Rock & Indie Vinyl 2727 Items

Hinter All Diesen Fenstern

LP | 2003 | EU | Reissue (Grand Hotel Van Cleef)

20,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Du Weisst, Was Ich Meine Orange Vinyl Edition

LP | 1998 | EU | Reissue (Grand Hotel Van Cleef)

20,99 €*

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Buchstaben Über Der Stadt Violet & White Marbled Vinyl Edition

LP | 2006 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Buchstaben über der Stadt

LP | 2006 | DE | Original (Grand Hotel Van Cleef)

21,99 €*

Release: 2006 / DE – Original

Genre: Rock & Indie

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Moving To Heaven Record Store Day 2024 Purple Blue Vinyl Edition

Tommy Mclain

LP | 2003 | US | Reissue (Yep Roc)

Tommy Jay's Tall Tales Of Trauma

Release: 2003 / US – Reissue

Genre: Rock & Indie

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In 2003, Swamp Pop pioneer Tommy McLain self-released his album Moving to Heaven. An extremely rare piece of Louisiana music history, Moving to Heaven only existed as a CD that Tommy himself pressed 500 copies of more than two decades ago. Tommy sold the CDs at his shows on the bayou and that was the only place to purchase this mysterious album. Featuring extremely DIY production techniques and spooky synthesizer sounds, this was Tommy McLain at his most raw and spiritual. Tommy wrote every song and plays every instrument on Moving to Heaven as he vocalizes about life, death and forgiveness. Many years later, Elvis Costello found a CD of Moving to Heaven in a Louisiana record store and fell in love with the music. Costello was a fan of Tommy ever since hearing him back in the ‘70s on the compilation Another Saturday Night, but he knew that Moving to Heaven was something special. Costello and Tommy would eventually meet in 2010 at a Bobby Charles tribute concert where Costello professed his love of Moving to Heaven to Tommy in-person. “I would go to local, secondhand record shops looking for albums by people like Tommy McLain,” Costello told the New York Times in 2022. Yep Roc Records is excited to announce the first-ever vinyl pressing of Moving to Heaven. Pressed on heavenly blue color vinyl and featuring updated lyrics and liner notes from Tommy McLain, this pressing is limited to 1,000 copies worldwide. The album has been remastered for vinyl by Mike Westbrook at MW Audio, the vinyl lacquer cut by Kevin Gray at Cohearent Audio, and the record itself pressed at the state-of-the-art facilities at Citizen Vinyl in Asheville, North Carolina, This rare artifact of the Swamp Pop genre is finally found and sounds better than ever.

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Tommy Jay

2LP | 2007 | US | Reissue (Assophon)

16,31 €* 23,99 € -32%

Return Of The Bastard Black Vinyl Edition

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Here's a vinyl reissue of a notable 1986 cassette release. Musically this is a slightly mind boggling delivery of psychedelic lo-fi/basement folk.

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Tommy Guerrero

LP | 2008 | EU | Reissue (Be With)

Live At Ebbets Field 5-13-76 Purple Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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- Part of Be With x Tommy Guerrero Reissue Campaign - 2024 first time vinyl reissue - 140g vinyl Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vine Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.

Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.

The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.

The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".

The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Tommy Bolin

LP | 1996 | US | Reissue (Friday Rights Mgmt)

41,99 €*

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Tomahawk Colored Vinyl Edition

LP | 2001 | US | Reissue (Ipecac)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Tomahawk Black Vinyl Edition

LP | 2001 | US | Reissue (Ipecac)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Mit Gas Red Vinyl Edition

LP | 2003 | US | Reissue (Ipecac)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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LP | 2003 | EU | Reissue (Ipecac)

Mit Gas

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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LP | 2007 | EU | Reissue (Ipecac)

Anonymous

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Mule Variations (Remeastered)

Tom Waits

2LP | 1999 | EU | Reissue (Anti)

24,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Glitter And Doom Live (Remastered)

Tom Waits

2LP | 2009 | EU | Reissue (Anti)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Tom Petty & The Heartbreakers

Greatest Hits

2LP | 1993 | US | Reissue (Geffen)

45,99 €*

Tom Petty & The Heartbreakers

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Greatest Hits is the biggest selling title in the band's illustrious catalog, with sales surpassing twelve million copies since it's release. The album contains nineteen classics including "American Girl," "Refugee," "Don't Come Around Here No More" and many others. The collection also features the singles from Tom Petty's solo album Full Moon Fever including "Free Fallin," "I Won't Back Down" and "Runnin' Down A Dream." Two 'new' songs were also featured: "Mary Jane's Last Dance" became one of Petty's most popular songs, reaching #14 on the Billboard Hot 100 and #1 on the Billboard Mainstream Rock Tracks chart. The other new song on the album is a cover of the Thunderclap Newman hit "Something in the Air".

