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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie

Rock & Indie Tape 834 Items

Hip Hop 536 Organic Grooves 100 Rock & Indie 834 Indierock | Alternative 446 Classic Rock 13 Punk | Hardcore 150 Metal 147 Folk 48 Rock 'n' Roll 5 Electronic & Dance 540 Reggae & Dancehall 18 Pop 62 Classical Music 6 Soundtracks 42
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Whitney - Spark
Whitney
Spark
Tape | 2022 | US | Original (Secretly Canadian)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.
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The Cribs - The New Fellas
The Cribs
The New Fellas
Tape | 2005 | EU | Reissue (Sonic Blew)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 2005 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Kiwi Jr. - Chopper
Kiwi Jr.
Chopper
Tape | 2022 | US | Original (Sub Pop)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
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Smash cut to Kiwi Jr.'s third album, Chopper, overseen by trusted pilot Dan Boeckner (Wolf Parade, Handsome Furs) on storied Sub Pop Records. Turning nocturnal with necks mock turtle, our Local Kiwi Jr. takes neon flight off the digital cliff - like The Monkees starring in Blade Runner; like Michael Mann directs Encino Man. Ten songs with synth shimmer, zen gongs with yard strimmer. The signs along the highway read "less BAR, More Noir AHEAD." Ah, those late summer, Joe Strummer, Home on the Range Rover Blues. There's a melancholy to all forms of flight, and the view out the Chopper is as hazy as it gets: mission-oriented, both stealth and self-realized. This album is decidedly (yet almost secretly) anti-patio-sunscreen-Beach Boys bachelor cruise sing-a-long. Sure, these songs let a little light through the blinds, but they sting insomnia, corrupt mayors, Kennedy Curses, sex tapes, and deer rifles. Chopper is the bird's eye view of the big event - a real nighttime character of oil stain, film grain, search light, night flight. It is muscular and fragile; loud yet quiet: both an observer and somehow the observed spectacle itself. What was slack in the slacker phase, got tauter, with lacquer glaze. Slick gloss, rightened wrongs; murdered boss, promoted pawns. With Boeckner transmitting high-voltage shocks upon every reach for a familiar instrument, Kiwi Jr. expands the palette with string machine song, synthesizered oblong, and Dentyne Classic Menthol vocals from area soprano Dorothea Paas (US Girls, Badge Epoch Ensemble) like the missing piece all along. Kiwi Jr. brings the Chopper to a new space, demilitarizing the technology just like flasks, aviators, and cargo shorts. Graceful in the air above, but when the Chopper lands, there's chaos on the ground. Kiwi Jr. shout, "Look Out!" When it gets close, it'll blow the hat right off of your head. Hold onto your hats, Babies. Kiwi Jr. is Jeremy Gaudet vocals and guitar, Brian Murphy guitar, Mike Walker bass, Brohan Moore drums, and everybody played a little bit of keyboard.
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Stella Donnelly - Flood
Stella Donnelly
Flood
Tape | 2022 | US | Original (Secretly Canadian)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.
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The Exploited - Troops Of Tomorrow
The Exploited
Troops Of Tomorrow
Tape | 2022 | EU (Radiation Reissues)
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Release: 2022 / EU
Genre: Rock & Indie
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In the early '80s, British punk took a turn toward hardcore and the Exploited (along with G.B.H, Disorder, etc.) led the charge. The beat was fast and furious, the politics ferocious, and the magenta mohawk became state of the art. This album is blessed with great production, something many hardcore albums lack, meaning the froth and fury don't come across as a total muddle. Moreover, the machine gun beat comes with hooks that leave you humming along with the tunes. It's raw, loud, and a downright classic. This is a crucial album in the evolution of The Exploited.
