Rock & Indie Vinyl 481 Items

7" | 1962 | FR | Original (Philips)

Elle Est Terrible

Release: 1962 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G, Cover: Generic

Record has hairlines and superficial scratches.
Writing on label.

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Nous Les Gars Nous Les Fille Record Store Day 2022 Splattered Vinyl Edition

LP | 1961 | US | Reissue (Culture Factory)

Release: 1961 / US – Reissue

Genre: Rock & Indie

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7" | 1961 | Reissue (Culture Factory)

Salut Les Copains

16,99 €*

Release: 1961 / Reissue

Genre: Rock & Indie

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7" | 1962 | FR | Reissue (Philips)

Serre La Main D'un Fou

Johnny Tillotson = Johnny Tillotson

Release: 1962 / FR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small writing on back cover.

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Cutie Pie = キューティー・パイ

7" | 1964 | JP | Original (Seven Seas)

Release: 1964 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Jon Hendricks With The Ike Isaacs Trio And Ben Webster

Evolution Of The Blues Song

LP | 1961 | US | Original (Columbia)

LP | 1969 | DE | Original (RCA Victor)

Release: 1961 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

US original.
Sleeve has heavy wear.

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José Feliciano

Light My Fire

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Josef Laufer's Many Faces

Josef Laufer

LP | 1968 | CS | Original (Panton)

Julius Patzak - Erich Kunz - Orchester Hans Totzauer - Die Grinzinger Schrammeln

Release: 1968 / CS – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing.

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Altwiener Lieder

LP | 1964 | HU | Original (Qualiton)

Release: 1964 / HU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | US | Original (Blue Rock)

Junior Wells

You're Tuff Enough

26,99 €*

It's So Hard To Tell Who's Going To Love You...

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.

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Karen Dalton

LP | 1969 | EU | Reissue (Elemental)

29,99 €*

It's So Hard To Tell Who's Going To Love You The Best

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

Beliebte Russische Lieder

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

Kenny Rogers & The First Edition

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Ruby, Don't Take Your Love To Town

LP | 1969 | DE | Original (Reprise)

8,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Raga Lalat / Raga Malkauns

Kesarbai Kerkar

LP | 1963 | IN | Reissue (His Master's Voice)

38,99 €*

LP | 1969 | EU (Trading Places)

Release: 1963 / IN – Reissue

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Tear in top spine. Vinyl is slightly warped, otherwise VG+.

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Killing Floor

20,99 €*

500 Miles / Blowin' In The Wind / Last Night I Had The Strangest Dream / Lemon Tree

Release: 1969 / EU

Genre: Rock & Indie

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Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon’s ‘You Need Love.’ This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page.

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Kingston Trio

7" | 1964 | JP | Original (Capitol)

Klaus Kinski Spricht François Villon Und Arthur Rimbaud

Release: 1964 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Red vinyl. Copy close to VG

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Kinski Spricht Villon Und Rimbaud 1

LP | 1969 | DE | Reissue (Amadeo)

7,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP+DVD | 1969 | US | Reissue (Lion)

Krokodil

The First Recordings

49,99 €*

LP | 1969 | US | Reissue (Mainstream)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Still shrink wrapped, shrink is slightly split but records are UNPLAYED.
Cover corners slighty dented.

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Lacewing

18,99 €*

Corridor Of Faces Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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Lazy Smoke

LP | 1969 | US | Reissue (Jackpot)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Encore! Leon Bibb In Concert

Leon Bibb

LP | 1963 | JP | Original (Liberty)

Spirits Known And Unknown

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Red Vinyl with a couple of light scuffs. Cover with sticker

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

35,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Original (Warner Bros. - Seven Arts)

Leonard Schaeffer

A Boy And His Dog

7" | 1962 | FR | Original (Philips)

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Les Golden Stars

Rebel Rouser

12,99 €*

LP | 1968 | US | Reissue (Return To Analog)

Release: 1962 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has some hairlines and a few superficial scratches.
Small writing on back cover.

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Les Lutins

En Orbite

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1964 | EU | Reissue (Sundazed Music Inc.)

Link Wray

Sings And Plays Guitar

31,99 €*

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | Reissue (Real Gone Music)

Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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LP | 1964 | EU (Trading Places)

Little Richard

Little Richard Is Back

Little Willie John / Hank Ballard & The Midnighters

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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Sleep / Let's Go, Let's Go, Let's Go

7" | 1960 | DE | Original (Odeon)

Release: 1960 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

LP | 1969 | EU | Reissue (Out-Sider)

Locksley Hall

LP | 1962 | US | Original (Monitor)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Logan English

In American Folk Ballads

Release: 1962 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

2x7" | 1969 | EU | Reissue (Madmua)

Los Cirros

32,29 €* 37,99 € -15%

LP | 1968 | EU | Reissue (Discos Monterey)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

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Los Shain's

Docena 3

La Conferencia Secreta Del Toto's Bar

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.

