Rock & Indie Vinyl 13726 Items

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Guruguru Brain)

Minami Deutsch

Fortune Goodies

Night Visions 10th Anniversary Expanded Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio album and an encyclopaedia of Krautrock, as band leader Kyotaro Miula describes it. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, thus resulting in this ultimate Japanese take on cosmic music in 2022.

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Imagine Dragons

2LP | 2022 | EU | Original (Interscope)

42,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Efficient Space)

V.A.

Ghost Riders

Bis Jetzt Ging Alles Gut Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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But Alive

LP | 2022 | EU | Original (B.A.)

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sing Sing Death House Neon Yellow Vinyl Edition

The Distillers

LP | 2022 | EU | Original (Hellcat)

LP | 2022 | UK | Original (Seeing Red)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Improving on their very fine, self-titled debut album, Sing Sing Death House, is battle-scarred and resolute, but Brody's tough voice is more expressive than your average punker's and especially affecting when she flaunts the full range of her throaty snarl. On "Seneca Falls," an appreciation of the women's suffrage movement set to chugging guitars and a thumpity-thump bass, there's an exceptional, goosebump-inducing though unintelligible chorus, which soars above the music because of the emotional quality of Brody's howl. Otherwise, the music is quite stirring, coming from a gang of gutter-punks with lip piercings. New colored vinyl pressing to celebrate the 20th anniversary of the band's iconic album!

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Intoxicated

Watch You Burn

Ultra Truth Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Out of the smoke of the pandemic, Intoxicated return with a renewed energy in the form of their debut full length, Watch You Burn. Recorded at Morbid Angel's old rehearsal studio in Tampa that Intoxicated literally rehabbed and converted into a state-of-the-art studio for renown producer, Ryan Boesch (Foo Fighters, Whores, Helmet, Melvins, Andrew WK), now known as Candor Recording, Watch You Burn is a product of a band on a mission who's Florida roots are worn proudly on their sleeves. While you can hear traces of Obituary, Massacre, and Chuck Schuldiner sprinkled all over the album, Intoxicated offer much more than shades of death. There is a heavy crossover vibe present ala D.R.I. or early C.O.C., as well as some Skate Punk /Thrash like the early Venice Beach bands. In addition, there are moments you'll swear you heard a Matt Pike riff or something out of the Nola playbook. With guest spots courtesy of friends Tony Foresta of Municipal Waste and Ken Andrews of Obituary, Watch You Burn is a bonafide rager! Intoxicated took little time off during the pandemic, adding a new guitarist, John Sutton, who is no stranger to the Florida metal scene having spent time with 90's act Pain Principle. In the last 6 months alone, Intoxicated have supported Obituary, Massacre, Nasty Savage, Gruesome, D.R.I., The Casualties, Inhuman Condition and High Reeper. With Andrew WK's disappearance leaving Erik Payne and Gregg Roberts to their own devices, Intoxicated have certainly taken a front seat and there is no sign of slowing down - the band have the pedal to the floor and plan to be out supporting the album all Summer. You can catch them this Summer supporting Obituary and Municipal Waste on select dates as well as Into the Darkness Fest and Full Terror Assault Open Air!

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Daniel Avery

2LP | 2022 | Original (Phantasy Sound)

Release: 2022 / Original

Genre: Rock & Indie

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Riderless Horse Black Vinyl Edition

Nina Nastasia

LP | 2022 | US | Original (Temporary Residence)

Wilds Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Riderless Horse is my first solo record, and it's the first record my former partner, Kennan Gudjonsson, didn't produce. I haven't made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery. Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music. Terrible things happen. These were some terrible things. So, what to do - learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humor, tell the truth, and make a record. I made a record.

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The Soundcarriers

LP | 2022 | UK | Original (Phosphonic)

The Löst Tapes Volume 2 Record Store Day 2022 Blue Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Limited edition on colored vinyl.

We've always done things our own way and without any outside pressure,” says Paul Isherwood of The Soundcarriers. “Making music like this keeps things fresh, you always lose something and gain something as you go along but I think of it as just another chapter.”

There have been many chapters in the life of the band to date and each one is defined by the singular approach and style of the group. Since forming in 2007 the band - comprised of Isherwood, Adam Cann, Dorian Conway and Leonore Wheatley - have released three albums that position them as a distinct and unique force in British music. Eschewing fads and trends that come and go, they have instead focused on honing their own sonic world that glides between woozy psychedelia, immersive grooves, subtle pop and rich, enveloping soundscapes. They’ve consistently moved at their own pace and on their own terms and on their fourth album, Wilds, they return after seven years since their last. “The sessions started in a cottage in the wilds so there's a literal meaning,” Isherwood says of the title. “But figuratively we've pretty much been in the wild for the last few years as far as a lot of people are concerned.”