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Echo

LP | 1999 | EU | Reissue (Warner)

41,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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New Sentimentality Tan & Clear Vinyl Edition

Toe

LP | 2006 | US | Reissue (Topshelf)

25,99 €*

Kapitulation 15th Anniversary Orange Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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toe is a Japanese music group long revered in post-rock circles, while their song structures and dynamics have taken on elements from all styles of music, ranging from math-rock, jazz, pop, and R&B.

toe is composed of Kashikura Takashi on drums, Mino Takaaki on guitar, Yamane Satoshi on bass guitar, and Yamazaki Hirokazu on guitar. The band has formally played with this lineup since their inception in 1998.

The vast majority of the music is instrumental and features the swift, agile drumming of Takashi. The band is also known for melodic, clean guitar, often employing the juxtaposition of electric and acoustic. While the compositions feature the repetition of typical rock motifs, the subtle changes in beat and rhythm form a unique rhythmic dialect. The band has consistently expanded their sound throughout their musical tenure by incorporating singing, rhodes piano, mallet percussion, and electronic production elements.

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Tocotronic

2LP | 2007 | EU | Reissue (Vertigo)

39,99 €*

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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The Last Thing You Forget

Title Fight

7" | 2009 | US | Reissue (Run For Cover)

11,99 €*

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Subterranean Jungle Colored Vinyl Edition

Tip Toppers

LP | 2004 | EU (Hey Suburbia)

17,84 €* 20,99 € -15%

The Radio Tisdas Sessions White Vinyl Edition

Release: 2004 / EU

Genre: Rock & Indie

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Originally released by the Norway Ramones fan club on cd only in 2004, this is the first time on vinyl for the hardest to find of all Ramones cover albums, recorded twenty years ago by a short lived spin off project from members of The Yum Yums and the Kwyet Kings. Mastered by the one and only Daniel Rey. Revised exclusive artwork by Dyna Moe.

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Tinariwen

2LP | 2001 | EU | Reissue (Wedge)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2009 | EU | Reissue (Craft)

Tinariwen

Imidiwan Companions

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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2LP | 2008 | EU | Reissue (Craft)

Tinariwen

Aman Iman Water Is Life

43,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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2LP | 2001 | EU | Reissue (Universal)

Timoria

El Topo Grand Hotel

61,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 1999 | EU | Reissue (Universal)

Timoria

1999

40,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 2009 | UK | Reissue (Full Time Hobby)

Timber Timbre

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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Medicinals Clear Vinyl Edition

Timber Timbre

LP | 2007 | UK | Reissue (Full Time Hobby)

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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Cedar Shakes Clear Vinyl Edition

Timber Timbre

LP | 2005 | UK | Reissue (Full Time Hobby)

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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Live Like You Were Dying 20th Anniversary Edition

Tim McGraw

LP | 2004 | US | Reissue (Curb)

40,99 €*

Release: 2004 / US – Reissue

Genre: Rock & Indie

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LP | 2007 | EU | Reissue (Hellcat)

Tim Armstrong

A Poet's Life

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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LP | 2005 | EU | Reissue (Startracks)

Tiger Lou

The Loyal

18,99 €* 19,99 € -5%

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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LP | 2004 | EU | Reissue (Startracks)

Tiger Lou

Is My Head Still On?

19,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2008 | EU | Reissue (Startracks)

Tiger Lou

A Partial Print

18,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Sumerian Cry Clear/Red Splatter Vinyl Edition

Tiamat

LP | 1990 | EU | Reissue (Back On Black)

Skeleton Skeletron Red Vinyl Edition

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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"Sumerian Cry" is the debut album by Swedish gothic metal veterans Tiamat, originally released in 1990. The album was recorded at Sunlight Studio, Stockholm, Sweden, in 1989, when the band was known under the original name Treblinka. The track "Sumerian Cry, Pt. 1" is a re-interpretation of the intro melody from "Crawling in Vomit", the first track off Treblinka's first demo. Since the mid-90's Tiamat has been employing a live keyboard player for all of their concerts, hiring them from well-known metal acts such as Opeth, Dark Tranquillity, Cradle of Filth and Evergrey.

