Rock & Indie Tape 830 Items

Release: 2017 / US – Original

Genre: Rock & Indie

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Tape | 2021 | EU | Original (Winspear)

Major Murphy

Access

11,89 €* 13,99 € -15%

Tape | 2020 | EU | Original (Lightweight)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Access, The Second Album By Major Murphy, Is An Album Born Out Of Being At A Crossroads. It's Also, Without Question, An Album To Blast At An Unruly Volume To Soundtrack An Experience Onemight Have Standing At That Crossroads. It's Remarkably Cohesive - A Striking Relic In An Age Where Ardent And True"Album-Making" Is A Fading Art Form - Full Of Heavy Rock'n'roll Sounds And Textured Atmospheres Fused Withpro-Idea, Hyper-Creative Jittery Warmth. In Nine Songs, It Somehow Takes A Listener Backwards And Forwards Atonce, Reckoning With Intrinsic Anxieties While Conceptualizing A Fantastical And Vibrant Happening, Soothing In Itsfamilia Familiar, Occasionally Childlike Tone.Behind The Sturdy And Poetic Architecture Lies A Story Of New Parents, Navigating Uncertainty And Seeking A Senseof Agency In The New Unknown. Throughout Access, Songwriter Jacob Bullard Recounts Memories Of Teaching Hisyoung Son To Breathe Through His Nose And Laments Missing His Son And His Partner And Bandmate Jacki Warren.On "In The Meantime", Bullard Expresses The Timeless Anxiety Of Recent Parenthood, Written In The Wake Of Theterrifying Experience Of Their Son Suffering From Lead Poisoning. While The Title Track "Access" Is As Much Apersonal Plea For Patience And Humility...

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Doppelgaenger

Link To The Past

9,09 €* 13,99 € -35%

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2020 | US | Original (NNA Tapes)

Bendrix Littleton

Deep Dark South

Tape | 2020 | US | Original (Capitol)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bendrix Littleton is the writing and recording project of Nashville-via-Dallas musician and producer Bennett Littlejohn. The self-aware, malaise-filled songs on his debut LP 'Deep Dark South' are imbued with the painful beauty of the modern American South, including themes of drug and alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a 'Nashville tuning'). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. 'I tried to pair instruments that typically aren't used together--one's that I've shied away from after playing them with uninspired country music.' 'Deep Dark South' conjures the feeling of wonder one gets from looking up at the vast Southern night sky.

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Paul McCartney

McCartney III

20,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2020 | US | Original (Burger)

L'resorts

9,99 €*

Tape | 2014 | EU | Original (Project: Mooncircle / HHV)

Release: 2020 / US – Original

Genre: Rock & Indie

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Milwaukee band L'Resorts blend electric folk and americana with a subtle, 60s pop twinge. Formed by boyfriend/girlfriend team Vincent Kircher (Jaill) and Martha Cannon (Lady Cannon), the supergroup includes members from Milwaukee's well-known bands including Saturday Night Duets, Ruth B8r Ginsburg and more.

Consider them your midwestern Sonny and Cher minus the comedy routine and kitsch. Perfect for fans of Velvet Underground, Jenny Lewis and Camera Obscura.

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Barrio Lindo

Menoko Purple Tape

9,99 €*

Tape | 2023 | EU | Original (Mute)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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In the native tongue of the South American tribe Mapuche, there exists the word ‘MENOKO’. Deep within the Andean Forests there are sacred places, springs of purity known as Menokos. Hidden and untouched by man or animal, they are whispered, home of virgin water. Womb of the natural cycle from which plants and herbs of extraordinary medicinal abilities are nurtured.

Barrio Lindo feels a strong bond to the native tribes of his Argentinian home. Ancestral cultures are of great importance, providing a wealth of inspiration. An instrument maker by trade, using his bare hands he constructs many ethnical instruments like Andean flutes, African harps, string instruments from India and so on. This fascination with indigenous sounds is reflected within his music and themes with the use of samples and tribal instrumentation. While understanding his work is far from that of the native cultures, he finds ways to incorporate these influences through fusions of sounds. Drawing a parallel, worlds both old and new align.

‘Menoko’ comes on limited purple double vinyl (including download code) as well as a limited handmade and handpainted purple cassette edition (including download code).

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A Certain Ratio

1982

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Knife Hits)

Demons

Swallow

Tape | 2022 | EU | Original (Bayonet)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Demons is a heavy four-piece punk band from Norfolk Virginia that pull from dimensions of noise rock, sludge, and hardcore to generate a sound that has been described as "raw and confrontational fury." Demons newest offering, 'Swallow', is a blast of all-killer-no-filler force that will appeal to fans of music characterized by chaotic energy and deeply rooted aggression expressed in "beautiful balance between ultra-catchy, driving riffs, burly grooves, and angular dissonance."

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Smut

How The Light Felt

10,99 €*

Tape | 2022 | EU | Original (Steadfast)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Smut shines a spotlight on the sounds of the 90s acrossgenres - a record scratch, a spacey synth line, a breakcorebeat - all while maintaining freshness and originality. Thecollaborative project of vocalist Tay Roebuck, guitaristAndrew Min, bassist and synth-player Bell Cenower,guitarist and synth-player Sam Ruschman and drummerAidan O'Connor, Smut have conquered national tours withBully, Swirlies, Nothing, and WAVVES. Based in Chicago, IL,the band hits their stride in `How the Light Felt'. It is anexercise in coping, an electrifying statement of hope in thethick of resounding loss, and a love letter to the peoplethat keep us going. With their powers combined, Smutmeld the songwriting sensibilities of Oasis with the vocaldelivery of the Cocteau Twins - the percussive grooves of...

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Brandtson

Hello, Control

21,99 €*

Tape | 2022 | US | Original (Sub Pop)

Release: 2022 / EU – Original

Genre: Rock & Indie

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First time to cassette for 2006 album, yellow cassette & yellow norelco box, limited edition of 100.Limited edition reissue of the final Brandtson album, Hello, Control. Features previously unreleased alternate mixes from album producer Ed Rose and marks the first time the 2006 album will be available on vinyl and cassette. Presented with all new artwork. A pivotal release and the closing chapter on over a decade of making music for the Cleveland quartet. The first album with longtime friend and collaborator Adam Boose joining on bass, and the fifth release with producer Ed Rose. From the dusty lull of album opener "A Thousand Years" a new Brandtson begins to emerge. Putting a ready for the floor sneer to the road worn hallmarks of their back catalog, and taking a decided step into pop territory on singles, "Nobody Dances Anymore" and "Earthquakes and Sharks". The alternate Ed Rose mixes were curated from the bands archives and have been previously unreleased in any format. Originally released by The Militia Group in 2006. The 2022 reissue of Hello, Control was mixed by Ed Rose, mastered by Adam Boose, and lacquer masters cut by Bob Weston at Chicago Mastering Service.

