Rock & Indie Vinyl 2191 Items

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Superior Viaduct)

Contortions

Buy

Allegory & Self Clear With Yellow Splatter Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved - getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wired energy. Led by the brash yelps and free-sax squawks of Chance, Contortions spit out fiercely rhythmic tunes charged by the wiry guitar lines of Jody Harris and the dizzying slide guitar of Pat Place. With drummer Don Christensen slipping in pointillist beats and David Hofstra’s infectious basslines, the songs on Buy crackle with both precision and abandon. Opener “Designed to Kill” shoots sparks of sound in all directions, while “Contort Yourself” is a nihilistic dance number wherein Chance instructs listeners to twist into knots, physically and mentally. “It’s better than pleasure, it hurts more than pain,” he snarls, later imploring, “You better try being stupid instead of smart.” Heavily influenced by the showman funk of James Brown (whose “I Can’t Stand Myself” the band had covered on No New York) Contortions coined a downtown dance-punk sound that had immediate influence on subsequent No Wave bands - including Place’s Bush Tetras and Bronx trio ESG - as well as the burgeoning disco movement. On Buy, Contortions’ self-invented template is imprinted so hard into the grooves that it sounds like they’re about to break, capturing a combustible band in all its fiery fury

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Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Mobile Fidelity)

Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Tapete)

Carambolage

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Let It Be 50th Anniversary Edition

The Beatles

LP | 1970 | UK | Reissue (Apple)

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Michael Franks

The Art Of Tea

LP | 1986 | UK | Reissue (Fire)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Spacemen 3

Sound Of Confusion

21,99 €*

LP | 1972 | EU | Reissue (Vampisoul)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Now(Repress 2021) As Classic Blacklp, 140 Gr.Spacemen 3's Debut Album "Sound Of Confusion", Released In 1986, Was A Blistering Affair - Establishing Their Love Of The Two-Chord Song And Also Expressing Their Admiration For The Likes Of Mc5, The 13th Floor Elevators And The Stooges. Sound Of Confusion Was 7 Tracks Of Overdriven Assault, With A Strange Bleakness And Despair Creeping Through The Hypnotic Sprawl. R Hunter Gibson Would Later Say: "It Boosts The Value Of Unlit Rooms, Unpaid Debts And Unfeigned Terror And It Would Rather Tackle The Gradients Than Settle For Level Best

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Manduka

17,99 €*

Bennesbeh Labokra ... Chou?

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Progressive Psych Folk At Its Best Featuring Members Of Los Jaivas, Amerindios And Congregación.First Album By Brazilian Musician, Poet And Plastic Artist Manduka. Originally Released In 1972 On Irt, The Album Is A Sought-After Collectors Item, Especially Among Those Who Seek In Its Cultural Richness, Fundamental Episodes Of Chilean Popular Musical History.An Essential Record Almost Entirely Written By Manduka During His Exile Years In Chile, Away From His Home In Brazil. It Includes Improvised Jams And Songs About Brazilian History, His Own Exile And The New Cultures He Got Exposed To.A Sublime Combination Of Acoustic Guitar Sounds, Percussions And Delicate Songwriting That May Remind You Of Some Other Brazilian Artists Like Os Novos Baianos Or Even Caetano.It Includes A Special Cover Version Of Violeta Parra's 'Qué Dirá El Santo Padre' And Features Guest Artists Like Soledad Bravo, Patricio Castillo, Baltasar Villaseca -From Congregación-, Brothers Gabriel And Eduardo Parra, Members Of Los Jaivas, And Numhauser Himself.Limited!

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Ziad Rahbani

LP | 1978 | EU | Reissue (Wewantsounds)

34,99 €*

LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.

