Rock & Indie Vinyl 15474 Items

Strange To Explain Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.

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Woods

LP | 2020 | US | Original (Woodsist)

LP | 2020 | US | Original (Fat Wreck Chords)

Release: 2020 / US – Original

Genre: Rock & Indie

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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow

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The Suicide Machines

Revolution Spring

World / Inferno Friendship Society

Release: 2020 / US – Original

Genre: Rock & Indie

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It was in 2006 that Detroit punks THE SUICIDE MACHINES called it a day after 15 years and six full-throttle, super-charged and confrontational albums. The break didn’t last too long—in 2009, the four-piece reconvened to play the occasional local shows and embarked on a handful of tours. Finally, the band is back with a brand-new album—the first since War Profiteering Is Killing Us 15 years ago! Revolution Spring, the band’s seventh album and Fat Wreck debut, picks up right where they left off—full of blistering, rousing songs finding the band in truly explosive and energetic form. Over the course of a couple of years, the band wrote a total of 30 songs. With the help of both LESS THAN JAKE's bassist ROGER LIMA, who produced Revolution Spring, and THE CODE's frontman MARC CODE, The Suicide Machines whittled those down to the 16 that make up this record. While on the one hand, these songs serve as an overview of the band’s career and the different permutations of punk they’ve dabbled in over the years, it also possess the energy, spontaneity and enthusiasm of a band many years their junior—albeit with the wisdom that comes from being alive for a few decades. Recorded in “about 12 days” at Rancho Recordo, Revolution Spring is a powerful and cohesive combination of hardcore, ska and anthemic punk rock.

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All Borders Are Porous To Cats

LP | 2020 | US | Original (Alternative Tentacles)

I Can Go With You / I Am No Moon

Release: 2020 / US – Original

Genre: Rock & Indie

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The World/Inferno Friendship Society’s long awaited new album dares one to try and decipher its multi-layered, encrypted message, while being dragged kicking and screaming through a succession of flashbacks, alternate realities and drug and alcohol induced delusions. While this ensemble is known for its utter disregard for boundaries of genre, All Borders Are Porous To Cats deliberately pushes the limits of what could possibly be perceived as punk rock. It scores tales of fugitives, arson, larceny, perjury, drug addiction and freedom with elements of soul, funk, latin, polka, and classical music, as well as the band’s signature punk cabaret sound. Three years in the making, five missed release dates, five lost band members, many a bridge burned, and a defamation lawsuit waiting to happen, The World /Inferno Friendship Society invites the listener to enjoy the fruits of their perpetual torment.

This seventh full-length album finds the collective reset and reinvigorated, behind the lyrics of Jack Terricloth, apparent possessor of the punk rock fountain of everlasting style and rage. The album follows Cat In The Hat (no relation), an undocumented refugee who is framed for a crime and requires the assistance of a ragtag gang of miscreants, academics, orchestra-caliber musicians, and radical insurgents—sometimes art does in fact imitate life!

The album’s release comes in tandem with the release of accompanying book One Smashed Window For Every Divided Soul, an illustrated combination tour journal and narrative exploration of Cat and his travails. The book acts as a companion piece to the album’s story, sifting through archival documents and fabulist accounts of the band’s East Coast tour of 2017.

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Sam Burton

7" | 2020 | EU | Original (Tompkins Square)

2LP | 2020 | CA | Original (eOne Music)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sam Burton is a singer/songwriter from Salt Lake City, now based in Los Angeles. After several years circulating homemade cassettes on labels like Chthonic and embraced by blogs like Cassette Gods, Sam has recorded his first proper debut album with producer Jarvis Taveniere (Purple Mountains). Due in mid-2020, Sam's debut LP will be preceded by two limited edition 45s, one which will be available exclusively for Record Store Day in the UK. Sam is slated to tour the UK and Europe in 2020 with fellow Tompkins Square artist Gwenifer Raymond.

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Kirk Windstein

Dream In Motion

32,99 €*

Release: 2020 / CA – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (BMG)

Dune Rats

Hurry Up And Wait

12,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (Lightning & Sons)

Bölzer

Lese Majesty

25,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (DevilDuck Records)

The Dead South

Sugar & Joy

19,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Now For Example Black Vinyl Edition

Thigh Master

LP | 2019 | US | Original (Goner)

18,99 €*

LP | 2019 | EU | Original (Southern Lord)

Release: 2019 / US – Original

Genre: Rock & Indie

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Here it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their 2016 debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.

Now For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar / keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s / early ’90s Flying Nun sound of The Clean, Bats and 3Ds.

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Halshug

Drom

11,99 €*

2LP | 2019 | EU | Original (Because Music)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Halshug, the Copenhagen-based trio, release a third studio album titled Drom ("Dream") this July through Southern Lord on LP. On Drom the band expand their sound from the dirgy d-beat of their earlier albums Sort sind (2016) and Blodets bånd (2015), and explore the dynamics of longer songs, more audible lyrics, and altered tempos, which result in different shades of industrial, dark-wave, and post-punk. According to the trio, the title refers to a wider theme of the record which views dreams as "a succession of images, ideas, emotions, and sensations that occur involuntarily in the mind. And also sort of a vision, or a wanting of something more than just what is." The band continues "the dream is volatile. It can burst. One moment it felt real, and moments later it can't even be recalled."

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J.J. Cale

Live

Shadow Of Your Love / Reckless Life

Release: 2019 / EU – Original

Genre: Rock & Indie

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This release comes on 180g.

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Hollywood Rose

7" | 2018 | US | Original (Deadline)

14,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Quiet Signs Black Vinyl Edition

Jessica Pratt

LP | 2019 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | UK | Original (Fire)

The Bevis Frond

Any Gas Faster

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Western Vinyl)

Kaitlyn Aurelia Smith

Ears

LP | 2015 | DE | Original (Warner)

Release: 2016 / US – Original

Genre: Rock & Indie

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Composer, performer, and producer Kaitlyn Aurelia Smith's new album EARS is an immersive listening experience in which dizzying swirls of organic and synthesized sounds work together to create a sense of three-dimensional space and propulsion. Dense and carefully crafted, each of the songs on EARS unfolds with a fluid elegance, while maintaining a spontaneous energy, and a sprightly sense of discovery. Listeners familiar with her previous album Euclid (an album that prompted Dazed to call her “…one of the most pioneering musicians in the world.”) will no doubt notice her heavier use of vocals on EARS. On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.
Much of the album's warmth and energy stems from Smith's use of the versatile analog synthesizer, the Buchla Music Easel. According to Smith, “…nothing compares to the sound of a Buchla. In my mind a Buchla synthesizer has the most human sound in it. I wanted to show the Easel’s versatility and range of motion within a live set. I also wanted to spend as little time as possible in front of the computer during the creation.” After initially composing on the Buchla, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's “Boys Latin” video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).
Though the pallet of sounds Smith employs on EARS is darker than the ebullient tenor we heard on Euclid, she's careful to let in just enough light to covey a feeling of cosmic bliss and transcendence. Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces). Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä of the Valley of the Wind, which she cites as an inspiration.
EARS is a masterful articulation of Smith's vision, which she achieved in part by spending time preparing her mind prior to composing the album. As she explains, “I am very intentional about the months leading up to when I am going to compose something new. I really trust the subconscious and try and feed it only information I want it to feed back to me. I make playlists that I listen to nonstop, or have images I look at daily, or I go to places I want to be inspired by…I do all this prep work and then try and forget it when I am writing.” Listening to EARS, it's clear that her approach paid off, and that the seeds she planted within have born a vibrant and hyper-natural world that's as joyful to experience as the flora and fauna that inspired it.

