Rock & Indie Vinyl 2187 Items

LP | 1987 | EU | Reissue (Metal Mind Productions)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

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Armia

Antiarmia

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

13,29 €* 18,99 € -30%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

18,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

18,99 €*

First And Last Colored Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Artattacks

7" | 1979 | EU (Overground)

10,99 €*

Chisholm In My Bosom Crystal Clear Vinyl Edition

Release: 1979 / EU

Genre: Rock & Indie

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Originally From 1979 - Limited Color Vinyl!

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Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition

Arti & Mestieri

LP | 1974 | EU | Reissue (Cracki)

46,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Event To Come Red Vinyl Edition

Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

12,99 €*

Join Inn 50th Anniversary Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Crossing The Line Limited Yellow Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Asia Minor

LP | 1979 | EU | Reissue (AMS)

Asocial And The Bedrövlers

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Crossing the Line” is the first album by Asia Minor, a cult band of the progressive rock scene founded by two Turkish students living in Paris, Setrak Bakirel and Erik Tekeli, who are still ...

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How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition

LP | 1984 | EU

16,99 €*

Asocial And The Bedrövlers

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition

LP | 1984 | EU

20,99 €*

Interstellar Experience Black Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Assassin

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Interstellar Experience Yellow Vinyl Edition

Assassin

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Assim Assado Purple Vinyl Edition

Assim Assado

LP | 1974 | EU | Reissue (Groovie)

25,19 €* 27,99 € -10%

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.

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Ordered To Kill Black Vinyl Editoin

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, bonus track "Fuckadafi", Original 1986 sound. Specially mastered for vinyl

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Ordered To Kill Camouflage Splatter Vinyl Edition

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, bonus track "Fuckadafi", Original 1986 sound! Specially mastered for vinyl

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Retaliatory Strike Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl

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Retaliatory Strike Camouflage Splatter Vinyl Edition

7" | 1972 | US | Reissue (Just Add Water)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, A4 insert, A5 photo card, Original 1987 sound! Specially mastered for vinyl

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Atlantis

I Ain't Got Time

17,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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There’s “obscure” and then there’s this record. This is simply Rockin’ Horse, featuring gods Jimmy Campbell and Billy Kinksley, recording under a different name. Their incredible Yes It Is LP completely flopped in 1971 and their label, Phillips Records, just didn’t want to know. They were still under contract as Rockin’ Horse so they got around that by releasing this single as "atlantis" on their producer HAL CARTER's Fury label in 1972. They should have sold these songs to John Lennon because this smokes anything he was doing at the time yet sounds eerily just like him. Available for the first time since 1972. Edition of 300 copies.

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Atlas

Bla Vardag

LP | 1979 | EU (Replica)

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1979 / EU

Genre: Rock & Indie

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Originally published in 1979, the sole album from swedish band Atlas is combining playfulness with intricate, mellow melodies while infusing heavy organs, carefully refined guitar riffs and fantastic synthesized soundscapes. This album is indispensable when looking at the progressive instrumental music history and not to be overlooked !

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Atomic Rooster

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Born To Be Malaj Colored Vinyl Edition

Attentat

7" | 1980 | EU (Ken Rock)

8,99 €*

Release: 1980 / EU

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Klimt)

Aunt Mary

Janus Red Vinyl Edtion

LP | 1977 | EU | Reissue (Svart)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Aunt Mary was a prog rock band formed in Fredrikstad, Østfold in Norway in the early 70's. Signed a contract with Polydor in Denmark to release Aunt Mary in 1970. The group gradually moved towards progressive rock with the records Loaded in 1972 and Janus in 73. In the spring of 1973, during the preparations of their third album, Svein and Bjørn decided to take their music even further and spent months together writing for what they wanted to be the band's international album. The music was more prog-orientated than its predecessor. Fans and critics would later compare it to Pink Floyd, King Crimson or even a psychedelic version of The Beatles ! In June 1973, the band entered the studio. But its members were so tired of life on the road that they decided to cut the album, do the launch tour and then split up. Knowing that this album was "their swansong", they really did their best to make it shine. The band spent so much time recording that the producer, Svein Robert Ludviksen, almost lost his job. But the album turned out to be what the band would consider "the best of their career".

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Ave Rock

Espacios

13,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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7" | 1984 | US | Reissue (Prank)

Avsum

Crucified By The System

17,99 €*

LP | 1987 | US | Reissue (Luxury Products)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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A limited repress of debut 6-Track EP by Swedish legends Avskum. Original released in 1984, "Crucified By The System" is a growling, lo-fi intense dose of rampaging Swedish hardcore with hoarse vocals, pounding drums and rushing guitars. The fold-out cover is near-exact replica of the original 1984 7" EP, and this edition for the records 40th anniversary includes a reprint of a band info insert from the time of release, a 3" circular vinyl sticker and is pressed on lime green vinyl with hand stamped labels.

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AXEMEN

Derry Legend

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.