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Black Sabbath

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Vinyl Lovers)

The Cure

Seventeen Seconds

29,99 €*

LP | 1975 | EU | Reissue (Sis)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Seventeen Seconds was the second album by the Cure originally released in 1980. It was too bleak for bassist Michael Dempsey who left after hearing Robert Smith's demos. Smith went his own merry/miserable way in the end and the album is a fine example of their spindly proto-goth. It contains one of their finest moments in menacing single A Forest which exemplifies the dark nature of the material on the album.

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AC/DC

High Voltage

Some Girls Half Speed Remastered Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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The Rolling Stones

LP | 1978 | EU | Reissue (Polydor)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Pias)

The Wedding Present

George Best

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Modern Harmonic)

The Runaways

Queens Of Noise

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Queens of punk glam and noise! Arriving mere months after their initial assault, The Runaways crank up the intensity on their dominant second album, painting stark pictures of teenage rebellion across a stunning set of originals. This final album featuring original vocalist Cherie Currie, Queens Of Noise displays advances in The Runaways songwriting and playing while keeping their take-no-prisoners attitude totally intact.

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Die Ärzte

Debil

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1979 | EU | Reissue (Island)

The Slits

Cut

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Another Music In A Different Kitchen Black Vinyl Edition

Buzzcocks

LP | 1978 | UK | Reissue (Domino)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Heart Of Saturday Nigh Remastered Edition

Tom Waits

LP | 1974 | EU | Reissue (Anti)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Geffen)

Tom Petty

Full Moon Fever

38,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Blackened)

Metallica

Kill Em All

31,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Rhino)

The Replacements

Let It Be

21,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Music On Vinyl)

Babe Ruth

First Base

LP | 1980 | EU | Reissue (Sanctuary)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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Motörhead

Ace Of Spades

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1978 | EU | Reissue (Music On Vinyl)

Hank Williams

40 Greatest Hits

35,99 €*

2LP | 1987 | UK | Reissue (Warner)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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This double LP includes such number 1 hits as "Lovesick Blues", "Jambalaya (On The Bayou)", "Kaw-liga" and "Your Cheatin' Heart". This anthology is the perfect starting point for newcomers to Hanks Williams' recorded legacy.

180g vinyl in gatefold sleeve.

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The Smiths

Louder Than Bombs

36,99 €*

LP | 1979 | US | Reissue (Alive)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Swell Maps

International rescue

Release: 1979 / US – Reissue

Genre: Rock & Indie

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My Life In The Bush Of Ghosts

Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

45,99 €*

The Kids Will Have Their Say Purple Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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SS Decontrol

LP | 1982 | US | Reissue (Trust)

34,99 €*

LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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What is there to say about SS DECONTROL’s long out-of-print 1982 debut, The Kids Will Have Their Say, that hasn’t already been written? Long heralded as the first straightedge album, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered, artistic statement that’s singular in scope and vision. The Boston act’s debut was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with remastered audio and a painstaking recreation of the iconic cover art courtesy of Bryan Ray Turcotte. Over the years, the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa, and drummer Chris Foley perform live. In many ways, SSD launched the hardcore scene in Boston as we know it and the band’s kinship with Minor THREAT’s Ian MacKaye arose out of the fact that both acts refused to conform to society’s still shifting standards at the time. From the unbridled aggression of SSD’s “Boiling Point” to the strippeddown groove of “How Much Art,” the album was as reactionary as it was revolutionary and is an artistic statement that remains to be remarkably complex for a group of guys barely into adulthood. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of The Kids Will Have Their Say is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded.

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Black Sabbath

Paranoid

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Dizonord)

Interim

A La Petite Cuiller

LP | 1987 | UK | Reissue (Fire)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes!
Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic!
We really hope you'll enjoy this collection of tracks and collages as we do so, once upon a time...