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Tiamat

LP | 1999 | EU | Reissue (Sevan Mater)

43,99 €*

LP | 2003 | EU | Reissue (Sevan Mater)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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This album is arguably the most important one in Johan Edlund’s career. The mixture works quite well and is served on a near track-by-track basis with “Church of Tiamat” remaining on melancholic territory, a possible leftover from the “Wildhoney” recording sessions, a heavy atmospheric ballad which is sidestepped by “Brighter than the Sun”, the vintage gothic rocker, a major qualifier for the Sisters’ “Vision Thing” with the memorable sing-along chorus, the bouncy rhythms, and the brilliant female back vocals. A huge twist this one, it ushers the album into an entirely new realm but Edlund feels quite confident there, adding the dark sinister “As Long as You Are Mine”, the excellent balladic keyboard-infused hipster “Dust Is Our Fare”, and the very interesting individualistic, sombre cover of The Rolling Stones’ “Sympathy for the Devil” to match this new gloomier but by no means more pessimistic vision. This album comes out in deluxe gatefold edition, in two colors (Gold / Red) 500 limited edition each.

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Tiamat

Prey Red Vinyl Edition

39,99 €*

2LP | 2006 | US | Original (Goofin)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Tiamat have been one of Sweden's oddities for the last two decades, ranging from synth-rock to gothic metal to death metal, there's something for pretty much any fan of dark music to enjoy. However, 2003's Prey marks something of a return to form, sounding something like a cross between Wildhoney and Skeleton Skeletron. Specifically, the album is fairly diverse, with a smattering of influences and styles, but the majority of the songs are gothic rock or gothic metal, with the remaining songs falling under either ballads or interludes. Johan Edlund employs the deep, crooning, clean baritone delivery he's used since A Deeper Kind of Slumber, and it works remarkably well, creating a suffocatingly depressive atmosphere with his deep tone and the desperate, almost hopeless quality of his voice. Occasionally, in lighter songs such as "Clovenhoof", and to a lesser extent, "Wings of Heaven", his croon takes more of a sultry tone, seductive rather than hopeless, although there's still a hint of desperation present. His performance is also aided by vocalist Sonja Brandt on the songs "Divided" and "Carry Your Cross and I'll Carry Mine". Her tone is light and clear, presenting a very innocent, sweet, and slightly sultry delivery, providing an interesting contrast to Edlund, and overall making an excellent addition to the album. The duet on "Divided" is especially good, with a short dialogue passage that's deliciously evil and hopeless. This album comes out in deluxe gatefold edition, in two colors (Gold / Red) 500 limited edition each.

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Thurston Moore

Psychic hearts

Release: 2006 / US – Original

Genre: Rock & Indie

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Full Collapse 20th Anniversary Limited

Thursday

4LP | 2001 | US | Reissue (Craft)

143,99 €*

Release: 2001 / US – Reissue

Genre: Rock & Indie

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You Don't Have To Be Blood To Be Family

Throwdown

LP | 2001 | US | Reissue (Indecision)

34,99 €*

Beggars Green / Neon Magenta Galaxy Vinyl Edition

Release: 2001 / US – Reissue

Genre: Rock & Indie

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The second full-length release from one of Orange County’s most beloved hardcore bands. You Don’t Have To Be Blood To Be Family originally came out as the band was gaining massive momentum. The rising popularity of what became “metalcore” combined with a relentless touring schedule lent itself to the band eventually jumping to that next level. In 2021, there was a limited, 20th Anniversary pressing of this album on vinyl that was sold as a mail-order only item. This pressing marks the first time since the original 2001 pressing that this record has been available to stores and distros. The members from this line-up will be playing a one-off show (at least for now) this summer in California at Indecision Records 30th Anniversary show.

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Thrice

LP | 2009 | EU | Reissue (Vagrant)

LP | 1994 | EU | Reissue (Peaceville)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Repress on green / neon magenta galaxy Vinyl.

