Rock & Indie Vinyl 2392 Items

Slam Record Store Day 2024 White Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

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Suburban Studs

LP | 1978 | EU (Radiation Reissues)

Endangered Species Record Store Day 2024 Pink Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Birmingham in 1976, English punk quartet Suburban Studs built their reputation through fearsome early live gigs, supporting the Pistols and the Clash at the 100 Club, and having the Clash return the favour at a gig the Studs headlined in their home town; they later supported Ac/dc and Judas Priest, among many others. Signing to the independent Pogo label in l977, debut album Slam had 16 brisk originals and a double-time take of the Who’s ‘My Generation’; this edition comes with four bonus tracks taken from their unfinished in-progress second album, which was never released. A must-have for all original punk fans.

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U.K. Subs

LP | 1982 | EU (Radiation Reissues)

Nr. 1 Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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By the early 80s punk had become something else compared to what it was when Year Zero stabbed a flag in the sand and established ‘War!’ on boredom and normality. You could argue that in 1982 when Endangered Species arrived...UK Subs were very much that. The vanguard of the second wave. A crucial nook in the subculture. Still alive. Still kicking. Still prowling around the town with their best point yet to be proven. From Ambition, essentially an annihilated bluegrass-skank version of the Stones’ Satisfaction, to Indie Chart hit single Countdown and the atomic sonics of a post punk dub attack in Ice Age, all blistering guitar razors that chime against the night as well as chew it up, it's easy to see both why Charlie Harper considers the group's fifth LP to be their strongest and Guns ‘n’ Roses covered Down on the Farm.

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Grave

LP | 1975 | EU | Reissue (Sommor)

Horse Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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Horse

LP | 1970 | EU | Reissue (Guerssen)

The Truth Cobalt Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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D.R. Hooker

LP | 1972 | US | Reissue (Numero Group)

I Against I Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Cobalt Vinyl. A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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Bad Brains

LP | 1986 | US | Reissue (ORG Music)

LP | 1988 | UK | Reissue (Fire)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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The Lemonheads

Lick

Leather Boyz With Electric Toyz

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Pappo's Blues Amber Black Smoke Vinyl Edition

Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

Mystification Picture Disc Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

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Manilla Road

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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2LP | 1979 | UK | Reissue (Crass)

Crass

Stations Of The Crass

49,99 €*

LP | 1973 | US | Reissue (Friday Music)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Nr. 1 Splattered Vinyl Edition

Grave

LP | 1975 | EU | Reissue (Sommor)

LP | 1988 | EU | Reissue (Matador)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Butthole Surfers

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

Frehley's Comet Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Smoker You Drink, Player You Get 180g Edition

Joe Walsh

2LP | 1973 | US | Reissue (Analogue Productions)

75,99 €*

2LP | 1979 | US | Reissue (Feel It)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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True audiophile joy — now cut at 45 RPM 2LP for better tracking, exceptional bass!
Remastered by Kevin Gray at Cohearent Audio from the original master tapes
Plated and pressed on 180-gram vinyl at Quality Record Pressings!
Stoughton Printing gatefold tip-on heavyweight cardboard jacket

Praise for the 33 1/3 version of The Smoker You Drink, The Player You Get:

"(Side one) ends with the appropriately titled 'Happy Ways,' a Latin-tinged guitar-fest with lovely chunky bass lines that sounds absolutely glorious on this Analogue Productions pressing. The zing of steel string guitar almost sounds dead on the CD and tired on my ancient vinyl pressing, so this is clearly not one of those remasters that's based on an umpteenth generation copy of the tapes. ... You owe it to yourself to hear this album — and it will not sound any better than this spectacular pressing." — Recording = 8/10; Music 10/10 — Jason Kenedy, Hi-Fi+, Issue 148

"An outstanding new 180gm LP reissue from Analogue Productions, with improved sound thanks to a sparkling new remaster by Kevin Gray at Cohearent Audio, makes it clear that this 1973 release remains — with the possible exception of 1978's But Seriously, Folks . . . — the undisputed highlight of Walsh's solo career. ... Another week, another beautiful-sounding, wonderfully packaged reissue from Analogue Productions." Read the whole review here. — Robert Baird, Stereophile.com, May 2017

In between his stints with the James Gang and the Eagles, Joe Walsh tackled his second solo studio album The Smoker You Drink The Player You Get which became his most successful solo outing. The 1973 LP continued the heavy and light rock mix of tracks found on his previous release, Barnstorm.