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The Lemonheads

Hate Your Friends

7" | 1983 | US | Reissue (Chunklet)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…

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DDT

Brave New World

14,99 €*

'74 Jailbreak Gold Nugget Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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No Atlanta punk record from the 1980s creates such a lather as the debut single by DDT (except maybe Neon Christ's single, but I digress). Self released in 1983, merely finding a copy would put you into serious debt. That is, until now. Audio was restored by Jason NeSmith at Chase Park from a spotless copy of the record given to Chunklet by Joe Perry who recorded the single at his Bombay Studios in Smyrna. Never before reissued until right now. Get in on the ground floor of Atlanta's punk scene from 40 years ago

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AC/DC

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Rumplestiltskin Black Vinyl Edition

Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

Rumplestiltskin Green Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic, funky hard-rock with plenty of distorted guitar and Hammond by this “supergroup” created by legendary producer Shel Talmy and featuring some of the best session musicians from the UK: Herbie Flowers (bass), Alan Parker (guitar), Clem Cattini (drums), Alan Hawkshaw (keyboards) plus Peter Lee Sterling (Daniel Boone!) on powerful vocals.

This is their first album from 1970, originally released in the UK, Europe and the US, now officially reissued on vinyl for the first time, faithful to the original UK edition with the effects between songs and the lavish gatefold sleeve (both omitted on the US one).

Riyl: Led Zeppelin, Ugly Custard, Hungry Wolf, Black Cat Bones, Atomic Rooster…

*Original UK artwork in gatefold sleeve *Sourced from the original master tapes *Insert with liner notes by Alec Palao and rare photos / memorabilia

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Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

Opens The Seven Gates Of Transcendental Consciousness Colored Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Master Wilburn Burchette

LP | 1972 | US | Reissue (Numero Group)

32,99 €*

Strange Times Re-Mastered Colored Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Opaque Red Vinyl.California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

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The Chameleons

3LP | 1986 | UK | Reissue (Blue Apple Music)

57,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Feedback '86 Vinyl Edition Re-Issue 2024

Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Life Goes On)

Ananda Shankar

Sa-Re-Ga Machan

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Medieval Steel Bone Vinyl Editoin

Medieval Steel

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Pyromania Half Speed Remastered Vinyl Edition

Def Leppard

LP | 1983 | EU | Reissue (Universal)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Black Soul Brothers Black Vinyl Edition

Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

Renovations Remastered 2024 Record Store Day 2024 Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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Mike Welch

LP | 1981 | UK | Reissue (Nunorthern Soul)

Diamond Dogs 50th Anniversary Half-Speed Mastered Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Rock & Indie, Pop

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A rare private pressing from 1981 gets a loving remaster from Simon Mills [bent] and a reissue on the NuNorthern Soul label who have been releasing and reissuing musical oddballs and goodness for 11 years. Ace compialtion compiler, Paul Hillery [bbe, ReWarm] has spent time interviewing Mike Welch about this project and will be included as extensive sleeve notes on the release. This is a very special Blue Eyed Soul album with heavy Country leanings or as Paul puts it ' A record made by a musician, having to work hard by day and then put it all on the line in the studio at the weekend. Reflective songwriting and tight musicianship are given the space to breathe and un-smothered by overproduction. Difficult to tag, harder to find, essential re-issue business.' Copies of this are very hard to come by and go for silly money on Discogs which is a shame as the world needs to hear this album. 1LP vinyl with heavy card insert.

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David Bowie

LP | 1974 | EU | Reissue (Parlophone Label Group)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Music On Vinyl)

Atomic Rooster

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Private Revolution Reissue

World Party

LP | 1986 | US | Reissue (Seaview)

14,99 €*

Kill From The Heart Red Vinyl Edtion

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Audiophile 180g Vinyl-Reissue des Debütalbums "Private Revolution" (1986) der britischen Rockband World Party. Mit den Singles "Ship Of Fools", "All Come True" und "Private Revolution".

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Dicks

LP | 1983 | US | Reissue (Superior Viaduct)

The Sensual Word 2018 Remaster Ash Grey Vinyl Edition W/ Obi-Strip

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.

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Kate Bush

LP | 1989 | EU | Reissue (Fish People)

47,99 €*

LP | 1980 | EU | Reissue (Geffen)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Sensual World is the sixth studio album by Kate Bush. It was released in October 1989 and reached no. 2 in the UK album chart.