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Thou Art Lord

Eosforos

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Peaceville)

Thou Art Lord

Apollyon

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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7" | 2008 | US | Original (Alive)

Thomas Function

Nomad

9,99 €*

Release: 2008 / US – Original

Genre: Rock & Indie

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LP | 2006 | US | Original (XL)

Thom Yorke

The eraser

Release: 2006 / US – Original

Genre: Rock & Indie

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LP | 2008 | EU | Reissue (Denovali)

Thisquietarmy

Blackhaunter

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2006 | EU | Reissue (Virgin)

Thirty Seconds To Mars

A Beautiful Lie

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Third Eye Blind Gold Vinyl Edition

Third Eye Blind

2LP | 1997 | EU | Reissue (Rhino)

50,99 €*

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Third Eye Blind Black Vinyl Edition

Third Eye Blind

2LP | 1997 | EU | Reissue (Rhino)

41,99 €*

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Thinking Fellers Union Local 282

The Funeral Pudding

LP | 1993 | US | Reissue (Blubous Monocle)

Thinking Fellers Union Local 282

Release: 1993 / US – Reissue

Genre: Rock & Indie

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The Funeral Pudding originally came out as a CD-only release on the Dutch label Brinkman to promote Thinking Fellers Union Local 282’s 1994 European tour. For the domestic release, the band chose Chicago’s Ajax Records—which had already released two Tful282 singles in 1990—to press a 12-inch mini-LP.

Comprising a selection of songs masterfully recorded and produced by Greg Freeman right after the sessions that yielded 1993’s Admonishing The Bishops EP, The Funeral Pudding could be thought of as a sister release to that EP; indeed, the band originally considered combining tracks from both sessions into a single album. Had it been released, that record would’ve followed the pattern of the previous album in which the band’s pop and avant-garde leanings are yoked together cheek by jowl. Instead, Admonishing showcases the band at its most accessible while The Funeral Pudding flaunts their more expansive, abrasive and absurdist side without forfeiting the earlier EP’s miraculously high standards for songwriting and sonic clarity.

What makes The Funeral Pudding a unique feather in the Fellers’ cap is that most of the tracks are sung by bassist Anne Eickelberg and guitarist Hugh Swarts—a notable departure from the Davies / Hageman vocal dominance on most of the other albums. With Eickelberg’s soaring vocals leading the proceedings, tracks like “Waited Too Long” and “Heavy Head” are some of the most beloved in the band’s discography. And “23 Kings Crossing” is a whiplash-inducing psych / prog stunner that adds another metric ton to the burden of proof demonstrating that Tful282 was creating some of the most thrilling, enduring and sonically autonomous music of its era.

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Admonishing The Bishops

12" | 1993 | US | Reissue (Bulbous Monocle)

Tail Swallower And Dove Orange Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Bulbous Monocle, a new label focused on the legacy of the Thinking Fellers Union Local 282 and the scene from which it reveled in between the years 1986-1996, is honored to launch the label with arguably the most lauded and concise testament from the band. 1993’s mini-masterpiece Admonishing the Bishops. Originally released on the Matador Records label, this title and most of the “Fellers” discography has been out of print for over 25 years. Now, newly remastered by Mark Gergis (Sublime Frequencies et.al) this perfect EP is sounding better than ever! “Formed in San Francisco in 1986, Thinking Fellers Union Local 282 had the bad luck to display a range of cultural and musical reference points shared by relatively few members of that era’s archconservative “underground culture.” On any given day, you might hear that their records were too manicured or too chaotic, too cerebral or too absurd, too personal or too impersonal, too experimental or too pop. Above all, they were derided as “self-indulgent” by critics who expected artists to tiptoe deferentially around their audience’s blind spots. "To be fair, their early recordings had about as much relation to their in-the-flesh grandeur as a dripping faucet does to Iguazu Falls. Against steep technical odds, Greg Freeman of Lowdown Studio made their LPs work beautifully as aural monuments. But listeners who hadn’t seen the Fellers’ live could be forgiven for finding these albums a bit forbidding. "Which brings us to Admonishing the Bishops — a wholly unexpected breakthrough release comprising four down-home, crowd-pleasin’ tracks engineered by Volcano Suns / Shellac bassist Bob Weston during the Fellers’ epochal tour with Sun City Girls in fall 1992. “The studio was in Steve Albini's basement, and we stayed there at his house for a couple days while we recorded and mixed,” vocalist/guitarist/bassist/banjoist/trombonist/etceterist Mark Davies explains. The relaxed, low-stakes atmosphere — along with the band’s tour-hardened performances and what Mark calls “the joy of getting our minds blown every night” by Sun City Girls — yielded tracks that were polished and approachable without sacrificing any of the band’s complexity or ferocity. "Back in San Francisco, they decided to release these tracks as a 10-inch EP rather than saving them for a full album. Mark notes that bassist Anne Eickelberg spearheaded the project: “She wanted to put out something concise after the somewhat bloated double-LP.” "Upon its release in 1993, Admonishing the Bishops’ concision, clarity and accessibility went over like a duralumin-and-fabric zeppelin. With its 20/20 focus on the band’s songcraft, it’s an ideal introduction for curious neophytes and a natural choice for the first installment of Bulbous Monocle’s highly anticipated Tful282 reissue series. Long-time listeners, meanwhile, will appreciate this reissue’s meticulous remastering by Mark Gergis of Sublime Frequencies. Or else.” – Brandan Kearney, Portland OR 2022