Analogue Productions has done reissue justice to the album that AllMusic decries "features some of the most remembered Joe Walsh tracks, but it's not just these that make the album a success. Each of the nine tracks is a song to be proud of. This is a superb album by anyone's standards."

To obtain the best sound possible we turned to Kevin Gray at Cohearent Audio to remaster this superb album from the original analogue tapes. Next we plated the lacquers and pressed LPs on 180-gram audiophile vinyl at the world's best LP maker, Quality Record Pressings. Top it all off with a deluxe Stoughton Printing gatefold tip-on jacket and you've got the makings for audiophile joy.

But would we stop there? Hardly. Now with our 45 RPM release, the best-sounding version of this rock music gem gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.

This amazingly eclectic rock album has Joe's smash "Rocky Mountain Way," his hit "Meadows," plus "Bookends," "Wolf; Dreams" and more! Walsh's ability to swing wildly from one end of the rock scale to the other is unparalleled and makes for an album to suit many tastes.

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The Toms

45,99 €*

Separate Oceans Blue Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

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Ned Doheny

2LP | 1976 | EU | Reissue (Numero Group)

35,99 €*

Black Sugar II Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Sea Splash Blue Vinyl.With no less than a mansion, a state beach, and a three-milestretch of road bearing his fabled family's name, Ned Dohenyeasy-glided into the 1970s on a crest of wealth and privilege.Signposting Ned's sojourn through the LA recording industrywere Jackson Browne, Glenn Frey, Don Henley, Chaka Khan,Graham Nash, "Mama" Cass Elliot, Bonnie Raitt, and DavidGeffen_each a household name both inside and far fromsouthern California. And while no bust of Ned Dohenyappears alongside those of his Laurel Canyon brethren in thepantheon of classic rock, it's not for lack of songwriting abilitiesor recording chops.Over the last three decades, Doheny's albums have slid in andout of print on LP and CD, budget jobs without any involvementfrom the self-described "avatar for casual vulgarity." SeparateOceans examines Ned Doheny's first ten years adrift in song,pulling together choice album cuts and 11 previously unissueddemos. An 8000 word essay is illustrated by images from thearchives of noted rock photographers Henry Diltz, MosheBrahka, Clive Arrowsmith, and Gary Heery, creating the firstever overview of this unheralded marina rocker.

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

LP | 1970 | EU | Reissue (Akarma)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Bruce Palmer

The Cycle Is Complete

Steeler Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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After leaving the Buffalo Springfield because of a drug bust, bassist Bruce Palmer released this 1970 solo album for Verve Forecast. Consisting of only four tracks, The Cycle Is Complete seamlessly explores psych, folk and jazz territories to cultivate a sound that now seems decades ahead of its time. Opening track "Alpha - Omega - Apocalypse" features vocals by Rick Matthews (later known as psychedelic soul star Rick James). An exploratory cult classic.

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Steeler

LP | 1983 | Reissue (Sound City)

33,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Bloodsuckers Clear Vinyl Edition

The Varukers

LP | 1983 | EU | Reissue (Audioplatter)

17,99 €*

A Sultan's Ransom Splatter Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

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Cloven Hoof

LP | 1989 | EU | Reissue (High Roller)

Master Control 35th Anniversary Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023 with original cover art, electric blue w/ black & white splatter vinyl, ltd 200, lyric sheet, restored original master, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, new cutting by SST

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

23,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | TR | Reissue (Ada Müzik)

