Rock & Indie Vinyl 14305 Items

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Seeing Red)

Intoxicated

Watch You Burn

Ultra Truth Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Out of the smoke of the pandemic, Intoxicated return with a renewed energy in the form of their debut full length, Watch You Burn. Recorded at Morbid Angel's old rehearsal studio in Tampa that Intoxicated literally rehabbed and converted into a state-of-the-art studio for renown producer, Ryan Boesch (Foo Fighters, Whores, Helmet, Melvins, Andrew WK), now known as Candor Recording, Watch You Burn is a product of a band on a mission who's Florida roots are worn proudly on their sleeves. While you can hear traces of Obituary, Massacre, and Chuck Schuldiner sprinkled all over the album, Intoxicated offer much more than shades of death. There is a heavy crossover vibe present ala D.R.I. or early C.O.C., as well as some Skate Punk /Thrash like the early Venice Beach bands. In addition, there are moments you'll swear you heard a Matt Pike riff or something out of the Nola playbook. With guest spots courtesy of friends Tony Foresta of Municipal Waste and Ken Andrews of Obituary, Watch You Burn is a bonafide rager! Intoxicated took little time off during the pandemic, adding a new guitarist, John Sutton, who is no stranger to the Florida metal scene having spent time with 90's act Pain Principle. In the last 6 months alone, Intoxicated have supported Obituary, Massacre, Nasty Savage, Gruesome, D.R.I., The Casualties, Inhuman Condition and High Reeper. With Andrew WK's disappearance leaving Erik Payne and Gregg Roberts to their own devices, Intoxicated have certainly taken a front seat and there is no sign of slowing down - the band have the pedal to the floor and plan to be out supporting the album all Summer. You can catch them this Summer supporting Obituary and Municipal Waste on select dates as well as Into the Darkness Fest and Full Terror Assault Open Air!

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Daniel Avery

2LP | 2022 | Original (Phantasy Sound)

Release: 2022 / Original

Genre: Rock & Indie

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Riderless Horse Black Vinyl Edition

Nina Nastasia

LP | 2022 | US | Original (Temporary Residence)

Wilds Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Riderless Horse is my first solo record, and it's the first record my former partner, Kennan Gudjonsson, didn't produce. I haven't made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery. Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music. Terrible things happen. These were some terrible things. So, what to do - learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humor, tell the truth, and make a record. I made a record.

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The Soundcarriers

LP | 2022 | UK | Original (Phosphonic)

The Löst Tapes Volume 2 Record Store Day 2022 Blue Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Limited edition on colored vinyl.

We've always done things our own way and without any outside pressure,” says Paul Isherwood of The Soundcarriers. “Making music like this keeps things fresh, you always lose something and gain something as you go along but I think of it as just another chapter.”

There have been many chapters in the life of the band to date and each one is defined by the singular approach and style of the group. Since forming in 2007 the band - comprised of Isherwood, Adam Cann, Dorian Conway and Leonore Wheatley - have released three albums that position them as a distinct and unique force in British music. Eschewing fads and trends that come and go, they have instead focused on honing their own sonic world that glides between woozy psychedelia, immersive grooves, subtle pop and rich, enveloping soundscapes. They’ve consistently moved at their own pace and on their own terms and on their fourth album, Wilds, they return after seven years since their last. “The sessions started in a cottage in the wilds so there's a literal meaning,” Isherwood says of the title. “But figuratively we've pretty much been in the wild for the last few years as far as a lot of people are concerned.”

The recording was staggered over a few different locations, from cottages to primary schools, before finishing in an art gallery. “The beauty of recording in non-studio studios is you have the time for the unexpected to happen,” says Isherwood. “Which is really what keeps you coming back for more.” As a result of the timeframe of the album, it’s one that has changed and grown a lot over the years. “The record has been through a lot of stages,” says Isherwood. “It's almost been circular. We started off wanting to do an album of more shorter, concise tracks and then sort of sidestepped into some more spacey ambient ideas so in a way the album is kind of a synthesis of the two phases, overall carrying on with many of the themes and influences of the first three but with a more focused approach.”