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These Arms Are Snakes

LP | 2008 | US | Reissue (Suicide Squeeze)

Symphony Masses: Ho Drakon Ho Megas

Release: 2008 / US – Reissue

Genre: Rock & Indie

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On Tail Swallower & Dove These Arms Are Snakes move through 10-songs with the cracked grace of bolted lightning, rolling and leveling, seeking a space to storm into. The band, comprised of Chris Common (drums, percussion), Brian Cook (bass, guitar, keyboards), Ryan Fredericksen (guitar, keyboards), Steve Snere (vocals, effects), have brought their non-stop work ethic of touring and beyond-intense performance to the studio with career defining results.

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Therion

LP | 2009 | EU | Reissue (Hammerheart)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Symphony Masses: Ho Drakon Ho Megas

Therion

LP | 2009 | EU | Reissue (Hammerheart)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 1991 | UK | Reissue (Peaceville)

Therion

Of Darkness

33,99 €*

Release: 1991 / UK – Reissue

Genre: Rock & Indie

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LP | 1995 | EU | Reissue (Music On Vinyl)

Therapy?

Infernal Love

Master's Bedroom Is Worth Spending A Night In

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Infernal Love is the third studio album by Irish alternative metal band Therapy?. It was released in 1995, just one year after its successful predecessor Troublegum. Infernal Love proved to be a success as well: even though its sound marked a dramatic shift from previous releases, the album was lauded by critics. Kerrang! magazine gave it 5 out of 5 stars, as did Q Magazine. The album features the international hit single “Diane”, a cover of the American punk band Hüsker Dü, which is noted for being laden with ambient strings. “Misery”, “Stories”, “Loose” and “Bad Mother” were also released as singles in different markets.

This reissue of Infernal Love contains an insert with song lyrics and credits.

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Thee Oh Sees

LP | 2008 | US | Reissue (In The Red)

24,69 €* 25,99 € -5%

7" | 2006 | US | Original (Steel Cage)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Thee Oh Sees (ocs) began as songwriter / singer / guitarist John Dwyer's outlet for the experimental instrumentals he was producing in his home studio. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late '90s, working with The Coachwhips, Hospitals, Pink & Brown, Yikes, Dig That Body Up It's Alive, and Swords & Sandals, among others. He formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided on any given day) to release a string of soundscapes and moody pieces that were decidedly lower key than his previous projects. In time, OCS morphed into an actual band, working under a flurry of names (most notably the Oh Sees or the Ohsees) and eventually settling on Thee Oh Sees. Sounding a bit like The Mamas & The Papas run through a seriously bent garage blender, this line-up features Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit on bass, and Mike Shoun on drums. The band signed with the German Tomlab label and released The Master's Bedroom Is Worth Spending a Night In in 2008. This record marked the first recorded appearance of the newly harder rocking version of the band and was immediately met with an enthusiastic response by fans and rock scribes. It went out of print after its initial pressing sold out quickly, and In The Red is pleased to announce the re-release of this incredible album on vinyl. Music like this is best enjoyed when spun on a turntable, and the gorgeous cover art can only be properly appreciated at 12 inches by 12 inches.

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Thee Minks

Plaything

9,99 €*

Release: 2006 / US – Original

Genre: Rock & Indie

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LP | 1996 | UK | Reissue (Damaged Goods)

Thee Headcoats

In Tweed We Trust

18,99 €*

LP | 1990 | EU | Reissue (Crypt)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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Finally out of moth balls! Reissue of Thee Headcoats' 1996 classic LP featuring some of their finest cuts!

