Rock & Indie Vinyl 23401 Items

Release: 2018 / EU – Original

Genre: Rock & Indie, Pop

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Warsaw Silver/Grey Vinyl Edition

Warsaw

LP | 2021 | EU | Original (Outsider)

LP | 2019 | EU | Original (Svart)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warsaw was the planned debut album by the English post-punk band Joy Division, while they were briefly associated with RCA Records. Recorded in May 1978, it comprised eleven tracks now known collectively as the "rca Sessions". However, the band were disappointed with the label's post-production work and the deal fell through, the album being scrapped. Four of the songs recorded during the RCA sessions had previously been recorded at the end of 1977, and it was these older recordings that the band would release the following month as their debut An Ideal for Living EP.

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Warsenal

Feast Your Eyes

13,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Static Shock)

Warthog

Warthog (5)

10,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Metalapolis)

Warwolf

Necropolis

Release: 2022 / EU – Original

Genre: Rock & Indie

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A Huge Black Cloud Clear Vinyl Edition

Warwound

LP | 2021 | EU | Original (Back On Black)

10,99 €*

LP | 2017 | US | Original (Exploding In Sound)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dormant for nearly a third of a century, originally formed in 1982 by (then) bassist Damian Thompson & drummer Andy Baker (joined by Freaky Freeman on vox & Anarchy Mole on guitar).Warwound spat & cursed out three demos of 'fast, no bullshit, hardcore punk' through late 82/early 83.Heavily influenced by the sounds of the time (Discharge, Crass, Rudimentary Peni, Motorhead, Bad Brains etc) the band played a handful of gigs around the midlands area of the U.K. before in the autumn of 1983 Damian & Andy were enlisted to join the Varukers. Warwound as it was, ceased to be. During their time in the Varukers, the pair recorded two Warwound numbers which were to be featured on the classic Varukers album 'Another Religion, Another War'. Since that time some thirty years ago, the original Warwound demo tapes have been copied and circulated many times through underground circles of D-beat noise enthusiasts. The emergence of Sacrilege in 1984 also added to keep interest alive in the old Warwound material. These hugely influential recordings (25 tracks, 15 songs in various versions) are made commercially available for the first time, and with a brand new version of the band (featuring original member Damian Thompson alongside past and present members of Varukers, Discharge, Stamping Ground, Decadence Within , Sacrilege and others)

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Washer

All Aboard

LP | 2024 | UK | Original (Lovely)

Release: 2017 / US – Original

Genre: Rock & Indie

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All Aboard, Washers sophomore album out via Exploding In Sound, is a record that finds the duo reaching new heights, blending aggressive pop music together with off-kilter structures, earnest lyrics, and minimalist garage rock.

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Washing Machina

The Spontaneous Splendid

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Svart)

Waste Of Space Orchestra

Syntheosis

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Svart)

Waste Of Space Orchestra

Syntheosis

Release: 2019 / EU – Original

Genre: Rock & Indie

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Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Fungus II

LP | 2020 | US | Original (Famous Class)

The Wild Hunt Oxblood Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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• Heavily recommended by Henry Rollins

• LP includes an 8-page risograph lyric zine by Brian Chippendale

“Rarely when formulating combinations of musicians you would like to hear play together do you get to actually hear it. If Brian Chippendale and Ty Segall made a record, would you want to hear it? If the answer is yes, read on. If the answer is no, it’s too bad you ended up canned, suspended in syrup with nothing but other peaches to keep you company.

“Ty’s 2019 album First Taste and the new Lighting Bolt album Sonic Citadel are easily some of the best material either entity has ever released so if these two happened to find themselves in the same recording studio, a fan just might entertain elevated expectation levels. In fact, some might actually show signs of enthusiasm, even excitement at the fact that from July 5th -13th 2018, in the air-conditioning free environs of Ty’s home studio, the duo, eventually calling themselves Wasted Shirt, wrecked the joint as thoroughly as you hoped they would.

“Prepare To Be Stoked Dept.: The album is exploding euphoria from start to finish. A morphing day-glo rainbow that will bring a smile to your face like if you were on your way to Washington DC for the Million Puppy March. Upon first spin, all boxes are checked and any previously held doubts are completely obliterated. The more you play it, the better it kabongs you upside your head. Hectic doesn’t even begin to describe it. Brian and Ty, two mere particles in the grand scheme, collide at high speed, the technicians dive for cover, the reaction is recorded. Mutation is achieved. This is Freedom Rock. Turn up the volume. Hasten your emancipation. Sonic joy awaits.”