The opening ‘Waves’ leaps out the gate with an infectious hook kissed by a touch of French pop before leaping into a devilishly catchy chorus and into a mini prog-like flute breakdown. It sets the tone for an album that is rich in adventure and unpredictability that manages to balance experimentation with accessibility. ‘At The Time’ is almost unrelenting in its grinding charge, managing to create a groove that cracks and pulses at the same time, ‘Wilds’ is a gorgeously floating piece of music that skips along with strutting bass as Wheatley’s vocals merge melody with texture magically. The closing ‘Happens Too Soon gently stirs to life with an almost pastoral folk air to it, as it slowly builds into swirling psych pop rich in texture before reaching a rousing crescendo. “I feel this album sums up a lot of our influences,” says Isherwood. “There’s a strong folk influence in the sense of the actual songwriting but musically we wanted to create songs that were like those rare oddities you find on a bizarre charity shop record. A collection of "one offs" capturing a moment rather than trying to make a hit song.”

This sense of it being an album of unique songs is clearly apparent throughout but it also maintains a natural flow and cohesion. This is something that stems from the band’s approach to songwriting for the record. “A lot of the tracks started with a feel or groove,” says Isherwood. “Then building it into a more concise arranged piece. We were conscious that we didn't want the recording to sound too over-polished so although a lot of the tracks were quite painstaking in how they evolved we wanted the actual recording to be quite raw and not be reliant on cutting things up or overly editing things. We wanted it to sound natural rather than perfect.”

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Motörhead

2LP | 2022 | US | Original (BMG)

LP | 2022 | EU | Original (Batov)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 2250 copies.

Cassette tapes. Remember those? Those things with the dual spools and loads of wide brown plastic recording string that’d occasionally unravel and hang out of the shell, requiring a pencil and firm wrist to spin back into place? Yeah, well, once upon a time, old-school sound systems contained cassette decks for the express purpose of recording shows, and these “cassette” things were a standard part of every tour. Motörhead were certainly no exception, recording show after show. They contain gold, pure aural gold, and had for many years sat hundreds of feet underground in a small cave Lemmy owned, guarded by small, hairy centurions in Roman armor with small spears and bad attitudes. Only the magic password would release them, and thankfully, Lem had scribbled it down and left it inside an old sketch book for us (no, were won’t tell you the password, although it did have the words ’nie nie nie’ in it). There were loads of the dirty, dusty, greasy little buggers gathered, with the likes of Lyon, Liverpool, Hamburg and Chippenham (!!) scrawled in biro on the tiny labels alongside a date...and thus we are delighted to announce that this unique collection of live gems will now be heard by the world, via carefully digitized transfers, in a new series titled THE Löst Tapes. VOL. TWO has been hand-picked by the increasingly deaf, but well-meaning (and hydrated!) Motörhead team, along with surviving members Phil Campbell and Mikkey Dee, and sees the trio in blistering form on the Snake Bite Love album tour recorded -at the University of East Anglia, Norwich on 18th October 1998.

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Satellites

A Certain Kind / Everybody's Talkin' Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lost somewhere between the mysterious alleys of 70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Satellites self-titled debut album is set to be released on Batov Records.

The Şatellites’ sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honouring the Anatolian folk and psych artists from this golden era of music.

From the funky disco beat of Disko Arabesque to the celestial lead guitar in Yağmur Yağar Taş Üstüne, the band add fire and flair to time-honoured pieces of Turkish music, giving them new meanings. Covering important tracks such as female singer Kamuran Akkor’s track Olurmu Dersin, and musician and guitarist Zafer Dilek’s Yekte, the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey.

The band boasts six members; Ariel Harrosh (Bass) Lotan Yaish (Drums), Yuli Shafriri (Vocals), Tsuf Mishali (Keys and Synths), Tal Eyal (Percussion) and Itamar Kluger (Diwan saz, both electric and acoustic, electric baglama, Greek 4 double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst travelling the Kaçkar mountains in Turkey’s eastern region. The saz being a long-necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites’ union, and plays predominance throughout the bands’ album and music.

In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called “Anatolian Rock” and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music.

