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Rock & Indie Vinyl 5565 Items

Hip Hop 245 Organic Grooves 6972 Rock & Indie 5565 Indierock | Alternative 652 Classic Rock 1457 Punk | Hardcore 453 Metal 417 Folk 788 Rock 'n' Roll 423 Electronic & Dance 1840 Reggae & Dancehall 540 Pop 3148 Classical Music 112 Soundtracks 452 Childrens 9
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Reset all Filters Vinyl 1970 1971 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Andromeda - Androméda 3
Andromeda
Androméda 3
LP | 1981 | DE | Original (Not On Label (Androméda Self-released))
26,99 €* 29,99 € -10%
Release: 1981 / DE – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: Near Mint
Cover has a slight dogear at the top left corner.
Record is close to near mint.
Andromeda - Karliburr
Andromeda
Karliburr
LP | 1980 | DE | Original (Not On Label (Androméda Self-released))
30,59 €* 33,99 € -10%
Release: 1980 / DE – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Andrzej I Eliza - Czas Relaksu Gold Colored Vinyl Edtion
Andrzej I Eliza
Czas Relaksu Gold Colored Vinyl Edtion
LP | 1974 | EU | Reissue (Warner)
32,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Andy Fraser - Fine Fine Line
Andy Fraser
Fine Fine Line
LP | 1984 | US | Original (Island)
4,99 €*
Release: 1984 / US – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
US original.
Sleeve has saw-cut, small scuffs.
Andy Gibb - Flowing Rivers
Andy Gibb
Flowing Rivers
LP | 1977 | JP | Original (RSO)
14,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Andy Goldner - ∞
Andy Goldner
LP | 1978 | DE | Original (Well Known Records)
19,99 €*
Release: 1978 / DE – Original
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Small sticker on back cover.
Andy Goldner - Belleville
Andy Goldner
Belleville
LP | 1981 | DE | Original (Peak)
8,99 €*
Release: 1981 / DE – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
Small tears at opening side and at spine.
Includes insert.
Andy Roberts - Homegrown / Keep My Children Warm
Andy Roberts
Homegrown / Keep My Children Warm
7" | 1971 | US | Original (Ampex)
3,99 €*
Release: 1971 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: Generic
Small light scuffs on both sides.
Andy Roberts - Loose Connections - Not Exactly A Love Story
Andy Roberts
Loose Connections - Not Exactly A Love Story
LP | 1984 | UK | Original (Virgin)
6,99 €*
Release: 1984 / UK – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Andy Taylor - Don't Let Me Die Young
Andy Taylor
Don't Let Me Die Young
12" | 1987 | DE | Original (MCA)
9,99 €*
Release: 1987 / DE – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
close to NM. slight saw cut
Andy Taylor - Life Goes On
Andy Taylor
Life Goes On
12" | 1987 | EU | Original (MCA)
8,99 €*
Release: 1987 / EU – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Andy Taylor - Take It Easy
Andy Taylor
Take It Easy
12" | 1986 | DE | Original (Atlantic)
5,99 €*
Release: 1986 / DE – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Andy White - Religious Persuasion
Andy White
Religious Persuasion
12" | 1985 | UK | Original (Stiff)
3,99 €*
Release: 1985 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: G+
Andy Williams - Love Story
Andy Williams
Love Story
7" | 1971 | JP | Original (CBS/Sony)
3,99 €*
Release: 1971 / JP – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Andy Williams - Love Story
Andy Williams
Love Story
7" | 1971 | JP | Original (CBS/Sony)
3,99 €*
Release: 1971 / JP – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
Aneka - Little Lady
Aneka
Little Lady
7" | 1981 | DE | Original (Hansa)
3,99 €*
Release: 1981 / DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Angel Dust - Into The Dark Past Picture Disc Edition
Angel Dust
Into The Dark Past Picture Disc Edition
LP | 1986 | EU | Reissue (High Roller)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Angel Dust - To Dust You Will Decay Picture Disc Edition
Angel Dust
To Dust You Will Decay Picture Disc Edition
LP | 1988 | EU | Reissue (High Roller)
28,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Angel & The Pack - Somebody To Love (Extended Version)
Angel & The Pack
Somebody To Love (Extended Version)
12" | 1986 | EU | Original (CBS)
3,99 €*
Release: 1986 / EU – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Angel - White Hot
Angel
White Hot
LP | 1977 | JP | Original (Casablanca)
29,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: G+
No obi.