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The Exploited - Punks Not Dead
The Exploited
Punks Not Dead
Tape | 2022 | EU (Radiation Reissues)
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Release: 2022 / EU
Genre: Rock & Indie
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Born of working class roots in Edinburgh, Scotland, The Exploited emerged from the punk underground in 1981 with the release of their debut LP, Punk's Not Dead. A direct reaction to Crass' "Punk Is Dead", The Exploited brought to the early 80s all the fire, speed and attitude of 1977's first wave, with an street/Oi! swagger that was fresh. Peaking at #20 on the UK charts, Punk's Not Dead was the best selling independent record of 1981. Another essential piece of the UK Oi! scene of the early 1980s.
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Thick Air - Pillars Of Creation
Thick Air
Pillars Of Creation
Tape | 2022 | US | Original (Not Not Fun)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Maine’s psychedelic fountainhead Matt LaJoie traffics in a multitude of mind-expanding entities (ML Wah, Herbcraft, Cursillistas, Endless Caverns, etc) but even by his standards Thick Air is a heady sphere. Longform improvisations on a Yamaha Pss-270 and loop units born of deep listening and higher consciousness, channeling notions of French mystics and astral planes. Pillars Of Creation takes its title from the iconic 1995 Hubble Space Telescope photo, and radiates a similarly interstellar mood. Bass tones wobble in spiral patterns beneath slow blooming arcs of celestial keys, like dawn breaking on some nameless gaseous moon. Gradually a gravity takes hold, drawing its disparate harmonic cosmos into a unified field, bound by some vast astral unknown. LaJoie cites intuition and accident as foundational to the Thick Air genesis, trusting the freefall process of creation and decay, motion and miasma. Tweaking presets through banks of FX in pursuit of a levitational singularity, soaring and swimming through solar winds, forever unfolding and unfound.
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Angel Olsen - Big Time
Angel Olsen
Big Time
Tape | 2022 | US | Original (Jagjaguwar)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen's Big Time were forged in such a whiplash. Big Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen's process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she'd been avoiding for some time. "Finally, at the ripe age of 34, I was free to be me," she said. Three days later, her father died and shortly after her mother passed away. The shards of this grief - the shortening of her chance to finally be seen more fully by her parents - are scattered throughout the album. Three weeks after her mother's funeral she was in the studio, recording this incredibly wise and tender new album. Loss has long been a subject of Olsen's elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She's working with an elastic, expansive mastery of her voice - both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.
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Robert Ellis Orrall - 467 Surf And Gun Club
Robert Ellis Orrall
467 Surf And Gun Club
Tape | 2021 | US | Original (Fixation Music)
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Release: 2021 / US – Original
Genre: Rock & Indie
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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues
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Kids On A Crime Spree - We Love You So Bad
Kids On A Crime Spree
We Love You So Bad
Tape | 2021 | US | Original (Slumberland)
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Release: 2021 / US – Original
Genre: Rock & Indie
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Amazing Spector-ian power pop from this great Oakland group helmed by Mario out of From Bubblegum To Sky/Ciao Bella. Bandmates Bill and Becky add plenty of punky punch, and the tunes are pure hand-clapping, foot-stomping pop perfection. Excellent!
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Artsick - Fingers Crossed
Artsick
Fingers Crossed
Tape | 2022 | US | Original (Slumberland)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.
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Kids On A Crime Spree - Fall In Love Not In Line
Kids On A Crime Spree
Fall In Love Not In Line
Tape | 2022 | US | Original (Slumberland)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Oakland, CA's Kids On A Crime Spree have spent the last decade crafting a compact but potent discography that shows a deep love of 60s Brill Building songwriting, 70s power-pop, bubblegum glam/pop, the Ramones and of course the seminal sonic overload and pop pathos of Phil Spector's legendary productions. With each release head Kid Mario Hernandez -- along with drummer Becky Barron, and guitarist Bill Evans -- have put a more and more unique stamp on the music they love and gathered a rather devoted fanbase doing so. Now back with a new record, Kids give us something their fans have always wanted ... more! "Fall In Love Not In Line" is a 10-song full-length record, a first for them. Cut at 45rpm, the album clocks in at a brisk 25 minutes, and it's a solid assemblage of noise-pop exuberance in all respects. Hernandez sought to move even farther from their influences, and the thick, rich sound that the band has put to tape (analog, of course) shows more warmth and some darker textures than in previous efforts; more shifting of tempos and melodies; a unity of purpose that can only come from years of playing together and listening to each other. The result is thoroughly modern power-pop that wears it's love of the classics lightly, finding new paths through familiar territory.