—Henry Rollins

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Watain

2LP | 2013 | UK | Reissue (Versity Rights)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Trident Wolf Eclipse Silver + White Marbled Vinyl Edition

Watain

LP | 2018 | UK | Reissue (Versity Rights)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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LP | 2017 | EU | Original (Pickup)

Watch

Seven

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Pickup)

Watch

The Art Of Bleeding

46,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | CZ | Original (Ripple Music)

Watchers

Nyctophilia

33,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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This Side Of Jordan Gold Vinyl Edition

Watchhouse

LP | 2024 | US | Original (Yep Roc)

We've Been So Close - Yet So Alone

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

At it’s core, Watchhouse (formerly known as Mandolin Orange) is a duo - Andrew Marlin and Emily Frantz - from Chapel Hill, NC. Their harmonies are ethereal, their chemistry vibrant, bringing to mind the atmosphere invoked by classic duos such as Emmylou Harris and Gram Parsons, or Gillian Welch and David Rawlings. Andrew and Emily provide the foundation of the group's timeless Americana sound, while enlisting a full band to flesh out their dynamics. This Side of Jordan is the group's 3rd full length album and debut release on Yep Roc Records. Since signing to the label and releasing This Side of Jordan in 2013, the band has made quite a bit of noise on the folk/Americana circuit. They’ve received critical acclaim from NPR Music, Rolling Stone, The Wall Street Journal, Garden & Gun, No Depression and more. Their catalog has surpassed over 500 million streams and they’ve sold out worldwide tours. They have headlined Red Rocks and have graced the stage of the Ryman, Bonnaroo, and Newport Folk Festival.

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Watching Tides

LP | 2021 | EU | Original (This Charming Man)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (12XU)

Water Damage

In E

49,99 €*

Somebody Else's Song Green With Black & Purple Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas's Water Damage. On their new record In E, Water Damage continues to scorch the earth with walls of punishing sound. It's no secret that something truly special can happen to the psyche when you are being pummelled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water Damage are the rare 'rock' band that follow in the lineage of artists like Faust, Tony Conrad, Steve Reich and Pärson Sound, one that creates such heavy yet minimalistic audio treasures that not only hit you viscerally but also give space to contemplate on your place in the cosmos. Their longest offering yet, Water Damage hits you with 4 side long tracks of krautpunk ending with a cover of 'Ladybird' by Shit & Shine featuring Craig Clouse on vocals. Drone until you hear god speak."—Joe Trainer, Dummy Water Damage is Mari Maurice, Thor Harris, Jonathan Horne, Nate Cross, George Dishonor, Travis Austin, Mike Kanin, Greg Piwonka, Jeff Piwonka and Lonnie "Palmtree" Slack.

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Water From Your Eyes

LP | 2024 | US | Original (Exploding In Sound)

Structure Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In the years since the release of Water From Your Eyes’ groundbreaking effort, “Somebody Else’s Song,” the duo have taken the world by storm, becoming one of the most consistent and beloved experimental pop bands of the era. They’ve toured with Interpol, Squid, Palm, Real Estate, and Pavement, earning a reputation as critically acclaimed songwriters and a stellar live act with a boisterous presence. This October marks five years since the release and Exploding In Sound Records are celebrating with a limited edition reissue on green vinyl with purple and black splatter!

Back in 2019, Brooklyn’s Water From Your Eyes had been evolving and experimenting with their sound. With “Somebody Else’s Song,” the band felt that they had found their place, the album an amalgamation of their past releases, honing in previously explored aesthetics but combining and rearranging ideas to capture feelings of self-reflection and personal growth. At their core, the duo of Nate Amos and Rachel Brown make experimental pop music, songs you can dance to, songs that will stick in your head long after you’ve heard them. The sound of Water From Your Eyes is far more expansive however, and “Somebody Else’s Song” is blissfully unclassifiable.

The lines of genre have blurred beyond recognition. The landscape flickers between haunting ambiance and noisy immersion, electronic and acoustic elements expressing emotional and mental states that are ever changing. “Somebody Else’s Song” was their first true “New York album” since the band’s relocation from Chicago, and much of the weight comes from the personal change inherent from living in a new place as life continues to whir around us. The duo took their time, the ideas coming into formation over the course of two years. That patience is apparent as the album unfolds, a balance between vulnerability and enormous shapeshifting rhythms.