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Thee Headcoats

Beach Bums Must Die

17,99 €*

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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LP | 1997 | EU | Reissue (Damaged Goods)

Thee Headcoatees

Punk Girls

18,99 €*

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Don't Push Me Around Clear Red Vinyl Edition

The Zeros

LP | 2004 | US | Reissue (Bomp)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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LP | 1998 | US | Reissue (Mom's Base)

The Young Hasselhoffs

Life Got In The Way

22,99 €*

Release: 1998 / US – Reissue

Genre: Rock & Indie

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LP | 2009 | EU | Original (XL)

The xx

33,99 €*

LP | 2009 | UK | Original (XL)

Release: 2009 / EU – Original

Genre: Rock & Indie

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Everybody's favorite new band debuts their seminal self-titled album. What an amazing amalgam of 80s Wave, Postmodern Folk, syncopated R&B madness and UK Bass culture. One of those rare albums that virtually nobody has anything to complain about.

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The xx

LP | 1996 | EU | Reissue (Allchival)

Release: 2009 / UK – Original

Genre: Rock & Indie

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The Wormholes

Parijuana (Take 1)

24,99 €*

LP | 2009 | EU | Original (Bubbles)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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This is the second time out for the Wormholes on AllChival following on from their You Never See the Stars When it Rains anthology release. This one is a previously unreleased album recorded in a concise burst of seven nights in Dublin’s Sun Studios in the spring of 1996. It was originally envisaged as being The Wormholes’ second album, the follow up to their 1994 debut Chicks Dig Scars. Unfortunately the end result of the sessions - Parijuana - would not only be ignored by their label of the time (Roadrunner Records) - but would also just as quickly be dismissed by the band themselves.

Eamonn Crudden, the manager of the band, had manged to extract some money from Roadrunner to record demos of new tracks as soon as the release cycle for their debut was over. The budget was so tight that it covered studio time but was not even enough to buy the master tapes. With things going south with the label – a classic 90’s tale of the A&R man who championed their cause heading off elsewhere the minute they signed - the intention was to go in and aim to record an album rather than demos - with the intention of releasing it on another independent label to keep the momentum around the band going.

However by this stage the Wormholes were totally wrapped up in listening to Can, Faust and generally exploring music based on casual recording, improvisations and extemporization. For them the album was too ‘rock’ and – having been dropped by Roadrunner - they no longer felt under any obligation to release it. To them it was time for a fresh start. Their next recordings would not be ‘for’ anyone but themselves. Today bassist Anto Carroll admits that “at times we were our own worst enemies” and with the benefit of hindsight both he and guitarist Graham Blackmore wish they had gone ahead and released this album at the time. However, back then, they thought they could do better and they did go on to make inventive and unique sounding versions of some of these songs with Stan Erraught producing just a short time later. These recordings were eventually released by Dead Elvis in 1999 - along with a couple of ‘adjusted’ tracks from the Sun Studios sessions - on Parijuana: 4 Years in Captivity.

It’s highly unlikely that listeners today will share the band’s view that the abum was too ‘clean’. This version of Parijuana is dirty, raw, messy with plenty of experimentation and extemporisation. The songwriting is as strong as that on their Chicks Dig Scars debut. The music is played with a new confidence and swagger, very much the sound of a band rooted in a wave of US ‘lo-fi’ finding their own sound. It’s the missing link between their conventional Pavement/Sebadoh influenced debut to the more drawn out, free roaming and extemporised second album proper Scorpio The Album.

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The Whitest Boy Alive

Rules

25,99 €*

Release: 2009 / EU – Original

Genre: Rock & Indie

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11 new songs from Erlend Oye and company, recorded in Mexiko, no overdubs, no effects.

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White Blood Cells 20th Anniversary Black Vinyl Edition

LP | 2001 | EU | Reissue (Sony)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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There's No Home For You Here / I Fought Piranhas

7" | 2003 | US | Reissue (Third Man)

10,99 €*

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Remastered for the 2015 season!

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The Hardest Button to Button / St.Ides Of March

7" | 2003 | US | Reissue (Third Man)

10,44 €* 10,99 € -5%

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Remastered for the 2015 season!