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Beatsteaks

23 Singles

39,99 €*

Release: 2015 / DE – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Sacred Bones)

Institute

Catharsis

23,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Unholy Congregation Of Hypocritical Ambivalence

Impetuous Ritual

2LP | 2015 | US | Original (Profound Lore)

LP | 2013 | US | Original (Siltbreeze)

Release: 2015 / US – Original

Genre: Rock & Indie

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Received a 7.9 rating from Pitchfork. In their brief career, Australia’s Impetuous Ritual has already been recognized as one of the mightiest death metal entities in the underground today, alongside such likeminded acts as Portal (with whom Impetuous Ritual shares two members) and Mitochondrion. From their leveling, jaw-dropping live performances to the devastating, ultra-brutal, occult-driven style showcased on their Relentless Execution of Ceremonial Excrescence debut album, no death metal on the planet captures the vibe, attitude and aesthetic of Impetuous Ritual. With their anticipated follow-up to Relentless Execution, the band takes their sound even further into the depths of horror and depravity. Limited to 500 copies.

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Constant Mongrel

Heavy Breathing

20,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Jagjaguwar)

Unknown Mortal Orchestra

23,99 €*

LP | 2018 | Original (Abbruch)

Release: 2013 / US – Original

Genre: Rock & Indie

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Fantastic three piece from American and New Zealand with their 2nd full length!

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Abbruch

Lieber Linksextrem

18,99 €*

Release: 2018 / Original

Genre: Rock & Indie

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The Quantum Enigma 10th Anniversary

Epica

2LP | 2016 | EU | Reissue (Nuclear Blast)

37,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Universal)

CCCP - Fedeli Alla Linea

Felicitazioni!

40,99 €*

Marjaa: The Battle Of The Hotels

Release: 2023 / EU – Original

Genre: Rock & Indie

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RVDMNTL's first release, composed of energetic and functional cuts in which textures, the distortion of some elements and a sound synthesis coming from modulars and analog devices seek to push the tracks to the limit and provoke their disfigurement.

Previously protected under other artistic names and owner of the Incense label, the artist definitively adopts this pseudonym after some years exhibiting his sets in booths and in charge of productions that seek to shape the genre through his own conception. Now, he will go into a more personal, complex and focused on the dancefloor. Non-conformism, independence, originality and forcefulness remain a common element in the artistic figure and label he runs."

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Mayssa Jallad

LP | 2023 | CA | Original (Ruptured)

LP | 2023 | EU | Original (Croatia)

Release: 2023 / CA – Original

Genre: Rock & Indie

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“Marjaa: The Battle of the Hotels” is a concept album born of the idea of merging singer/songwriter Mayssa Jallad’s two vocations: music and urban research/architectural history. Written in collaboration with producer Fadi Tabbal, the music builds upon Tabbal’s spatial approach to sound and Jallad’s research on Beirut’s Hotel District.

The album is a reference to Jallad’s Historic Preservation master's thesis, in which she detailed the history of the “Battle of the Hotels”, a 5-months battle that took place in Beirut at the beginning of the Lebanese Civil War, from October 22nd, 1975 to March 29th, 1976.
Jallad saw architecture as a main protagonist of the battle, as she discovered it was the first high rise urban battle in the world. The close of the battle resulted in the 15-year Green Line, an urban rift which split Beirut into “East and West”, restricting movement and communication and creating a violent divide that still resonates today.

The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled with the violence of snipers, and a present filled with the glamorous injustice of empty luxury real estate endorsed by powerful warlords-turned-politicians.

In Part B: Maaraka, Jallad inhabits the building of the Battle of the Hotels, as its events unfold. She calls the fighting militias the Blues and Reds, respectively the Lebanese Front (Christian Nationalists) and the Lebanese National Movement (Pro-Palestinian leftists), leveling the playing field, and drawing a map of the battle through songwriting. Sary Moussa produces the conclusion of the battle in “Holiday Inn (March 21 to 29)”, which ends with the ultimate severance of the city of Beirut.

The music caters to post-war youth who have never been taught this difficult history. Once we consider the “Battle of the Hotels” as our common heritage, it provides an opportunity to teach the value of civil peace. It is also a call to protest for the renewal, rather than the recycling of the political class that has once destroyed the country and holds us, to this day, hostage of its violence.

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Parni Valjak

Vrijeme Ljubavi

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Chiaroscuro Colored Vinyl Edition

Closet Witch

LP | 2023 | EU | Original (Moment of Collapse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Scorched Orange Vinyl Edition

Overkill

2LP | 2023 | EU | Original (Nuclear Blast)

34,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Mt. St. Mtn.)

Seablite

Lemon Lights

25,99 €*

LP | 2023 | US | Original (Meritorio)

Release: 2023 / US – Original

Genre: Rock & Indie

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Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. Seablite was formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90s Britpop and UK underground music. The pair began writing songs and soon after Jen Mundy (ex-Wax Idols) joined on second guitar and Andy Pastalaniec (Chime School) would eventually join on drums. They have released an LP (2019’s Grass Stains and Novocaine) and 7" single (“Breadcrumbs” c/w “Ink Bleeds”) via Emotional Response Records and a 10" EP (High-Rise Mannequins —recorded and produced by Alicia Vanden Heuvel of the Aislers Set) in conjunction with Spain’s Meritorio Records. The band is among San Francisco’s current indie pop renaissance and have opened for the likes of Brian Jonestown Massacre, The Charlatans and Ladytron upon their recent Bay Area visits. Seablite has finished their sophomore album, Lemon Lights. Recorded over the summer of 2022, Lemon Lights contains 12 dreamy pop tracks showcasing the group’s continued growth and maturity and marks a strong progression from their debut album. After recording basic bed tracks with Robby Joseph, the band finished overdubs in their practice space and Lauren's apartment. The freedom of home recording allowed them to experiment, resulting in an organic and intuitive manifestation of the band's emotions and creativity - a sonic inkblot of unfiltered pop appreciation. One may hear Manchester undertones on "Hit the Wall" and “Melancholy Molly”, or the feminine noise-pop of Lush on "Pot of Boiling Water" but Seablite are not to be mistaken for anglophile copycats. Seablite incorporates the jangle of their San Francisco “Fog Pop” contemporaries on tracks like “Hold My Kite” and a relentless and driving guitar on “Blink Each Day”, while the wonderfully dark elements on “Monochrome Rainbow” and the wistful closer, “Orbiting My Sleep” give them a wide range of sounds and vibes.