3 Hür El

Hur El Arsiv

Nancy Sinatra & Lee Hazlewood

Release: 1974 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

The Album Red Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Eater

LP | 1977 | EU (Radiation Reissues)

19,99 €*

Zambia Smoke Colored Vinyl Edition

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Rikki Ililonga

LP | 1975 | US | Reissue (Now-Again)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The Dark Side Of The Moon 50th Anniversary Deluxe Box Set

Pink Floyd

Box | 1973 | EU | Reissue (Warner)

276,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Pronounced 'Leh-'nerd 'Skin-'nerd

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

2LP | 1972 | EU | Reissue (Universal)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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Deep Purple

Made In Japan

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | PL | Reissue (Polydor)

The Cure

Three Imaginary Boys

LP | 1987 | US | Reissue (Scat)

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Guided By Voices

Sandbox

LP | 1970 | EU | Reissue (Guerssen)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.

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Crystalline

Axe Music

2LP | 1978 | US | Reissue (Mobile Fidelity)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Warren Zevon

Excitable Boy

75,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Just Add Water)

Coloured Balls

Ball Power

39,99 €*

Crime & The City Solution

Release: 1973 / US – Reissue

Genre: Rock & Indie

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50th Anniversary Edition of this touchstone of Aussie Rock n Roll. This 1973 LP should need no introduction. Just in case it does, it's simply one of the finest albums to ever come out of Australia. Coloured Balls are the godfathers of Aussie punk, hard rock, psychedelic boogie, etc. They played too many different styles to be just any one thing. Lobby, Bobsie, Trevor, and Janis created something very special with this album and it sounds as fresh and vital as the date it was originally released.

This pressing has been painstakingly sourced directly from the 1973 quarter inch mix-down master tapes and sounds incredible. This has been an entirely analog production chain and hasn't been touched by a computer at any stage of the process. Hear Coloured Balls as nature intended.

Every copy includes bonus poster!

Edition of 800 copies on black vinyl.

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Pirates Press)

Subhumans

EP-LP Red Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

29:29 Split Vision Red Vinyl Edition

Subhumans

LP | 1986 | US | Reissue (Pirates Press)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Cosmic Rock)

Mer-Da (Black Merda)

Long Burn The Fire

Junior's Got Brain Damage

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Back in stock ! Once there was Black Merda, such a funny a name if you happen to have any Italian heritage. To be true, that was meant as Black Murder, but something went wrong along the way. For their second album the proto black rock band changed his name, turning simply into Mer-da. Long Burn The Fire was their last effort ever, soon came darkness and all of a sudden the group disbanded, before being praised in the early 2000 as forerunner of a young black generation. Officially a funk combo the band shared more than a moment with The Jimi Hendrix Experience and Geroge Clinton Funkadelic. Their acid-fuzz numbers brought similarities with early 70’s psychedelic nomads, while some vocal harmonies had a more contemporary late-'60s soul vibe. Coming from Detroit rock city, they became sort of a local legend, now you know why !

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Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

LP | 1988 | US | Reissue (Mississippi)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Dead Moon

In The Graveyard

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Dead Moon's first LP! Originally released in 1989, "In The Graveyard" sounded like nothing else happening at the time. Lo -fi psychedelic masterful songwriting with so much murk and mystery - it's perfect. Features absolute hits like "In The Graveyard", "God Damn I Hate The Blues and "Dead In The Saddle." This is one of the most important rock and roll releases of all time.