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2LP | 2007 | EU | Reissue (Sony)

Icky Thumb

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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2LP | 2005 | EU | Reissue (Sony)

Get Behind Me Satan

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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LP | 2000 | EU | Reissue (Sony Music Catalog)

De Stijl

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Room To Roam Half Speed Master Edition

The Waterboys

2LP | 1990 | EU | Reissue (Chrysalis)

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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No Come Down (B-Sides & Outtakes) Record Store Day 2024 Vinyl Edition

The Verve

LP | 1994 | Reissue (UMC)

LP | 2001 | EU (Surfin Ki)

Release: 1994 / Reissue

Genre: Rock & Indie

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The Verve’s compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band’s debut album A Storm in Heaven sessions. “Blue” is a different (vocally upfront) “usa Mix” – released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of “Make It Till Monday” & “Butterfly”, “Gravity Grave” is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.

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The Vapids

Charm School Dropouts

18,89 €* 20,99 € -10%

Live Fast Diarrhea: 25th Anniversary

Release: 2001 / EU

Genre: Rock & Indie

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After spending 6 years on a shitty pop-punk train, and releasing tons of records, THE Vapids bunkered down and emerged with Charm School Dropouts. A giant kick in the ass to everything that was going on at the time. Originally released on CD in 2001, SKR pressed the first (terrible looking) vinyl version in 2008, and now, a proper and sonically ferocious repress in 2020!

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The Vandals

LP | 1995 | US | Reissue (Craft)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Stealing From Our Favorite Thieves Sand Color Vinyl Edition

The Van Pelt

LP | 1996 | UK | Reissue (La Castanya)

25,99 €*

Killed My Parents And Hit The Road

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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90s NYC indie heroes The Van Pelt have had a lasting power far greater than so many of the other once bigger bands of that era have had. The sort of interest that has neither waxed nor waned over the decades since they disbanded, yet just mysteriously continues on despite their discography being out of print since the end of the last millennium. So what is it that sets them apart? Too soft to have ran with the AmRep or Touch and Go crowds, not hip enough to have made sense on Matador or Merge, ernest yet not histrionic enough to make it onto the “best emo bands” lists, not weird enough to be on bills with Arto Lindsay and Thurston Moore, etc. In a sense, their outsider status comes not from the wings, but from the dead center eye of the storm. The 90s were happening all around them, they were witnesses thereof, yet they emerged transcendent of it all. You Follow? Maybe it’s worth having a listen to see what I mean.

Barcelona’s La Castanya records is treating us with the first ever rerelease of the two Van Pelt albums to mark the 20th anniversary of Sultans of Sentiment, their benchmark album. They teased us in 2014 that this might be on the docket with the release of Imaginary Third, a collection of singles and unreleased Van Pelt tracks which were originally intended to have been the components of their third album, including the alt-famous “Speeding Train”. Now we’ll finally have access to their entire discography. The first album, Stealing From Our Favorite Thieves is an explosion of anthems belted out as if the war was already lost yet they were hoisting that tattered banner anyhow until there wasn’t a shred to salvage. The momentum coming out of that album had every major label in the States salivating at the possibility of turning them into the next Nirvana. Instead, The Van Pelt followed it up by pulling the van into the garage, leaving the engine running, funneling the exhaust into their lungs, and blissfully deciding to bow out of the race with the epic Sultans of Sentiment. Of course as the story goes, their intended financial flop was the exact opus that jettisoned them into the history books. Buy both albums. You’ll need them both.

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The Twilight Sad

LP | 2008 | EU | Reissue (FatCat)

22,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Road Apples 30th Anniversary Deluxe Edition

The Tragically Hip

5LP | 1991 | EU | Original (Universal)

193,99 €*

Hungry Audio Tapes Record Store Day 2023 Edition

Release: 1991 / EU – Original

Genre: Rock & Indie

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Lana Del Rey's 'Chemtrails Over the Country Club' album now exclusively on a translucent cobalt LP with an exclusive cover art

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The Telescopes

LP | 2006 | US | Reissue (Glass Modern)

32,99 €*

10" | 1997 | US | Original (Get Hip)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Previously only available as a download and CD on the band's Bandcamp page, this is it's first appearance on vinyl. metal machine music... moody and alluring. edwin pouncey, the wire beautiful, chaotic and compelling - genres are unimportant, the telescopes pay pigeonholes as much attention as pigeons do immigration officials. the telescopes are truly transcendental, they make the music they feel moved to when they feel moved to do so. This is why they can record a perfect pulse drone backwash like 'another sky' and equally why legions of allegedly cutting edge bands will rip off and run out with a diluted version within the next year. this is why 'household objective#2' is the coolest and scariest piece of electronica to surface since the BBC's radiophonic workshop got dr who off to a flier. the telescopes light a torch under the arse of a depressingly homogenized world, but don't follow theirs, light your own, it's what they'd prefer.