Angel Witch - Angel Witch Orange Vinyl Edition
Angel Witch
Angel Witch Orange Vinyl Edition
LP | 1980 | UK | Reissue (Culture Factory)
37,99 €*
Release: 1980 / UK – Reissue
Genre: Rock & Indie
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Self-titled first album by British heavy metal band Angel Witch. Released in 1980 the album made Angel Witch one of the key bands in the new wave of British Heavy Metal movement. The cover features a painting formerly attributed to John Martin titled The Fallen Angels Entering Pandemonium.
Angelic Upstarts - Reason Why?
Angelic Upstarts
Reason Why?
LP | 1983 | EU (Daily)
19,99 €*
Release: 1983 / EU
Genre: Rock & Indie
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Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era.
Angelic Upstarts - The Murder Of Liddle Towers Colored Vinyl Edition
Angelic Upstarts
The Murder Of Liddle Towers Colored Vinyl Edition
7" | 1978 | EU (Overground)
8,99 €*
Release: 1978 / EU
Genre: Rock & Indie
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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.
Angelo Branduardi - Alla Fiera Dell'est Record Store Day 2024 Edition
Angelo Branduardi
Alla Fiera Dell'est Record Store Day 2024 Edition
2LP | 1976 | EU | Reissue (Universal)
43,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Animal Magic - Get It Right / Standard Man Ep Collection
Animal Magic
Get It Right / Standard Man Ep Collection
LP | 1982 | EU | Reissue (Lantern)
25,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’
Anna Oxa - Anna Oxa Orange Vinyl Edition
Anna Oxa
Anna Oxa Orange Vinyl Edition
LP | 1979 | EU | Reissue (RCA)
23,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Annabel Lamb - So Lucky In Bed
Annabel Lamb
So Lucky In Bed
12" | 1984 | UK | Original (A&M)
6,99 €*
Release: 1984 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Anne Bertucci - I Need You Anne Bertucci II
Anne Bertucci
I Need You Anne Bertucci II
LP | 1982 | JP | Original (Canyon International)
6,99 €*
Release: 1982 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
No obi.
Anne Linnet - Jeg Er Jo Lige Her
Anne Linnet
Jeg Er Jo Lige Her
LP | 1988 | DK | Original (Pladecompagniet)
7,99 €*
Release: 1988 / DK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
OIS included.
Anne Murray - Anne Murray's Greatest Hits
Anne Murray
Anne Murray's Greatest Hits
LP | 1980 | JP | Original (Capitol)
9,99 €*
Release: 1980 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
With OBI and insert.
Anne Murray - Daydream Believer (A Country Collection)
Anne Murray
Daydream Believer (A Country Collection)
LP | 1980 | JP | Original (Capitol)
3,99 €*
Release: 1980 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Copy closer to NM. Japanese pressing without OBI, with insert
Anne Murray - Greatest Hits
Anne Murray
Greatest Hits
LP | 1977 | JP | Original (Capitol)
10,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert.
Anne Murray - Let's Keep It That Way
Anne Murray
Let's Keep It That Way
LP | 1978 | JP | Original (Capitol)
5,99 €*
Release: 1978 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing.
Anne Murray - Together
Anne Murray
Together
LP | 1975 | JP | Original (Capitol)
9,99 €*
Release: 1975 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing. With inserts.
Annette Peacock - Perfect Release
Annette Peacock
Perfect Release
LP | 1979 | EU | Reissue (Sundazed)
27,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Annexus Quam - Osmose
Annexus Quam
Osmose
LP | 1970 | US | Reissue (Ohr)
28,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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The timing was right: Five years earlier would have been too early, five years later would have been too late. But ANNEXUS QUAM from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment.The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group". In 1970, working with a local trombone choir led to a dramatic change of direction. Tromb...
Annihilator - Alice In Hell
Annihilator
Alice In Hell
LP | 1989 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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Anti - I Don't Want To Die In Your War
Anti
I Don't Want To Die In Your War
LP | 1982 | EU | Reissue (Radiation Reissues)
21,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.
Antoine Avec Danièle Gilbert - Un An En Amazonie (Hot Love) / 'Scusez-moi M'sieur Antoine
Antoine Avec Danièle Gilbert
Un An En Amazonie (Hot Love) / 'Scusez-moi M'sieur Antoine
7" | 1971 | FR | Original (Disques Vogue)
5,99 €*
Release: 1971 / FR – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Back cover slightly yellowed.