As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and the reverb of psychedelic, with traditional middle-eastern rhythm and structure, opening up the wealth of Turkish music to the western world, so that anyone and everyone can relate to something from the album.

With that said, Şatellites emphasise that their music is not fundamentally Turkish music, on the contrary, they merely try to sound as close to the genre as possible. Their sole aim is to honour this amazing culture and to present it to the world in a more accessible and attainable form.

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Weyes Blood

7" | 2022 | US | Original (Mexican Summer)

19,99 €*

I Can't Let Go Loser Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 2000 copies. A Certain Kind b/w Everybody's Talkin' is a double A-side 7" of cover songs by Weyes Blood, originally recorded by Soft Machine and Fred Neil. This limited edition of 2,000 worldwide on Blood Starburst color vinyl is available exclusively for Record Store Day 2022.

A Certain Kind b/w Everybody's Talkin'

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Suki Waterhouse

LP | 2022 | US | Original (Sub Pop)

LP | 2021 | EU | Original (Island)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: "The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen." Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut track, "Brutally," as "what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like." In addition to raves from Garage, Vice and Lemonade Magazine, Dujor put it best: "Suki Waterhouse's music has swagger." Suki is constantly consuming artists of all stripes, and, in the lead-up to making I Can't Let Go, she was particularly drawn to the work of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. After falling in love with Hiss Golden Messenger's Terms of Surrender, she reached out to its producer Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) to help define the sound of I Can't Let Go. On I Can't Let Go, Suki not only catalogs her life up to this point, but she also fulfills a lifelong ambition. "When I've been stuck or feel out of touch with a sense of inner meaning and outer purpose, I've found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored," she says. "So many times of change in my life have required return visits-especially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. What is left and can't be thrown away is the self."

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PJ Harvey

Let England Shake Demos

13,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Money Years HHV Exclusive White Vinyl Edition

Ja, Panik

2LP | 2021 | EU | Original (Staatsakt)

24,29 €* 26,99 € -10%

LP | 2021 | EU | Original (Rough Trade)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Staatsakt and HHV proudly present two earlier albums of the great Ja, Panik. Limited to 300 copies on white vinyl, "The Angst & The Money" and the album "The Taste & The Money" is only available at HHV.

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Dean Blunt

Black Metal 2

Release: 2021 / EU – Original

Genre: Rock & Indie

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3LP | 2021 | EU | Original (Big Brother)

Oasis

Knebworth 1996

48,99 €*

Garbage Remastered Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people.

Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem.

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Garbage

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Damon Albarn (Blur / Gorillaz)

The Nearer The Fountain, More Pure The Stream Flows Black Vinyl Edition

LP | 2021 | UK | Original (Transgressive)

19,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Origin Of Symmetry (XX Anniversary Remixx)

Muse

2LP | 2021 | EU | Original (Warner Music International)

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Guruguru Brain)

Minami Deutsch

With Dim Light

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Delta Kream Black Vinyl Edition

The Black Keys

2LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Habibi Funk)

Roger Fakhr

Fine Anyway

LP | 2021 | EU | Original (No Remorse)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Eternal Champion

Ravening Iron

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (BML)

Bukahara

Canaries In A Coal Mine

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | UK | Original (4AD)

Adrianne Lenker

Songs & Instrumentals

33,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (FKJ)

FKJ

Ylang Ylang

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Static Shock)

The Times

Red With Purple Flashes

6,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | US | Original (P.W. Elverum & Sun)

The Microphones

The Microphones In 2020

LP | 2020 | EU | Original (Erste Theke)

Release: 2020 / US – Original

Genre: Rock & Indie

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A new Microphones album consisting of one long song.

The old smell of air coming faintly through the spring crack in the snow above a hibernating bear’s winter den, the smell of long self-absorption, burrowing into one’s own chest, re-breathing the exhales of one’s own breath, the smell of squinting in the dark ruminating in dreams beneath layering years, the snow still falling.

In the dark smoldering slowly burning through all the old clothes, sifting through the ash, wiping old shedded fur from the eyes nosing out into the light.

In that brief moment when the airs of the past and present meet, at the mouth of the open bed, egoic solidity burns away in the spring wind, self becomes fuel, there is only now and the past is a dream burning off. Fragments arranged along the trail, crumbs consumed, dust blown, no route back.