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Frankie Cosmos

Inner World Peace

Tape | 2022 | US | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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Several things happened before a warm day when I met the four members of Frankie Cosmos in a Brooklyn studio to begin making their album. Greta Kline spent a few years living with her family and writing a mere 100 songs, turning her empathy anywhere from the navel to the moon, rendering it all warm, close and reflexively humorous. In music, everyone loves a teen sensation, but Kline has never been more fascinating than now, a decade into being one of the most prolific songwriters of her generation. She's lodged in my mind amongst authors, other observational alchemists like Rachel Cusk or Sheila Heti, but she's funnier, which is a charm endemic to musicians. Meanwhile Frankie Cosmos, a rare, dwindling democratic entity called a band, had been on pandemic hiatus with no idea if they'd continue. In the openness of that uncertainty they met up, planning to hang out and play music together for the first time in nearly 500 days. There, whittling down the multitude of music to work with, they created Inner World Peace, a collection of Greta's songs changed and sculpted by their time together. While Kline's musical taste at the time was leaning toward aughts indie rock she'd loved as a teenager, keyboardist Lauren Martin and drummer Luke Pyenson cite "droning, meditation, repetition, clarity and intentionality," as well as "'70s folk and pop" as a reference for how they approached their parts. Bassist/guitarist Alex Bailey says that at the time he referred to it as their "ambient" or "psych" album. Somewhere between those textural elements and Kline's penchant for concise pop, Inner World Peace finds its balance. The first order of business upon setting up camp in Brooklyn's Figure 8 studios was to project giant colorful slides the band had made for each track. Co-producing with Nate Mendelsohn, my Shitty Hits Recording partner, we aimed for FC's aesthetic idiosyncrasies to shine. The mood board for "Magnetic Personality" has a neon green and black checkerboard, a screen capture of the game Street Fighter with "K.O." in fat red letters, and a cover of Mad Magazine that says "Spy Vs. Spy! The Top Secret Files." On tracks like "F.O.O.F." (Freak Out On Friday), "Fragments" and "Aftershook," the group are at their most psychedelic and playful, interjecting fuzz solos, bits of percussion, and other sonically adventurous ear candy. An internal logic strengthens everything, and in their proggiest moments, Frankie Cosmos are simply a one-take band who don't miss. When on Inner World Peace they sound wildly, freshly different, it may just be that they're coming deeper into their own. Inner World Peace excels in passing on the emotions it holds. When in the towering "Empty Head" Kline sings of wanting to let thoughts slide away, her voice is buoyed on a bed of synths and harmonium as tranquility abounds. When her thoughts become hurried and full of desire, so does the band, and she leaps from word to word as if unable to contain them all. As a group, they carry it all deftly, and with constant regard for Kline's point of view. Says Greta, "To me, the album is about perception. It's about the question of "who am I?" and whether or not the answer matters. It's about quantum time, the possibilities of invisible worlds. The album is about finding myself floating in a new context. A teenager again, living with my parents. An adult, choosing to live with my family in an act of love. Time propelled us forward, aged us, and also froze. If you don't leave the house, who are you to the world? Can you take the person you discover there out with you?" - Katie Von Schleicher

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Kamikaze Palm Tree

Mint Chip

Tape | 2022 | US | Original (Mom & Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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For their Drag City debut, the enigmatic duo expand into eight-armed wonder; all the better to reach ever-deeper into their bag o' tricks. Slinky and sliding elegantly, the kids forge tunes with a harmony of ambiguity and nostalgia, effortless yet precise, and rounded with thick bottom - a dancing clash of cognition and dissonance!Since 2015, Kamikaze Palm Tree have been a relative mystery. Now, in times no less mysterious, Drag City welcomes them, celebrating the energy of their second LP, where KPT play their offbeat strain of 21st century rock.Making MINT CHIP, Dylan Hadley and Cole Berliner reach deeper into their bag of tricks than ever before, dialoguing with an absurd shared intent they haven't yet paused to question. The off-center pieces gathered together for Good Boy have given way to pulsing aquatic compositions on MINT CHIP. Cole's guitar tones, wire thin, bell-like, bluesily downtuned, slinky and sliding elegantly, arc purposeful around their peripherals. Dylan's kit work, effortless yet precise, grounded with heavy bottom, drives and interacts organically with all the emerging structure, nailing down finely detailed frames and canvases to backdrop her singing and the unremitting landing of melodies and songs. With the addition of Josh Puklavetz, things that didn't make sense before - like bass - are now on the beach, fully lotioned, essence to essence. Violin and clarinet (Laena Myers Ionita and Brad Caulkins, respectively) round out the tonal spectrum. All strung together in the foothills of Altadena's Wiggle World Studios with Hartling back in the engineer's seat and Tim Presley producing the proceedings!

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Ashe

Rae

Imaginational Anthem XI - Luke Schneider Presents Chroma Universal - A Survey Of Modern Pedal Steel

Release: 2022 / US – Original

Genre: Rock & Indie

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Like a character out of your favorite movie or a novel you can’t put down, Ashe possesses her own mystique rooted in quiet wisdom, yet amplified with vibrance and spirit. For as much as she embodies timeless California cool (northern or southern, take your pick), she’s got enough gusto and moxie to hang on the East Coast or down South. Musically, she slides untouchable hooks over dusty instrumentation, connecting Laurel Canyon eloquence with UK rock scope. After an injury sidelined her future as a gymnast, she immersed herself in music as a kid. Attending Berklee College of Music in Boston, she kickstarted her journey with the single “Used To It” in 2017 followed by The Rabbit Hole EP a year later. Teaming up with Finneas as producer, she reached critical mass on 2019’s Moral of the Story: Chapter 1 EP. The single “Moral of the Story” appeared in NETFLIX’s To All the Boys: P.S. I Still Love You and exploded on streaming platforms, going platinum in the US and Silver in the UK. Her 2021 full-length debut, Ashlyn, arrived to widespread critical acclaim from Variety, Nylon, Billboard, and more. Beyond tallying nearly 2 billion total streams, she took over television with performances on Today, Jimmy Kimmel Live!, American Idol, The Late Late Show with James Corden, Late Night with Seth Meyers, and The Ellen DeGeneres Show. Now, she turns the page on another chapter of her story on her second full-length album, Rae [Mom + Pop] out on October 14th. Rae was produced by Leroy Clampitt (Jennifer Lopez, Justin Bieber), mixed by Manny Marroquin (Kanye West, Alicia Keys, Rihanna) and mastered by Michelle Mancini (Kid Cudi, Camila Cabello, Halsey).

