Rock & Indie Vinyl 5250 Items

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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3LP | 1980 | EU | Reissue (Columbia)

The Clash

Sandinista!

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Geffen)

Tom Petty

Full Moon Fever

38,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Polydor)

Siouxsie & The Banshees

Juju

23,99 €*

LP | 1982 | EU | Reissue (Columbia)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Back in print!

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The Clash

Combat Rock

Within The Realm Of A Dying Sun

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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Dead Can Dance

LP | 1987 | EU | Reissue (4AD)

LP | 1985 | UK | Reissue (4AD)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Dead Can Dance's third album. Within The Realm Of A Dying Sun, was originally released in the Summer of 1987. Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.

The album’s cover only adds to the album’s aura of mystery with a haunting photograph of the family grave at the Père-Lachaise cemetery in Paris of famed French biologist François-Vincent Raspail.

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Dead Can Dance

Spleen And Ideal

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Repertoire)

Leaf Hound

Growers Of Mushroom

23,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Universal)

John Lennon

Plastic Ono Band

30,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Sanctuary)

Motörhead

Ace Of Spades

25,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | EU | Reissue (Spoon)

Can

Tago Mago

2LP | 1983 | DE | Reissue (Slime)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Remastered from the original tapes, 180g vinyl!

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Slime

Alle Gegen Alle

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Dark Entries)

Lives Of Angels

Elevator To Eden

LP | 1985 | UK | Reissue (Warner)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Dark Entires is honored to reissue the long out of print debut album Elevator to Eden by LIVES OF ANGELS. Lives of Angels was the brainchild of GERALD O'CONNELL from London, England. In 1974 he worked at CBS studios mastering recordings from tape to disc. By 1977 he joined his first band MYSTERY PLANE, led by school mate Mark Harvey and later joined by his soon-to-be wife Catherine. Gerald branched off in 1980 forming Lives of Angels as an outlet for his own compositions. He recorded, produced and played all of the instruments on "Elevator to Eden" between 1981 and 1983, using a primitive set up of drum machines, one keyboard, guitar and a tape echo. Influenced by the Krautrock sounds of Neu! and Amon Duul II as well as US psychedelic rock, Lives of Angles crafted their own unique post-punk sound. Elevator to Eden was originally released in 1983 on cassette by Color Tape Records, the label started by Gary Ramon of Modern Art. Then in 1986 Fire Records remixed and re-released the album on vinyl but the band was not happy with the mixes. This reissue features the original 4-track cassette mixes of Elevator To Eden on vinyl for the first time ever. The LP includes 9 songs featured on the original Color Tapes release. All songs have been remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley directly from the original master tapes. Each LP comes with unreleased photos, original artwork and a lyrics for all songs.

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The Smiths

Meat Is Murder

21,99 €*

LP | 1971 | EU | Original (Elektra)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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The Doors

L.A. Woman

21,99 €*

LP | 1989 | US | Reissue (20/20/20)

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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Galaxie 500

On Fire

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1988 | DE | Reissue (Rhino)

Jane's Addiction

Nothing's shocking

31,99 €*

The Lamb Lies Down On Broadway

Release: 1988 / DE – Reissue

Genre: Rock & Indie

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180g vinyl

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Genesis

2LP | 1974 | Reissue (Rhino)

41,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

Horse Black Vinyl Edition

Horse

LP | 1970 | EU | Reissue (Guerssen)

A Tribute To Jack Johnson

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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Miles Davis

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

84,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The Kids Will Have Their Say Purple Vinyl Edition

SS Decontrol

LP | 1982 | US | Reissue (Trust)

34,99 €*

Get It Away Yellow Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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What is there to say about SS DECONTROL’s long out-of-print 1982 debut, The Kids Will Have Their Say, that hasn’t already been written? Long heralded as the first straightedge album, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered, artistic statement that’s singular in scope and vision. The Boston act’s debut was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with remastered audio and a painstaking recreation of the iconic cover art courtesy of Bryan Ray Turcotte. Over the years, the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa, and drummer Chris Foley perform live. In many ways, SSD launched the hardcore scene in Boston as we know it and the band’s kinship with Minor THREAT’s Ian MacKaye arose out of the fact that both acts refused to conform to society’s still shifting standards at the time. From the unbridled aggression of SSD’s “Boiling Point” to the strippeddown groove of “How Much Art,” the album was as reactionary as it was revolutionary and is an artistic statement that remains to be remarkably complex for a group of guys barely into adulthood. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of The Kids Will Have Their Say is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded.