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Heavenly - Tragic Tiger's Sad Meltdown
Heavenly
Tragic Tiger's Sad Meltdown
Tape | 2022 | UK | Original (Death Is Not The End)
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Release: 2022 / UK – Original
Genre: Rock & Indie
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Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"
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Toro Y Moi - Mahal
Toro Y Moi
Mahal
Tape | 2022 | US | Original (Dead Oceans)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.
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Pape Nziengui Et Son Groupe - Kadi Yombo
Pape Nziengui Et Son Groupe
Kadi Yombo
Tape | 2022 | US | Original (Awesome Tapes From Africa)
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Release: 2022 / US – Original
Genre: Organic Grooves, Rock & Indie
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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.
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Hatchie - Giving The World Away
Hatchie
Giving The World Away
Tape | 2022 | US | Original (Secretly Canadian)
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Release: 2022 / US – Original
Genre: Rock & Indie
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Giving the World Away, the sophomore album from Hatchie, is the truest introduction to the songwriter/bassist at the helm of the project, Harriette Pilbeam. Produced by Jorge Elbrecht, Giving the World Away is Hatchie's most thunderous, sprawling work yet. Featuring input from longtime Hatchie collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob cranked up tenfold. Built out with percussion from Beach House drummer James Barone, it's synthed-out, sonic opulence, a more structured and ornate musicality with traces of `90s trip-hop and acid house influences. Pilbeam initially intended for these songs to go in a higher-energy direction. She had the distinct vision of a Hatchie show turned dance party, inviting more movement and vibrancy into her live shows. But then, between Covid and the lockdowns in Australia, Pilbeam retreated more into herself, and that introspection and self-discovery served as the true inspiration for the record. Again and again across Giving the World Away, she returns to that same theme of dismantling internalized shame and finding gratitude and steadiness, and finally being able to trust herself. Giving the World Away is an album about self-confidence, about the strange time in young adulthood where you begin to finally be able to see yourself clearly. Incisive and probing, Giving the World Away is the clearest look at Pilbeam yet, and a relic of the power and bravery that spring forth from embracing vulnerability and putting your heart on the line.
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Warm Drag - Warm Drag
Warm Drag
Warm Drag
Tape | 2019 | US | Original (Tapehead City)
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Release: 2019 / US – Original
Genre: Rock & Indie
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The Advertisers - Ep 1 Live In Nyc
The Advertisers
Ep 1 Live In Nyc
Tape | 2019 | US | Reissue (Tapehead City)
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Release: 2019 / US – Reissue
Genre: Rock & Indie
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Groupie - Ephemeral
Groupie
Ephemeral
Tape | 2021 | US | Reissue (Tapehead City)
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Release: 2021 / US – Reissue
Genre: Rock & Indie
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Gunk - Gutwar
Gunk
Gutwar
Tape | 2021 | US | Reissue (Tapehead City)
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Release: 2021 / US – Reissue
Genre: Rock & Indie
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Nevva - Fer Sher
Nevva
Fer Sher
Tape | 2021 | US | Reissue (Tapehead City)
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Release: 2021 / US – Reissue
Genre: Rock & Indie
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Mitski - Laurel Hell
Mitski
Laurel Hell
Tape | 2022 | US | Original (Dead Oceans)
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Release: 2022 / US – Original
Genre: Rock & Indie
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We don't typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016's Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap _ one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped away the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs "slowly took on new forms and meanings, like seed to flower." Sometimes it's hard to see the change when you're the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.