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V.A.

Tape | 2022 | US | Original (Tompkins Square)

Tape | 2022 | Original (Warp)

Release: 2022 / US – Original

Genre: Rock & Indie

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Curated by in-demand Nashville pedal steel maverick and Third Man recording artist Luke Schneider, the eleventh volume of Tompkins Square’s venerable acoustic guitar series Imaginational Anthem features exclusive tracks by legend BJ Cole, as well as leading exponents on the instrument including Susan Alcorn, Luke himself, and British expat / Nashville hotshot Spencer Cullum among others. Nashville native and Merge recording artist William Tyler has written a beautiful detailed history of the pedal steel for the package.

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Wu-Lu

Loggerhead

Tape | 2022 | EU | Original (The Liquid Label)

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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Life

North East Coastal Town

Tape | 1998 | US | Reissue (Bikini Kill)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LIFE are anchored by their hometown; the geography, history and community has always been the inspiration behind their creativity and on their third LP, North East Coastal Town, the band pay homage to Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks."Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted. North East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging. Upon writing and recording this album it was important to us that this sense of belonging was also reflected in the album's craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town."When the pandemic gripped the world in March 2020, LIFE were in the midst of promoting their acclaimed second album - A Picture Of Good Health (Sept 2019); they had just completed an arena support tour with Kaiser Chiefs in the UK, a triumphant main stage appearance at Rockaway Beach and flown to New York for New Colossus Festival ahead of a packed SXSW and a US tour with IDLES. They scrambled home on the last plane back from New York on 17th March.The album was BBC 6 Music's Album Of The Day, BBC Radio 1's Album Of The Weekend and was one of BBC 6Music's Albums of The Year; all four singles from the album were play-listed at 6Music, and the band were nominated for two AIM Awards 2020 - Best Live Act and Best (Difficult) Second Album and they played major UK festivals including Glastonbury, Latitude, Reading Festiva...

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Bikini Kill

The Singles

Tape | 2022 | US | Original (Not Not Fun)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Received a perfect 10 Best New Reissue rating from Pitchfork. Bikini Kill Records is excited to reissue of The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini KILL's 7”s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with Joan Jett on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

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Thick Air

Pillars Of Creation

Rolling Blackouts Coastal Fever

Release: 2022 / US – Original

Genre: Rock & Indie

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Maine’s psychedelic fountainhead Matt LaJoie traffics in a multitude of mind-expanding entities (ML Wah, Herbcraft, Cursillistas, Endless Caverns, etc) but even by his standards Thick Air is a heady sphere. Longform improvisations on a Yamaha Pss-270 and loop units born of deep listening and higher consciousness, channeling notions of French mystics and astral planes. Pillars Of Creation takes its title from the iconic 1995 Hubble Space Telescope photo, and radiates a similarly interstellar mood. Bass tones wobble in spiral patterns beneath slow blooming arcs of celestial keys, like dawn breaking on some nameless gaseous moon. Gradually a gravity takes hold, drawing its disparate harmonic cosmos into a unified field, bound by some vast astral unknown. LaJoie cites intuition and accident as foundational to the Thick Air genesis, trusting the freefall process of creation and decay, motion and miasma. Tweaking presets through banks of FX in pursuit of a levitational singularity, soaring and swimming through solar winds, forever unfolding and unfound.

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Endless Rooms

Tape | 2022 | US | Original (Sub Pop)

Tape | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Rolling Blackouts Coastal Fever return in 2022 with Endless Rooms, the Melbourne quintet's third album proper. Described by the band - comprised of Fran Keaney, Joe White, Marcel Tussie and brothers Tom Russo and Joe Russo - as them "Doing what we do best: chasing down songs in a room together", Endless Rooms stands as a testament to the collaborative spirit and live power of Rbcf. While initial ideas were traded online during long spells spent separated by lockdowns, the album was truly born during small windows of freedom in which the band would decamp to a mud-brick house in the bush around 2hrs north of Melbourne built by the extended Russo family in the 1970s. There, its 12 tracks took shape, informed to such an extent by the acoustics and ambience of the rambling lakeside house that they decided to record the album there. The house also features on the album cover. For the first time, the band self-produced the record (alongside engineer, collaborator and old friend, Matt Duffy), creating their most naturalistic and expansive document yet. The result is a collection of songs permeated by the spirit of the place; punctuated by field recordings of rain, fire, birds, and wind. "It's almost an anti-concept album," say the band. "The 'endless rooms' of the title reflects our love of creating worlds in our songs. We treat each of them as a bare room to be built up with infinite possibilities."

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Good Looks

Bummer Year

Tape | 2022 | EU | Original (Iriai-A)

Release: 2022 / US – Original

Genre: Rock & Indie

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Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin. Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father's church, described by Tyler as "cult-like in its intensity," was homebase and where he learned to sing. Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrienne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, RF Shannon, Jess Williamson) to engineer their debut album. What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.

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Tacita Trjj

Meeting On Purpose

Jesus Was Born In A Mobile Home

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Trjj, Trjj & Trjj again - we can't get enough of this artist's stuff here. TIP!

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Spike In Vain

Tape | 1984 | US | Reissue (Scat)

Dangerous: The Double Album

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Jesus Was Born in a Mobile Home, a cassette release from the fall of 1984, represents Spike in Vain's first attempt at a second album. Recorded shortly after the release of Disease Is Relative in January 1984, the original group returned to The Island and laid down tracks for nine songs, with a focus on the band's earliest material. Most of these songs were written before those that appeared on the debut album, so the tape functions as a prequel to the debut even though it was recorded afterwards. Some of the tracks have a more traditional hardcore approach than the first album, but there is still the trademark coloring outside the lines for which the group is known. And of course it's mostly quite dark, with the majority of songs addressing death or paralyzing fear. Not long after recording basic tracks, drummer Bruce Allen announced his plans to cut ties and focus on his own group. It was decided to quickly finish the recordings anyway, release them on cassette, and try again later when another drummer was found. Since one of the songs was rejected and the rest only added up to 20 minutes, it was decided to include additional random material to fill out the tape. But what glorious "filler" that turned out to be! There's the very first performance of "Ugly and Damaged" from the band's first gig in early 1983. And "Love Isn't Hollow" from a 1981 rehearsal tape featuring Bruce completely shredding on guitar, the only known recording of this embryonic version of the band. Rounded out with rousing live takes of the Stooges' "Real Cool Time" and a newer song, "Deathstyle," what seemed like random extras at the time of release now seem like prescient grave-robbing. They would've been lost by now had they not been issued back then.