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The Small Intestines

Hide In Time

Too Much Posse: Live At Irvine Meadows 1991 Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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In 2013 Tristan dreamt George Harrison and Tom Petty were on motorcycles circling one of those huge roundabouts in Canberra. Their long hair was blowing as they sang "You can't hide in time". The Small Intestines play spare room rock'n'roll with a penchant for three-piece harmonies. They formed in Melbourne, Australia in 2016 while Matt and Rob were taking some downtime from Chook Race and Tristan was on the tail-end of his solo project, Peach Happening. Hide In Time is their debut album. For fans of The Go-Betweens and The Bats and any genuine big-hearted knockabout indie jangle with sweet sing-along group vocals and simple pared-down arrangements.

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Anthrax & Public Enemy

LP | 2023 | EU (Dear Boss)

18,99 €*

Release: 2023 / EU

Genre: Hip Hop, Rock & Indie

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Live at Irvine Meadows Amphitheatre, Irvine, CA, USA on October 19, 1991 from the Bring the Noise Tour.

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Bauhaus

The 1979 Demo Recordings

LP | 2023 | EU

Release: 2023 / EU

Genre: Rock & Indie

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A.C.R. 1999 Metallic Silver 2023 Repress Edition

Lungfish

12" | 2012 | UK | Reissue (Dischord)

Requiem For The Indifferent Red Vinyl Edtion

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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These 10-songs were recorded and mixed by Craig Bowen at Baltimore's A.C.R. Studios but never released. After the session the band decided to continue writing new songs. Six of these songs were re-recorded at Inner Eat Studios and released on Necrophones, while four others remained unreleased, until now. Released in 2012.

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Epica

2LP | 2023 | EU | Original (Nuclear Blast)

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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My Magic Pie: Live At Olympia Hall Munich 1997

Oasis

LP | 2023 | EU (Mind Control)

Empty Country II Pink Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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During the 1997 “BE Here Now” tour some high-energy performances, particularly at Hammerstein Ballroom, Den Bosch, and G-mex, have been widely celebrated. These live shows have provided fans with an electrifying experience. However, there’s another less-known show that needs your attention, and that’s the concert held on November 19th at the Munich Olympia Hall, presented here to you. A must for all Oasis fans worldwide.

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Empty Country

2LP | 2023 | UK | Original (Tough Love)

Umbra Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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As the front person of celebrated indie band Cymbals Eat Guitars, guitarist and singer Joseph D’Agostino spent over a decade setting autobiographical, emotionally vivid lyrics against a backdrop of soaring and compositionally ambitious rock. After four critically acclaimed LPs that solidified D’Agostino’s reputation as a gifted songwriter, he chose to break from his long-term band and debut a new project: Empty Country. On 2020’s self-titled debut, D’Agostino’s storytelling lens shifted away from personal narrative and toward fiction; psychopaths, apparitions and deplorables populated a bleak and uncanny parallel version of American dystopia. Empty Country’s sprawling and sonically adventurous arrangements—filled out by collaborating musicians including Rachel and Zoë Browne (Field Mouse), Kyle Gillbride (Swearin’), Zena Kay (Angel Olsen), and former CEG drummer Charlotte Anne Dole—ranged from luminous jangle-pop to scorching emo-punk to narcotized Americana. Though the pandemic curtailed planned touring, a seven-piece iteration of the band played one packed Brooklyn show in May 2022, supported by Charles Bissell (The Wrens) and Field Mouse; Empty Country also backed Bissell on several classics from The Meadowlands. “It was a wonderful return to live music for all of us,” says D’Agostino. “So many folks reached out to me and told me how Empty Country offered them comfort during those first several months of being stuck inside. I’m happy that it came out and connected with some people and that I was able to establish this universe I could continue to build on.”

Empty Country II, the project’s second full-length, is a thrilling expansion of that world. D’Agostino pushed himself to new places as a songwriter, crafting a collection of short stories set to music that grapple with the biggest questions now hanging over America—gun violence, the addiction epidemic, and generational hopelessness among them. In 2020, he’d moved from Philadelphia to small-town New England to be closer to family, and his new locale, coupled with the dread of lockdown, inspired him to return to the haunted world from the first LP. “It’s pretty jarring to leave a city—where you can safely assume you’re aligned with your neighbors on many political and social issues—for somewhere more rural and conservative,” says D’Agostino, noting the Trump flags and Blue Lives Matter hood wraps that dot his new dirt road residence. Across the new album’s nine tracks, D’Agostino introduces us to a bevy of characters: three generations of West Virginia clairvoyants, crushed by the weight of their secret knowledge; a group of drag queens and misfits in early ‘80s New York City; a pill mill doctor’s daughter who dabbles in necromancy; a convicted killer; a bullied kid injured and alone in the forest as night falls. Through the stories of these characters, Empty Country II delivers an engaging and deeply moving rumination on time, family, and the disintegration of America.

Despite the stoicism of its storytelling, Empty Country II cuts the darkness with beauty, humor, and an earnest belief in the transcendent power of rock music. It was recorded over two weeks at Fidelitorium, the renowned studio in Kernersville, NC, belonging to R.E.M. producer Mitch Easter. Legendary recording engineer John Agnello, whose previous collaborations with Cymbals Eat Guitars resulted in their 2014 high-water mark, Lose, brought his trademark clarity and nuance to the process, helping Empty Country II crackle with a vital energy that imbues these stories with genuine lifeforce. Dole returned on drums for the record, her virtuosic performances lending raw power and immediacy; her twin brother Patrick joined on bass, his decades of experience uplifting the songs with subtle melodicism and formidable technicality. The group's chemistry and deep personal history are palpable, allowing them to approach the record’s complex story with subtlety and dynamism. “Mitch has collected an astounding array of weird mics, amplifiers, and oddball orchestral instruments: organs, Buddhist temple bells, bar chimes, tubular bells,” enthuses D’Agostino about the studio. “FLA,” a gripping portrait of a queer tour boat pilot in the Florida Keys pining for their absent lover, was arranged from the ground so the group could incorporate Easter’s timpani. D’Agostino considers it a high point of his lengthy discography and lauds that song’s harmonica solo as “my favorite 30 seconds of music that I’ve ever been a part of.”