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SS Decontrol

LP | 1983 | US | Reissue (Trust)

34,99 €*

LP | 1973 | EU | Reissue (Cosmic Rock)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-23

What is there to say about SSD’s long out-of-print 1983 release, Get It Away, that hasn’t already been written? Long heralded as the album which defined the band, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered artistic statement that’s singular in scope and vision. The Boston act’s follow-up release was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with updated remastered audio. Over the years the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa and drummer Chris Foley perform live. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of Get It Away is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded. In a genre where authenticity reigns supreme, SSD stands tall as torchbearers, embodying the essence of hardcore music with every chord and lyric; this record is a must-have for new and old fans.

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Moonstone

Leather Boyz With Electric Toyz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Re-issue of the Canadian band's only album released back in 1973 on the small Kot'Ai label. Moonstone came from Winnipeg, Manitoba and were a small cult band active in the early 1970's. They played mainly acoustic folk rock with psychedelic overtones and beautiful harmonies.

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Beatles Solo)

John Lennon

Mind Games

50,99 €*

LP | 1970 | Reissue (Moosicus)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP 1: Mind Games – The Ultimate Mixes LP 2: Mind Games – The Out-takes Spec: 180g vinyl, gatefold sleeve Booklet: 8 page booklet of photos and artwork Poster: Reproduction of the original triptych marketing poster for the album

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Canned Heat

Future Blues

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Life Goes On)

Ananda Shankar

Sa-Re-Ga Machan

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wiseraven)

Trifle

First Meeting

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Die Grüne Reise - The Green Journey

A.R. & Machines

LP | 1971 | EU | Reissue (Life Goes On)

Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A.R. & Machines is the solo project of one Achim Reichel. Released in 1971 the album still retains a magical touch. Ranked between the most original kraut albums of all the time, Die Grune Reise (aka The Green Journey) really is a trip. Turning his back to the original beat movement, Reichel embraced the infinity of a multi-layered sound, experiencing the most prolific path of prog rock while joining the obscure meanders of the lysergic renaissance.

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Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

Release: 1986 / Reissue

Genre: Rock & Indie

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Life - Live Double Album (40th Anniversary Translucent Blue Vinyl Edition

Thin Lizzy

LP | 1983 | US | Reissue (Friday Music)

78,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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LP | 1985 | US | Reissue (Superior Viaduct)

The Ex

Pokkeherrie

18,69 €* 21,99 € -15%

LP | 1980 | UK | Reissue (Crass)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."

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Crass

The Feeding Of The 5000

39,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. This album is considered one of the first punk albums to expound serious anarchist philosophies.

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Fotheringay

Highway To Hell Gold Nugget Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group’s only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny’s future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan’s “Too Much of Nothing” and Gordon Lightfoot’s “The Way I Feel”.

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AC/DC

LP | 1979 | EU | Reissue (Sony)

30,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Analogue Productions)

Steely Dan

Aja Uhqr Edition

201,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Matador/Beggars Group)

Rembrandt Pussyhorse

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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From Enslavement To Obliteration Record Store Day 2024 Edition

Napalm Death

LP | 1988 | Reissue (Earache)

Poder Del Alma HHV Exclusive Clear Blue Vinyl Edition

Release: 1988 / Reissue

Genre: Rock & Indie

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UK RSD release.

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Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

LP | 1978 | TR | Reissue (Ossi Müzik)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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HHV Exclusive edition on clear blue wax, limited to 100 copies worldwide.

First ever reissue!! Psychedelic Latin-funk holy grail from Nicaragua, 1974!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members had already played an important role in the history of the Nica music / hippie scene in the 1960s. Among them, we can find Román Cerpas (previously on Bwana), René “Chapo Domínguez (Los Rockets), Edgar “El Gato” Aguilar… A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroamérica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic / afro / funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals…featuring titles like “El Valle del Ayatimbo”, “Ia-Taa Yo”, “Zúmbale”…

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Osman Ismen Orkestrasi

Diskomatik Katibim

Release: 1978 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1985 | EU | Reissue (Island)

Tom Waits

Rain Dogs

31,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Parlophone)

Richard Wright

Wet Dream

38,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

Orang-Utan Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Orang-Utan

LP | 1971 | EU | Reissue (Guerssen)

12" | 1982 | UK | Reissue (Emotional Rescue)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Orang-Utan were in fact a London based band called Hunter, featuring vocalist Terry "Nobby" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers / managers ran with the tapes to the US, where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff... Legit reissue done in co-operation with the original band members.