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Morgan Wallen

2Tape | 2022 | UK | Original (Big Loud)

38,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Never Let Me Go Transparent Green Cassette Edition

Placebo

Tape | 2022 | Original (So)

Release: 2022 / Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Needlejuice)

Billy Cobb

The S.S. Krill

Tape | 2022 | US | Original (Joyful Noise)

Release: 2022 / US – Original

Genre: Rock & Indie

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You’ll laugh. You’ll cry. You’ll love. You’ll die. Billy Cobb’s The S.S. Krill is a pirate love story. Running through just about every type of sea shanty, the album carries you through the waves of Johnny and Joel’s relationship, one yearning for the land and one yearning for the sea.

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Cedric Noel

Hang Time

14,44 €* 16,99 € -15%

Tape | 2021 | US | Original (Trouble In Mind)

Release: 2022 / US – Original

Genre: Rock & Indie

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The newest longplayer from Tio'tiá:ke/Montreal staple Cedric Noel lands with a stunning sense of surety and self. Hang Time stands as a high water mark for a songwriter who's spent the past decade quietly expanding the borders of his music. Longtime fans will recognize the fluid elements of the album's open-ended rock formations: reflective strumming, soaring choruses, searing guitar lines, subtle bass grooves; all occasionally dissolving into pools of pure ambience. New listeners will find surprises throughout: threads of folk pop, ambient and sound collage fasten the foundations of this expressive whole. However, what's most striking on Hang Time is Noel's newfound sense of voice, both literal and metaphorical. Written primarily in 2017-18 during an intense period of self-reflection, this collection of songs finds Noel wrestling profoundly with his sense of identity, self and place. Born in Niger, adopted by Canadian and Mozambican/Belgian parents, he spent his youth moving around the globe with his adoptive, multi-racial family, eventually landing in Fredericton, Canada for university. While studying, Noel embedded himself in a predominantly white indie rock community that left him feeling, as a Black man, both seen and unseen in complicated ways; both welcome and not. This tension would follow Noel through a move to Montreal in 2016 wherein he found himself again moving within predominantly white music communities. This (dis)placement would encourage Noel to find respite in Ottawa, holed up temporarily in a family home, studying the pieces of himself and putting them to place in music. Listening to Hang Time, one can feel the tensions of this process being held and released, as if being allowed to breathe for the first time: forms open and close, surfaces are seen through, feelings go supernova. The album's material was captured faithfully at The Pines, a beloved downtown Montreal studio whose doors shuttered shortly after amidst the strain of the pandemic. Noel worked closely and patiently with friend and engineer Steve Newton, ensuring the songs had the time and space needed to come fully to fruition. Hang Time features subtle rhythm work from drummer Liam O'Neill (suuns) and guest spots from Brigitte Naggar (Common Holly), Ella Williams (Squirrel Flower) and Tim Crabtree (Paper Beat Scissors) among others.

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Mountain Movers

World What World

9,09 €* 13,99 € -35%

April Fools Pink/White Tape Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Experimental And Improvisational Psychedelic Rock, For Fans Of White Heaven, Les Rallizes Denudes, Headroom, Düngen, Heron Oblivion, Comets On Fire, The Renderers, Bardo Pond. Mountain Movers Arguably Are The Perfect Band For All The True "Heads" Out There. The New Haven Quartet Have Been At It For 15 Years, And The "Newest" Lineup (Now At It For Well Over A Decade; Vocalist/Guitarist Dan Greene, Bassist Rick Omonte, Guitarist Kryssi Battalene And Drummer Ross Menze) Have Firmlygrasped What It Takes To Fry Brains; Achingly Beautiful Melodies Buoyed By A Life Raft Of White-Hot Guitar Scree And Mind-Melting Feedback. "World What World" Is The Band's Eighth Album And Third For Trouble In Mind Records. "World What World" Is The Newest Chapter Of The Group's Continued Explorationsand Efforts To Refine Their Sound. The Lyrics Of "World What World"S Songs All Imply A Protagonist On A Quest; The Title Itself Is An Implied Query With No Question Mark; Is It A Question, Or A Statement?. The One-Two Punch Of Opener "I Wanna See The Sun" And "Final Sunset" Lay Out What's In Store; Crazy Horse-Inspired Sandpaper Melodies Sit Comfortably Next To Improvised, Psf-Influenced Six-String Ragers. The Group Performs Together Effortlessly And Telepathically, Subverting The Loud/Quiet/Loud Dynamic That Has Saturated Independent Music Since The Late-Eighties. The Loud Parts And Quiet Parts Are Like Waves; Indistinguishable From Each Other, Creating A Fluid Dynamism And Intensity That Swallows The Listener Up Inits Current, Sweeping It Toward Oblivion. Hyperbole, You Say? Watch Out For Midway Through "Then The Moon" When The Tune's Lilting Waltz Pivots Into A Casually Blistering Solo By Battalene Before Fading Into The Melancholic "Haunted Eyes" -Beckoning You With A Mournful Sidelong Glance. Side Two Opens With "Staggering With A Lantern", An Elegant, Lumbering Instrumental Improvisation Again Showcasing The Synergistic Shredding Of The Group's Guitarists. The Sticky Lyrical Hooks And Sideways Jangle Of "Way Back To The World...