Empty Country II also features some of D’Agostino’s most danceable songs—like “David,” a tribute to D’Agostino’s late friend David Berman. Featuring a lyrical tapestry of Silver Jews references and surreally beautiful images, head-nodding Philly soul grooves collapse into cosmic freeform jazz-inspired sections, ornamented with inventive hand percussion, marimba flourishes, and toe-tapping piano chords. “Recite a poem as the day vibrates,” D’Agostino sings. “I finally wrote this song for you / But I don’t know who I’d show it to.” It’s a paraphrase of W.S. Merwin’s famed short poem “Elegy”, written after the passing of his own mentor, John Berryman. On “Bootsie,” a runaway girl from West Virginia explores the crumbling, glorious 1980s New York City of Paris is Burning, finding community in a scene of drag queens who offer her a new way of thinking about what makes America—and rock music—great. Based on his own mother’s experiences at the height of the Aids epidemic, the song has deep personal meaning to D’Agostino. “The men you thought were brave / are arrogant and depraved,” he sings against the damaged disco beats of the Dole siblings’ rhythm section. Inverting the chorus of the Talking Heads’ “Heaven,” the lyrics of “Bootsie” celebrate the underdogs and misfits: “Hell is the place where everything happens / The band’s playing all the songs ever written at once / Shape the chaos, make your little story / Baby, this life’s perfect purgatory.”

Though Empty Country II is a record about the forces that drive Americans apart, it’s also imbued with empathic love and an understanding of what binds people to family and country—in spite of the darknesses we encounter. The concept of a Great American Rock Album might scan as outdated in 2023, but with this sprawling and uncompromising epic, D’Agostino and Empty Country shatter ambivalence and confront the horrors with a community-minded sense of cautious optimism. “We may be staring into an abyss,” says D’Agostino. “But we’re all staring together.”

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Kadabra

LP | 2023 | EU | Original (Heavy Psych Sounds)

LP | 2016 | Reissue (Relapse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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“In under two years since the release of their debut LP Ultra, Kadabra has earned a reputation as a captivating and explosive live act through “passionate stage presence drawing you into their own world with lengthy, mesmerizing, songs building from a slow boil into full crescendos.” - Brian Lopez, New Noise Magazine The band formed during the dark days of 2020 and were quickly signed by Heavy Psych Sounds, who released Ultra in the fall of 2021 and established the band’s penchant for delivering crushing doom riffs and haunting vocals accentuated by bursts of psychedelic flair and swampy Americana swagger. And while the chemistry of long-time friends Garrett Zanol (guitar/vocals), Ian Nelson (bass) and Chase Howard (drums) was apparent upon listening to their debut, their bond was further strengthened by relentlessly touring the western United States and completing a month-long tour of Europe. The trio almost immediately began looking forward, road-testing and crystalizing the songs that would comprise their follow-up, which found the band reuniting with Ultra producer Dawson Scholz. The result is Umbra: a singular statement that is more focused and cohesive than its predecessor, while managing to capture the immersive, free-flowing experience of their live show. For fans of: Uncle Acid and the Deadbeats and Dead Meadow !!

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Red Fang

Only Ghosts

Release: 2016 / Reissue

Genre: Rock & Indie

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Keep You In A Jar: Live At U4 Vienna 1989 Yellow Vinyl Edtion

Nirvana

LP | 2023 | EU (Mind Control)

Retrofit Orange Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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Nirvana’s first European tour began in October 1989. The “Heavier Than Heaven” tour as it was subsequently named was a reference to the power of the music and also the weight of front man Tad Doyle of co-headliners Tad. The intense tour schedule consisted of thirty-seven shows in forty-two days in nine countries leaving no option but to drive overnight to the next venue. Live at U4 in Vienna, 22nd Nov 1989.

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Section 25

LP | 2023 | UK | Original (Factory Benelux)

28,99 €*

LP | 2023 | UK | Original (Factory Benelux)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited (500 copies only) orange vinyl edition of Retrofit, the seventh studio album from post-punk trailblazers Section 25, originally released in 2010. First time on vinyl.

Recorded before the untimely death of founder member Lawrence Cassidy in February 2010, Retrofit saw cult Factory Records group Section 25 revisit key tracks from their 1980s back catalogue, remade and remodelled for the 21 st century using an appropriate mix of new and old technology.

‘Gathered here is a selection of Section 25 faves, re-recorded and re-thought. The idea is born from their invigorating live set – compelling use of technology to lift them (almost) free from the familiar shards of 80s underground. Shockingly, this newattack works. All this tightening appears to have tugged the band into a sense of Now, gloriously at odds with the contemporary norm’ (The Quietus)

‘Audacious and innovative’ (Record Collector)

‘Section 25 might just be the best band in the world. Since 1980 they’ve been forging music that is as beautiful as it is challenging, from the monochrome psychedelia of their first album through Zen guitarscapes, electronic epiphanies, the arguable invention of Acid House, and on to an unexpected rebirth in 2006. Even within the narrative of such an unusual band, Retrofit is an odd confection: not a best-of or remix album, but a retrospective in which tracks are remodelled as gleaming technosculptures with the most human of hearts.’ (Glasgow Herald)

Now released on vinyl for the very first time, FBN 140 is limited to just 500 copies pressed on orange vinyl. The digital copy contains 5 bonus tracks, including a blistering re-boot of Looking From A Hilltop by Stephen Morris of Joy Division/New Order.

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Section 25

Dark Light

28,99 €*

Live In Brooklyn 2011 Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited crystal clear vinyl edition of Dark Light, the eighth studio album from post-punk trailblazers Section 25, originally released in 2013.

Recorded in 2012, Dark Light would be the band’s first collection of new material since the tragic loss of founder Larry Cassidy in 2010, and marked a return to the smooth electro and synth-pop textures first explored on their seminal 1984 album From the Hip. These echoes are amplified by the presence of co-vocalists Beth and Jo Cassidy, as well as a sublime cover image by iconic artist/designer Peter Saville.

Much of Dark Light was produced in collaboration with remixer Derek Miller (aka Outernationale), and includes new versions of single tracks Colour Movement Sex & Violence and Inner Drive. Other stand-out cuts include future pop classic My Outrage, also released as a single on Record Store Day.

“A revelation. The group were once doomy post-punks whose 1984 electronic album From the Hip anticipated house music and thrilled New York clubland. Now the deaths of singers Larry and Jenny Cassidy have inspired their daughter Bethany to carry on the family business and give the band a makeover. The collision of the original members’ brittle rhythms and the angelic voices of Bethany and similarly fresh-faced co-singer Jo takes recent material into shimmering club-pop heaven” (The Guardian, 2014)

Now released on vinyl for the very first time, FBN 145 is limited to just 500 copies pressed on crystal clear vinyl. The digital copy contains several bonus tracks.

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Sonic Youth

2LP | 2023 | US | Original (Silver Current)

39,99 €*

LP | 2023 | US | Original (Riding Easy)

Release: 2023 / US – Original

Genre: Rock & Indie

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The final U.S. show, a triumphant and blistering bookend to the storied career of one of the most influential bands in rock music, featuring a unique and expansive eighty-five minute set list that spans Sonic Youth’s nearly three decade catalog. Mixed from multitrack by longtime live engineer Aaron Mullan and mastered and cut by Carl Saff.