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Walter Wegmüller

Tarot Boxset

114,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Walter Wegmüller

Tarot

41,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Dr. Siegel's Fried Egg Shooting Machine

Flied Egg

LP | 1972 | EU | Reissue (Cosmic Rock)

Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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1972 Debut album by cultish japanese combo ! This unbelievable psychedlic/progressive rock band came together the same year after Shigeru Narumo and Hiro Tsunoda shelved their project Strawberry Path (they had a sole album release in 1971 and eventually a 7 inch). Their sound is pure adrenaline, a stormy hard blues kinda thing, with heavy Hammond organ riffs and more than a freakbeat influence. Partially informed by contemporaries british bands like Deep Purple or Uriah Heep, they opened to more gentle and sophisticated arrangements in the soulful ballad ‘I Love You’ with an epic string section. The hypothetical single ‘Plastic Fantasy’ could have been an alternative dancefloor classic with that Traffic/Brian Auger feel in the end.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Tom Ze

Todo Os Olhos

36,99 €*

Correio Da Estacao Do Bras

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Tom Ze

LP | 1978 | EU | Reissue (Tres Selos / Eaeo)

36,99 €*

LP | 1982 | UK | Reissue (DGM Panegyric)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Away from radio, TV and with live performances increasingly scarce at the end of the seventies, Tom Ze? was a risky investment for record labels, agents, and gig promoters. Always eager to please his sense for innovation and his creativity Tom Ze? wanted to release an album again after the cult Estudando o Samba (1976). So came this, a record where the tension was at the script, in the distressing real life chronicles that the artist interpreted and reported also in an autobiographic manner. At Correio da Estac?a?o do Bra?s (1978 - 2022) Tom Ze? had done what seemed impossible: contemporary working-class music not for the elite but for the people itself.

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King Crimson

Beat (Steven Wilson Mix)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Cosmic Rock)

Richard Twice

LP | 1978 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !

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COS

Babel

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Babel was Cos' third long playing release, issued in 1978. It represented a new step in the band's evolution with the addition of new influences that ranged from musique dodécaphonique, minimalist droning, or even a hint of disco, without turning their backs to their earlier love for Canterbury sounds or more conventional jazz-rock. Dirk Bogaert, Francis Cahen and Marc Moulin all played in its sessions, making this a superb sample of what was going on through the Belgian music scene in those days.

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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COS

Viva Boma

LP | 1977 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Television

Marquee Moon

29,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Helloween Gold Vinyl Edition

Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Mississippi)

Dead Moon

Defiance

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Life Goes On)

East

12,99 €*

LP | 1983 | US | Reissue (Lost Lagoon)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the most fascinating psychedelic album coming out of Japan in the early seventies. Published in 1972 on Capitol Records eastern brand, the album was then fully licensed to both the UK and American market, due to his fascinating and lysergic moments. The opener 'Beautiful Morning' soon became a classic on its own, showing the western influences of the band all along the spirit of the rising sun counterculture. A revolutionary effort in the end, coming from a different perspective and giving birth to a faint psych/folk/blues scenario.

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Robbie Basho

Bouquet

Release: 1983 / US – Reissue

Genre: Rock & Indie

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An Old Castle Of Transylvania

Cosmos Factory

LP | 1973 | EU | Reissue (Holy Basil)

LP | 1973 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog rock guitar moments, experimentally blended with the use of Hammond and Mellotron, the band lead by keyboardist / vocalist Tsutomu Izumi takes you on an adventure throughout the dark forests of Transylvania. Throughout the years, the album has become an very rare and sought after gem in the history of Japanese prog rock, this is the very first reissue ever, complete with OBI strip and insert, officially licensed by Nippon Columbia Co. Ltd. and now available worldwide through Holy Basil Records.

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Zerfas

2LP | 1982 | EU | Reissue (Chrysalis)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the material is self-penned which comes as a surprise as the tracks are uniformly strong, with lots of keyboards, sound effects, and some outstanding harmonies. An excellent mix of proto-garage, psych and even prog with a strong effort on studio wizardly. A rare gem all in all !

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Ultravox

Rage In Eden

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Laissez-Nous Vous Embrassez Ou Vous Avez Mal

Peloquin Sauvageau

LP | 1972 | US | Reissue (Return To Analog)

31,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | JP | Reissue (Alchemy)

Sekiri

Take Me To Sekiri

35,14 €* 36,99 € -5%

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (BMG Rights Management)

Nazareth

2xs

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Sick Of It All Purple Vinyl Edition

Sick Of It All

7" | 1987 | US | Reissue (Revelation)

14,99 €*

LP | 1978 | EU | Reissue (Habibi Funk)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound.