The recording was staggered over a few different locations, from cottages to primary schools, before finishing in an art gallery. “The beauty of recording in non-studio studios is you have the time for the unexpected to happen,” says Isherwood. “Which is really what keeps you coming back for more.” As a result of the timeframe of the album, it’s one that has changed and grown a lot over the years. “The record has been through a lot of stages,” says Isherwood. “It's almost been circular. We started off wanting to do an album of more shorter, concise tracks and then sort of sidestepped into some more spacey ambient ideas so in a way the album is kind of a synthesis of the two phases, overall carrying on with many of the themes and influences of the first three but with a more focused approach.”

The opening ‘Waves’ leaps out the gate with an infectious hook kissed by a touch of French pop before leaping into a devilishly catchy chorus and into a mini prog-like flute breakdown. It sets the tone for an album that is rich in adventure and unpredictability that manages to balance experimentation with accessibility. ‘At The Time’ is almost unrelenting in its grinding charge, managing to create a groove that cracks and pulses at the same time, ‘Wilds’ is a gorgeously floating piece of music that skips along with strutting bass as Wheatley’s vocals merge melody with texture magically. The closing ‘Happens Too Soon gently stirs to life with an almost pastoral folk air to it, as it slowly builds into swirling psych pop rich in texture before reaching a rousing crescendo. “I feel this album sums up a lot of our influences,” says Isherwood. “There’s a strong folk influence in the sense of the actual songwriting but musically we wanted to create songs that were like those rare oddities you find on a bizarre charity shop record. A collection of "one offs" capturing a moment rather than trying to make a hit song.”

This sense of it being an album of unique songs is clearly apparent throughout but it also maintains a natural flow and cohesion. This is something that stems from the band’s approach to songwriting for the record. “A lot of the tracks started with a feel or groove,” says Isherwood. “Then building it into a more concise arranged piece. We were conscious that we didn't want the recording to sound too over-polished so although a lot of the tracks were quite painstaking in how they evolved we wanted the actual recording to be quite raw and not be reliant on cutting things up or overly editing things. We wanted it to sound natural rather than perfect.”

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Motörhead

2LP | 2022 | US | Original (BMG)

LP | 2022 | EU | Original (Batov)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 2250 copies.

Cassette tapes. Remember those? Those things with the dual spools and loads of wide brown plastic recording string that’d occasionally unravel and hang out of the shell, requiring a pencil and firm wrist to spin back into place? Yeah, well, once upon a time, old-school sound systems contained cassette decks for the express purpose of recording shows, and these “cassette” things were a standard part of every tour. Motörhead were certainly no exception, recording show after show. They contain gold, pure aural gold, and had for many years sat hundreds of feet underground in a small cave Lemmy owned, guarded by small, hairy centurions in Roman armor with small spears and bad attitudes. Only the magic password would release them, and thankfully, Lem had scribbled it down and left it inside an old sketch book for us (no, were won’t tell you the password, although it did have the words ’nie nie nie’ in it). There were loads of the dirty, dusty, greasy little buggers gathered, with the likes of Lyon, Liverpool, Hamburg and Chippenham (!!) scrawled in biro on the tiny labels alongside a date...and thus we are delighted to announce that this unique collection of live gems will now be heard by the world, via carefully digitized transfers, in a new series titled THE Löst Tapes. VOL. TWO has been hand-picked by the increasingly deaf, but well-meaning (and hydrated!) Motörhead team, along with surviving members Phil Campbell and Mikkey Dee, and sees the trio in blistering form on the Snake Bite Love album tour recorded -at the University of East Anglia, Norwich on 18th October 1998.

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Satellites

2LP | 2013 | EU | Reissue (Born Bad)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lost somewhere between the mysterious alleys of 70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Satellites self-titled debut album is set to be released on Batov Records.

The Şatellites’ sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honouring the Anatolian folk and psych artists from this golden era of music.

From the funky disco beat of Disko Arabesque to the celestial lead guitar in Yağmur Yağar Taş Üstüne, the band add fire and flair to time-honoured pieces of Turkish music, giving them new meanings. Covering important tracks such as female singer Kamuran Akkor’s track Olurmu Dersin, and musician and guitarist Zafer Dilek’s Yekte, the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey.