Antonio Infantino Ed Il Gruppo Di Tricarico - I Tarantolati
Antonio Infantino Ed Il Gruppo Di Tricarico
I Tarantolati
LP | 1975 | EU | Reissue (Black Sweat)
21,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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In the late 1960s, Antonio Infantino linked his name to the Beat world and to italian performance and gestural music circles (Bussotti, Chiari, Curran). A poet and singer, a tireless devotee of the musical traditions of Southern Italy, he focuses his research mainly on the mysterious phenomenon of Tarantismo, a cultural syndrome of hysterical type found in the Mediterranean air and made famous by the studies of Ernesto De Martino. With his group, Infantino twists and reinvents the traditional repertoire of Basilicata, creating an entirely new and original songbook. The music reflects the states of Trance induced by the bite of the spider tarantula, with obsessive and hypnotic rhythms characteristic of the incandescent blood of the peasant world. A deep and universal human sound, it also takes its cues from Dylan's folk revolution and the frenetic drums of North Africa.
Any Trouble - Wrong End Of The Race
Any Trouble
Wrong End Of The Race
LP | 1984 | US | Original (EMI America)
6,99 €*
Release: 1984 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Small sticker on cover.
Anyone's Daughter - Anyone's Daughter
Anyone's Daughter
Anyone's Daughter
LP | 1980 | DE | Original (Spiegelei)
39,99 €*
Release: 1980 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Äpärät - Häiriköt Tulee-Ep
Äpärät
Häiriköt Tulee-Ep
7" | 1985 | EU (Voltage)
11,99 €*
Release: 1985 / EU
Genre: Rock & Indie
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Swedish punk classic just reissued. Originally from 1985. Raw Scandinavian hardcore punk not for the weak of heart! Limited to 500 copies on the Voltage label out of Czech Republic.
APB - Something To Believe In Transparent Blue Vinyl Edition
APB
Something To Believe In Transparent Blue Vinyl Edition
LP | 1985 | EU | Reissue (Liberation)
30,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Apocalypse - The Castle
Apocalypse
The Castle
LP | 1976 | EU | Reissue (Out-Sider Music)
23,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.
Apoteosi - Apoteosi Clear Purple Vinyl Edition
Apoteosi
Apoteosi Clear Purple Vinyl Edition
LP | 1975 | EU | Reissue (AMS)
28,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Apoteosi were a very rare, if not the one and only, progressive voice coming from the Calabria region. Their self-titled LP, released in 1975, therefore in a period of transition for the prog-rock genre, is undoubtedly one of the most emblematic LP’s and shows how a young and geographically completely ‘out of the loop’ group has been able to create a small jewel. “Apoteosi” is a work deliciously poised between pastoral and refined moments and darker and ‘crimson’ moods, with an extremely original approach and that still deserves to be listened to carefully after exactly 40 years.

Almost every musician in the band will take off towards important careers in the music world, reflecting the talent of a group that even featured a 14-year old keyboardist Massimo Idà. There’s a curious “Coro Alessandroni” presence in the credits: “Apotheosis” was recorded in Rome, therefore we’re probably talking about the same Alessandro Alessandroni who at the time had already worked on many different soundtracks written by Ennio Morricone.

The remarkable rhythm section and the musical cohesion of the musicians are standout elements in this LP, since they were able to create a musical continuum that holds a qualitative tension along the whole work; moreover, there is a close proximity to certain models the English progressive underground, rather than the Italian one, the Canterbury scene in particular. “Apoteosi” stands still today among the hidden and precious gems delivered from a florid era of artistic ferment.
Après La Pluie - La Célèbre Ascension Abyssale De Joseph Celsius
Après La Pluie
La Célèbre Ascension Abyssale De Joseph Celsius
LP | 1978 | FR | Original (Temps 3)
46,99 €*
Release: 1978 / FR – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl close to NM
Ar Breizerien - Bale Roue Arzur = La Marche Du Roi Arthur
Ar Breizerien
Bale Roue Arzur = La Marche Du Roi Arthur
LP | 1970 | FR | Original (Disques Velia)
18,99 €*
Release: 1970 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Embossed cover.