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Master Danse

Feelin' Dead

Keeping Secrets Will Destroy You Light Rose Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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After one heard them first on Brown Acid’s The Thirteenth Trip, Riding Easy are very excited to present Feelin’ Dead, the full unreleased recordings from that amazing band from Detroit, Master Danse. Formed in late 1973 in Detroit, Michigan, when drummer TOM Riss and bassist Cary Fletcher, formerly of the Detroit band Licking Stick, went looking for a new guitarist / lead vocalist and jammed with John Giaier, who had most recently played in the band Crawdad, the three musicians hit it off immediately, and a new power hard rock trio was born. In 1973, Detroit was clearly “Rock City”, featuring such local icons as Bob Seger, Alice Cooper, Grand Funk Railroad, Ted Nugent, and Mitch Ryder, and the high energy punch of Master Danse reflects this proud heritage. Unfortunately, this union would only last one year, and by the end of 1974 the power rock trio known as Master Danse had disbanded. What was left for posterity were only two live reel-to-reel recordings and one promo 45 single. Some forty-seven years later, the 45 found its way onto the internet and a small cult following of audiophiles was born, people who appreciate the raw power and high energy of early ’70s rock. Bands like Master Danse and others from this era were riding the wave of transition from the pop rock sound of the ’60s to an edgier sound that would eventually lead to metal and punk music. With the help of modern-day tape restoration techniques, the two live recordings were restored, and together with the 45, the best versions of the eight songs that have survived the decades are featured on this album. Although recorded live forty-eight years ago on a two-track stereo tape recorder, one can still feel the power of Giaier’s Marshall stack, Fletcher’s twin Acoustic 360 amps, and the relentless attack of Riss’ Ludwig drums. So, sit back and enjoy.

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Bonnie Prince Billy

LP | 2023 | UK | Original (Domino)

25,99 €*

Taken By Force Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Keeping Secrets Will Destroy You is a tale as old as time. It’s an album. Its songs and music are by and for people together. For listening together. Before it gets too late. Bonnie ‘Prince’ Billy stands at the nexus of all the kinds of music he can summon, with friends, with family and community. All roads roll though him. There can be no holding back. A million billion moments are on the line. He’s gonna tell us about a world...

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Scorpions

LP | 2023 | EU | Reissue (BMG Rights Management)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Fly To The Rainbow Colored Vinyl Edition

Scorpions

LP | 2023 | EU | Reissue (BMG Rights Management)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Deathwish)

Loma Prieta

Last

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Pistol Record Store Day 2023 Edition

The Punkles

LP | 2023 | EU | Original (Punkles)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Vampire Blues)

Wylde Rattz

Wylde Ratttz

41,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wylde Ratttz were formed in 1997 to record tracks by The Stooges for the film Velvet Goldmine. With Ron Asheton as the secret weapon, the songs were easily dispatched and the band quickly organized a second session that produced a mixture of originals brought in by the band members, covers by The Pretty Things (one of Ron’s fav bands), and 40 minutes of killer instrumental tracks. Ron Asheton: Guitar, vocals, piano, tympani. Mark Arm: Vocals. Thurston Moore: Guitar, vocals, electronics. Mike "Pipe" Watt: Bass, Beam, spiel. Steve Shelley: Drums, percussion. Don Fleming: Guitar, vocals. Sean Ono Lennon: Multitronics, guitar, vocals. Produced by Don Fleming for Instant Mayhem Productions Recorded and mixed by Bil Emmons in NYC, 1997

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Symphonic & Opera Metal Volume 5

LP | 2019 | EU | Original (Golden Core)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Torsun & The Stereotronics

Songs To Discuss In Therapy

LP | 2023 | EU | Original (Audiolith)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU (Replica Nova)

Decoder - The Soundtrack

20,99 €*

Release: 2023 / EU

Genre: Rock & Indie

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Down In The Park - The Nyc Broadcast

Foo Fighters

LP | 2023 | EU (Mind Control)

16,99 €*

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2023 / EU

Genre: Rock & Indie

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In October of 1994, shortly after the death of Kurt Cobain, Nirvana drummer Dave Grohl re-entered Robert Lang's Seattle studio, where Nirvana had conducted their final recording sessions. Intending to create demos of his own material, over the course of a week Grohl would commit his ideas to tape. Except for some guitar assistance from Greg Dulli (of Afghan Wigs) on one track, Grohl would literally become a one-man band during these sessions, writing all the songs, playing all the instruments and singing all the vocals himself. Recorded at Tramps in New York City, these musicians served as both an opening act and as backing band for Mike Watt (on his tour promoting Ball-Hog or Tugboat?). Experience the initial Foo Fighters lineup live on stage, two months prior to their first album release.

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Naoki Zushi

34,99 €*

LP | 2023 | Reissue (Reigning Phoenix Music)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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Eleine

We Shall Remain

30,99 €*

Release: 2023 / Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Western Vinyl)

Peter Oren

Pasture

Release: 2020 / US – Original

Genre: Rock & Indie

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Peter Oren's new album The Greener Pasture offers a bleak answer to the question "where will I go/ if I don't want to be/ with idle hands awaiting catastrophe/ here in the Anthropocene" posed on his title track of his previous album Anthropocene: "The greener pasture is also fenced in/ the wider trough has an asterisk/ rotate the herd every few days/ or is it every few years/ we got their tags on our ears/ standing in shit crying bovine tears." Indiana-born, everywhere-based singer-songwriter Peter Oren possesses a remarkable singing voice, low and deep and richly textured: as solid as a glacier, as big as a mountain. Similar in its baritone gravel to Bill Callahan, a hero of his, it rumbles in your conscience, a righteous sound that marks him as an artist for our tumultuous times, when sanity seems absent from popular discussions.

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LP | 2013 | US | Reissue (Merge)

Imperial Teen

Feel The Sound

Release: 2013 / US – Reissue

Genre: Rock & Indie

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The fifth album by IMPERIAL TEEN, "Feel the Sound", succeeds completely at its goal, plainly stated in the collection's title. Like the sharpest pop music, "Feel the Sound" gets you to keep coming back for more, but unlike so much music today, it rewards you for doing so, giving you the experience of a fulfilled and yet still yearning, lively potential, one that will be further realized when the songs are performed live. From the exhilarating, propulsive "Runaway," which features the entire band on lead vocals (how many other groups can make that claim?), to the expansive final statement of "Overtaken," Roddy Bottum, Lynn Perko Truell, Will Schwartz, and Jone Stebbins feel the sound themselves and, in turn, make the listener feel it in ways immediate and pleasurable but also lasting and haunting.

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Land of Kush's Egyptian Light Orchestra

Monogamy

LP | 2010 | Reissue (Constellation)

LP | 2023 | EU | Original (Napalm)

Release: 2010 / Reissue

Genre: Rock & Indie

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180g Vinyl!Sam Shalabi's Land Of Kush project returns: his psych-arabic jazz orchestra has produced a second album of intensely genre-defying, polymorphic, big band madness. Where Shalabi structured last year's mesmerising Against The Day album around the Thomas Pynchon novel of the same name, this time Shalabi tackles concepts of shame, sexuality and society in a new multi-movement work entitled Monogamy.