Insert with liner notes telling the bizarre story of the band for the first time, and rare photos. Includes download card "Quintessentially British hard-rock, transforming the blues in a way American bands rarely did, and with a kind of vocal intensity that compares to Free, Humble Pie et al" - Aaron Milenski (Galactic Ramble)

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The Impossible Dreamers

Spin Feat. Nad Versions

18,99 €*

Woofer In Tweeter's Clothing Gold Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Sparks

LP | 1973 | US | Reissue (Friday Music)

42,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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I Was There At The Texas Chainsaw Massacre

Ambient Noise

12" | 1980 | US | Reissue (Last Laugh)

LP | 1980 | Reissue (Rhino)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.

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Grateful Dead

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Grateful Dead

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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Locust Abortion Technician

LP | 1987 | EU | Reissue (Matador)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Proper)

Julian Cope

Fried

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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San Michael's Splattered Vinyl Edition

San Michael's

LP | 1971 | EU | Reissue (Plusqueréel)

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The re-release of the 2 seminal psych/prog albums by SAN MICHAEL’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression towards Kaipa’s sonic multiverse, bordering on the porous dividing line between psychedelia (with a Made-in- Sweden pedigree) and European progressive, and driven by Hans Lundin’s ferocious organplaying that alternates between swirling ultra-groovy psychedelia and imposing kraut-ish segments. Both albums, produced by Leif Mases, have been remastered by sound meister Martin Igelström for your maximum audio pleasure, and come in ultra-limited pressings of 200 numbered copies + 2-page insert with bio and rare studio and live photos, in splatter (1st ) and marble (Nattag) vinyl. File nearby: Blakulla, Blue Sun, Dice, Kaipa, Made in Sweden, Mecki Mark Men, Panta Rei, Trettioåriga Kriget Vinyl 180 gr., strictly limited pressing of 200 numbered copies. NB: Not to be confused with St. Mikael or Cosmic Michael.

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Cream Corn For The Socket Of Davis

EP | 1985 | EU | Reissue (Matador)

21,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Sorcerer)

Lubricated Goat

Plays The Devil's Music

33,99 €*

Super Djata Band & Zani Diabaté

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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Volume 2 White Vinyl Edition

LP | 1982 | US | Reissue (Numero Group)

Punks Not Dead Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Connecting Wasulu hunter music, griot praises, Senufo pastoral dances, Fula and Mandingo repertoire alongside Western psychedelia, blues and afro-beat, Zani Diabaté's Super Djata Band was among Mali's top orchestras of the 1980s. On their 1982 album, Diabaté enshrines himself within the pantheon of mythical West African guitarists, hypnotically picking through eight vivid compositions on his path to godhead status.

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The Exploited

LP | 1981 | Reissue (Cherry Red)

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Pias Catalogue)

Triffids

Calenture

40,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU (Radiation Reissues)

Lydia Lunch

13.13 Red Vinyl Edtion

20,99 €*

LP | 1981 | UK | Reissue (Crass)

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Crass

Penis Envy

39,99 €*

2LP | 1979 | UK | Reissue (Crass)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Remastered and reissued vinyl version of what should've been one of the first 10 records you ever bought. Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat macho, hardcore punk image that The Feeding of the 5000 & Stations of the Crass had given the group. Featuring more obviously complex musical arrangements, this release showcases exclusively female vocals provided by EVE Libertine and JOY DE Vivre. The album addressed feminist issues and once again attacked the institutions of "the system" such as marriage and sexual repression.

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Crass

Stations Of The Crass

49,99 €*

LP | 1989 | Reissue (Rhino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Chicago

Greatest Hits 1982-1989

Release: 1989 / Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wiseraven)

Warhorse

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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LP | 1988 | EU | Reissue (Matador)

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

Frehley's Comet Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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7" | 1987 | US | Reissue (Sorry State)

Koro

13,99 €*

Hex Record Store Day 2023 Red Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

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Poison Girls

LP | 1980 | US | Reissue (Cooking Vinyl)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Below The Waves Record Store Day 2023 Edition

Heidi Berry

LP | 1989 | US | Reissue (Glass Modern)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Steeler Record Store Day 2023 Edition

Steeler

LP | 1983 | Reissue (Sound City)

33,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Survival Of The Fittest Record Store Day 2023 Edition