The band boasts six members; Ariel Harrosh (Bass) Lotan Yaish (Drums), Yuli Shafriri (Vocals), Tsuf Mishali (Keys and Synths), Tal Eyal (Percussion) and Itamar Kluger (Diwan saz, both electric and acoustic, electric baglama, Greek 4 double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst travelling the Kaçkar mountains in Turkey’s eastern region. The saz being a long-necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites’ union, and plays predominance throughout the bands’ album and music.

In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called “Anatolian Rock” and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music.

As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and the reverb of psychedelic, with traditional middle-eastern rhythm and structure, opening up the wealth of Turkish music to the western world, so that anyone and everyone can relate to something from the album.

With that said, Şatellites emphasise that their music is not fundamentally Turkish music, on the contrary, they merely try to sound as close to the genre as possible. Their sole aim is to honour this amazing culture and to present it to the world in a more accessible and attainable form.

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La Femme

Psycho Tropical Berlin

I Can't Let Go Loser Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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First album of French band La Femme released in 2013 with which they won Best New Band of the year at the French Music Awards and god certified gold. It marked also the beginning of their international recognition, confirmed since with their 2nd album Mystère in 2016 and their brand new album Paradigmes today.Includes the hits Sur La Planche, It's Time to Wake Up and Antitaxi!La Femmes's debut LP, is a mix of surf revival, updated cold wave (in a similar vein to countryman Lescop), 1960s yéyé and psychedelia. "Psycho Tropical Berlin: is apparently also their self-penned genre, they have also said "strange wave, new Motown, witch wave, silly mental wave"... whatever, aach term makes for a pillar to describe their music.Psycho Tropical Berlin is the story of a couple who slipped into chaos and survives by watching each other. Le Danger est partout - Peril is all around - as written in the booklet. Rock and pop, rococo bauhaus, fed from multiples influences (Krafwerk, Elli & Jacno). La Femme just want to please you. Generous and welcoming, she stretches you her white hand in the dark, if you grasp it, it could be the shiver of your life.

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Suki Waterhouse

LP | 2022 | US | Original (Sub Pop)

LP | 2021 | EU | Original (Island)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: "The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen." Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut track, "Brutally," as "what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like." In addition to raves from Garage, Vice and Lemonade Magazine, Dujor put it best: "Suki Waterhouse's music has swagger." Suki is constantly consuming artists of all stripes, and, in the lead-up to making I Can't Let Go, she was particularly drawn to the work of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. After falling in love with Hiss Golden Messenger's Terms of Surrender, she reached out to its producer Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) to help define the sound of I Can't Let Go. On I Can't Let Go, Suki not only catalogs her life up to this point, but she also fulfills a lifelong ambition. "When I've been stuck or feel out of touch with a sense of inner meaning and outer purpose, I've found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored," she says. "So many times of change in my life have required return visits-especially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. What is left and can't be thrown away is the self."

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PJ Harvey

Let England Shake Demos

13,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Money Years HHV Exclusive White Vinyl Edition

Ja, Panik

2LP | 2021 | EU | Original (Staatsakt)

25,64 €* 26,99 € -5%

The Dream Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Staatsakt and HHV proudly present two earlier albums of the great Ja, Panik. Limited to 300 copies on white vinyl, "The Angst & The Money" and the album "The Taste & The Money" is only available at HHV.

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alt-J

LP | 2022 | EU | Original (BMG / Infectious)

LP | 2021 | EU | Original (Rough Trade)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heavy Weight Vinyl coming in a gatefold sleeve

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Dean Blunt

Black Metal 2

Release: 2021 / EU – Original

Genre: Rock & Indie

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Garbage Remastered Edition

Garbage

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Damon Albarn (Blur / Gorillaz)

The Nearer The Fountain, More Pure The Stream Flows Black Vinyl Edition

LP | 2021 | UK | Original (Transgressive)

19,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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No Mans Land Black Vinyl Edition

Tommy Guerrero

LP | 2014 | EU | Reissue (Too Good)

26,59 €* 27,99 € -5%

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Origin Of Symmetry (XX Anniversary Remixx)

Muse

2LP | 2021 | EU | Original (Warner Music International)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Guruguru Brain)

Minami Deutsch

With Dim Light

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Delta Kream Black Vinyl Edition

The Black Keys

2LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Erste Theke)

Prison Affair

7,99 €*

LP | 2021 | EU | Original (Habibi Funk)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warning! This EP is full of sociopathic grooviness.