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Dieth

To Hell And Back

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Psychic Hotline)

The Dead Tongues

Unsung Passage

LP | 2016 | US | Reissue (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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The long-awaited reissue of The Dead Tongues' beloved third album, Unsung Passage, a profound reflection on the emotional architecture of love, loneliness, and life at large. The Dead Tongues is songwriter Ryan Gustafson's long-evolving vehicle for a beautifully fractured vision of folk, country, blues, and cosmic American rock, and Unsung Passage is a first-person reckoning with the things Gustafson, a chronically peripatetic adventurer, has seen enough to sing about. The ten remarkable tracks of Unsung Passage are long-distance distillations of events lived and places seen and pondered and ultimately poured into reflective anthems for our harried times. During "Like a Dream," a gentle gallop of grinning harmonica and trickling guitar, Gustafson explores the balance of existence from a hillside vantage. He sees the curveof the earth while pondering his need for a paycheck, a moment that eternally pits the banal against the beautiful. "The Broken Side of People Everywhere" is a gorgeous love song written with the wisdom of someone who knows that nothing is forever or perfect, that there's no real risk in a life where everything ends, anyway. There are meditations on mortality and devotion (the flute-laced dream "My Other"), on money and temporality (the banjo trot "The Giver"), and on impermanence and acceptance (the achingly gorgeous "Pale November Dew"). This isn't Gustafson's idle speculation about life and the world: these are the realizations of a restless mind, of a songwriter who sings "this old town ain't gonna watch m edie" and means it.

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Narrow Head

Satisfaction

Little Green House Peach Swirl Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Narrow Head's debut full-length record Satisfaction is available once again on vinyl for the first time since its initial release in 2016. Reissued by Run For Cover, this version of the album includes updated album art and a limited color vinyl release. While the band offered a handful of one-off singles and demos prior to Satisfaction's release, this record offers a perfect introduction to the Houston band's world.Revisiting Satisfaction after the release of last year's 12th House Rock finds this younger version of the band honing in their signature blend melody, heaviness and atmosphere. Leadoff track "Necrosis" immediately recalls the heaviness of genre fore-bearers like touring partners Quicksand, while standout song "Cool In Motion" kicks off with what feels like an all-time alt-rock hook before disintegrating into an airy and melodic full-band jam.

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Anxious

LP | 2023 | EU | Original (Run For Cover)

LP | 2023 | EU | Original (Archives De La Zone Mondiale)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Since the inception of Anxious in 2016, the band has always acted with purpose. This may seem like a simple premise, but for five kids still in high school at the time, it's quite an accomplishment. Early songs were packaged in limited run demo tapes with accompanying zines and hand-dyed t-shirts. Weekends were filled with regional runs of shows outside of their Fairfield, Connecticut homebase. With this amount of effort it's no wonder that within a few years of graduation, Anxious has built a solid foundation for their debut album to flourish upon.On Little Green House, Anxious explores what it feels like to enter adulthood in unflinching detail. The Connecticut band unpacks struggles, joys, and hard-earned realizations in a way that makes them feel wise beyond their years. Anthemic songs like lead single "In April" and guaranteed sing-along "Growing Up Song" thread the often difficult melodic-hardcore needle in a way that feels both nostalgic for the emo renaissance of yesteryear and precisely built for the current moment of genre defiant pioneering.

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Ludwig Von 88

Houlala 2 La Mission

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Archives De La Zone Mondiale)

Ludwig Von 88

Houlala

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Eagle Has Landed 40 Live Box Set

Saxon

Box | 2019 | EU | Reissue (Silver Lining)

136,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Rhino)

Ramones

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Wake The Sleeping Dragon! Black Splattered Green Vinyl Edition

Sick Of It All

LP | 2018 | EU (Radiation Reissues)

LP | 2020 | US | Reissue (Captured Tracks)

Release: 2018 / EU

Genre: Rock & Indie

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Reissue for the 2018 album by Nyhc pioneers Sick Of It All. Wake the Sleeping Dragon is not sensitive, subtle, nuanced singer songwriter fare. Aggressive, angry and in your face old school Lower East Side hardcore punk. Sick Of It All have made another career and genre defining album. Don’t sleep on Wake the Sleeping Dragon.

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Widowspeak

Plum

Peripeteia Clear Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth.The band's fifth album feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie"Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swallow. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particularly hypnotic, built around a repeating, cyclical motif that serv...

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Rafael Anton Irisarri

LP | 2020 | US | Original (Dais)

23,99 €*

7" | 2020 | US | Original (1-2-3-4 Go!)

Release: 2020 / US – Original

Genre: Rock & Indie

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Over The Years, American Composer Rafael Anton Irisarri Has Become Ubiquitous Within The Spheres Of Ambient, Drone And Electronic Music. Whether It's Through Irisarri's Celestial Long-Form Albums Or His Lauded Audio Engineering Credentialsfor Countless Artists And Labels, Irisarri's Consistent Dedication To His Craft Never Wavers From The Forefront. While Irisarri's Compositions Typically Field An Array Of Modern Ambient Overtones Threaded Through Oceanic Symphonies With Tape Loops, Bowed Electric Guitar And Vast Washes Of Overdriven Sound, His Recent Debut Album For Dais Records, Peripeteia, Portrays These Common Themes Giving Way To Metal And Classicalinfluences That Emphasizes Irisarri's Melancholic Tendencies. These Unique Overtures, Coupled With His Signature Layering Of Distortion And Bleached-Out Textures, Fabricate An Audible Environment That Would Seemingly Be At Odds With,Yet Gracefully Complement Each Other. In Irisarri's Own Words, "My Previous Works Internalize Any Exterior Forces Or Circumstances, While Trying To Make Sense Of The World. Peripeteia Reverses That Approach, Focusing On The Personal In Order To Tell A Wider Human Story." The Emotional Depth Found Throughout Peripeteia Is Impeccably On Display Withthe Track, Mellified. A Collaboration With Spanish Composer Yamila, The Choral Arrangements Bring To Mind The Sacred Music Of Arvo Pärt, While Her Voice Combines The Andalusian "Cante Jondo" Style With Medieval Modes, Almost Drowning In Layers Of Octave Fuzz Distortion And Dystopian Synths Patterns. Onarduous Clarity, The Bright Arpeggiating Melody That Churns Throughout, Offers The Initial Glimmer Of Optimism In An Otherwise Decaying Tale Of Personal Turmoil. This Encouraging Glimpse Is Short Lived However, As The Song Refuge/Refuseseemingly Plummets Into The Mourning Depths Of Somber Despair. A Chorus Of Voices Steadily Crawls From Its Desolate Terrain - A Sea Of Broken Spirits, Eternally Resigned To Strain And Bellow Their Final Lament. Fright And Control, A Piece Whichis E...

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Big Rig

Expansive Heart

LP | 2020 | NZ | Original (Flying Nun)

Release: 2020 / US – Original

Genre: Rock & Indie

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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.