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The Summer Suns

24,99 €*

Release: 1997 / US – Original

Genre: Rock & Indie

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On The Eve Of Destruction 1991-1995

The Suicide Machines

LP | 2005 | US | Reissue (Asbestos)

39,99 €*

LP | 1998 | US | Reissue (Asbestos)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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The first vinyl release of this rare collection of demos, 7”s and other rare pre-Destruction By Definition material by one of the most important ska/punk bands of their generation! This is the first vinyl pressing since 2021.

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The Suicide Machines

Battle Hymns

37,99 €* 39,99 € -5%

A Match And Some Gasoline

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Detroit’s Ska-core kings, THE Suicide Machines’ landmark 2nd album back on vinyl for the first time in a decade!

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The Suicide Machines

LP | 2003 | EU | Reissue (SideOneDummy)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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LP | 2005 | EU | Reissue (BMG Rights Management)

The Subways

Young For Eternity

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Room On Fire Transparent Blue Vinyl Edition

LP | 2003 | EU | Original (Sony Music Catalog)

Release: 2003 / EU – Original

Genre: Rock & Indie

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Is This It Red Transparent Vinyl Edition

LP | 1999 | EU | Reissue (Sony Music Catalog)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 2001 | EU | Reissue (Sony Music)

Is This It

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2001 | US | Reissue (RCA)

Is this it

Release: 2001 / US – Reissue

Genre: Rock & Indie

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First impressions on earth

LP | 2005 | US | Original (Sony)

33,99 €*

Release: 2005 / US – Original

Genre: Rock & Indie

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First Impressions Of Earth Red Vinyl Edition

LP | 2005 | EU | Reissue (Sony Music Catalog)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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First Impressions Of Earth

LP | 2005 | EU | Reissue (Sony Music Catalog)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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2LP | 1994 | EU | Reissue (Universal)

The Stone Roses

Second Coming

38,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Manos Limited Peak Edition

The Spinanes

LP | 1993 | EU | Reissue (Merge)

20,99 €*

LP | 2008 | EU | Reissue (Bang!)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Peak edition is opaque yellow vinyl and includes a photo booklet of ephemera of the era! The Spinanes were Portland OGs singer-guitarist Rebecca Gates and drummer Scott Plouf and were snapped up by Sub Pop in the post-Nirvana feeding frenzy. Gates was a guitar manipulator more artful and poetic and sensual than her peers, with a voice full of emotion and warmth_a deep, distinct standout among the samey girly-girls. Plouf was a powerhouse drummer, exact and on-point, with a giant collection of shades and enough mod swagger to make Paul Weller proud. Their urgency was soft but they pummeled us hard. When they recorded their debut album, Manos, with Brian Paulson at AmRep in Minneapolis, they brought a ridiculous amount of energy: Few acts manage to capture that live spark in the studio. A college radio hit, "Manos" was characterized as indiepop or indie rock or alternative, but also had a touch of art rock, folk, emo, math rock, postrock, even jazz, nearing the same spiritual space as '90s bands like Unrest, Sebadoh, and Versus. Gates told our zine (chickfactor) in 1993 what kind of record she wanted to make: She wanted it to be really magical - the way the first Verlaines record is or a Replacements record - things that you can put on when you feel horrible. Named after a misheard Jesus Lizard lyric, "Manos" is just that: It sounds like smoky venues and dance parties at punk houses: woozy, tight, fraught, wrought, tense, intense, swoony, breathy, fast, worldly/weary -?sophisticated and primitive, stressful and soothing. Twelve songs and nary a dud: "Noel, Jonah and Me", the epic title track (a hip-swayer full of lust and longing), the rifftastic "Grand Prize", the catchy "Sunday". "Manos" was an original in a crowded market in 1993, and the Spinanes seemed to be everywhere. All hail its reissue, one quarter century later. - Gail O'Hara

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The Solution

Will Not Be Televised