"There is something so familiar and comforting about this unique 4 song EP. That guitar tone; those riffs – as if I’ve heard it before. I went through my entire tape collection. DLIMC? CCTV? Coneheads? Research Reactor Corp? Gary Supply? Gee Tee?

No, but you get what I mean. It has a familiar rock air to it. As soon as I hit ‘publish’ I’ll think of who’s alter ego this is and immediately want to kick rocks for not hitting the buzzer.

Either way, this “Barcelona” band called Prison Affair came ripping through my speakers in the late hours and has been on repeat ever since. It has the quick hi-hat hits and wobbly tape effects that are instantly gratifying to the senses. It’s soothing and anxiety driving. It’s dark and bouncy.

It traps you like a cage and drives you mad in your four wall cell. Or maybe it’s just driving me crazy that I can’t pin down who the fuck this is.

Perhaps it isn’t something I’ve heard before. This is just a new hip band from Spain and they’ve just hit the nail on the head for someone that loves 4-track recordings, middy guitar riffs, lofi bass, and tight drum beats. Prison Affair really contained me in their sound, locked me up in world, and won’t let me go.

They’ll take you on a journey from processing to the wardens office and straight to their isolation cell in just under 5 minutes. Before you know it you’ll be out on the streets and ready to commit a crime, just to be arrested to get a chance to hear more from Prison Affair."

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Roger Fakhr

Fine Anyway

LP | 2021 | EU | Original (No Remorse)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Eternal Champion

Ravening Iron

Release: 2021 / EU – Original

Genre: Rock & Indie

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Keepers Of The Faith 10th Anniversary Reissue

Terror

LP | 2010 | EU | Reissue (Century Media)

21,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Warner)

Zaz

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Warner)

Damien Rice

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Matador)

Car Seat Headrest

Twin Fantasy

Francoise Hardy Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Will Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

On February 16th, on the heels of the smashing success of Teens of Denial, Car Seat Headrest will release a new version of Twin Fantasy. “It was never a finished work,” Will says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Will, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those apologies to future me’s and you’s, there is more forgiveness than fury.

This, Will says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy.

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Francoise Hardy

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Gates To Purgatory Remastered Edition

Running Wild

LP | 2017 | EU | Original (Noise)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Suicide Art Of The Album Edition

Suicide

LP | 2017 | EU | Original (Mute)

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Polydor)

The Cure

Acoustic Hits

7" | 2016 | EU | Reissue (Phantom)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

For the first time on vinyl and pressed on 180-gram vinyl.

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Pisse

Kohlrübenwinter #1

7,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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August and Everthing After

Counting Crows

2LP | 2017 | EU | Original (Geffen)

33,99 €*

2LP | 2013 | CZ | Reissue (Universal)

Release: 2017 / EU – Original

Genre: Rock & Indie

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“August and Everything After” is the debut studio album by American rock band Counting Crows, released September 1993 on Geffen Records.

The album cover depicts handwritten lyrics to a song called "August and Everything After", but the band decided against featuring the song on the album of the same name; it was not until over a decade later that it was played as part of one of their live concerts.

Now, this great album gets an official 2LP vinyl reissue.

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Fall Out Boy

From Under The Cork Tree

Live In Cleveland August 22, 1977

Release: 2013 / CZ – Reissue

Genre: Rock & Indie

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Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “From Under The Cork Tree” is finally back in print on limited vinyl.

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AC/DC

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Stone Sour Black Vinyl Edition

Stone Sour

LP | 2016 | EU | Original (Music On Vinyl)

Atom Heart Mother 2016 Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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Stone Sour is an American rock band formed in Des Moines, Iowa. To date Stone Sour have released five studio albums. Originally released in 2002, Stone Sour is the debut studio album by the band. The album received positive reviews. It was praised for showing a diversity in Taylor's vocals. It was certified Gold in the United States.

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Pink Floyd

LP | 2016 | EU | Original (Parlophone)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

V.A.