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Los Shakers

LP | 1968 | EU | Reissue (Guerssen)

Walkin' Up Con Los Walkers 53rd Anniversary Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in late 1968, La Conferencia Secreta del Toto’s Bar was Los Shaker’s psychedelic masterpiece. Inspired by Sgt. Pepper's Lonely Hearts Club Band - a milestone that would change the face of pop music forever back in 1967 – Los Shakers created a fundamental album in the history of South American rock music, a seminal record for many artists to come, full of pleasant surprises, magic sounds and sense of humour. It offers a complex fusion of styles, with elements from both rock and jazz, plus the use of exotic instruments like the bandoneon–widely used in tango music but unprecedented until then in pop/rock adventures. It all makes the last album by Los Shakers an essential, innovative record for any collector and aficionado. Sounding as fresh and original today as it did back in the late sixties, here’s the first ever vinyl reissue.

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Los Walkers

LP | 1968 | US | Reissue (Noseso)

LP | 1968 | US | Reissue (International Artists)

Release: 1968 / US – Reissue

Genre: Rock & Indie, Pop

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After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.

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Lost And Found

Everybody's here

16,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Four Sail Expanded Edition

Love

LP | 1969 | EU | Reissue (Music On Vinyl)

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

Mariachi Vargas de Tecalitlán

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pasodobles Con El Mejor Mariachi Del Mundo

LP | 1960 | JP | Original (RCA Victor)

Markley (West Coast Pop Art Experimental Band)

Release: 1960 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

25,99 €*

LP | 1969 | US | Original (Apple)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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Mary Hopkin

Post Card

LP | 1969 | US | Reissue (Riding Easy)

Release: 1969 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Maximillian

LP | 1968 | EU | Reissue (Rhino)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold

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MC5

Kick Out The Jams

30,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

MC5

Kick Out The Jams

41,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Matthew, Mark, Luke And John

Methuselah

LP | 1969 | EU (Trading Places)

LP | 1969 | UK | Reissue (Ace)

Release: 1969 / EU

Genre: Rock & Indie

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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!

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Mighty Baby

26,99 €*

Mike Bloomfield And Al Kooper

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

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The Live Adventures Of Mike Bloomfield And Al Kooper

2LP | 1969 | US | Original (Columbia)

14,99 €*

LP | 1968 | DE | Original (Reprise)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Santa Maria Pressing.
Ships in a brand new plain sleeve.

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Miriam Makeba

Makeba!

8,99 €*

LP | 1963 | UK | Reissue (Liberty)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Monty Norman

OST Dr. No

18,99 €*

Morgen Black Vinyl Edition

Release: 1963 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

1987 reissue.

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Morgen

LP | 1969 | EU | Reissue (Guerssen)

25,99 €*

Rock And Roll Queen / Road To Birmingham

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.

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Mott The Hoople

7" | 1969 | DE | Original (Island)

19,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Nancy Sinatra & Lee Hazlewood

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Going Back To The Village Of Love

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nathaniel Mayer

LP | 1963 | EU | Reissue (Honeypie)

12,99 €*

Nazz Nazz Purple Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.

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Nazz

LP | 1969 | US | Reissue (Cleopatra)

22,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Senza Orario Senza Bandiera Clear Green Vinyl Edition

New Trolls

LP | 1968 | EU | Reissue (Vinyl Magic)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Island)

Nick Drake

Five Leaves Left

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | BE | Reissue (Elektra)

Nico

The Marble Index

75,99 €*

LP | 1969 | JP | Original (RCA)

Release: 1968 / BE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue.

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Norma Jean

The Best Of Norma Jean

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Nova Local

Nova 1

Nucleus White Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.

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Nucleus

LP | 1969 | US | Reissue (Sundazed)

31,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie, Pop

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LP | 1968 | US | Original (Columbia)

OC Smith

Hickory Holler Revisited

5,99 €*

LP | 1963 | JP | Original (Vanguard)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original US Pitman pressing.

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Odetta

The Art Of Odetta

18,99 €*

Release: 1963 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Ola Belle Reed, Alex Campbell , The New River Boys

I'll Be All Smiles Tonight/All The World Is Lonely Now

7" | 1962 | US | Original (New River)

Release: 1962 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1969 | EU | Reissue (Supraphon)

Olympic

Ptak Rosomak

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Orizaba And His Orchestra

The Soul Of Mexico

LP | 1964 | US | Original (Time)

7,99 €*

Orkes Angklung Padaeng, Daeng Soetigna

Release: 1964 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Angklung

LP | 1963 | ID | Original (Lokananta)

9,95 €*

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1963 / ID – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.