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Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

Structure Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Water From Your Eyes' Rachel Brown and Nate Amos are no strangers to contradiction, with Pitchfork making note of their "confidence in splicing different genres and feels from acoustic twee to indie-electronica" in their review of 2019's Somebody Else's Songs. So, upon first listen, Structure - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like "My Love's," to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ""Quotations"" - may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener "When You're Around," which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album. Amos' advice for navigating Structure's sonic terrain is to "remember that this is weed music," while his counterpart Brown offers that that the album is like "solving a puzzle with a ton of different answers." Although these varied descriptions of how to approach listening to Structure may accurately reveal it to be another exercise in contradictions, the clear intent with which the pair approached creating the album can only be appreciated with repeat listens, and is likely what makes it, by far, their most compelling entry to date.

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Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

Watkins Family Hour Volume 2

Release: 2021 / US – Original

Genre: Rock & Indie

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Watkins Family Hour

LP | 2022 | EU | Original (Family Hour)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Sahel Sounds)

Wau Wau Collectif

Mariage

LP | 2022 | EU | Original (Green Cookie)

Release: 2022 / US – Original

Genre: Rock & Indie

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Wau Wau Collectif's second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long distance collaboration from musicians in Senegal and Sweden's Karl Jonas Winqvist is an even more stylistically expansive affair Joyful children's songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next. For Mariage, band members from each country were inspired to include a wider array of instrumental flourishes unique to their cross-continental collaboration. "Yay Balma" revolves around the cycling riffs of Jango Diabaté's xalam guitar, as this song's fuzzy tones and soaring sax solos open side two with a bang. "Pitchi Goubidi" provides a stark contrast, with the kora played like a harp and Gilbert Badji's gravelly lyrics about "the bird of the night" disappearing into dubbed-out chamber pop. Winqvist's omnichord hovers back into focus on "Yonou Natangue," a free-floating jam that maintains the messages of Wau Wau Collectif's debut, promoting youth education to address the social issues facing contemporary Senegal: "Peace is the better wealth / The way to wander."

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Wave Chargers

Caravelle

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Ghost Ramp)

Wavves

You're Welcome

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Capture Tracks)

Wax Chattels

Clot White Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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American Weekend Red Vinyl Edition

LP | 2012 | US | Reissue (Don Giovanni)

26,59 €* 27,99 € -5%

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Merge)

Ivy Tripp

Release: 2015 / US – Original

Genre: Rock & Indie

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Waxahatchee, the solo musical project of Katie Crutchfield, is named after a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Ivy Tripp drifts confidently from its predecessors and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: [Waxahatchee’s last album] Cerulean Salt is a solid and Ivy Tripp is a gas.”

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LP | 2017 | US | Original (Merge)

Out In The Storm

Release: 2017 / US – Original

Genre: Rock & Indie

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Saint Cloud Black Vinyl Edition

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee's Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she's been, filled with the people she's loved. Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield's voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time. Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on "Fire," which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Over the course of Saint Cloud, which was recorded the summer of 2019 and produced by Brad Cook (Bon Iver), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country, folk-inspired tones, and distinctly modern touches. To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit band Bonny Doon, to serve as backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bon Iver) on guitar and keyboards and Nick Kinsey (Kevin Morby) on drums and percussion. Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she's now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

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Tigers Blood Black Vinyl Edition

LP | 2024 | EU | Original (Anti)

A Romance With Violence (Re-Issue 2022)

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.

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Wayfarer

LP | 2020 | EU | Reissue (Century Media)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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World's Blood (Re-Issue 2022)

Wayfarer

LP | 2018 | EU | Reissue (Century Media)

17,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Listenable)

Waylander

Eriu's Wheel

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Hickman Holler - Thirt)

Wayne Graham

Bastion

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

LP | 2022 | EU | Original (K&F)

Wayne Graham

Ish

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Hometown Caravan)

Wayne Graham

One Percent Juice

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Target)

Wayward Dawn

Haven Of Lies

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even Up The Score White Vinyl Edition

Wayward Sons

LP | 2021 | EU | Original (Frontiers)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | NL | Original (Elektrohasch)

We Are Here Now

Chikipunks Years

Release: 2019 / NL – Original

Genre: Rock & Indie

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Huffy Solid Yellow Vinyl Edition

We Are Scientists

LP | 2021 | EU | Original (Grönland)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Maybe Today, Maybe Tomorrow

We Are The Ocean

LP | 2022 | EU | Original (Hassle)

LP | 2021 | US | Original (Bad Time)

Release: 2022 / EU – Original

Genre: Rock & Indie

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We Are The Ocean's third album 'Maybe Today, Maybe Tomorrow', pressed on vinyl for the first time in celebration of the 10th anniversary of its original release.Limited opaque cream pressing.