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The Scary Jokes

Tape | 2020 | US | Original (Needlejuice)

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Hausu Mountain)

BBsitters Club

Joel's Picks Vol. 2

Tape | 2024 | US | Original (Topshelf)

Release: 2024 / US – Original

Genre: Rock & Indie

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BBsitters Club is a rock band based in Chicago that features Doug Kaplan and Charlie Olvera on guitar and vocals, Max Allison on bass, and Paul Birhanu on drums. As the label’s de-facto in-haus band, BBsitters Club satisfies Hausu Mountain co-founders Allison and Kaplan’s urge to remain connected to the rock and roll music they grew up loving and playing — far across the spectrum from the experimental electronics featured on the lion’s share of HausMo releases.A solid four years after the one-two-punch releases of BBsitters Club & Party, the band’s 2020 debut studio album, and Joel’s Pick’s Vol. 1, the first volume in a series of audience-recorded live takes from shows around Chicago, we find the BBs reviving the Joel’s Pick’s series with Vol. 2. Charged with the energy of a close-knit group of friends willing to follow along with each other’s most outlandish ideas both in composition and live performance, JPV2 offers us a bewildering yet always tongue-in-cheek palette of ideas cherry-picked and mashed together into amalgams that both embrace “rock traditions” and defy them with a cherubic grin. BBsitters Club’s amorphous compositions land somewhere between the world’s most baked prog band and a jamband that’s never content to lapse into wheel-spinning complacency. On JPV2, BBsitters Club cartwheel between eras and styles of rock music with abandon — a TV stuck flipping channels after your dad falls asleep with one leg on the remote. We encounter the elliptical dueling guitars and autumnal atmospheres of midwest emo / math rock, the gregarious stomp of electrified country rock, blues rock that has melted from ingesting one too many hallucinogens, and fried Devo-style art punk that breaches into the realms of ska before melting into free-form noise rock flecked with the bizarro imitative instrument tones of Kaplan’s MIDI guitar.

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Peel Dream Magazine

Rose Main Reading Room

Tape | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Rose Main Reading Room, the fourth full length by Peel Dream Magazine, is a lush, inviting headphones record; the kind of album made to accompany city bus rides and rainy-day solo trips to accidental destinations. The band, whose name nods to the BBC Radio 1 legend John Peel — arbiter of all things underground, quality, and (it must be said) "cool" — has since its inception been a genre-hopping experiment, jumping from motorik krautrock to shoegaze and space age pop, and their newest work is a perfect starting point for the uninitiated, beckoning toward a newfound romance and nostalgia with their catchiest collection of songs to date. Across its fifteen songs, Rose Main Reading Room ultimately proposes a world of marvels and compelling complexity: “Oblast” cheekily prods at mutually assured destruction; “Ocean Life” explores the infiniteness within ourselves; while “R.I.P. (Running in Place)” unpacks an all too familiar stagnation. It’s all part of, and crucial to, Rose Main Reading Room’s transportive power, ever reaching for the wonder and magic of the world we live in.

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Being Dead

Eels

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Winspear)

Lutalo

The Academy

Tape | 2024 | US | Original (Trouble In Mind)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lutalo's highly visceral folk goes electric on The Academy,the Vermont multi-instrumentalist, songwriter and producer'sdebut LP. Recorded in January 2024 at the storiedSonic Ranch and self-produced along with Jake Aron (SnailMail, Protomartyr, L'Rain), The Academy feels like watchingthe best underground film you've seen in years; establishingLutalo as a singular voice of this generation of indie rock.Lutalo describes The Academy as their "first chapter" - atime capsule of the lessons they've learned in their20-something years of life. "This record is exactly that: a`record' of my early life," they say of their debut album, outvia Winspear. "The experiences, thoughts and feelings I washolding at those times and am currently processing. To me,this is the first big stamp of my existence I'm sharing."While Lutalo's 2022 EP Once Now, Then Again introducedthem as a lo-fi acoustic guitar wunderkind, The Academy isbigger and bolder without compromising Lutalo's invitingsense of emotional intimacy, inspired by alt-rock veteranslike Thom Yorke and Rob Crow as well as electronic greatslike Aphex Twin and Bowery Electric. The Academy'sgrander arrangements are heard in the biting adrenalinerush of "Ocean Swallows Him Whole," or the anti-war jangleof album closer "The Bed." Their lyrics are often deeplyintuitive, flowing as a stream of consciousness, albeit withweighty meanings. With their unique baritone and finessefor lyrical world building, Lutalo cuts to the bone-while onlyjust beginning to reveal the depth of their artistry and vision.

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Dummy

Free Energy

Tape | 2024 | JP | Original (P-Vine)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dummy ist eine Rockband aus Los Angeles, bestehend aus Alex Ewell, Emma Maatman, Nathan O'Dell und Joe Trainor. Ihr Debütalbum "Mandatory Enjoyment" (Trouble in Mind) erschien Ende 2021 und erntete Lob von Pitchfork, Stereogum und vielen anderen. Die Band tourte zwei Jahre lang, um das Album zu unterstützen, und es ist diese transformative Erfahrung, die durch "Free Energy", den berauschenden Nachfolger von "Mandatory Enjoyment", pulsiert. Die kreativ rastlose Band Dummy (Ewell: Schlagzeug, Synthesizer, Bass; Maatman: Gesang, Synthesizer, Orgel; O'Dell: Gesang, Gitarre, Orgel; Trainor: Gitarre, Bass, Synthesizer) wollte für ihr nächstes Album härter, tanzbarer und psychedelischer werden. Das bedeutete, dass sie die experimentellen Möglichkeiten elektronischer Texturen auf die elementaren Qualitäten des Rocks anwenden wollten, d.h. mehr Gesangsschleifen, Sampling, verrücktere Rhythmen und verspielte Synthesizer - aber sie wollten die Samples von Trainors Gitarre einsetzen, Maatman mutiger singen lassen, mit kalten mechanischen Elementen auf warme und funkelnde Weise experimentieren und sich stärker an traditionelle, aber immer noch großartige Formen von Rockgitarrenexperimenten wie Feedback anlehnen. Das Ergebnis ist ein Album, das die Fähigkeit der Musik feiert, den Körper zu bewegen, sei es durch eine zähneknirschende Wand aus MBV-eskem Lärm, einen klebrigen Pop-Refrain oder eine fröhliche Drum-Machine - oder, wenn man Dummy ist, vielleicht alles im selben Song. Popmusik war schon immer ein wichtiger Bestandteil von Dummys Sound und manifestiert sich auf unterschiedliche Weise in "Free Energy“: Die sprudelnde Synthesizer-Sequenz, die mit einem Korg EM1 gemacht wurde und in "Nullspace" auftaucht, der aufgedrehte Drone-Pop, der von Dunedin Sound Bands der zweiten und dritten Welle wie Look Blue Go Purple und Dadamah inspiriert ist, und der motorische Beat, der "Nine Clean Nails" antreibt. „Nine Clean Nails" ist vielleicht der selbstbewussteste Popsong, den Dummy je aufgenommen hat, und ein Beispiel für das Gleichgewicht zwischen der Intensität der Live-Performance und den elektronischen Ergänzungen auf "Free Energy". Die tänzerischen rhythmischen Elemente wurden aus einem von Ewell aufgenommenen Drumloop erzeugt, während die Bridge mit den Call-and-Response-Gitarren von O'Dell und dem ausdrucksstarken Gesang von Maatman an die Feelies erinnert. "Free Energy" enthält außerdem Gastauftritte des Saxophonisten und elektroakustischen Künstlers Cole Pulice (Moon Glyph) aus Oakland, der Saxophon und Bläsersynthesizer beisteuert, sowie Jen Powers vom Powers / Rolin Duo (Astral Editions, Feeding Tube Records)