Sky Girl

LP | 2016 | EU | Original (Roadrunner)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Gojira

Magma

Release: 2016 / EU – Original

Genre: Rock & Indie

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La Onda De Elia Y Elizabeth

Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

LP | 2013 | US | Original (In The Red)

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Fuzz

20,99 €*

LP | 2013 | FR | Original (Mom & Pop)

Release: 2013 / US – Original

Genre: Rock & Indie

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Fuzz is Ty Segall (drums / vocals), Charlie Moothart (guitar / vocals) and Roland Cosio (bass).
They're heavy rock lifers-three California-bred dudes who have been refining their riffs and getting weird together since high school (which wasn't that long ago, actually). Fuzz was formed a couple years ago as a collaboration between Segall and Moothart, but only recently did the pair have sufficient time to guide the band out of side-project limbo and into a recording studio. Since then, they have released two singles, "This Time I Got a Reason" (Trouble In Mind) and "Sleigh Ride" (In The Red). Around the time of the latter, Cosio joined on bass. They are not dabblers or dilettantes. Fuzz flipped through used bins, hard drives and record collections of the world, seeking out the finest weirdo cuts. The band's self-titled debut LP dives deep, drawing inspiration from the more esoteric reaches of heavy metal pre-history. There are Sabbath and Hendrix nods, obviously, but on "Sleigh Bells" you might also catch a whiff of UK progressive blues business like The Groundhogs, particularly when the song quits its 10/4-time intro and reboots into full-bore choogle. Maybe you'll even glimpse the ghost of Australian guitar legend / sharpie guru Lobby Lloyde sniffing around "Raise." The mood is not light. The songs project a state of perpetual paranoia and eroding mental health. And as it should be, you know? It's a record for the burners. Vinyl includes digital download coupon.

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FIDLAR

Fidlar

Release: 2013 / FR – Original

Genre: Rock & Indie

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LP | 2010 | EU | Original (Jackpot)

Wipers

Youth Of America

Release: 2010 / EU – Original

Genre: Rock & Indie

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Fetch Jde Blue Vinyl Edition

Melt-Banana

LP | 2013 | US | Reissue (Azap)

Emahoy Tsege Mariam Gebru

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Received a 7.8 rating from Pitchfork. From the whip-like crack of Yako’s signature staccato vocals and impossible-to-memorize lyrics to the relentless overdrive tempo of their one-of-a-kind prog-core, Melt-Banana have long resided in a cybertopia of their own devising where the limits of technology and human capability are old-world concerns as quaint and cumbersome as bartering with a blacksmith. The demos for Fetch, their first studio album since the severely fried pop-punk of 2007’s Bambi’s Dilemma, were completed in March 2011, but the Fukushima earthquake changed everything, including their ability to concentrate on recording. Which stopped completely. Once they felt ready to return to their music, they decided to approach the songs on a sound-by-sound basis, choosing each tone with meticulous attention to detail, affirming their personal connections, being themselves naturally and openly. Fetch scrapes glam shimmers off punk’s outermost fringes and forges them into a rather intensely technical Deanscape packed with fantastical hybrids. Agata’s guitar riffs, seemingly composed in tandem with skipping CD players, are more bad-ass than ever, bright and fractured like the soundtrack for a CC-Hennix-scored biker flick. The album is juiced with electronics and post-rock production, tempering what could easily be a tiresome and predictable frenzy, yielding unexpected associations: Kate Bush climaxing on Walter White’s blue meth; demos of late-period Wire playing metal run through Wasp synthesizers and Autotune; unripe wild lychees keeping time on an Ankgor Wat tin roof during a monsoon. They’ve been performing live as a duo since summer 2012, and will do the same for their “2 do what 2 fetch” tour in support of the album. After nearly 20 years of playing with a live rhythm section, their use of a PC, while opening possibilities for a variety of drum and synth voicings, does not signal a move away from the traditional live band sound, as heard, for example, via the future transmissions from downtown Noiseapolis on 2009’s Lite Live: Ver. 0.0. Yako and Agata say they need to feel real band sounds onstage as much as someone in the audience. This is a group that routinely excels at several kinds of impossible simultaneously, so of course any new challenge they come up with for themselves is sure to blow the doors off your Mini Cooper.

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Emahoy Tsege Mariam Gebru Purple Vinyl Edition

LP | 2016 | US | Reissue (Mississippi)

Pretty (Ugly Before) Tri-Color Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Purple Vinyl.Celestial piano composition and performance by a classically-trained Ethiopian nun. Erik Satie, Debussy, liturgical music of the Coptic Church, the Ethiopian five-note scale, and a touch of the divine. It is some of the most moving piano music you will ever hear!