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We Are The Union

Ordinary Life

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Reissue (Bad Time)

We Are The Union

Self Care

We Are Winter's Blue And Radiant Children

Release: 2018 / US – Reissue

Genre: Rock & Indie

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NEW Re-issue OF THE SKA Meets Pop-punk Classic That Kicked OFF THE Modern SKA Resurgence ON Retail Exclusive Blue Vinyl W/ Marketing Sticker Whatever arguable resurgence that ska punk seems to be having, you can’t attempt to explain it or pinpoint it without referencing We Are The Union or their 2018 masterpiece “Self Care”. Initially a crowd-funded venture that raised over $60,000 worth of support, the record’s release was met with critical success and an instantly sold out modest initial pressing of 600 units. Now for the first time since it’s release the record is available again from the ska-punk focused Bad Time Records (who released the band’s 2021 album “Ordinary Life”), ready to meet the since dramatically expanded ska fan base. The record focuses on mental health in a way that hadn’t been addressed especially by a ska band. Singer Reade Wolcott addressed it in an article for Spin: “At that point, my focus was very pro-normalizing talking about mental health,” Wolcott says of 2018’s Self Care, the band’s first post-hiatus record. Wolcott wanted to push the conversation around mental health and open the possibility of taking complex emotions and putting them at the center of a ska song. “People related to it in a way that I hadn’t seen in the past,” she says of the album’s themes of depression, anxiety and existential crises. - Niko Stratis, Spin With radio-worthy singles like “A Better Home” and “What’s Wrong With Me”, the record is not only important in the annals of ska history but a critical success in the world of independent music, period, and a must have for collectors and fans alike.

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"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

LP | 2024 | EU | Original (Smash)

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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We Be Echo

20,24 €* 26,99 € -25%

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Butter The Bread With Butter

Wieder Geil! Limited Clear Blue Vinyl Edition

LP | 2022 | EU | Original (Afm)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Darkbloom Curacao Transparent Vinyl Erditin

We Came As Romans

LP | 2022 | EU | Original (SharpTone)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heaven Doesn't Want You And Hell Is Full

We Sell The Dead

LP | 2018 | EU | Original (Earmusic)

29,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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We Were Promised Jetpacks

Enjoy The View

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Guide To Adult Despair Black Vinyl Edition

Weak

LP | 2022 | EU | Original (La Agonia De Vivir)

18,99 €*

LP | 2024 | US | Original (12XU)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Madrid-based 90’s punk rock nostalgics “weak” is back to the fray with their second album “A Guide for Adult Despair”. You can tell they grew up with Nofx, Lagwagon and No Use for A Name tapes blaring on their Walkmans as their sound could be defined as a passionate homage to the Californian punk rock bands of the nineties. On this new album the band decides to go one step further in terms of composition and recording quality and hits Ultramarinos Costabrava Studio with the mighty Santi García in charge. The result is a much more elaborate and consistent album, combining the speed and rage of punk rock with slower and super melodic pop style cuts. Although it is not a concept album, everything is wrapped in an atmosphere of sadness and despair in which many of us have been trapped in these past years. A Guide for Adult Despair is a deeply personal album, which revolves around the ups and downs that each member of the band has experienced during these last turbulent years. Nevertheless, the album also leaves room for some fast and direct songs loaded with social and political criticism. Recorded between the past months of December/January at Ultramarinos Costabrava by Santi García, this album is definitely much more consistent and emotionally engaging than the previous one.

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Weak Signal

Fine

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2024 / US – Original

Genre: Rock & Indie

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"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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Weakened Friends

Quitter

Release: 2021 / EU – Original

Genre: Rock & Indie

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Rust On The Gates Of Heaven

Wear Your Wounds

2LP | 2019 | EU | Original (Deathwish)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | US | Original (Deathwish)

Wear Your Wounds

WYW

Weasel Walter Large Ensemble

Release: 2017 / US – Original

Genre: Rock & Indie

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Wear Your Wounds is the product of years of Lo-fi solo recordings by Converge founder Jacob Bannon. On this release he is joined by guest musicians Kurt Ballou (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller), Chris Maggio (Sleigh Bells, Trap Them, Coliseum), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues). Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. Wear Your Wounds live will feature Bannon joined on stage by musicians Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, Chris Maggio (Trap Them, Coliseum, Sleigh Bells), Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues).