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Ohhki

Impression

21,99 €*

Tape | 2024 | US | Original (Daydream Library Series)

Release: 2024 / JP – Original

Genre: Rock & Indie

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"Isayahh Wuddha," an artist acclaimed for his unique dreamy funk sound crafted using cassette tape MTR, was none other than a personal project by musician Taku Hayashi residing in Kyoto. There is hardly anyone who would feel uneasy about his second album under the psychedelic project "ohhki", another activity of him, being released by P-vine. His music style, which shows no intention of conforming to mainstream music, is a strong expression filled with solid originality.

The songs recorded with analog equipment are treated with lo-fi sound production, successfully creating a unique pop world that delicately combines elements of psychedelia, dub, funk, and disco. While experiencing a sensation of floating gently in space, the undulations, akin to the brushstrokes of an impressionist painting layered with reverberations and echoes, are drawn onto the canvas of the sky along with the resonance of electric guitars, old keyboards resonating with cheap tones, and enchanting voices, accompanied by the repetitive beats of a drum machine. Beginning with an ode to birds, invoking surprises and casting small spells, after being struck by intense rain between night and dawn like a flowing stream, this world is embraced, lingering within me, entranced by the blues, and ending with "Well... just like a banana ripening... you're amusing." Simply there is light and the wind blows. It exists as literally alternative music, vividly presenting another world, rich in color.

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Thurston Moore

Flow Critical Lucidity

25,99 €*

Memoir Of A Sparklemuffin

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore's forthcoming album is his ninth solo recordi...

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Suki Waterhoise

Tape | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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You'll Have To Lose Something

Spirit Of The Beehive

Tape | 2024 | US | Original (Saddle Creek)

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | UK | Original (Alt)

Sea Girls

Midnight Butterflies

Release: 2024 / UK – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Numero Group)

Eiafuawn

Birds In The Ground

Tape | 2024 | US | Original (The Flenser)

Release: 2024 / US – Original

Genre: Rock & Indie

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While Duster went into hibernation in theyear 2000, Clay Parton's four-track neverstopped rolling. Recorded alone at homeover several years, Birds In The Groundis an album of 30-something, post-9/11malaise. Under his Eiafuawn (EverythingIs All Fucked Up And What Not) acronym,Parton hides beneath layers of fuzzy andclean guitars, his hesitant, cottony vocaldisappear into noise. This deluxe pressingis packaged in a gorgeous tip on sleeveand includes the complete lyrics for thiscryptic entry of the Dusterverse.

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Midwife

No Depression In Heaven

Tape | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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“If rock ’n’ roll’s a dream, please don’t wake me.”

Midwife’s No Depression In Heaven, her fourth studio album, was written primarily in the back of vans while on tour endlessly over the course of the past few years. The record engages with the contemplative spirit of rock ’n’ roll from within a body in motion.

No Depression In Heaven explores themes of sentimentality, the interplay between dreams, memory, and fantasy, and a familiar subject seen throughout all of Midwife’s work: grief. Madeline Johnston takes a look at the tender and transcendent underneath a hard exterior of leather and studs, exposing a different side of the heavy music scene, where Johnston’s project has been living and evolving.

Recording at home in New Mexico between 2021 and 2023, Johnston aimed to create something that was rough around the edges, returning to a free recording process that was less focused on perfection and more attuned to expressing the spirit that lives inside of the songs. The album features collaborations with Chris Adolf and Michael Stein of American Culture, Ben Schurr and Tim Jordan of Nyxy Nyx, Angel Diaz of Vyva Melinkolya, and Allison Lorenzen.

Inspired by ephemeral moments that make up life on tour, the totemization of vehicles, outlaws, and the psyche of America’s underbelly, No Depression In Heaven affirms Johnston’s existential status as a woman of the highway.

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Molchat Doma

Belaya Polosa

The Kids Will Have Their Say

Release: 2024 / US – Original

Genre: Rock & Indie

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Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It's cold, gray, imposing, industrial_and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber dancefloor anthems.From the opening synth swell and drum machine throb of "Ty Zhe Ne Znaesh' Kto Ya," to the goth / post-punk austerity of "Son", to the swirling electronic textures mixed with reverb-drenched guitar flourishes, expansive space, and yearning vocals of title track "Belaya Polosa" - that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden - to the sultry and seductive "Chernye Cvety"_ a track reminiscent of Duran Duran's early `90s output in its fusion of dreamy guitars and authoritative mechanized beats _ and the interwoven layers of instrumentation, soaring chorus, and melodic sophistication of "Ya Tak Ustal", it's clear that Molchat Doma are operating on another level.Molchat Doma gained following with earlier albums that sound like third-generation bootlegs of banned recordings from the Eastern Bloc made after a few key entries in the Factory Records catalog were smuggled in from the West. Belaya Polosa propels them into a new direction while retaining their cold minimalist delivery they're known for. The basement grime and dirty tape-head sound of their previous work are now making space for digital luster and shimmering production values.And while Molchat Doma's broadened aural spectrum adds a syne...

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SS Decontrol

Tape | 1982 | US | Reissue (Trust)

Tape | 1983 | US | Reissue (Trust)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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What is there to say about SS DECONTROL’s long out-of-print 1982 debut, The Kids Will Have Their Say, that hasn’t already been written? Long heralded as the first straight-edge album, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered, artistic statement that’s singular in scope and vision. The Boston act’s debut was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on cassette by Trust Records with remastered audio and a painstaking recreation of the iconic cover art courtesy of Bryan Ray Turcotte. Over the years, the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa, and drummer Chris Foley perform live. In many ways, SSD launched the hardcore scene in Boston as we know it and the band’s kinship with Minor THREAT’s Ian MacKaye arose out of the fact that both acts refused to conform to society’s still shifting standards at the time. From the unbridled aggression of SSD’s “Boiling Point” to the stripped-down groove of “How Much Art,” the album was as reactionary as it was revolutionary and is an artistic statement that remains to be remarkably complex for a group of guys barely into adulthood.