It has been certified Platinum by the British Phonographic Industry in the UK, and Gold by the Riaa in the US. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Steely Dan

Gaucho Ltd.

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Bedtime For Democracy White Vinyl Edition

Dead Kennedys

LP | 1986 | EU | Reissue (Audioplatter)

32,99 €*

LP | 1981 | EU | Reissue (Rafftt)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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New edition of the fourth and final Dead Kennedys full-length studio album on stunning white vinyl presented in a gatefold sleeve! The final studio album from the Dead Kennedys originally released in 1986. This 21 track album saw the band take a more “thrashy” edge to their sound, resulting in some of their most fast and intense tracks. With arguably one of the best album covers of all time 'Bedtime For Democracy' continues to be one of the most popular punk albums of the 1980s. Features the tracks "Hop With The Jet Set", "Rambozo The Clown", "The Great Wall" and "Chickenshit Conformist".

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Desmond Simmons

Alone On Penguin Island

LP | 1975 | Reissue (Knitting Factory)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Originally released on Bruce Gilbert and Graham Lewis Dome Records in 1981, Desmond Simmons’s Alone on Penguin Island stands in splendid isolation. Rereleased on Rafftt records with the permission of Desmond’s estate it has been re-mastered from the original tapes by Denis Blackham, the artwork has been re- imagined by the original designer Slim Smith with extensive liner notes on gatefold vinyl rounding out the project.

The year before the Wire pair had initiated Dome: a project where the duo privileged process over the end product. They would often commence recording with little or no material, using the studio itself to create raw instrumentation. After the release of their first Dome album, they then invited Simmons to record an album for the Dome label. Simmons had played bass on Colin Newman’s recently released debut solo album A-Z and he and the Wire frontman were lifelong friends.

His original demos suggested a kinship with the psychedelic guitar pop he’d played on Newman’s A-Z. However, the versions on Alone on Penguin Island enter a very different realm. With Gilbert and Lewis as producers, Simmons’s compositions are abstracted, inverted and warped. It was a bold move on their part to suggest such an approach, yet a far bolder one for Simmons to accept this experimental mindset. Even if the recording sessions were often far from harmonious. Intriguing arrangements, sprightly verses and mournful melodies the album is one that spans many moods, Lewis referring to it as “fragile, mysterious, melancholic” From shimmering electronics and jittery synths to wistful guitar driven post punk. On the unforgettable ‘By Air Or By Sea’ the breathless Simmons vocal was not some incidental effect: the producers instructed the singer to run around the block, then dart back into the studio and record the vocal, before he had a chance to get his breath back. Another of the albums highlights the deeply psychedelic ‘Pathenon’ and the churning rhythms of ‘Man The Lifeboats’ is another of the album’s strongest tracks.

For all Simmons’s Wire connections, Alone on Penguin Island shouldn’t be considered a Wire side project. It’s a fully formed work in its own right, with Simmons’s strangely slanted song writing at its heart. It was produced just at the time a number of post punk’s brightest stars were about to dive into the mainstream. Simmons however, was headed in the opposite direction: creating an album that sounds as unique and challenging as the day it was first released. It is a bleached out coda: chilly and curious. It sounds less like a composition, more like its ghostly remains. Consequently, as the album concludes, the listener is left in an icy, lopsided lacuna.