Arcadia - Election Day
Arcadia
Election Day
12" | 1985 | UK | Original (Parlophone Odeon Series)
4,99 €*
Release: 1985 / UK – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Arcadia - So Red The Rose
Arcadia
So Red The Rose
LP | 1985 | JP | Original (EMI)
24,99 €*
Release: 1985 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Includes OBI and insert. Few scuffs
Arcadia - The Promise (Extended Remix)
Arcadia
The Promise (Extended Remix)
12" | 1986 | UK | Original (Parlophone Odeon Series)
8,99 €*
Release: 1986 / UK – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
Arcadia - The Promise (Extended Remix)
Arcadia
The Promise (Extended Remix)
12" | 1986 | JP | Original (EMI)
56,99 €*
Release: 1986 / JP – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing. With OBI and insert. Tiny wear. few scuffs.
Area - Anto/Logicamente Record Store Day 2022 Red Vinyl Edition
Area
Anto/Logicamente Record Store Day 2022 Red Vinyl Edition
LP | 1977 | EU | Reissue (Cramps)
24,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Area - Are(A)Zione White Vinyl Edition
Area
Are(A)Zione White Vinyl Edition
LP | 1975 | EU | Reissue (Cramps)
24,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Arif Sag & Zafer Dilek - Golden (Altin Baglama)
Arif Sag & Zafer Dilek
Golden (Altin Baglama)
7" | 1975 | EU | Reissue (Türküola / Arsivplak)
14,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.
Arizona - Arizona
Arizona
Arizona
LP | 1976 | UK | Original (RCA Victor)
7,99 €*
Release: 1976 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Record is close to NM. Small price tag on cover.
Arlo Guthrie - The Best Of Arlo Guthrie
Arlo Guthrie
The Best Of Arlo Guthrie
LP | 1977 | US | Original (Warner Bros.)
15,99 €*
Release: 1977 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Promo sticker on front cover. Los Angeles Pressing.
Armia - Antiarmia
Armia
Antiarmia
LP | 1987 | EU | Reissue (Metal Mind Productions)
30,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore - De Sfeer Van Grote Dagen
Aroma Di Amore
De Sfeer Van Grote Dagen
12" | 1985 | EU | Reissue (Onderstroom)
13,29 €* 18,99 € -30%
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Harde Feiten
Aroma Di Amore
Harde Feiten
LP | 1986 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koude Oorlog
Aroma Di Amore
Koude Oorlog
LP | 1984 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koudvuur
Aroma Di Amore
Koudvuur
LP | 1987 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Voor De Dood
Aroma Di Amore
Voor De Dood
12" | 1984 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Zonder Omzien
Aroma Di Amore
Zonder Omzien
12" | 1986 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Art Garfunkel - Breakaway
Art Garfunkel
Breakaway
LP | 1975 | JP | Original (CBS/Sony)
6,99 €*
Release: 1975 / JP – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
No Obi, with insert.
Art Garfunkel - Breakaway
Art Garfunkel
Breakaway
LP | 1975 | JP | Original (CBS/Sony)
9,99 €*
Release: 1975 / JP – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
No obi.
Art Garfunkel - Lefty
Art Garfunkel
Lefty
LP | 1988 | EU | Original (CBS)
7,99 €*
Release: 1988 / EU – Original
Genre: Rock & Indie, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
Record is close to NM. Cover has slight water damage, closer to VG+
Art Garfunkel - Scissors Cut
Art Garfunkel
Scissors Cut
LP | 1981 | JP | Original (CBS/Sony)
9,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Original japanese pressing with obi (torn).
Art Garfunkel - Scissors Cut
Art Garfunkel
Scissors Cut
LP | 1981 | JP | Original (CBS/Sony)
8,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with Obi.
Art Garfunkel - Watermark
Art Garfunkel
Watermark
LP | 1978 | JP | Original (CBS/Sony)
6,99 €*
Release: 1978 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
No Obi, with insert. Record has light foxing.
Art Garfunkel - Watermark
Art Garfunkel
Watermark
LP | 1978 | US | Original (Columbia)
3,99 €*
Release: 1978 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Artattacks - First And Last Colored Vinyl Edition
Artattacks
First And Last Colored Vinyl Edition
7" | 1979 | EU (Overground)
10,99 €*
Release: 1979 / EU
Genre: Rock & Indie
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Originally From 1979 - Limited Color Vinyl!
Artery - Oceans
Artery
Oceans
LP | 1982 | EU | Reissue (Spittle)
12,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.
Artery - One Afternoon In A Hot Air Baloon
Artery
One Afternoon In A Hot Air Baloon
LP | 1983 | EU | Reissue (Spittle)
21,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.