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Stiff Richards

Dig

22,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Punisher Black Vinyl Edition

Phoebe Bridgers

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (RCA)

The Strokes

The New Abnormal

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (Big Brother)

Oasis

Dig Out Your Soul

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Warner)

Zaz

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Because Music)

Parcels

21,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Warner)

Damien Rice

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

V.A.

Sky Girl

LP | 2016 | UK | Reissue (Virgin)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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The Kooks

Inside In, Inside Out

28,99 €*

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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LP | 2010 | EU | Original (Jackpot)

Wipers

Youth Of America

Release: 2010 / EU – Original

Genre: Rock & Indie

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Pretty (Ugly Before) Tri-Color Vinyl Edition

Elliot Smith

7" | 2010 | US | Reissue (Suicide Squeeze)

12,99 €*

LP | 2022 | UK | Reissue (World Of Echo)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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"Pretty (Ugly Before)" b/w "A Distorted Reality Is Now A Necessity To Be Free" holds the distinction of being the last recording by Elliott Smith to be released while he was still alive. Originally released as a single in August 2003, the songs were a part of the recording sessions that would ultimately yield the acclaimed posthumous album From A Basement On The Hill. The two songs serve as a powerful reminder of why Smith became the voice for a dejected generation. This repress is limited to 500 copies on tri-color vinyl - mustard, baby blue, and coke bottle green.

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The Cat's Miaow

Songs '94-'98

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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Superheroes, Ghostvillains + Stuff

The Notwist

3LP | 2016 | EU | Reissue (Alien Transistor)

A Head Full Of Dreams Recycled Black Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places. Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career. Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych. What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last. As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues. Pico Be (Das Weiße Pferd)

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Coldplay

LP | 2015 | EU | Reissue (Parlophone Label Group)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Everything Is Red Lost My Head Random Colored Vinyl Edition

The Cure

LP | 2022 | EU (XXX)

Unrest Swamp Green Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie

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Recorded Live At Wembley Arena, 19th January 1991 "The Greatest British Music Weekend" Bbc1 Radio Broadcast. With Glossy Printed Inner Sleeve.

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Disrupt

LP | 2015 | Reissue (Relapse)

Release: 2015 / Reissue

Genre: Rock & Indie

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LP | 2011 | EU | Reissue (Listenable)

Manowar

Kings Of Metal

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Middle Of Nowhere, Center Of Everywhere Record Store Day 2024 Edition

Acid King

2LP | 2015 | EU | Reissue (Blues Funeral)

36,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Future Me Hates Me Green Marbled Vinyl Ediiton

The Beths

LP | 2018 | US | Reissue (Carpark)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Celeste Colored Vinyl Edition

The Soundcarriers

2LP | 2010 | UK | Reissue (Phosphonic)

50 Words For Snow 2018 Remaster Snowy White Vinyl Edition W/ Obi-Strip

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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There's something intangible about Celeste, the Soundcarriers’ second album, originally released in 2010. It has a light, lucid quality, almost like driving exhausted through a strange city at night. Freeflowing yet tethered, dreamy yet attacking, the band continue the fight to reconcile competing impulses. Various threads just about keep the shimmering tapestry from tearing. Haunting folk melodies underpinned by rhythmic static and the physicality of the totally analogue recording and mixing, baroque keyboard counterpoints and sweeping arrangements. The opener “Last Broadcast” seems to encapsulate this but it's almost as if the album gets the angst out of its system with this track and is free to explore the quieter, less crowded back streets. After the smoke of “Last Broadcast” has cleared, the twisting road takes in the soft introspection of “Hideaway” and “Morning Haze”, both tracks morphing into heavy psyche grooves or the eastern tinged psyche funk of “Signals” and “Rise And Fall”. Or takes another turn with the tightly arranged opening segment of “Long Highway”. Somehow it still manages to fit in ‘60s pop gems like “There Only Once”. An album to really lose yourself in, yet more concise than the sprawling Harmonium and more relaxed and freeflowing than the nervy rush of Entropicalia, Celeste could be arguably their most indispensable album and not to damn it with faint praise, their most listenable.