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Elliot Smith

7" | 2010 | US | Reissue (Suicide Squeeze)

12,99 €*

LP | 2014 | EU | Reissue (BMG)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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"Pretty (Ugly Before)" b/w "A Distorted Reality Is Now A Necessity To Be Free" holds the distinction of being the last recording by Elliott Smith to be released while he was still alive. Originally released as a single in August 2003, the songs were a part of the recording sessions that would ultimately yield the acclaimed posthumous album From A Basement On The Hill. The two songs serve as a powerful reminder of why Smith became the voice for a dejected generation. This repress is limited to 500 copies on tri-color vinyl - mustard, baby blue, and coke bottle green.

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HiM

Razorblade Romance

37,99 €*

Superheroes, Ghostvillains + Stuff

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Razorblade Romance (Clear Vinyl) - HiM

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The Notwist

3LP | 2016 | EU | Reissue (Alien Transistor)

Leviathan White Green Merge With Splatter

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places. Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career. Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych. What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last. As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues. Pico Be (Das Weiße Pferd)

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Mastodon

LP | 2010 | Reissue (Relapse)

Release: 2010 / Reissue

Genre: Rock & Indie

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A Head Full Of Dreams Recycled Black Vinyl Edition

Coldplay

LP | 2015 | EU | Reissue (Parlophone Label Group)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Music On Vinyl)

Cold

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Everything Is Red Lost My Head Random Colored Vinyl Edition

The Cure

LP | 2022 | EU (XXX)

Unrest Swamp Green Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie

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Recorded Live At Wembley Arena, 19th January 1991 "The Greatest British Music Weekend" Bbc1 Radio Broadcast. With Glossy Printed Inner Sleeve.

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Disrupt

LP | 2015 | Reissue (Relapse)

Release: 2015 / Reissue

Genre: Rock & Indie

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Big Tv Limited Black Vinyl Edition

White Lies

2LP | 2013 | UK | Reissue (Pias Catalogue)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2014 | FR | Reissue (Craft)

Pretty Reckless

Going To Hell

Release: 2014 / FR – Reissue

Genre: Rock & Indie

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IV: Empires Collapse Blue / Green Colored Vinyl Editoin

Warbringer

LP | 2013 | EU | Reissue (M-Theory Audio)

23,09 €* 32,99 € -30%

Celeste Colored Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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We’re pleased to present the third of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue/green vinyl version with loads of extras in an expanded package 2013’s Warbringer IV: Empires Collapse showcased the band aiming to diversify their sound and taking chances by expanding boundaries by continuing to bring in more influences from black metal to punk to industrial in a overall more experimental and free effort that was initially met with mixed reactions but has become a favorite amongst many in the band’s fanbase. Continuing to work with producer Steve Evetts (Sepultura, Hatebreed, Symphony X) the band opted for a different mix and enlisted Brett Eliason (Pearl Jam, Avenged Sevenfold) who brought a cleaner and different approach to the traditional thrash band. Staples include “The Turning of the Gears,” “Hunter-Seeker,” “Black Sun, Black Moon” and the epic “Towers of the Serpent.” The reissue adds the band’s take on the Led Zeppelin classic “Communication Breakdown.” Touring continued with notable supports to Overkill and Kreator in the US and Iced Earth in Europe.

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The Soundcarriers

2LP | 2010 | UK | Reissue (Phosphonic)

The Rising Tied Deluxe Ruby Red Vinyl Edition

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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There's something intangible about Celeste, the Soundcarriers’ second album, originally released in 2010. It has a light, lucid quality, almost like driving exhausted through a strange city at night. Freeflowing yet tethered, dreamy yet attacking, the band continue the fight to reconcile competing impulses. Various threads just about keep the shimmering tapestry from tearing. Haunting folk melodies underpinned by rhythmic static and the physicality of the totally analogue recording and mixing, baroque keyboard counterpoints and sweeping arrangements. The opener “Last Broadcast” seems to encapsulate this but it's almost as if the album gets the angst out of its system with this track and is free to explore the quieter, less crowded back streets. After the smoke of “Last Broadcast” has cleared, the twisting road takes in the soft introspection of “Hideaway” and “Morning Haze”, both tracks morphing into heavy psyche grooves or the eastern tinged psyche funk of “Signals” and “Rise And Fall”. Or takes another turn with the tightly arranged opening segment of “Long Highway”. Somehow it still manages to fit in ‘60s pop gems like “There Only Once”. An album to really lose yourself in, yet more concise than the sprawling Harmonium and more relaxed and freeflowing than the nervy rush of Entropicalia, Celeste could be arguably their most indispensable album and not to damn it with faint praise, their most listenable.