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The Bats

Foothills

Sings Elvis - A Gorgeous Pink Leopard Picture Disc Edition

Release: 2020 / NZ – Original

Genre: Rock & Indie

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Foothills is the 10th full-length album of The Bats. Spanning the last 38 years, The Bats have clocked nine incredible albums; each one seeing the band evolve with new material from the prolific songwriting hand of Robert Scott. Add to that tally the extra singles, b-sides, EPs, compilations and tribute songs they've recorded, creating a succinct setlist is a nearly impossible task. Foothills was recorded in Spring 2018 at a country retreat pop-up studio. At that time, 15 songs were captured and immortalised in the Canterbury foothills of the Southern Alps, Aotearoa (New Zealand). Only too well, The Bats know the possibilities, potentialities and sonic vistas that arise when one takes the reins for the recording process in a beautiful place that's on home turf. Robert Scott, on the making of Foothills has said "Time marches on... finally, we found a gap in our busy lives and chose a week to convene. We found a house that is usually inhabited by ski field workers _ Kowai Bush, near Springfield about an hour west of Christchurch and of course nestled in the foothills of the mighty Southern Alps. The songs had been written, demo'd and arranged for some time, but still with a little room for trying things out in the studio. Many carloads arrived at the house, full of amps guitars and recording gear, we set up camp and soon made it feel like home; coloured lights, a log fire, and home cooked meals in the kitchen. We worked fast, and within a few days had all the basic backing tracks done, live together in one room, the way we like to do it - it's all about `the feel' for songs like ours." The Bats must hold a record in New Zealand (perhaps the whole world, once The Rolling Stones throw in the towel) as a band that has survived with the same line-up for 38 years. No split ups, no reforming for nostalgia's sake. So far, half the band have spots in The New Zealand Music Hall Of Fame, vocalist/ guitarist Robert Scott (The Clean) and bassist/producer Paul Kean (Toy Love), and it's only a matter of time before lead guitarist Kaye Woodward and drummer Malcolm Grant find themselves in there too. The four-piece has created twisted wistful folk, psychedelic rock, bouncy twee pop, and everything in between, but whatever the genre, their sound is always distinctively, unmistakably The Bats.

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Danzig

LP | 2020 | US | Original (Cleopatra)

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Electr-O-Pura New Edition

Yo La Tengo

2LP | 2020 | US | Original (Matador)

30,99 €*

Oh My God Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25th anniversary reissue of Yo La Tengo's 1995 album Electr-o-pura. Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs to ensure the highest quality of audio the album has had on vinyl to date. On their seventh studio album, Yo La Tengo would further expand on the venturous songwriting established on their previous album Painful with stunning craft and a deepened exploration of contrasting textures, moods and atmospherics. Chock full with moments of pop gold like "Tom Courtenay,"melancholic ballads such as the heartbreaking "Pablo And Andrea," and sweeping, feedback-laden jams like the show-stopping "Blue Line Swinger", Electr-o-pura is a thrilling document of one of America's most beloved bands hitting their creative stride and remains one of the most sublime records the band has released in their uninterrupted 36-year career.

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Kevin Morby

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Some Kind Of Happening: Singles 1978-1989

Television Personalities

2LP | 2019 | EU | Original (Fire)

Adrian Younge Presents Jack Waterson

Release: 2019 / EU – Original

Genre: Rock & Indie

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2000 only. Gatefold Sleeve + 7". Singles collection. A comprehensive remastered collection of all of the Television Personalities' ground-breaking single releases from the Peel-approved `14th Floor' through to the effervescent `Salvador Dali's Garden Party' EP. Includes the super rare Creation flexi, the TVPs as The Gifted Children, and the even rarer Caff 45 where the band tackle Stock, Aitken And Waterman. Purists will also find two shelved 45s for the Dreamworld label plus their take on Syd Barrett's `Apples And Oranges' from the `Beyond The Wildwood' tribute album. Features the seminal `Where's Bill Grundy Now' and the self-effacing `Part Time Punks' alongside a host of pop culture-bating gems. A celebration of the songwriting of Dan Treacy.

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Jack Waterson

LP | 2019 | US | Original (Linear Labs)

LP | 2019 | US | Original (Captured Tracks)

Release: 2019 / US – Original

Genre: Rock & Indie

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Jack Waterson is the acid that Adrian never took as a kid. The result, as you’d expect, is both colorful and dark; full of sonic and musical surprises. The creative relationship they have questions the social order of the United States, yet theirs is a quintessentially American Story: Kindred spirits

Punk rock and hip hop came from the same place, fueled by identical sentiments: people taking the music back, reclaiming it, and finding a new audience. Waterson, primed from the mid-70s Punk scene, began his musical career in ’79 as a founding member of Green on Red. They inspired artists as diverse as My Bloody Valentine, Wilco and Mazzy Star with their records and psychedelic palette. Years later, Waterson continued his influential journey by opening the revered musical instrument store, Future Music, a Los Angeles staple.

In ’99, an 18 year-old Younge realized that he wanted to create music that sounded like the records he was sampling. Unbeknownst to him, he serendipitously wandered into Future Music. It’s there, he realized his dream was possible. Intrigued by the stores focus on pre ’83 equipment, Waterson soon became a mentor in developing Younge’s unique analog sound. They spoke heavily about the importance of vintage equipment and it’s use in creating revolutionary worlds.

During these years, Waterson schooled Younge on psych and art rock; Younge returned the favor by schooling him on Hip Hop, the origins of sampling, and its source music. Together this unlikely duo manifested new revolutionary worlds with Waterson appearing on every Younge album within the last decade.

Adrian Younge presents Jack Waterson is getting lost in the impressionistic and at times jarring world of psychedelia, questioning what is real and challenging to question the role you play in this world. These kindred spirits have created a cinematic psych album with no boundaries. Laced with hip hop breaks and acid rock, their intention is to subvert the designation of what is black vs. white music.

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Chris Cohen

Release: 2019 / US – Original

Genre: Rock & Indie

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Pure Fire - The Ultimate Kiss Tribute

LP | 2019 | EU | Original (Cleopatra)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Merge)

Mike Krol

Power Chords

Release: 2019 / EU – Original

Genre: Rock & Indie

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Those Shocking Shaking Days

3LP | 2018 | US | Original (Now-Again)

33,99 €*

This Is My Story / Blue Light

Release: 2018 / US – Original

Genre: Rock & Indie

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2023 repress
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."

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Holy Hive

7" | 2018 | US | Original (Big Crown)

11,99 €*

LP | 2018 | EU | Original (Constellation)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Sandro Perri

In Another Life

Release: 2018 / EU – Original

Genre: Rock & Indie

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Alopecia 10th Anniversary Black Vinyl Edition

Why?

LP | 2018 | US | Original (Joyful Noise)

LP | 2012 | EU | Original (Warner Music Poland)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Maanam

Roza

2LP | 2016 | US | Original (Carpark)

Release: 2012 / EU – Original

Genre: Rock & Indie

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This is 180g vinyl.