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Geese - Projector
Geese
Projector
Tape | 2021 | UK | Original (Partisan)
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Release: 2021 / UK – Original
Genre: Rock & Indie
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Discharge - Hear Nothing See Nothing Say Nothing
Discharge
Hear Nothing See Nothing Say Nothing
Tape | 2021 | EU (Radiation Reissues)
12,99 €*
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Release: 2021 / EU
Genre: Rock & Indie
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Fully Licensed, Limited Cassette Version FOR This Absolute Punk Classic!
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La Luz - La Luz
La Luz
La Luz
Tape | 2021 | US | Original (Hardly Art)
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Release: 2021 / US – Original
Genre: Rock & Indie
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Initial run of the LP will be pressed on an Eco-Friendly Recycled Vinyl Mystery Colour! On their self-titled fourth album, La Luz launch themselves into a new realm of emotional intimacy for a collection of songs steeped in the mysteries of the natural world and the magic of human chemistry that has found manifestation in the musical ESP between guitarist and songwriter Shana Cleveland, bassist Lena Simon, and keyboardist Alice Sandahl. To help shape La Luz, the band found a kindred spirit in producer Adrian Younge. Though primarily known for his work with hip-hop, soul, and jazz acts, Younge saw in La Luz a shared vision that transcended genre. "We both create music with the same attitude, and that's what I love about them," he says. "They are never afraid to be risky and their style is captivating. It was an honor to work with them." The result is an album that is both the most naturalistic and psychedelic of the band's career. All the elements of classic La Luz are still present-the lush harmonies, the impeccable musicianship, the gorgeous melodies-but it's a richer, earthier iteration, replete with inorganic sounds that mimic the surreality of nature-the humming of invisible bugs, the atmospheric sizzle of a hot day. After spending the last few years living in rural northern California, Cleveland's lyrics have become more grounded, less interested in traveling to other dimensions than in peeking behind the curtain of this one. With sounds ranging from ghostly electric guitar shimmers, charging fuzz-guitar rock, soulful organ-driven dream-funk, galactic synths, and breezy '70s folk-pop, La Luz is an album that celebrates love - of music, of friendship, of life in all its forms.
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The Outsiders - Calling On Youth
The Outsiders
Calling On Youth
Tape | 2021 | EU (Radiation Reissues)
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Release: 2021 / EU
Genre: Rock & Indie
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First time on cassette for the debut studio album by English punk rock band led by vocalist/guitarist Adrian Borland, who would go on to form the Sound. In 1976, they home-recorded Calling On Youth, a searching full-length that straddles nihilo-punk argot (“Terminal Case” and “I’m Screwed Up”) as well as smudged glam balladry (“Start Over” and “Weird”). For any fan of The Sound, an essential purchase.
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King Gizzard & The Lizard Wizard - Polygondwanaland
King Gizzard & The Lizard Wizard
Polygondwanaland
Tape | 2017 | EU (Radiation Reissues)
12,99 €*
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Release: 2017 / EU
Genre: Rock & Indie
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Twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, fourth of five albums released by the band in 2017. Amongst the 20 best rock albums of the same year. Polygondwanaland, is another stellar entry in King Gizzard near-flawless discography.
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The Shins - Oh Inverted The World 20th Anniversary Remastered Edition
The Shins
Oh Inverted The World 20th Anniversary Remastered Edition
Tape | 2021 | US | Reissue (Sub Pop)
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Release: 2021 / US – Reissue
Genre: Rock & Indie
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Oh, Inverted World, the earth-shattering, indie-rock-redefining 2001 debut album by The Shins, is presented here in its finest form, dressed up all nice for its 20th birthday. The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit "New Slang," as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. And the results sound stellar: great for new fans, and well worth the attention of those already on board! For old times' sake, here's what we had to say about this record back when it came out: Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flake Music in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors (who knew?).