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SS Decontrol

Get It Away

Tape | 1986 | US | Reissue (ORG Music)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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What is there to say about SSD’s long out-of-print 1983 release, Get It Away, that hasn’t already been written? Long heralded as the album which defined the band, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered artistic statement that’s singular in scope and vision. The Boston act’s follow-up release was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with updated remastered audio. Over the years the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa and drummer Chris Foley perform live. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of Get It Away is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded. In a genre where authenticity reigns supreme, SSD stands tall as torchbearers, embodying the essence of hardcore music with every chord and lyric; this record is a must-have for new and old fans.

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Bad Brains

I Against I

Tape | 2024 | EU | Original (Dark Essence)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Koldbrann

Ingen Skånsel

Tape | 2024 | US | Original (Ghostly International)

Release: 2024 / EU – Original

Genre: Rock & Indie

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After an almost decade-long period of dwelling in the shadows, Koldbrann returned with a series of select festival appearances in 2022/23, premiering new material and proving that they're still full of cold grimness and misanthropy, and completely void of compromise. After last year’s 2-track 7” single “Den 6. Massedød (Manna fra en annen himmel)”, their long-awaited 4th album “Ingen Skånsel” is ready to be unleashed - and Koldbrann is sounding rawer, harsher and better than ever. Even though deeply rooted in the True Norwegian Black Metal tradition, Koldbrann has carved out their own sound within the genre confines and it sounds fresh, raw and different. There’s a fierce nerve running through the album, and the songs stand out from today’s typical black metal sounds. You can feel the aggression throughout the whole album. “Ingen Skånsel” is one of the most interesting, aggressive and fierce Norwegian black metal albums in modern times! 1.Ingen Skånsel2.Et Uomtvistelig Falsum3.I Unaturens Vold4.Prosesjon Under Blyhimmel5.Det Kryper Kaldt6.Maskiner av Nihil7.Forstanden Seiler Sin Egen Sjø8.Fortærer av Minne og Form9.Rykk Skaperverket Opp med Roten10.Vorde Eders Farkost en Katafalk11.Serenade til Dødens Elende12.Elevert Hinsides Tilstand (CD only track)

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Ginger Root

Shinbangumi

Tape | 2024 | US | Original (Dedstrange)

Release: 2024 / US – Original

Genre: Rock & Indie

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Step inside the world of Ginger Root. Cameron Lew makes it easy to do so; every considered detail is his own manifestation, written, designed, and executed as an all-encompassing diorama of sound and sight. A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound _ handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul _ takes shape through Lew's lens as an Asian-American growing up enamored by 1970s and '80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. He spins his retro-minded influences and proliferates savvily in the present, synthesizing a songwriter's wit, an editor's eye, and a producer's resource into something singular and modern. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking "exactly what Ginger Root should sound and feel like," he says. "In terms of instrumentation and musicality, it's the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I'm coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self."

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Data Animal

Destruction Derby

Tape | 2024 | EU | Original (Osmose Productions)

Release: 2024 / US – Original

Genre: Rock & Indie

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DestructionDerby(Remixes and Alternative Mixes) is a collection of the remixes and alternative mixesfrom the era of their debut album - Future Primitive. Reconfigured by the finest minds in underground rock n roll and trashed onto a mixtape cassette, the mixtape brings together remixes of Data Animal along side remixes undertaken by Data Animal of other artists.DestructionDerbyis out on cassette and digitally May 31st , only on Dedstrange.

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Tsatthoggua

We Are God

Release: 2024 / EU – Original

Genre: Rock & Indie

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Forgotten Tomb

Nightfloating

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pathology

Unholy Descent

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hail Spirit Noir

Fossil Garden

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Allpoints)

Girli

Matriarchy

21,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Pick-Up Full Of Pink Carnations

The Vaccines

Tape | 2024 | EU | Original (Super Easy)

9,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (In My Room)

Trentemøller

Dreamweaver

19,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2024 | EU | Original (Spinster)

West Of Roan

Queen Of Eyes

Welcome To The House Of I Don't Know

Release: 2024 / EU – Original

Genre: Rock & Indie

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To write the songs on their second album, Annie Schermer and Channing Showalter, who record together under the name West of Roan (members of Doran), spent time in collective imagination, journeying to their respective inner worlds and under worlds. As they simultaneously discovered and created a psychic landscape of story, song, archetype, and image, a figure emerged: The Queen of Eyes.

Schermer and Showalter recorded Queen of Eyes themselves, in a small one-room, off-grid cabin on Waldron Island off the coast of Washington State. They ran their ear trumpet condenser microphone off an extension cord connected to the main source of solar power. This recording session—with one microphone, one computer, one cord, and one bench the two sat on—captures the emotional intimacy of their music, along with occasional pops from the fire that heated the cabin, instrument creaks, and breathing sounds. This feels especially fitting for West of Roan’s approach; when you hear them sing you get the sense that they are first singing for and to each other, and emboldened by each other’s presence, together they make their offering to you, the listener.

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Gareth Dunlop

Tape | 2024 | Original (Zenith Cafe)

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | UK | Original (Heart Swells)

Los Campensinos!

All Hell

11,99 €*

Tape | 2024 | EU | Original (Winspear)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO Blues (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.

Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).

Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.