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Babe Ruth

First Base

LP | 1978 | US | Reissue (Mehum)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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Babylon

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP+10" | 1973 | EU | Reissue (Bonfire)

Bachdenkel

Lemmings

29,99 €*

LP | 1986 | US | Reissue (ORG Music)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bachdenkel was an English rock band that started under the name The U (Don't) No Who in 1968. The three piece consisted of band leader Colin Swinburne on vocals/guitars/keyboards, Peter Kimberley on bass/piano/vocals and Brian Smith on drums, with Karel Beer as an additional musician, engineer and producer. The group relocated to France to live, perform and record. Thei first effort – Lemmings – was released on Philips France in 1973, showing their excellent musicianship and songwriting. Conceived as a three sided album it was recorded during the summer of 1970. This double version includes 3 missing tracks originally conceived for the Initial Recording Company EP, a small label ran by Karel Beer. The album has an evident late sixties british psych-rock flavor, but comes with occasional harder moments and longer, more developed compositions in a proto Prog rock manner.

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Bad Brains

I Against I

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I Black Vinyl Edition

Bad Brains

LP | 1986 | US | Reissue (ORG Music)

I Against I Green Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Bad Brains

LP | 1986 | US | Reissue (ORG Music)

LP | 1972 | EU | Reissue (Universal)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (RCA)

Banco

Banco Blue Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Universal Music)

Come In Un'ultima Cena

40,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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...E Via Yellow Vinyl Edition

LP | 1985 | EU | Reissue (Catalog)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Io Sono Nato Libero Green Vinyl Edition

LP | 1973 | EU | Reissue (RCA)

55,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Orlando: Le Forme Dell'amore

2LP+CD | 1972 | EU | Reissue (Insideoutmusic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | TR | Reissue (Coskun Plak / Sahibinin Sesi)

Baris Manco

Daglar Daglar

Release: 1987 / TR – Reissue

Genre: Rock & Indie

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Baris Manco & Kurtalan Ekspres

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

Sakla Samani Gelir Zamani

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Baris Manco

LP | 1976 | TR | Reissue (Emre Grafson)

LP | 1979 | EU | Reissue (Guerssen)

Release: 1976 / TR – Reissue

Genre: Rock & Indie

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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.

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Baris Manco

Yeni Bir Gun

LP | 1973 | EU | Reissue (Sommor)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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The late '70s found Turkey in an economic slump, and there was a huge rise in political violence. Baris, who so often put out collections of singles, rose to the occasion by spending 6 months holed up with his longtime backing band the Kurtalan Ekspres. The result was this studio album of Anatolian bummer psychedelia, often unfairly overlooked because it came out in the rather un-cosmic year of 1979, but also considered his best work by many. Yep, there are still electrified versions of Turkish folk songs, and the spaceshot ARPs and Korgs of '2023' are here too, but dont expect a happy swing around the ceiling of a planetarium. The real star of the album is the keyboard player, whose name translates to Sword Agent. 'Yeni Bir Gun' is viciously funky and brilliantly arranged, with tidbits stolen out of the latest disco hits, and lean, mean synthesizers that emerge from the beats like carbonated bubbles. Melancholy maqams & catastrophic Korgs collide when the Turkish psych master glides unflinchingly into the grim late '70s!! First time ever reissue, this release comes in gorgeous gatefold cover as the original, has a repro of the original poster as well, and brings an extra insert with extensive linernotes.

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Barrabas

Power

21,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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LP | 1984 | UK | Reissue (Black Mark)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Reissue of the debut studio album by Swedish band Bathory, originally released in October 1984 through Tyfon Grammofon. This s/t work is deemed by many fans and critics to be the first black metal record.

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Bathory Picture Disc Edition

LP | 1984 | UK | Reissue (Black Mark)

31,34 €* 32,99 € -5%

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Black Mark)

Blood Fire Death

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Stunning 180g Vinyl

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Blood On Ice Red Vinyl Edition

LP | 1986 | EU | Reissue (Black Mark)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Black Mark)

The Return Of Darkness

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Stunning 180g gatefold Vinyl

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Under The Sign Of The Black Mark

LP | 1987 | UK | Reissue (Black Mark)

LP+CD | 1981 | UK | Reissue (Beggars Banquet)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Under the Sign of the Black Mark is the third album by Bathory. It had a major influence on the black metal genre, specifically the Norwegian black metal scene that emerged in the early 1990s. The song "Woman of Dark Desires" is a tribute to the band's namesake, Elizabeth Báthory, and has become one of their most recognized early tracks. "Enter the Eternal Fire" was the band's first epic, reaching nearly seven minutes in length, and presaged the turn towards what would become known as Viking metal which Bathory would take on their next three records.

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Bauhaus

Mask

27,99 €*

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Svart)

Benoit Widemann

Stress!