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Kate Bush

2LP | 2011 | EU | Reissue (Fish People)

54,99 €*

LP | 2018 | AU | Reissue (MILDLIFE)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. 50 Words For Snow is Kate's 10th studio album on her own label Fish People. It was released on 21 November 2011.

50 Words For Snow features seven brand new tracks set against a background of falling snow. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Mildlife

Phase

Honey Bones Transparent Yellow Vinyl Edition

Release: 2018 / AU – Reissue

Genre: Organic Grooves, Rock & Indie

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Mildlife's 2018 critically renowened album 'Phase' back in supply.
Nominated for best album at Worldwide FM Awards
Dj from DJ Harvey, Artwork, Gilles Peterson, Bradley Zero & many more.
Only limited copies avail.

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Dope Lemon

2LP | 2021 | EU | Reissue (BMG Rights Management)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Blending Black Marble Vinyl Edition

High Vis

LP | 2022 | US | Reissue (Dais)

4xLP | 2010 | EU | Reissue (EMI)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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Saints

I'm Stranded

139,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

More Than A Party In Amsterdam Live 1983

Depeche Mode

LP | 2021 | EU (Mind Control)

15,99 €*

LP | 2011 | US | Reissue (Bar None)

Release: 2021 / EU

Genre: Rock & Indie, Pop

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Cult early performance in Amsterdam

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The Front Bottoms

2LP | 2016 | UK | Reissue (4AD)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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It's the 10 Year Anniversary of The Front Bottoms' self-titled debut, a beautiful alchemy of anthemic hooks andquotable confessions achievable only by the closest offriends, Brian Sella and Mat Uychich. Their songs are immediately recognizable, lyrics and riffs cleverly and effortlessly spun together into songs surprisingly real. LyricallyBrian Sella fires off scattershot images that the listener cangather up and make sense of like working puzzle pieces onthe floor. Romance, freedom, paranoia, partying and somehow getting clean all tumble together from song to song.The album includes fan favorites like "Flashlight," "Swimming Pool," and "The Beers," where Sella recalls beefingup for a Jersey Shore summer of steroids "because youlike a man with muscles and I like you."

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Belly

Star White Vinyl Edition

30,99 €*

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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All Tomorrow's Shadows Ultra-Clear Vinyl 2024 Repress Edition

The Third Sound

LP | 2018 | UK | Reissue (Fuzz Club)

22,99 €*

Hirschbrunnen Black Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Third Sound is the solo project of Icelandic singer-songwriter Hákon Aðalsteinsson, formerly of Singapore Sling and currently touring in Brian Jonestown Massacre. Now residing in Berlin with a fleshed-out live line-up, The Third Sound are gearing up for the release of their fourth album ‘All Tomorrow’s Shadows’ - arriving via Fuzz Club Records on May 11th. Recorded by the band themselves over the harsh Berlin winter, the new record is their most refined yet – offering an expansive exploration into krautrock-tainted post-punk and dark psychedelia.

Following on from their 2016 LP ‘Gospels of Degeneration’, the new album takes a much more sparse and rhythmic approach than we’ve seen before, combining hypnotic guitar drones, motorik rhythms and haunting vocals – the last track boasting a guest feature from Anton Newcombe, who released the band’s debut album on his own imprint A Recordings.

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Delving

2LP | 2021 | EU | Original (Stickman)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Yotanka)

Zenzile

Electric Soul

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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2LP | 2015 | EU | Reissue (!K7)

DJ Koze

DJ-Kicks

LP | 2020 | EU | Reissue (BMG Rights Management)

Release: 2015 / EU – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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With his friendly and sometimes melancholic manner, DJ Koze is one of the most remarkable players in today's club landscape and one of the few internationally active DJs who are also relevant outside of dance music. For his 70-minute journey for the anniversary edition of the "DJ Kicks" series, "Kosi Kos" manages to give the mix its own timbre despite the various styles represented: be it the pared-down hip-hop of Madlib, brutal Berghain techno, timeless songwriting, flowing indie pop and tracks that oscillate between absurdity and melancholy. "I didn't want to shine with knowledge," Koze says, "but rather bring together some gems that make sense to people who aren't necessarily music nerds." It should fit together harmoniously: "The idea was to create the impression of a radio show, like John Peel used to do. A huge cosmos of music rushing through my filter." For fans of DJ Koze, Recondite, Mount Kimbie, Four Tet, Caribou, Matthew Dear, Simian Mobile Disco, Apparat, Efdemin.