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Fort Minor

2LP | 2016 | EU | Reissue (Warner)

44,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | AU | Reissue (MILDLIFE)

Mildlife

Phase

Nobody Wants To Be Here And Nobody Wants To Leave

Release: 2018 / AU – Reissue

Genre: Organic Grooves, Rock & Indie

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Mildlife's 2018 critically renowened album 'Phase' back in supply.
Nominated for best album at Worldwide FM Awards
Dj from DJ Harvey, Artwork, Gilles Peterson, Bradley Zero & many more.
Only limited copies avail.

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The Twilight Sad

LP | 2014 | EU | Reissue (FatCat)

28,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Fucked Up Donald Orange Vinyl Edition

D.O.A.

7" | 2016 | US | Reissue (Sudden Death)

18,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

4xLP | 2010 | EU | Reissue (EMI)

Saints

I'm Stranded

139,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Annie Up Vinyl Me, Please Edition

Pistol Annies

LP | 2013 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

More Than A Party In Amsterdam Live 1983

Depeche Mode

LP | 2021 | EU (Mind Control)

Montevallo Vinyl Me, Please Edition

Release: 2021 / EU

Genre: Rock & Indie, Pop

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Cult early performance in Amsterdam

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Sam Hunt

LP | 2014 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 2022 | UK | Original (Beggars Banquet)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Much of Montevallo was deceptive in its simplicity, hiding era-defining songwriting talent and a whole new mode of country crossover behind a seemingly easy-to-replicate formula of marrying traditional country instruments with programmed beats and slick, dynamic melodies. Its velvet revolution won Hunt years of radio dominance and anticipated a tidal wave of what’s been termed “boyfriend country” — legions of imitators who took the singer’s gently flirtatious tack and R&B influences to their cloying extremes. Plenty in Nashville didn’t see Montevallo as a changing of the guard, and even after he’d become a country megastar wrote him off as either a novelty, insufficiently capital-C Country, or both. When confronted with resistance about his own mode of widening country music’s lens Hunt has tended to return to the root of the issue, which runs much deeper than a simple disdain for pop music in country or concern about preserving some of its imagined “authentic” past.

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FKA Twigs

Caprisongs

Release: 2022 / UK – Original

Genre: Rock & Indie

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Coming Home White & Black Galaxy Vinyl Edition

Falling In Reverse

LP | 2017 | EU | Reissue (Epitaph Europe)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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2LP | 2016 | UK | Reissue (4AD)

Belly

Star White Vinyl Edition

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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All Tomorrow's Shadows Ultra-Clear Vinyl 2024 Repress Edition

The Third Sound

LP | 2018 | UK | Reissue (Fuzz Club)

22,99 €*

Hirschbrunnen Black Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Third Sound is the solo project of Icelandic singer-songwriter Hákon Aðalsteinsson, formerly of Singapore Sling and currently touring in Brian Jonestown Massacre. Now residing in Berlin with a fleshed-out live line-up, The Third Sound are gearing up for the release of their fourth album ‘All Tomorrow’s Shadows’ - arriving via Fuzz Club Records on May 11th. Recorded by the band themselves over the harsh Berlin winter, the new record is their most refined yet – offering an expansive exploration into krautrock-tainted post-punk and dark psychedelia.

Following on from their 2016 LP ‘Gospels of Degeneration’, the new album takes a much more sparse and rhythmic approach than we’ve seen before, combining hypnotic guitar drones, motorik rhythms and haunting vocals – the last track boasting a guest feature from Anton Newcombe, who released the band’s debut album on his own imprint A Recordings.

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Delving

2LP | 2021 | EU | Original (Stickman)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Don't Guess)

Mormor

Semblance

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Sony Music)

Journey

Escape

21,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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7" | 2022 | EU | Reissue (Phantom)

Pisse

Lambada - 2. Auflage

8,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Blues Funeral)

Dead Meadow

Force Form Free

LP | 2022 | CA | Original (Constellation)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The new record from one of the founding pillars of modern heavy psych rock: Spacey and dreamy yet grimly propulsive, Force From Free sees Dead Meadow continuing to explore transporting, astral-gazing heavy psychedelia.Force Form Free, the new record from Dead Meadow, is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern heavy psych continuing their effortless exploration of the transporting, astral-gazing form they've spent their entire existence pushing forward.Dead Meadow has toured such far-reaching places as Russia and Australia, performed at renowned festivals including Roadburn and Levitation fest, and had their music featured on acclaimed HBO show The WireThe band has released 7 studio albums, 3 live records, and the only Peel Session ever recorded outside the BBC studiosFor Fans of Black Mountain, King Gizzard & the Lizard Wizard, GYBE, Black AngelsSleek limited LP on bright red vinyl!