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Igneity: After The Fall Of Civilization

2LP | 2024 | EU (Improved Sequence)

26,99 €* 29,99 € -10%

How Is It That I Should Look At The Stars

Release: 2024 / EU

Genre: Rock & Indie

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Another incredible document from Weasel Walter / The Flying Luttenbachers career, too good and too absurd to not have in on a monster double LP. The cast assembled and legendary names speak for themselves.

The Weasel Walter Large Ensemble debuted on Igneity - After The Fall Of Civilization (april 2015): Brandon Lopez and Tim Dahl on double bass, Alan Licht, Henry Kaiser and Chris Welcome on guitars, the quartet sax of Chris Pitsiokos, Jim Sauter, Matt Nelson and Michael Foster, Steve Swell on trombone, Peter Evans on trumpet and Dan Peck on tuba.

“‘Igneity’ was composed in response to Henry Kaiser asking me if I would assemble a big band, rather than a small group, for us to play a concert with in New York. I had previously included him in the large ensembles I had led when I lived in Oakland, California. However, I had not yet tackled the format in New York City. There is certainly no shortage of excellent players around here, but unlike the Bay Area, logistics tend to be somewhat more complicated, especially when it comes to rehearsal. As such, I set about devising an hour long structure which would allow me to control the general momentum and the various densities inherent in the orchestration while granting the individuals maximum freedom.”

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Weather Station

LP | 2022 | US | Original (Fat Possum)

2LP | 2024 | EU | Original (Mascot Label Group)

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Weather Systems

Ocean Without A Shore

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Come In Pink & Black Galaxy Vinyl Edition

Weatherday

2LP | 2022 | US | Reissue (Topshelf)

LP | 2018 | EU | Original (Svart)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.'

The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres.

After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weathered Statues

Borderlands

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Memphis Industries)

Weaves

Wide Open

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Vol. III Blue Swirl Vinyl Edition

Webbed Wing

LP | 2024 | EU | Original (Memory Music)

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

Like No Tomorrow Neon Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

LP | 2022 | EU | Original (Napalm)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wednesday 13

Horrorfier

Release: 2022 / EU – Original

Genre: Rock & Indie

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I Was Trying To Describe You To Someone

Wednesday

LP | 2020 | US | Reissue (Dead Oceans)

LP | 2021 | US | Reissue (Dead Oceans)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wednesday

Twin Plagues

Monster Of The Universe:Come Out And Plague Gold Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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Wednesday13

2LP | 2015 | EU | Reissue (Napalm)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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12" | 2012 | EU | Reissue (Napalm)

Wednesday13

Spook & Destroy EP

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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The Dixie Dead Red Vinyl Edition

Wednesday13

LP | 2013 | EU | Reissue (Napalm)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Crater Maker Golden Vinyl Edition

Weed Demon

LP | 2020 | EU | Original (Electric Valley)

20,99 €* 29,99 € -30%

Crater Maker Pruple Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Weed Demon

LP | 2020 | EU | Original (Electric Valley)

29,99 €*

Iii Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Weedpecker

LP | 2017 | EU | Reissue (Stickman)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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IV: The Stream Of Forgotten Thoughts Yellow Vinyl Edition

Weedpecker

LP | 2021 | Original (Stickman)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Stickman)

Weedpecker

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Green Roses Volume 1 Green Vinyl Edition

Weeed

LP | 2022 | US | Original (Halfshell)

2LP | 2010 | US | Original (Slumberland)

Release: 2022 / US – Original

Genre: Rock & Indie

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This session is the first of two recorded during the early summer of 2021 in the pristine and remote town of Hansville, WA. Under mutual spells of sunlight and grief, these songs were often written, rehearsed, and recorded in the same day, using both new and familiar instruments, tunings, and feelings. In this way they like everything else, transitory.