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Overkill

I Hear Black

28,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Sony Music)

Journey

Escape

21,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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7" | 2022 | EU | Reissue (Phantom)

Pisse

Lambada - 2. Auflage

8,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Blues Funeral)

Dead Meadow

Force Form Free

King Gizzard & The Lizard Wizard

Release: 2022 / EU – Original

Genre: Rock & Indie

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The new record from one of the founding pillars of modern heavy psych rock: Spacey and dreamy yet grimly propulsive, Force From Free sees Dead Meadow continuing to explore transporting, astral-gazing heavy psychedelia.Force Form Free, the new record from Dead Meadow, is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern heavy psych continuing their effortless exploration of the transporting, astral-gazing form they've spent their entire existence pushing forward.Dead Meadow has toured such far-reaching places as Russia and Australia, performed at renowned festivals including Roadburn and Levitation fest, and had their music featured on acclaimed HBO show The WireThe band has released 7 studio albums, 3 live records, and the only Peel Session ever recorded outside the BBC studiosFor Fans of Black Mountain, King Gizzard & the Lizard Wizard, GYBE, Black AngelsSleek limited LP on bright red vinyl!

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Quarters! Audiophile Limited Edition

2LP | 2022 | EU | Original (Heavenly)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | CA | Original (Constellation)

Black Ox Orkestra

Everything Returns

LP | 2011 | US | Reissue (Red Scare)

Release: 2022 / CA – Original

Genre: Rock & Indie

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Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.

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Elway

Delusions

20,99 €*

Where Madness Dwells Splatter Vinyl

Release: 2011 / US – Reissue

Genre: Rock & Indie

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This young four-piece from Colorado roamed the basements and punk houses of America for a couple years as the band 10-4 Eleanor, and after building quite a following among the sweaty/bearded segment of the underground, they opted for a new band name and a fresh start in 2011. Thus ushered in the era of Elway, and along with it comes their Red Scare debut, Delusions. It marks an ambitious step up for the band as they ditched their home recordings and enlisted audio guru Matt Allison at Atlas Studios (Alkaline Trio, Lawrence Arms, LTJ, Smoke or Fire, etc). Rest assured, this one retains all the guts and grime that these guys are known for, but with more intricacy and nuance than you'd expect from your average "beardo" punk band. Delusions is thematically inspired by two things: our society's regard for God and having to deal with maniacal loved ones; and these brainy rockers from the Rocky Mountains are sure to capture plenty of attention with this impressive beginning.

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Ironflame

LP | 2022 | EU | Original (High Roller)

17,99 €*

2LP | 2022 | EU | Original (Flowfish)

Release: 2022 / EU – Original

Genre: Rock & Indie

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High Roller Records, gold/ black splatter vinyl, insert, ltd 350

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Footprint Project

Garden Of Opinions

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dead Magic Clear / Black Marble Vinyl Edition

Anna von Hausswolff

LP | 2018 | EU | Reissue (City Slang)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Wembley Empire Pool, London, England 4/7/1972(Live Black Friday Record Store Day 2022 Gold Vinyl Edition

Grateful Dead

5LP | 2022 | EU | Original (Rhino)

102,99 €*

LP+CD | 2022 | EU | Original (Century Media)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies.