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Orphan Egg

Mutantes Bottle Green Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

7" | 1964 | FR | Original (Mercury)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Patti Lynn

A Quoi Bon Pleurer

Paul Simon, Simon & Garfunkel, Dave Grusin

Release: 1964 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G, Cover: Generic

Record plays with surface noise that does not overpower the music.
Two small deeper scratches on side 1.
Ships in a new generic sleeve.

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OST The Graduate

LP | 1968 | JP | Original (CBS/Sony)

LP | 1969 | EU | Reissue (Wiseraven)

Release: 1968 / JP – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Pesky Gee!

Exclamation Mark

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Pete Seeger's Greatest Hits

Pete Seeger

LP | 1969 | JP | Original (CBS/Sony)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

LP | 1962 | JP | Reissue (Warner Bros.)

Peter, Paul & Mary

(Moving)

6,99 €*

This Is Peter, Paul & Mary

Release: 1962 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. Few paper scuffs. 1974 reissue.

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Peter, Paul & Mary

2LP | 1969 | JP | Original (Warner Bros. - Seven Arts)

As Though It Were A Movie

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

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Peter Sarstedt

LP | 1969 | DK | Original (United Artists)

Release: 1969 / DK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

All The News That's Fit To Sing

Phil Ochs

LP | 1964 | RU (Audio Clarity)

19,99 €*

Deserti Blue Vinyl Edtion

Release: 1964 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2019 reissue.

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Piero Pelu

LP | 1960 | EU | Reissue (Epic)

Release: 1960 / EU – Reissue

Genre: Rock & Indie, Pop

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A Saucerful Of Secrets Record Store Day 2019 Edition

Pink Floyd

LP | 1968 | EU | Reissue (Parlophone)

2LP | 1969 | US | Reissue (Pink Floyd)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Pink Floyd's second studio album, remastered from the original mono analogue tapes. Remastered by James Guthrie, Joel Plante and Bernie Grundman. Limited edition 180 g heavyweight vinyl. Tracklisting: Side 1: 1. Let There Be More Light, 2. Remember A Day, 3. Set The Controls For the Heart Of The Sun, 4. Corporal Clegg. Side 2: 1. A Saucerful Of Secrets, 2. See-Saw, 3. Jugband Blues.

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Pink Floyd

Ummagumma

51,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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7" | 1969 | JP | Original (Polydor)

Pinky & The Fellas

Let The Music Start

Procol Harum = Procol Harum

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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A Whiter Shade Of Pale = 青い影

7" | 1968 | JP | Reissue (Deram)

7,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1968 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Procol Harum

Shine On Brightly

LP | 1969 | EU | Reissue (Out-Sider Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Shine On Brightly is the second studio album by English rock band Procol Harum. The title of the epic "In Held 'Twas in I" is an acrostic, taking the first word from the first movement as well as the first word from a verse later in the movement as well as the first word from each of the three successive movements as shown in the track listing.

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Pulse

26,99 €*

I Quelli Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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Quelli

LP | 1969 | EU | Reissue (RCA)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Quicksilver Messenger Service

Happy Trails

LP | 1969 | EU | Reissue (Endless Happiness)

20,99 €*

Quicksilver Messenger Service

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Reissue for the 1969 live album for Quicksilver Messenger Service, recorded live in 1968 at the Fillmore in San Francisco.

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LP | 1968 | EU | Reissue (Endless Happiness)

23,99 €*

Quicksilver Messenger Service

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Quicksilver Messenger Service's debut effort was a little more restrained and folky than some listeners had expected, given their reputation for stretching out in concert. While some prefer the mostly live Happy Trails, this self-titled collection is inarguably their strongest set of studio material, with the accent on melodic folk-rock. Highlights include their cover of folksinger Hamilton Camp's "Pride of Man," probably their best studio track; "Light Your Windows," probably the group's best original composition; and founding member Dino Valenti's "Dino's Song" (Valenti himself was in jail when the album was recorded). "Gold and Silver" is their best instrumental jam, and the 12-minute "The Fool" reflects some of the best and worst traits of the psychedelic era. (all music)

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Shady Grove

LP | 1969 | EU | Reissue (Endless Happiness)

23,99 €*

Rare Bird Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)

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Rare Bird

LP | 1969 | EU | Reissue (Klimt)

Generation Pink Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.

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Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

32,99 €*

Rationals Record Store Day 2022 Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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Rationals

LP | 1969 | US | Reissue (Rouge)