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Fela Kuti

Expensive Shit

Release: 1975 / Reissue

Genre: Rock & Indie

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Get It Right / Standard Man Ep Collection

Animal Magic

LP | 1982 | EU | Reissue (Lantern)

LP | 1979 | JP | Reissue (P-Vine)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Steve Eaton

28,79 €* 35,99 € -20%

Young, Loud And Snotty Black Vinyl Edition

Release: 1979 / JP – Reissue

Genre: Rock & Indie

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This is the second album released by singer-songwriter Steve Eaton, who had previously been part of the group Fat Chance with Bill LaBounty and gained attention for providing songs to artists such as The Carpenters and Art Garfunkel. Originally released in 1979, this LP has become rare and highly valuable, but P-vine is proud to be the first to release it on vinyl. Supported by talented musicians such as Steve Lukather and Leland Sklar, this album features excellent blue-eyed soul tunes including the lively and groovy "All In Love Say 'i'". Over 40 years after its release, it is still highly regarded by Soul / AOR freaks.

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Dead Boys

LP | 1977 | US | Reissue (Jackpot)

29,99 €*

Locust Abortion Technician

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The Dead boys hailed from Cleveland, Ohio and relocated to New York to become one of the first US punk bands. Originally signed to Sire Records, the Dead Boys were notorious for their edgy attitude and songs. After frequent shows at CBGB, the club owner of CBGB became their manager. The Dead Boys debut studio album - “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock albums!

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Butthole Surfers

LP | 1987 | EU | Reissue (Matador)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

The Lemonheads

Creator

LP | 1970 | Reissue (Moosicus)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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Canned Heat

Future Blues

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Sommor)

Dom

Edge Of Time

The Truth Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Monster tripped-out Floydian psychedelia / krautrock by this band from Düsseldorf featuring visual artist Gabor Baksay. This is their sought-after album originally released in 1972. Dark, atmospheric, hypnotic sound with percussion, flute, organ, guitars and early electronics / proto-industrial sound collages… DOM (Gabor and Laszlo Baksay, Rainer Puzalowski and Hans-Georg Stopka) evolved from a beat/psychedelic band called the Early Birds, later Set Mind, who were in a sort of sporty competition with another group called Spirits of Sounds, featuring Michael Rother’s Pre-NEU and Kraftwerk drummer Wolfgang Flür. DOM were regulars at underground clubs from Düsseldorf such as the Creamcheese, where they rubbed shoulders with early Krafwerk and Can. “Edge Of Time” was recorded at the legendary Neubauer Studios (Harmonia, Kalacakra, Anima-Sound…) and subsequently released on the tiny Melocord label in 1972. Its enigmatic cover was designed by a friend of the band, Jutta Keime. *Remastered sound *Original artwork in cardboard sleeve + OBI *Insert with liner notes by Klemen Breznikar (It’s Psychedelic Baby) and rare photos Riyl: Pink Floyd, Tangerine Dream, Mythos, Kluster, Popol Vuh, Yatha Sidhra… “One of the legendary classics of the German underground” – The Crack In The Cosmic Egg “My favourite German Psychedelic German Underground album of all time” – Reine Fiske (Dungen)

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D.R. Hooker

LP | 1972 | US | Reissue (Numero Group)

29,99 €*

LP | 1972 | AU | Reissue (Half A Cow)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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Neil Gardner

Said The Blackbird

52,99 €*

Release: 1972 / AU – Reissue

Genre: Rock & Indie

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Nattag Marbled Vinyl Edition

San Michael's

LP | 1972 | EU | Reissue (Plusqueréel)

38,99 €*

Shock Troops Black Ice Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The re-release of the 2 seminal psych/prog albums by SAN MICHAEL’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression towards Kaipa’s sonic multiverse, bordering on the porous dividing line between psychedelia (with a Made-in- Sweden pedigree) and European progressive, and driven by Hans Lundin’s ferocious organplaying that alternates between swirling ultra-groovy psychedelia and imposing kraut-ish segments. Both albums, produced by Leif Mases, have been remastered by sound meister Martin Igelström for your maximum audio pleasure, and come in ultra-limited pressings of 200 numbered copies + 2-page insert with bio and rare studio and live photos, in splatter (1st ) and marble (Nattag) vinyl. File nearby: Blakulla, Blue Sun, Dice, Kaipa, Made in Sweden, Mecki Mark Men, Panta Rei, Trettioåriga Kriget Vinyl 180 gr., strictly limited pressing of 200 numbered copies. NB: Not to be confused with St. Mikael or Cosmic Michael.