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Wishy

Triple Seven

Tape | 2023 | EU | Original (1301 Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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You could call Wishy's story a lucky one. After prior monikers anditerations, Wishy was born as a kaleidoscope of alternativemusic's semi-recent history, with traces of shoegaze, grunge andpower-pop swirling together. On Triple Seven, Indiana songwritersKevin Krauter and Nina Pitchkites' musical synergy provesitself to be a rare one-the kind that sounds like someone strikinggold. Part sly wink and part warm gratitude, it's only fitting theirmuch anticipated full length debut is titled Triple Seven, whereWishy's penchant for indelible hooks is couched equally inpillowy atmospherics and scathing distortion.By day Krauter works as a music teacher, giving drum and guitarlessons to students, while Pitchkites is a seamstress by tradeand often makes embroidered merch for the band. Coming up ina scene defined by hardcore and emo, Krauter and Pitchkitesinstead found themselves writing melodies in their heads whiledriving to work, pulling music from the air and arriving at a blearier,more ethereal interpretation of Midwest expanse. Initially, theirmusic oscillated between hazy dream-pop and heavier alt-rock.The subject of their songs create a loose web of vignettes andsnapshots, capturing Krauter and Pitchkites in a whirlwindcouple of years _ exiting the pandemic, embarking on an embryonicproject, making sense of their musical pasts while forging amusical future alongside one another, each of them on a journeyof self-acceptance and self-understanding. Sometimesgorgeous, sometimes festering, and always cathartic, TripleSeven is a vibrant and exhilarating document of self-discoverywith the scope and heft of the bygone big-budget rock albumsthat inspired it.

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Christoph Bouet

Roadkill Madness

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2000 | EU | Reissue (Darkness Shall Rise Production)

Unholy Death

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Tape | 1995 | EU | Reissue (Darkness Shall Rise Production)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Tape | 2007 | EU | Reissue (Darkness Shall Rise Production)

Envoy Of Lucifer

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Tape | 1998 | EU | Reissue (Darkness Shall Rise Production)

Devil's Force

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Darkness Falls The Early Years 3-Tape Box

Desultory

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

91,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Azketem

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (New West)

Pernice Brothers

Who Will You Believe

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Drag City)

Wand

Vertigo

Tape | 2024 | UK | Original (So)

Release: 2024 / US – Original

Genre: Rock & Indie

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Sliding between the bodies in the street, cutting across the contrails that bisect our sky, Wand find melody and the anxiety beats as they hum the soundtrack for a new gravitational center. Seeking connections against the plan of niche interest and anonymity, Vertigo is the sound of slippage, rocks of contradiction (in soft focus); feet lost, regained, lost again, a multi-chromatic swaying, more automatic, associative, directed, in time.Determining to work backwards (or at least insideout) this time, Wand recorded everything in their own studio; pieces cut from improvisations and reshaped, writing from within the performance, without the woodshed. Unconsciously, in the shadow of themselves, and turning round and round (and round), they kept finding that empty space and playing what it implied. Everybody took on a new position in addition to the old one. It was intuitive, strangely ego-less . . . going somewhere they"d never been and not knowing what they were doing, but committing and recommitting, unafraid to eject in a constant positive forward momentum.

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Hamish Hawk

A Firmer Hand

Release: 2024 / UK – Original

Genre: Rock & Indie

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Tape | 2024 | Original (Flatspot)

Speed

Only One Mode

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | JP | Original (P-Vine)

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Downt

Underlight & Aftertime

22,99 €*

Savage Masters 10th Anniversary Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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In 2023, downt showed further expansion of their activities by collaborating with many overseas artists such as Gestalt Girl (Taiwan), Grrrl Gang (Indonesia), Pswingset (us), and deathcrash (uk), and releasing the epic single "Undecember", which showed a new direction as a band. The long-awaited full-length album will finally be released in March 2024 from P-vine! The new album also features re-recorded versions of their iconic songs such as '111511', 'mizu ni naru' and 'AM4:50', which were included in previous eps and beloved by fans.

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Zozobra

Release: 2024 / US – Original

Genre: Rock & Indie

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Transit Method

Othervoid

Release: 2024 / US – Original

Genre: Rock & Indie

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Shock Withdrawal

The Dismal Advance

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Brutal Panda)

Shock Withdrawal

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2018 | US | Reissue (Brutal Panda)

Where Owls Know My Name

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Brutal Panda)

The Work

Release: 2021 / US – Reissue

Genre: Rock & Indie

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The Conscious Seed Of Light

Tape | 2015 | US | Reissue (Brutal Panda)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Tape | 2013 | US | Reissue (Brutal Panda)

Monarchy

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Night Fishing

Yuppie Cortado

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Reissue (Brutal Panda)

Melancholia

Static Church

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Melancholia

Book Of Ruination

Release: 2024 / US – Original

Genre: Rock & Indie

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Here Comes The Zoo 20th Anniversary Edition

Local H

Tape | 2004 | US | Reissue (Brutal Panda)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Tape | 2024 | US | Original (Flatspot)

Kharma

A World Of Our Own

20,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Full Bush

Movie Night

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2018 | US | Reissue (Brutal Panda)

Full Bush

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Death Pose

Midnight Society

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2019 | US | Reissue (Brutal Panda)

Constellatia

The Language Of Limbs

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Tape | 2022 | US | Reissue (Brutal Panda)

Constellatia

Magesterial Romance

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Tape | 1992 | US | Reissue (Brutal Panda)

Cherubs

Icing

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Tape | 1994 | US | Reissue (Brutal Panda)

Cherubs

Heroin Man

Tape | 2015 | US | Reissue (Brutal Panda)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Brutal Panda is honoured to join the likes of legendary labels, Trance Syndicate and Amphetamine Reptile, in bringing one of noise-rock's gnarliest albums ever recorded back into print."Heroin Man stands as both the chronological centre of the Cherubs catalogue, and its defining moment. As one of noise rock's finest moments, Heroin Man is both a delicate, tragic statement and send-off to a friend who had OD'd, and a bellowing, roaring, over-amped screwball masterpiece of Butthole Surfers mayhem and Husker Du pop structures. It's sometimes difficult to distinguish between Kevin Whitley's guitar and Owen McMahon's bass, and that's precisely the point -- this is noise rock; and still at others, Whitley's guitar is a washing, white-noise counterpoint to the pummelling rhythm section. This is a dense, sprawling, spiralling work showing a band peaking aesthetically, with perhaps an even more ambitious album to follow. Unfortunately, due to the usual host of reasons, that never occurred. This was the Cherubs final studio album until their reformation 20+ years later." - words by Patrick Kennedy SIDE A:1. Stag Party2. Animator3. Blackhouse4. Baby Huey5. Dave Of The Moon6. Coonass7. Mr. GoySIDE B:1. Cockpit - Kiss The Shine2. Venus Flytrap3. The Big Groovy4. Wornout Balls5. Playdough6. Example Maiden Japan / Devil's Food

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Cherubs

2 Ynfynyty

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Pestilence

Levels Of Perception

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | Original (Greyhaze)

Sarcofago

The Laws Of Scourge