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Ferkat Al Ard

Oghneya

Cherry Five Clear Purple Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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An absolutely legendary album from Lebanon by Issam Hajali’s group Ferkat Al Ard, “Oghneya” stands out as one of the great musical gems of the Arab world. A groundbreaking release from 1978 that represents the meeting point of Arab, jazz, folk and Brazilian styles with the talent of Ziad Rahbani, who did the albums arrangements. Filled with a variety of sounds and genres, from Baroque Pop to Psych-Folk to flashes of Bossa Nova, Tropicalia and MPB, “Oghneya” is like if Arthur Verocai took a trip to Beirut in the 70’s to record an album.

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Cherry Five

LP | 1975 | EU | Reissue (Ams Cinevox)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Gutter Ballet Black Vinyl Edition

Savatage

LP | 1989 | EU | Reissue (Earmusic)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Il Paese Dei Balocchi Clear Vinyl Edition

Il Paese Dei Balocchi

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Naya Beat)

Pinky Ann Rihal

Tere Liye (Hindi Disco)

LP | 1973 | EU | Reissue (Sommor)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

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Curtis Knight Zeus

Sea Of Time

23,99 €*

LP | 1975 | EU | Reissue (BMG Rights Management)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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In the early 70s, Hendrix’s old friend & collaborator Curtis Knight moved to London and formed Curtis Knight Zeus, recruiting a young guitarist named “Fast” Eddie Clarke (later of Motörhead fame).

Sea Of Time was recorded at Olympic Studios in 1973 but never actually released in the UK, only in a few European countries. Psychedelic hard-rock with soul/funk influences and even some raw proto-punk moves. All songs were written by Curtis, showcasing his versatile songwriting talent, and he’s also on lead vocals / guitar.

Includes the underground heavy-funk-rock hit “The Devil Made Me Do It” and more!

Recommended if you like Jimi Hendrix, Arthur Lee’s “Vindicator”, Chubby Checker’s “Chequered”…

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Nazareth

Hair Of The Dog

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (BMG Rights Management)

Nazareth

Expect No Mercy

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Dischord)

Faith / Void

Split

19,99 €*

Shake Some Action Green Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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The classic split album of legendary DC hardcore, plus the side by THE Faith.

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Flamin' Groovies

LP | 1976 | US | Reissue (Jackpot)

31,99 €*

LP | 1973 | EU | Reissue (Sudiphone)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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A masterclass in rock ’n’ roll cool, Jackpot Records is thrilled to reissue the Flamin’ Groovies seminal album Shake Some Action on limited-edition color vinyl. Taking notes from the British Invasion and inspiration under the San Francisco sun, the Flamin’ Groovies became synonymous with the stylish, raunchy rock of the early-1960s, with Shake Some Action remaining their undisputed classic. Earning a perfect 5-star review from AllMusic and an 8.5/10 from Pitchfork, Shake Some Action is upheld for its ability to sound moody, wild, and unabashedly “’60s”. Mastered by legendary sound engineer Kevin Gray from the record’s original 1976 master tapes, standout tracks like “You Tore Me Down”, “Let the Boy Rock and Roll”, and “I Can’t Hide” have never sounded better.

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Nass El Ghiwane

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Last Fourfathers Transparent Blue Vinyl Edition

The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

Suicidal Tendencies Red Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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Suicidal Tendencies

LP | 1983 | EU | Reissue (Munster)