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Stunning synth-heavy prog rock from ex-Magma/Heldon/Dan Ar Braz member. Free-jazz elements mixed with rocking synth and piano and drums, the album is a wildly eclectic fusion of atmosphere and moods. Joined by a whole menagerie of the French prog crème de la crème, such as musicians like Patrick Gauthier, Clément Bailly, Guy Delacroix, Jean-Pierre Fouquey, Bruno Menny, Benoit was a free-wheeling synthesizer demon. A cosmic caper of multifaceted dimensions with some real Heldon-esque and Magma vibes peppered throughout. This album is every bit as entertaining and delightful as the day it was released, a stellar example of the diversity of the synth-driven prog of the age. Now dusted off and refreshed with liner notes to head into another future.

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LP | 1987 | EU | Reissue (Archives De La Zone Mondiale)

Abracadaboum

33,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Concerto Pour Detraques

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1988 | EU | Reissue (Archives De La Zone Mondiale)

Ils Veulent Nous Tuer

16,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Joyeux Merdier

16,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Archives De La Zone Mondiale)

Macadam Massacre

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Archives De La Zona Mond.)

Nada

17,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Souvent Fauche Toujours Marteau

LP | 1989 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Beverly Copeland Clear Vinyl Edition

Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

21,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Beverly Copeland Yellow Vinyl Edition

Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Craft)

Big Star

#1 Record

35,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Craft)

Big Star

Radio City

34,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Croatia)

Bijelo Dugme

5. April '81

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Sony Music Catalog)

52nd Street

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | Reissue (Sony Legacy)

Piano Man

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Sony Music Catalog)

Songs In The Attic

29,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Sony Music Catalog)

Streetlife Serenade

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Sony Music Catalog)

Turnstiles

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Flyin' Saucers R'n'R/ I Want You Baby

Billy Lee Riley

7" | 1976 | US | Reissue (Sun)

11,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | Reissue (Sony)

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Billy Ocean

Suddenly

41,99 €*

Release: 1984 / Reissue

Genre: Rock & Indie

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Beyond The Gravestone Black Vinyl Edition

Black Hole

2LP | 1984 | EU | Reissue (High Roller)

Beyond The Gravestone Purple Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 250, gatefold, 16 page booklet

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Black Hole

2LP | 1984 | EU | Reissue (High Roller)

Land Of Mystery Bicolor Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, transparent deep purple vinyl, ltd 250, gatefold, 16 page booklet

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Black Hole

LP | 1985 | EU | Reissue (High Roller)

27,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Black Merda Clear Beer Vinyl Edition

Black Merda

LP | 1970 | EU | Reissue (Lilith)

29,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Rhino / Warner)

Black Sabbath Opaque

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Never Say Die Black Vinyl Edition

LP | 1978 | US | Reissue (Rhino)

27,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Paranoid

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Paranoid

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Paranoid Black Vinyl Edition

LP | 1970 | US | Reissue (Rhino / Warner)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (BMG/Sanctuary)

Sabbath Bloody Sabbath

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Rhino / Warner)

Sabbath Bloody Sabbath

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sabbath Bloody Sabbath is the fifth studio album by English heavy metal band Black Sabbath, originally released in December 1973. It was produced by the band and Tom Allom and recorded at Morgan Studios in London in September 1973.
For the first time in their career, the band began to receive favourable reviews in the mainstream press, with Rolling Stone calling the album ''an extraordinarily gripping affair,'' and ''nothing less than a complete success.'' Later reviewers such as AllMusic's Eduardo Rivadavia cite the album as ''a masterpiece, essential to any heavy metal collection,'' while also displaying ''a newfound sense of finesse and maturity''. The album marked the band's fifth consecutive platinum selling album in the United States.

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LP | 1973 | EU | Reissue (Sanctuary)

Sabbath Bloody Sabbath

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (BMG/Sanctuary)

Sabotage

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (BMG/Sanctuary)

Technical Ecstacy

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Technical Ecstasy Super Deluxe Box Set

5LP | 1976 | EU | Reissue (Bmg / Sanctuary)

120,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Immortal Aggression Black Vinyl Edition

Black Shepherd

LP | 1988 | EU | Reissue (VIC)

Immortal Aggression Red Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Belgium’s cult black speed death metal act BLACK SHEPHERD. Originally released in 1988. Luckily the band found the old reels from 1988, unluckily just four tracks on it. These are remixed, restored and remastered, other tracks restored and remastered/ Extensive liner notes with vocalist Yvan and rare and old pictures. Cover art the back then rejected original art work! REEL tracks digitalised/ restored / remixed / remastered: SIDE A:1. Immortal Aggression2. Another Day to Die 3. Make Love War 4. Corpses 5. Evil Revenge6. AnimalRestored / remastered from the LP:SIDE B:7. State of Decay 8. Preacher of Death9. Trash 10. Kill the Priest 11. Lord of Darkness Plus BONUS: Demo 1989 – ‘Welcome’ restored / remastered12. Little Bitch

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Black Shepherd

LP | 1988 | EU | Reissue (VIC)

34,99 €*

Black Sugar II Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

LP | 1970 | EU (Trading Places)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Black Velvet

This Is Black Velvet

21,99 €*