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Cock Sparrer

LP | 1983 | US | Reissue (Pirates Press)

31,99 €*

Super Djata Band & Zani Diabaté

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Some records so perfectly capture an artist at a critical point in their creativity, and make such an impact, that they become not just synonymous with the band, but an essential piece of music history. Such is the case with Shock Troops, the album that not only became Cock Sparrer’s most acclaimed record, but a defining moment for Oi!, punk rock, and underground music in general! Originally released by Razor Records in 1983, Shock Troops proved to consist of song after song which would each become anthems of the burgeoning Oi! scene and far beyond. From the opening of “Where Are They Now?” on through “Take ‘Em All,” “We’re Coming Back,” all the way to the closing chords of “Out On An Island,” there isn’t a song in the bunch that any self respecting punk rocker can’t shout along to. These working class anthems are just as vital today, as proven by the crowds of beloved fans worldwide that continue to go wild at Sparrer’s live shows, where Shock Troops tracks still make up the heart of their setlists. For nearly 15 years, Pirates Press Records has made certain this classic stayed in print, in an absolutely stunning assortment of coloured vinyl pressings. In celebration of the band’s 50th year, we were proud to present a remastered version of Shock Troops, from the original 1⁄4” tapes, sounding better than ever! The 50th anniversary gold jacket versions are sadly all sold out but now we have the remastered versions on colored vinyl with the original artwork! Pure class. SIDE A:1. Where Are They Now2. Riot Squad3. Working4. Take 'em All5. We're Coming Back SIDE B:1. Watch Your Back2. I Got Your Number3. Secret Army4. Droogs Don't Run5. Out on an Island

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Volume 2 Black Vinyl Edition

LP | 1982 | US | Reissue (Numero Group)

4LP | 1983 | Reissue (Universal)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Connecting Wasulu hunter music, griot praises, Senufo pastoral dances, Fula and Mandingo repertoire alongside Western psychedelia, blues and afro-beat, Zani Diabaté's Super Djata Band was among Mali's top orchestras of the 1980s. On their 1982 album, Diabaté enshrines himself within the pantheon of mythical West African guitarists, hypnotically picking through eight vivid compositions on his path to godhead status.

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The Police

Synchronicity Box

138,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Am Fenster Yellow Vinyl Edition

City

LP | 1978 | EU | Reissue (Sony Music Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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12" | 1982 | UK | Reissue (Emotional Rescue)

The Impossible Dreamers

Spin Feat. Nad Versions

18,99 €*

Slam Record Store Day 2024 White Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Suburban Studs

LP | 1978 | EU (Radiation Reissues)

Endangered Species Record Store Day 2024 Pink Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Birmingham in 1976, English punk quartet Suburban Studs built their reputation through fearsome early live gigs, supporting the Pistols and the Clash at the 100 Club, and having the Clash return the favour at a gig the Studs headlined in their home town; they later supported Ac/dc and Judas Priest, among many others. Signing to the independent Pogo label in l977, debut album Slam had 16 brisk originals and a double-time take of the Who’s ‘My Generation’; this edition comes with four bonus tracks taken from their unfinished in-progress second album, which was never released. A must-have for all original punk fans.

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U.K. Subs

LP | 1982 | EU (Radiation Reissues)

Nr. 1 Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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By the early 80s punk had become something else compared to what it was when Year Zero stabbed a flag in the sand and established ‘War!’ on boredom and normality. You could argue that in 1982 when Endangered Species arrived...UK Subs were very much that. The vanguard of the second wave. A crucial nook in the subculture. Still alive. Still kicking. Still prowling around the town with their best point yet to be proven. From Ambition, essentially an annihilated bluegrass-skank version of the Stones’ Satisfaction, to Indie Chart hit single Countdown and the atomic sonics of a post punk dub attack in Ice Age, all blistering guitar razors that chime against the night as well as chew it up, it's easy to see both why Charlie Harper considers the group's fifth LP to be their strongest and Guns ‘n’ Roses covered Down on the Farm.