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Toro Y Moi

Live From Trona

19,99 €*

LP | 2015 | EU | Original (Gunner)

Release: 2016 / US – Original

Genre: Rock & Indie

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Following extensive touring behind What For?, his fourth studio album as Toro Y Moi, acclaimed musician Chaz Bundick brought the band to the middle of the Mojave Desert in April 2016 to play a special concert. Live from Trona documents this experience, recorded live beneath the geological wonders known as the Trona Pinnacles, which formed thousands of years ago in what used to be a prehistoric lake.

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Make War

14,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Sinderlyn)

Homeshake

Midnight Snack

Release: 2015 / US – Original

Genre: Rock & Indie

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3LP | 2015 | EU | Original (Editions Mego)

Thighpaulsandra

Golden Communion

34,99 €*

Colin Stetson & Sarah Neufeld of Arcade Fire

Release: 2015 / EU – Original

Genre: Rock & Indie

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September 2015 will see the release of Thighpaulsandra's 7th full length album "The Golden Communion", his first since 2006's "The Lepore Extrusion". Well over a decade in the making, this is his debut for Editions Mego. It comprises 10 new songs, running well over two hours with individual pieces clocking in between 4 and 28 minutes. Featured musicians on the album include regular collaborators Martin Schellard and Sion Orgon, plus the odd guest/ghost from bands Thighpaulsandra has worked with in the past.

If you have heard any of Thighpaulsandra's previous albums, you will know that you'd best approach this record with no fixed set of expectations, because once again he changes genres and defies easy classification, sometimes more than once within one song. Drawing on his long-time background as a key member in such diverse groups as Coil, Spiritualized and Julian Cope's band (in each case arguably at the height of their creative prowess) and his work as producer and sound engineer for an even larger variety of customers, you'll find classical passages next to hard rock riffing, krauty experimental work-outs turning into super catchy, almost radio-friendly songs and more.

Many adjectives have been used to describe Thighpaulsandra’s work: epic, challenging, timeless, idiosyncratic, but certainly never predictable or boring.

Possibly his most rewarding album yet and a welcome and unusual entry, in the Mego catalogue, which will entertain and astonish listeners who are fond of having their mind severely altered by sound.

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Never Were The Way She Was

LP | 2015 | CA | Original (Constellation)

Release: 2015 / CA – Original

Genre: Rock & Indie

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LP | 2010 | US | Original (Jagjaguwar)

Wolf People

Steeple

Release: 2010 / US – Original

Genre: Rock & Indie

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Hindsight Is 50/50 Black Vinyl Edition

Ghost Woman

LP | 2023 | UK | Reissue (Full Time Hobby)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

Further In Evil Limited Edition Magenta Vinyl

Marthe

LP | 2023 | CZ | Reissue (Southern Lord)

Release: 2023 / CZ – Reissue

Genre: Rock & Indie

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Debut full length for one woman band Marthe on Southern Lord.

True Valkyrian metal inspired heavy riffing in a dark atmosphere of feasting ravens over a thunderous battleground.

The war cry belongs to a distorted horde of crust punk and black metal venture.

The dust settles over the power of Bathory, the melancholy of Tiamat and the stench of Amebix.

Antifascist. Feminist. Misanthropic.

Includes cover of Siouxsie and the Banshees ‘Sin In my Heart'

Lim. to 300 pieces

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Night Flight | Exit The Loop

Mirrorism

7" | 2013 | US | Reissue (Trouble In Mind)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Sometimes the best bands are just out in the world - waiting for you to discover them. Mirrorism formed nary a year ago in Ferrara, Italy & posted up some songs from their self-released cassette onto a message board late last year. The band's TiM debut snags two tunes from that blast of hot air & slaps 'em onto wax - where they belong! In their own words, Mirrorism are: "a philosophical, artistic and political movement based on chaos, disunity, multiple personality disorder and the refusal to make sense of any kind of artistic output." One gets a very real sense of the chaos lurking beneath these jagged stabs of post-punk fury - "Night Flight" kicks of the A-side with a rhythmic ticking of the drums, perhaps a warning of the musical time bomb about to explode thru your speakers! Short & sweet - it's over before it even began. "Exit The Loop" closes out the single with a ragged cacophany of garage scree & trebly guitar sirens! An exciting debut from this promising new band! The first edition of this single is pressed on randomly mixedvinyl & includes a download code!

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You're Wrong | You Can't Hide

Proto Idiot

7" | 2013 | US | Reissue (Trouble In Mind)

LP | 2013 | US | Reissue (Felte)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Andrew Anderson is a prolific guy, having recorded two albums of dumb-punk ferocity with his band, Hipshakes & released three albums & a number of singles under his solo project moniker, "Proto Idiot". Proto Idiot's previous output has had one foot firmly planted in the Hipshakes school of frenzied, nervousgaragepunk intensity, & the other in a rickety, Kinks-ian,English-countryside gallop. His debut for TiM however is a step in a new direction, delivering smart & urgent pop tunes having more in common with the DIY smarts of bands like Television Personalities, Wire & The Soft Boys than The Oblivians or The Gories. "You're Wrong" yearns with the strummy confections of a lost classic & it's earworm melody will have a hard timegetting unstuck from your brain! "You Can't Hide" burns with the loping maudlin of guitars & careens into a head-bopper of sugary pop-perfection. The first edition of this single is pressed on randomly-mixed vinyl & includes a download code!RIYL: Wire, The Soft Boys, TVP, Tyvek, Hipshakes

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Standish/Carlyon

Deleted Scenes

LP | 2013 | US | Reissue (Paradise Of Bachelors)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Deleted Scenes is the debut album by futurist dub pop duo Standish/Carlyon, comprising bassist/vocalist ConradStandish and guitarist Tom Carlyon, both formerly of noir rock group Devastations. Deleted Scenes continues the process begun on the final Devastations album Yes, U, moving away from full-band arrangements towards submerged electronic rhythms and late-night altered states. The atmosphere throughout is oneof surreal chic. In rich baritone or impressive falsetto, Standish intones dark, absurdist lyrics over the band'sshimmering take on dub, a sensual, ultramodern gloss disturbed by deep vibrations. There's the pulse-quickening progression of Moves, Moves, the spectral faux-soul of "Feb Love" (featuring vocals from Standish's wife Jonnine, one-half of HTRK), the icy grind of "Gucci Mountain", the synthetic fractured funk of "Nono/Yoyo" or the deviant denouement that is 2 5 1 1, a collaboration with Benjamin John Power of Blanck Mass and FuckButtons. The album was recorded in London with Aaron Cupples and mastered by the iconic Denis Blackham, who has workedwith everyone from Brian Eno to Pan Sonic. Standish/Carlyon have played Belgium's Sonic City Festival (curated by Liars) alongside Chris & Cosey and Rhythm & Sound, as well as All Tomorrow's Parties' new Australian incarnation I'll Be Your Mirror, alongside the likes of My Bloody Valentine, Pere Ubu and Einsturzende Neubauten.FIYL: Twin Shadow, Coil, White Car, HTRK

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Steve Gunn

Time Off