aunt Sally". She has been active in a wide range of projects and collaborated with Ryuichi Sakamoto, Seiichi Yamamoto, DAF, and Neubauten etc. This was originally released in 1981 as her solo debut album, made in legendary Conny's Studio with Conny Plank, Holger Czukay and Jaki Liebezeit from CAN. Not only highly demanded by vinyl collectors worldwide, but also this album is outstanding in the dimension of the music. By Plank's engineering, their never fading sound-making is still innovative and no one can stand next. Now we present it as reissued LP with OBI, you can listen to the monumental work of her career in vinyl after more than 30 years since the last time it was reissued for the first time.

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Die Ärzte

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Carmen Maki Blues Creation

LP | 1971 | JP | Reissue (Nippon Columbia)

43,99 €*

Stone Roses Clear Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Folk singer-turned-rock singer Carmen Maki collaborated with Blues Creation on this album ('71).

Immediately after the release of her masterpiece 'The Devil and the Eleven Children', Carmen Maki's youthful voice, which was influenced by Janis Joplin, fused with a sturdy sound reminiscent of Bruce Creation's LED Zeppelin, and it was a miracle of the early days of Japanese rock music.

Later on, Kazuo Takeda's Blues Creation was active as Creation, and Carmen Maki formed OZ. This is a monumental album that can be said to be a milestone for both artists to dominate the Japanese rock scene.

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The Stone Roses

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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10" | 1983 | JP | Reissue (EM)

Kiyoaki Iwamoto

Sougi +

Black Merda Clear Beer Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Forty years ago this summer, Joy Division released what became their only chart hit, Love Will Tear Us Apart.

December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl or CD, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love ...” , by the Japanese duo Chisato and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker. Liner notes written by Koki Emura, with English text & lyrics.

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Black Merda

LP | 1970 | EU | Reissue (Lilith)

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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Dream Theater

When Dream And Day Unite

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Lou Reed

Transformer

Dirty Deeds Done Dirt Cheap

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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AC/DC

LP | 1976 | EU | Reissue (Epic)

2LP | 1981 | DE | Reissue (David Volksmund)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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Ton Steine Scherben

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Columbia)

Bob Dylan

Saved

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1975 | EU | Reissue (Columbia)

Bob Dylan

The Basement Tapes

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Columbia)

Bob Dylan

Desire

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Love Will Tear Us Apart Remastered Edition 2020

Joy Division

12" | 1980 | EU | Reissue (Rhino)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Every Good Boy Deserves Favour

The Moody Blues

LP | 1971 | EU | Reissue (Universal)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Warner Bros.)

Neil Young & Crazy Horse

Zuma

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Emotional Rescue Half Speed Remastered Edition

The Rolling Stones

LP | 1980 | EU | Reissue (Polydor)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Metal Blade)

Cannibal Corpse

The Wretched Spawn

21,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Music On Vinyl)

Alice Cooper

Trash

LP | 1980 | EU | Reissue (Mercury)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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'Trash' is the 18th studio album by rock singer Alice Cooper, released in 1989. The album features the single 'Poison', Cooper's first top ten hit since 1977. It marked a great success in Cooper's music career, reaching the Top 20 of various album charts and selling millions of copies of 'Trash'. The album features many guest performances including Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/ guitarist Kane Roberts. Songwriting contributions were also made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie Sambora and John McCurry.

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Def Leppard

On Through The Night

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Speakers Corner)

Warren Zevon

Stand In The Fire

LP | 1982 | EU | Reissue (Speakers Corner)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Warren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album – put together from a five-day residency at the Roxy Theater in West Hollywood – entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, "Stand In The Fire" delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ("Jeannie Needs A Shooter") and fuels the emotional inferno with high-speed bursts of rock ("Excitable Boy"). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful "Mohammed’s Radio". In a direct comparison to this number we have the forthright, no-nonsense hit "Werewolves Of London" with its close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ("I’ll Sleep When I’m Dead") and finally in the thunderous final number – "Bo Didley’s A Gunslinger" – with its percussive and metrically complicated antiphony.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA., by Billy Youdelman and Greg Ladanyi
Production: Greg Ladanyi & Warren Zevon

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Toto

Joan Jett & The Blackhearts

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Anyone who gives the dull name “Four” to their rock album must either be very sure of success or already have resigned. The group Toto may well have experienced such extremes as there was an enormous cleft between their amazing financial success and the crushing negative opinions voiced by the critics. Billboard criticised the superficial lyrics as being void of any sort of emotional weight while the Los Angeles Times aimed their fire at the musicians themselves, slamming them as dubious artists with a commercialised mentality.
To this Toto struck back with their fourth album, which was an unparalleled success and brought them six Grammy awards. For a whole ten months "Africa" reigned at Number 1 on the charts and together with the super-hit "Rosanna" the two smash hits were a constant presence, backed up by a collection of impressive rock classics. A trip to the record shop is all that is needed to prove that this is unlikely to change in the near future. The bright red cover with its depiction of a sword will catch your eye, as though saying: It’s got to be the Fourth!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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I Love Rock N Roll

LP | 1981 | US | Reissue (Sony Legacy)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Dark Entries)

Zru Vogue

LP | 1971 | EU | Reissue (Right Track)

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Fairuz

Lebanon Forever

The Gospel According To Zeus

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

22,99 €*

2LP | 1988 | EU | Reissue (Mercury)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Metallica

And Justice For All

42,99 €*

LP | 1986 | DE | Reissue (Atlantic)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Remastered 180g Vinyl

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Genesis

Invisible Touch

32,99 €*

Release: 1986 / DE – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Radiation Reissues)

The Crack

In Search Of The Crack

16,99 €*