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Grave

LP | 1975 | EU | Reissue (Sommor)

Horse Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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Horse

LP | 1970 | EU | Reissue (Guerssen)

The Truth Cobalt Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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D.R. Hooker

LP | 1972 | US | Reissue (Numero Group)

I Against I Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Cobalt Vinyl. A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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Bad Brains

LP | 1986 | US | Reissue (ORG Music)

LP | 1988 | UK | Reissue (Fire)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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The Lemonheads

Lick

Leather Boyz With Electric Toyz

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Mystification Picture Disc Edition

Manilla Road

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | UK | Reissue (Crass)

Crass

Penis Envy

39,99 €*

2LP | 1979 | UK | Reissue (Crass)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Remastered and reissued vinyl version of what should've been one of the first 10 records you ever bought. Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat macho, hardcore punk image that The Feeding of the 5000 & Stations of the Crass had given the group. Featuring more obviously complex musical arrangements, this release showcases exclusively female vocals provided by EVE Libertine and JOY DE Vivre. The album addressed feminist issues and once again attacked the institutions of "the system" such as marriage and sexual repression.

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Crass

Stations Of The Crass

49,99 €*

Nr. 1 Splattered Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Grave

LP | 1975 | EU | Reissue (Sommor)

LP | 1988 | EU | Reissue (Matador)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Butthole Surfers

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Frehley's Comet Colored Vinyl Edition

Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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2LP | 1979 | US | Reissue (Feel It)

The Toms

45,99 €*

Black Sugar II Black Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

LP | 1970 | EU | Reissue (Akarma)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Bruce Palmer

The Cycle Is Complete

Schleimer K Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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After leaving the Buffalo Springfield because of a drug bust, bassist Bruce Palmer released this 1970 solo album for Verve Forecast. Consisting of only four tracks, The Cycle Is Complete seamlessly explores psych, folk and jazz territories to cultivate a sound that now seems decades ahead of its time. Opening track "Alpha - Omega - Apocalypse" features vocals by Rick Matthews (later known as psychedelic soul star Rick James). An exploratory cult classic.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

32,99 €*

Steeler Record Store Day 2023 Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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Steeler

LP | 1983 | Reissue (Sound City)

Release: 1983 / Reissue

Genre: Rock & Indie

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The Complete Score From The Catherine Wheel Record Store Day 2023 Black Vinyl Edition

David Byrne

LP | 1981 | Reissue (Warner)

48,99 €*

Bloodsuckers Clear Vinyl Edition

Release: 1981 / Reissue

Genre: Rock & Indie

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Limited 2 x 140g 12" Black vinyl album. RSD 2023. An absolutely monumental masterpiece of late 20th century music is the seamless funk opera score David Byrne created for choreographer Twyla Tharp’s The Catherine Wheel in 1981. This 2LP set marks the vinyl debut of the full score (previous releases contained only a 1LP condensed version). The tracks "Big Blue Plymouth", "My Big Hands", "Big Business" and "What a Day That Was" were all performed live by Talking Heads in 1982 and 1983.

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The Varukers

LP | 1983 | EU | Reissue (Audioplatter)

17,99 €*

A Sultan's Ransom Splatter Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

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Cloven Hoof

LP | 1989 | EU | Reissue (High Roller)

Master Control 35th Anniversary Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023 with original cover art, electric blue w/ black & white splatter vinyl, ltd 200, lyric sheet, restored original master, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, new cutting by SST

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | TR | Reissue (Ada Müzik)

3 Hür El

Hur El Arsiv

Nancy Sinatra & Lee Hazlewood

Release: 1974 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

The Album Red Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Eater

LP | 1977 | EU (Radiation Reissues)

19,99 €*