Arthur Brown - Chisholm In My Bosom Crystal Clear Vinyl Edition
Arthur Brown
Chisholm In My Bosom Crystal Clear Vinyl Edition
LP | 1977 | EU | Reissue (Cargo)
19,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Arti & Mestieri - Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition
Arti & Mestieri
Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition
LP | 1974 | EU | Reissue (Cracki)
46,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Article 58 - Event To Come Red Vinyl Edition
Article 58
Event To Come Red Vinyl Edition
7" | 1981 | EU | Reissue (Optic Nerve)
12,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.
Ashbury - Endless Skies Evergreen Vinyl Edition
Ashbury
Endless Skies Evergreen Vinyl Edition
LP | 1983 | EU | Reissue (High Roller)
26,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, reissue 2023, evergreen vinyl, ltd 500, insert printed on uncoated paper, 425gsm heavy cardboard cover, poster, mastered from a new source by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2018. New vinyl cutting by SST! Ultimate audiophile edition of this eternal classic!
Asia - Alpha
Asia
Alpha
LP | 1983 | JP | Original (Geffen)
11,99 €*
Release: 1983 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
No obi.
Asia - Alpha
Asia
Alpha
LP | 1983 | JP | Reissue (Geffen)
10,99 €*
Release: 1983 / JP – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM
Asia - Asia
Asia
Asia
LP | 1982 | US | Original (Geffen)
6,99 €*
Release: 1982 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Asia Minor - Crossing The Line Limited Yellow Vinyl Edition
Asia Minor
Crossing The Line Limited Yellow Vinyl Edition
LP | 1979 | EU | Reissue (AMS)
28,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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“Crossing the Line” is the first album by Asia Minor, a cult band of the progressive rock scene founded by two Turkish students living in Paris, Setrak Bakirel and Erik Tekeli, who are still ...
Asocial And The Bedrövlers - How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition
Asocial And The Bedrövlers
How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition
LP | 1984 | EU
16,99 €*
Release: 1984 / EU
Genre: Rock & Indie
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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!
Asocial And The Bedrövlers - How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition
Asocial And The Bedrövlers
How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition
LP | 1984 | EU
20,99 €*
Release: 1984 / EU
Genre: Rock & Indie
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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!
Assagai - Assagai
Assagai
Assagai
LP | 1971 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.
Assassin - Interstellar Experience Black Vinyl Edition
Assassin
Interstellar Experience Black Vinyl Edition
LP | 1988 | EU | Reissue (High Roller)
28,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Assassin - Interstellar Experience Yellow Vinyl Edition
Assassin
Interstellar Experience Yellow Vinyl Edition
LP | 1988 | EU | Reissue (High Roller)
31,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Assim Assado - Assim Assado Purple Vinyl Edition
Assim Assado
Assim Assado Purple Vinyl Edition
LP | 1974 | EU | Reissue (Groovie)
25,19 €* 27,99 € -10%
Release: 1974 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.
Associates - Sulk 40th Anniversary Edition Limited Bookpak
Associates
Sulk 40th Anniversary Edition Limited Bookpak
4LP | 1982 | EU | Reissue (BMG Rights Management)
52,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Asta Kask - Aldrig En LP Yellow Vinyl Edition
Asta Kask
Aldrig En LP Yellow Vinyl Edition
LP | 1986 | EU | Reissue (Gaphals)
19,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Picture
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Asterix
Asterix 2024 Remaster
LP | 1971 | EU | Reissue (Warner Music International)
28,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
At War - Ordered To Kill Black Vinyl Editoin
At War
Ordered To Kill Black Vinyl Editoin
LP | 1986 | EU | Reissue (High Roller)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, bonus track "Fuckadafi", Original 1986 sound. Specially mastered for vinyl
At War - Ordered To Kill Camouflage Splatter Vinyl Edition
At War
Ordered To Kill Camouflage Splatter Vinyl Edition
LP | 1986 | EU | Reissue (High Roller)
31,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, bonus track "Fuckadafi", Original 1986 sound! Specially mastered for vinyl
At War - Retaliatory Strike Black Vinyl Edition
At War
Retaliatory Strike Black Vinyl Edition
LP | 1988 | EU | Reissue (High Roller)
28,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl
At War - Retaliatory Strike Camouflage Splatter Vinyl Edition
At War
Retaliatory Strike Camouflage Splatter Vinyl Edition
LP | 1988 | EU | Reissue (High Roller)
31,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl
Atlanta Rhythm Section - A Rock And Roll Alternative
Atlanta Rhythm Section
A Rock And Roll Alternative
LP | 1977 | JP | Original (Polydor)
16,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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