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Black Ox Orkestra

Everything Returns

Where Madness Dwells Splatter Vinyl

Release: 2022 / CA – Original

Genre: Rock & Indie

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Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.

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Ironflame

LP | 2022 | EU | Original (High Roller)

17,99 €*

2LP | 2022 | EU | Original (Flowfish)

Release: 2022 / EU – Original

Genre: Rock & Indie

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High Roller Records, gold/ black splatter vinyl, insert, ltd 350

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Footprint Project

Garden Of Opinions

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dead Magic Clear / Black Marble Vinyl Edition

Anna von Hausswolff

LP | 2018 | EU | Reissue (City Slang)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Wembley Empire Pool, London, England 4/7/1972(Live Black Friday Record Store Day 2022 Gold Vinyl Edition

Grateful Dead

5LP | 2022 | EU | Original (Rhino)

97,84 €* 102,99 € -5%

LP+CD | 2022 | EU | Original (Century Media)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies.

Available for the first time on vinyl. 5-lp, 180-Gram, vinyl boxed set. Limited edition of 10,000. (The preceding show to the 2022 RSD release from 4/8/72). When the Grateful Dead opened their famed Europe '72 tour at the sold-out, cavernous Wembley Empire Pool in London, they signaled from the very start that they meant business. From the very first notes of this show's opener, “Greatest Story Ever Told,” the Dead were "on," performing a mix of their best-known songs including “Truckin'” and “Sugar Magnolia,” a healthy dose of music from their most recent album, the live album that was a critical commercial success Skull & Roses, including “The Other One,” “Not Fade Away” > “Goin' Down The Road Feeling Bad,” and “Wharf Rat,” along with more than a half dozen songs from Bob's and Jerry's respective 1972 solo albums. If the Dead had opening-night jitters at this show, they sure masked it well with confidence, inventiveness, and inspiration, all hallmarks of what would become known as one of the Grateful Dead's greatest tours ever.

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Electric Callboy

Tekkno

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Rhino)

Van Morrison

Moondance

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Rocket To Russia Remastered

Ramones

LP | 2018 | EU | Reissue (Rhino)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Mike Campbell & The Dirty Knobs

External Combustion

LP | 2022 | EU | Reissue (BMG Rights Management)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (BMG Rights Management)

Santana

Blessings And Miracles

17,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (BMG Rights Management)

alt-J

Relaxer

18,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Contraszt!)

Infant Sanchos

Schme

17,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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And In The Darkness, Hearts Aglow Clear Vinyl Edition

Weyes Blood

LP | 2022 | US | Original (Sub Pop)

B-Sides, Demos & Rarities

Release: 2022 / US – Original

Genre: Rock & Indie

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Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. The celestial-influenced folk album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, and The Guardian admiringly named it one of 2019's best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. "We're in a fully functional shit show," Mering says. "My heart is a glow stick that's been cracked, lighting up my chest in an explosion of earnestness." And in the Darkness, Hearts Aglow opens with the wistful, winsome "It's Not Just Me, It's Everybody," a song about the interconnectivity of all beings, despite the fraying of society around us. "I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up," Mering says. "Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal." Other tracks follow in kind. The lullaby-like "Grapevine" chronicles the splintering of a human connection. The otherworldly dirge "God Turn Me into a Flower" serves as allegory about our collective hubris. "The Worst Is Done" is an ominous warning, set against a deceivingly breezy pop melody. "Chaos is natural. But so is negentropy, or the tendency for things to fall into order," she says. "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment."

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PJ Harvey

Box | 2022 | EU | Original (Island)

90,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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6x7" | 2022 | EU | Original (Grand Hotel Van Cleef)

Fjort

Nichts Deluxe Boxset

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Cadiz Music)

Killing Joke

Turn To Red

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Ipecac)

Dead Cross

II Gold Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Exister Crystal Clear Vinyl Edition

The Soft Moon

LP | 2022 | US | Original (Sacred Bones)