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Weekend

Sports

Release: 2010 / US – Original

Genre: Rock & Indie

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Weeping Icon Black Vinyl Edition

Weeping Icon

LP | 2019 | US | Original (Fire Talk)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Atlantic)

Weezer

Ok Human

16,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ok Human Black Vinyl Edition

Weezer

LP | 2021 | US | Original (Atlantic)

32,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Must Have Music)

Weight Band

World Gone Mad

Release: 2022 / UK – Original

Genre: Rock & Indie

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Weird Al' Yankovic & Osaka Popstar

Beat On The Brat Red & Black Vinyl Edition

LP | 2022 | EU | Original (Demented Punk)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Y'all Motherfuckers Forgot 'Bout Good Ol' Son Of A Bitchin' Blues Marbled Dark Green & Lime Vinyl Edition

Weird Tales

LP | 2021 | EU | Original (Interstellar Smoke)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Restless Empire)

Weirdos

Weird World

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Indecision)

Welcome To Our Life

There Is No Turning Back

36,99 €*

This Is Fine Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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2022 is the 20th anniversary of Welcome TO Your LIFE’s only full-length release, There Is No Turning Back. The band was comprised of former members of Bleeding Through and Show OF Hands and toured the U.S. once in their short-lived existence. This was originally a CD-only release, so this is the first time it has been available on vinyl.

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Well Wisher

LP | 2018 | UK | Original (6131)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Wasted Words & Bad Decisions

Welshly Arms

LP | 2022 | EU | Original (Vertigo Berlin)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Spacejam Sessions Volume 1 Crystal Clear Vinyl Edition

Weltraum

LP | 2024 | UK | Original (Tonzonen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (!K7)

Wema

LP | 2017 | US | Original (Barbes)

Release: 2022 / EU – Original

Genre: Rock & Indie

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For Wema, collaboration is a state of mind. The five-piece collective - consisting of Tanzanian multi-instrumentalist Msafiri Zawose, producer Photay and Penya members Magnus P.I, Lilli Elina and Jimmy le Messurier - is an artistic pursuit founded on community; a space in which to harness the transformative power of connection. Translated from Swahili, 'wema' means kindness and benevolence - virtues that lie at the core of the project, and are reflected in the group's world-embracing approach to music. "Wema is a state of gratitude and belief, without sorrow or grief. It's about giving your entire heart," Msafiri declares. Wema's beginnings, however, have a more cosmic origin. As the world ground to a halt in March 2020, Photay and Magnus were both feeling the strain of creative burnout. Both artists had been keen to collaborate for a while, but the stars never quite aligned - until an off-hand conversation about the pressures of losing yourself to a project sparked an unlikely moment of inspiration. The pair began exchanging their backlog of beats, home-spun demos and unfinished ideas. Before they knew it, their songs began to take real shape - and it was some of the most invigorating music they'd ever written.

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Wembler's De Iquitos

Ikaro Del Amor

Release: 2017 / US – Original

Genre: Rock & Indie

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Genesis Green Vinyl Edition

Wendy & Bonnie

LP | 2024 | US | Original (Sundazed)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Ba Da Bing)

Wendy Eisenberg

Auto

LP | 2024 | Original (BFD)

Release: 2020 / US – Original

Genre: Rock & Indie

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Drawing the connections between Wendy Eisenberg’s releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg’s curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian’s Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact. Auto has multiple meanings. First, automobile: “A lot of these songs were written about and mentally take place when I’m in the car on my way to gigs,“ says Eisenberg. Immediate melodies came to them on these trips, to which they’d later add complex guitar parts. And automata: “I make myself into a machine, which is why everything that’s played is precise.” Finally, they frame their work in the literary technique of auto-fiction, “the semi-fictionalized presentation of the self in a narrative form of growth,” as Eisenberg sees it. The album served as a means toward working through emotional conflicts from adolescent trauma and Ptsd, and dissects the dissolution and conflict that led towards the breakup of their former band. With much of it written while its events played out, Auto faces the grief of losing what one thinks is their future while experiencing a dramatic reshaping of their past; it delves openly into the limited nature of one person’s narrative. After making a few efforts to record Auto, Eisenberg ultimately chose to collaborate with childhood friend Nick Zanca, who contributes electronic elements and production. Mirroring the personal and organic offered by Eisenberg, synthetic sounds form a kind of boundary or context for everything. They “sound like commentary on songs that were written from an organic or subjective perspective,” says Eisenberg. Their place on the album is integral for Eisenberg’s goal “to outweigh the subjectivity of normal singer-songwriter guitar songs with the objectivity of electronic sound.”

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Wendy O. Williams

Deffest And Baddest!

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2024 | Original (BFD)

Wendy O. Williams

Maggots: The Record

Release: 2024 / Original

Genre: Rock & Indie

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From The Cave To The Grave

Werewolves

LP | 2022 | EU | Original (Prosthetic)

32,99 €*