Available for the first time on vinyl. 5-lp, 180-Gram, vinyl boxed set. Limited edition of 10,000. (The preceding show to the 2022 RSD release from 4/8/72). When the Grateful Dead opened their famed Europe '72 tour at the sold-out, cavernous Wembley Empire Pool in London, they signaled from the very start that they meant business. From the very first notes of this show's opener, “Greatest Story Ever Told,” the Dead were "on," performing a mix of their best-known songs including “Truckin'” and “Sugar Magnolia,” a healthy dose of music from their most recent album, the live album that was a critical commercial success Skull & Roses, including “The Other One,” “Not Fade Away” > “Goin' Down The Road Feeling Bad,” and “Wharf Rat,” along with more than a half dozen songs from Bob's and Jerry's respective 1972 solo albums. If the Dead had opening-night jitters at this show, they sure masked it well with confidence, inventiveness, and inspiration, all hallmarks of what would become known as one of the Grateful Dead's greatest tours ever.

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Electric Callboy

Tekkno

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Rhino)

Van Morrison

Moondance

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Rocket To Russia Remastered

Ramones

LP | 2018 | EU | Reissue (Rhino)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (BMG Rights Management)

Santana

Blessings And Miracles

17,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (BMG Rights Management)

alt-J

Relaxer

18,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Sings Reign Rebuilder 20th Anniversary Edition

Set Fire To Flames

2LP | 2022 | UK | Original (FatCat)

45,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Contraszt!)

Infant Sanchos

Schme

17,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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And In The Darkness, Hearts Aglow Clear Vinyl Edition

Weyes Blood

LP | 2022 | US | Original (Sub Pop)

B-Sides, Demos & Rarities

Release: 2022 / US – Original

Genre: Rock & Indie

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Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. The celestial-influenced folk album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, and The Guardian admiringly named it one of 2019's best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. "We're in a fully functional shit show," Mering says. "My heart is a glow stick that's been cracked, lighting up my chest in an explosion of earnestness." And in the Darkness, Hearts Aglow opens with the wistful, winsome "It's Not Just Me, It's Everybody," a song about the interconnectivity of all beings, despite the fraying of society around us. "I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up," Mering says. "Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal." Other tracks follow in kind. The lullaby-like "Grapevine" chronicles the splintering of a human connection. The otherworldly dirge "God Turn Me into a Flower" serves as allegory about our collective hubris. "The Worst Is Done" is an ominous warning, set against a deceivingly breezy pop melody. "Chaos is natural. But so is negentropy, or the tendency for things to fall into order," she says. "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment."

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PJ Harvey

Box | 2022 | EU | Original (Island)

90,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Guruguru Brain)

Minami Deutsch

Fortune Goodies

LP | 2022 | EU | Reissue (Cadiz Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio album and an encyclopaedia of Krautrock, as band leader Kyotaro Miula describes it. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, thus resulting in this ultimate Japanese take on cosmic music in 2022.

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Killing Joke

Turn To Red

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Night Visions 10th Anniversary Expanded Edition

Imagine Dragons

2LP | 2022 | EU | Original (Interscope)

42,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Ipecac)

Dead Cross

II Gold Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Efficient Space)

V.A.

Ghost Riders

May Our Chambers Be Full Blue & Purple Galaxy Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Emma Ruth Rundle & Thou

LP | 2020 | US | Reissue (Sacred Bones)

Sonder White Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Sacred Bones celebrates its 15th year label anniversary with this blue and purple galaxy vinyl repress of the haunting and monolithic May Our Chambers Be Full. "The juxtaposition of Rundle's long distance melodies and Bryan Funck of Thou dredging up his guts to scream into the sky shows two sides working together to create something surprising and new." - The Fader // "The whole LP would be a great release for either artist, but it's the brilliant convergence of sensibilities that sets it apart in the landscape of alternative metal... an excellent entry point for any would-be Thou fans, and a potential game-changer for Rundle ones." - Loud & Quiet

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Dermot Kennedy

LP | 2022 | CZ | Original (Island)

11,99 €*

Release: 2022 / CZ – Original

Genre: Rock & Indie

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We Still Take You With Us-The Early Years 11 Lp Box

Epica

11LP | 2022 | EU | Original (Nuclear Blast)

87,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Earache)

Wormrot

Hiss

Hellfire Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wormrot return with their most stunning work to date! Following on from 2016's critically acclaimed album 'Voices', Wormrot's 4th studio album 'Hiss'. The Singaporean trio features the same line up as 2016's Voices with Arif (Vocals) Rasyid (Guitar) and Vijesh (Drums) and is without doubt their most ambitious and creative work to date. Having already made their mark as one of Grindcore's biggest names, Wormrot are intent on bringing Grindcore back to the masses with a sonically stunning record of wildly unhinged and downright feral noise.