29,99 €*

I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Suicidal Tendencies's debut has been regarded by critics as one of the most influential punk rock albums of all time and has inspired an untold number of influential musicians. "Suicidal Tendencies" has also been cited as an influence or favorite album by each of the "big four" of thrash metal (Metallica, Megadeth, Slayer and Anthrax) as well as California punk bands such as The Offspring and Nofx. Red colored vinyl includes original lyric sheet. In 1982 Suicidal Tendencies emerged from Venice, CA, with a dedicated audience among area skaters and surfers. As they established themselves on the Los Angeles punk scene, the group released their self-titled debut on Frontier Records with songs like 'Institutionalized,' 'Fascist Pig,' and 'Suicide's an Alternative.' "Suicidal Tendencies" became the bestselling American punk album of all time and launched the band into their long-lasting career. 'Institutionalized' has been referenced in many other songs, mostly its quote "all I wanted was a Pepsi". It is referenced in the Sage Francis song 'Slow Down Gandhi,' Limp Bizkit also referenced it in the song 'Stuck', also the lines "All I wanted was a Pepsi " are also quoted near the ending of the Cypress Hill song 'How I Could Just Kill a Man,' and Body Count recorded a cover version of 'Institutionalized', with new lyrics written by singer Ice-T, called 'Institutionalized 2014.' Suicidal Tendencies became the chameleons of aggressive rock 'n' roll. Starting with their debut album on Frontier Records in 1983, the band progressed from the punk rock genre into heavy metal/thrash. Throughout this transformation, singer, founder, and leader Mike Muir broadcast his own message with wit and wisdom to anyone that would listen. After the video for 'Institutionalized' broke through the MTV airwaves as the first hardcore video for the channel, the song gained further notoriety on the soundtrack for the cult film "Repo Man" in 1984. The original album continues to be a perennial punk rock best seller due to its wide appeal and catchy tunes. Every song on it is great. It's a perfect crossover between hardcore punk and metal.

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W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)

29,99 €*

Landscape Of Life Clear Green Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

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Osanna

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Tülay German & Francois Rabbath

Homage To Nazim Hikmet

LP | 1982 | EU | Reissue (Zehra)

19,19 €* 23,99 € -20%

Its Hard 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the reissue of the self-titled debut by Tülay German & François Rabbath in 2021, we‘re presenting the 2nd and final part of our Tülay German reissues: "Homage to Nazım Hikmet" (1982). Once again in a duo setting with François Rabbath, Tülay German pays tribute to one of Turkey's greatest poets of the 20th century: Nazım Hikmet (1902-1963). Recorded in the early 80s this two-album workcycle refers heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) and consists of unique and modern interpretations of turkish folk songs unmatched to this day.

Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice. But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips!

Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice. The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music.

Nazım Hikmet (1902-1963) is considered as one of Turkey’s greatest poets of the 20th century, though during his lifetime his works were banned in Turkey for decades and he spent most of his life in prison or in exile. He is up to this day a huge reference for turkish writers, musicians and intellectuals.

Tülay German ended her musical career in 1987. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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The Who

2LP | 1982 | Reissue (Polydor)

35,99 €*

Innermost Limits Of Pure Fun Feat. Dragon Brothers

Release: 1982 / Reissue

Genre: Rock & Indie

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Limited to 6000 copies.

It’s Hard celebrates its 40th anniversary with a 2-lp expanded vinyl version, Disc One a ½Speed master (OrangeVinyl) contains a re-mastered version of the album while Disc Two (Yellow Vinyl) continues the rest of the album but also has a disc of rare and unreleased material. The set, with art by Richard Evans, comes with a poster from the era.

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Farm

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Polysom)

Chakal

Abominable Anno Domini

39,99 €*

The Jet Set Junta Red Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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(Clássicos Em Vinil) Reissue on 180 Gram vinyl by Polysom (Brazil, 2019)

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The Monochrome Set

7" | 1983 | EU | Reissue (Optic Nerve)

12,99 €*

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

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Carl Erdman

Bizzarrophytes

19,99 €*

LP | 1972 | EU | Reissue (Virgin)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Roxy Music

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

23,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Tapete)

Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Black Sabbath

Paranoid

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Repertoire Entertainment Gmbh)

Frijid Pink

31,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Very 'Eavy, Very 'Umble Limited Picture Disc Edition

Uriah Heep

LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (ORG Music)

Bad Brains

Quickness