Maxwell Udoh

LP | 1988 | US | Reissue (Tidal Waves Music)

18,99 €* 19,99 € -5%

LP | 1971 | EU | Reissue (Waxtime)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 first time officially reissued on vinyl since 1988. Limited to 500 copies. Rasman Maxwell Udoh was one of the best things to come out of the Nigerian music scene in the 80s and 90s. Born on the 29th of August 1959 and passed away on the 18th of December 2014, his 55 years on earth were a memorable time that resulted in many contributions to the musical heritage of Nigeria, and the messages he spread through his lyrics are still treasured by the downtrodden even today. Maxwell Udoh was a true pioneer, and his musical legacy is more than relevant, even to this day.

After he left Oron’s Methodist Boys High School in 1980, Maxwell’s uncle Patrick Peter Udoh took him under his wing. As a professional musician with The Doves Rock Band, Patrick taught him all he could until the band’s dissolution, which prepared Udoh for the trailblazing career that he would soon be embarking upon. Maxwell Udoh and His Masses Militia Band took Nigeria by storm with their debut album ‘Forward Ever, Backward Never’. The record was a massive hit that opened his route to greatness, taking his reputation far beyond the shores of Nigeria and winning him several music awards.

The fame that Maxwell would claim from this would skyrocket him into his election as chairman of the Performing Musicians Association of Nigeria. As a naturally inclined musician and charismatic leader type since childhood, his journey is a series of natural progressions that sequentially delivered to him the many stages of the recognition he deserved.

Rasman Maxwell Udoh was renowned as an advocate for social justice, as well as one of the first few Africans to sing authentic reggae in its true form. His musical catalogue overall helps tell the story of a man who was larger than life and is cherished both in Africa and the world over to this day. Maxwell’s independent albums and singles are classics for the ages and stand firmly and triumphantly as paragon examples of the best of Nigerian music.

On the album we are proudly presenting you today (‘Survival Of The Fittest’ recorded in Nigeria in 1972) the listener is treated to six mind blowing tracks filled with excellent reggae, funk, soul, boogie and disco influences. Also included is the heavy hitting smash-hit “I Like It (Don’t Stop)” that was featured on the ’’Khruangbin: Late Night Tales” album. Fans of Maxwell will be proud that he was chosen as a representative of Nigeria on these ongoing and acclaimed series. A great accreditation for Maxwell Udoh and a big deal to say the least. All of the above makes ‘Survival Of The Fittest’ a real must-have for collectors and fans alike.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this landmark Nigerian album originally released on Average records in 1988 (OG copies go for large amounts on the second-hand market). This is also the first time these recordings are being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Buddy Holly

Good Rockin' - The Hits

16,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Master Control 35th Anniversary Edition

Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

23,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Pronounced 'Leh-'nerd 'Skin-'nerd

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

LP | 1978 | PL | Reissue (Universal)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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Dire Straits

Release: 1978 / PL – Reissue

Genre: Rock & Indie

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LP | 1979 | PL | Reissue (Polydor)

The Cure

Three Imaginary Boys

LP | 1987 | US | Reissue (Scat)

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Guided By Voices

Sandbox

25,99 €*

Greetings From Asbury Park N.J.

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Friday Music)

Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Concerto Pour Detraques

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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I Robot UltraDisc One-Step Edition

Alan Parsons Project

LP | 1977 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Subterranean Jungle Violet Vinyl Edition

Ramones

LP | 1983 | EU | Reissue (Warner)

31,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today." (Original RD: February 1983)

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Crystalline

Axe Music

25,99 €*

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

161,99 €*

LP | 1971 | EU | Reissue (Bonfire)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Chillum

20,99 €*

LP | 1985 | JP | Reissue (XXX)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Gauze

Fuck Heads

LP | 1986 | JP | Reissue (XXX)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Originally released in 1985. GAUZE's legendary 1st album!!

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Gauze

Equalizing Distort

LP | 1981 | EU | Reissue (Glossy Mistakes)

Release: 1986 / JP – Reissue

Genre: Rock & Indie

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GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

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Earthling

Dance

EP-LP Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres.

Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines.

While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day.

Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.

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Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Junior's Got Brain Damage

Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

Rock Joint Cither - Silk Road Black Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Assagai

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

Discipline (Steven Wilson Mix)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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King Crimson

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Violent Restitution Black Vinyl Edition

Razor

LP | 1988 | EU | Reissue (High Roller)