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Black Midi

LP | 2022 | UK | Original (Rough Trade)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Svart)

Caligula's Horse

Bloom Clear Vinyl Edtion

32,99 €*

LP | 2022 | EU | Original (Year0001)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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An official reissue of the 2015 album by Caligula’s Horse, originally issued on Inside/Out Records. Caligula’s Horse are among the vanguard of the new generation of progressive rock artists. The Australian band has been often compared to the likes of Opeth, Haken and Porcupine Tree, and original copies of In Bloom on vinyl have already reached high prices on the collector’s market. The Svart reissue comes with a gatefold jacket and the 1000 copy pressing is split into two color variants, the more serene clear vinyl option and the more expressive red and green marble edition.

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Viagra Boys

Cave World

Up And Away Loser Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Inspired by current events, the album aims to break through the madness and confusion that the world is currently in. Like sin-eaters, if one had to ingest sins with a very small spoon, the Viagra Boys have devoured the utterly incomprehensible chaos of our time and distilled it into the 12 immaculate tracks of "Cave World".

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Σtella

LP | 2022 | EU | Original (Sub Pop)

Ghost Of Love Silver Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Stella makes her Sub Pop debut with the mesmerizing Up and Away, an old-school pop paean to the pangs and raptures of love. From the Greek folk-inflected get-go, we're swept up in Stella's world - and it's quite the captivating place to be. The singer-songwriter joined forces with artist and producer Tom Calvert (aka Redinho), and it was a match made in Athens; the results are heavenly. Tom caught one of Stella's gigs on a visit to the city. He reached out, they started hanging out, and the pair soon clicked creatively. Both mention chemistry when asked about their collaboration and it's clear, from what we hear, they had it in spades. The meld is seamless. Stella's songs have always riffed on American and Greek mid-century pop but Up and Away doubles down on the vintage aesthetic. Tom says he styled the record "as if it was a rare gem from the '60s found in a box of records in Athens," and Stella notes she was ready for a more "deeply Greek touch - it felt comfortable and right, smoothly fusing with the pop." The bouzouki appears on a full five tracks played by Christos Skondras who, she says, "was brilliant at improvising," while Sofia Labropoulou on the kanun "brought an insane amount of dreaminess to the last two songs. Having these amazing musicians play for Up and Away - I couldn't be more grateful." While not exclusively a confessional artist, Stella is always intimate - when she sings, it's personal. She writes "about things I feel passion for. Stories about me, about others, about all that's there in love and war." Stella was "in a very emotional state at the time, which came through in the lyrics and vocals." And it's true, her honeyed voice - layered in those unmistakable harmonies of hers - thrillingly runs the gamut from tender to terse, by turns bracing and smitten, aching and forlorn. But it's the lyrics that feel key. Across her output, Stella has proven herself a strong storyteller, and Up and Away is no exception (the guise of the medieval bard she assumes on the cover is telling). Past releases have been studded with gem-like vignettes - a diverse array of stories set tightly together to form non-linear narratives unified by emotion. Her latest feels singular in that it seems to trace a longer-form tale across songs, with each track escalating the record's erotic arc. By the end of the album, Up and Away's core concerns are clear: the conflicting and conflicted emotions inherent in love, that live on in ways we can't always understand or control. Love is like this record: when it's over, you still feel it for time to come.

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David Lynch

7" | 2022 | US | Original (Sacred Bones)

12,99 €*

LP | 2022 | EU | Original (Century Media)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

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Arch Enemy

Deceivers

Release: 2022 / EU – Original

Genre: Rock & Indie

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NIE WIEDER KRIEG Limited Fanbox

Tocotronic

Box | 2022 | EU | Original (Vertigo)

48,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Mahal Black Vinyl Edition

Toro Y Moi

LP | 2022 | US | Original (Dead Oceans)

Zink Crystal Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.

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Dans Dans

2LP | 2021 | EU | Original (Unday)