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Iron & Wine - Archive Series Volume 5: Tallahassee Recordings
Iron & Wine
Archive Series Volume 5: Tallahassee Recordings
Tape | 2021 | US | Original (Sub Pop)
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Release: 2021 / US – Original
Genre: Rock & Indie
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Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America's most original and distinctive singer-songwriters. Creek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly, however he was known for playing an original song or two in the early morning glow of a long night. Holowicki also in the film program and who would go onto a career as a sound designer at Skywalker Sound, had a mobile recording device and after some prodding convinced his friend to record these late-night meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums. The recordings - all captured in the house where they lived - have a "live in the room" feel akin to say Neil Young's Harvest or Nick Drake's Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called "In Your Own Time" was shared without a title to childhood friend Ben Bridwell (Band of Horses) at some point. The song became known as the "Fuck Like A Dog" song and Ben shared it with more than a few folks during the golden era of mix cd's. Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix cd, passed out to friends and acquaintances. And for many that is where the Iron & Wine story begins, until now_ Tallahassee is the foreword to your favorite book that you've somehow skipped over time and time again. It's an alternative history mixed with some revisionist history told over the course of eleven songs. It's also the debut record by Iron & Wine some twenty years after the fact.
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Lael Neale - Acquainted With Night
Lael Neale
Acquainted With Night
Tape | 2021 | US | Original (Sub Pop)
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Release: 2021 / US – Original
Genre: Rock & Indie
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It Is The Simple Thing That Is So Hard To Do. This Is The Paradox That Musician Lael Neale Has Lived Within Throughout Her Development As An Artist. It Is The Reason She Became Enthralled With Poetry. Poems Are A Distillation. Lael Says, "This Challenge To Winnow Away What Is Unessential Is The Most Maddening And, Ultimately, Rewarding Part Of Writing A Song."Lael's New Album Acquainted With Night Is A Testament To This Poetic Devotion. Stripped Of Any Extraneous Word Or Sound, The Songs Are Lit By Lael's Crystalline Voice Which Lays On A Lush Bed Of Omnichord. The Collection Touches On Themes That Have Been Thread Into Her Work For Years: Isolation, Mortalit...
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Kiwi Jr. - Cooler Returns
Kiwi Jr.
Cooler Returns
Tape | 2021 | US | Original (Sub Pop)
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Release: 2021 / US – Original
Genre: Rock & Indie
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Kiwi Jr. Is A Phenomenal "Rock" And/Or "Punk" And/Or "Indie-Rock" (Whichever You Like More) Band From Canada, Made Up Of Jeremy Gaudet (Mic, Guitar), Brohan Moore (Drums), Mike Walker (Bass), And Brian Murphy (Guitar). Cooler Returns Is Their Second Album, And Their First For Sub Pop. Despite Being A Snapshot Of The Pandemic-Infused Beginnings Of This Decade, Cooler Returns Is Truly A Whole Lot Of Fun. Riyl Indie-Pop From Down Under, Things That Are Smart/Exuberant/Catchy All At Once. Buildings Burning In Every Direction; Macabre Unknowns In Your Friendly Neighbor's Basement; Undecided Voters Sharpening Their Pencils: Under Pressure We Could Call Kiwi Jr.'S Cooler Returns "Timely." But What Year Is It, Again? On Cooler Returns, Kiwi Jr. Cycle Through The Recent Zigs & Looming Zags Of The New Decade, Squinting Anew At New Year's Parties Forgotten And Under-Investigated Small Town Diner Fires, Piecing Together Low-Stakes Conspiracy Theories On What's Coming Down The Pike In 2021. Put Together Like A Thousand-Piece Puzzle, Assembled In Flow State Through The First Dull Stretch Of Quarantine, Sanitized Singer Shuffling To Sanitized Studio By Streetcar, Masked Like It's The Kind Of Work Where Getting Recognized Means Getting Killed, Cooler Returns Materializes As A Sprawling Survey From The First Few Bites Of The Terrible Twenties, An Investigative Exposé Of Recent History Buried Under The Headlines & Ancient Kings Buried Under Parking Lots. Not So Long Since Their Debut Football Money In Archaeological Time, Unending Gray Eons Later In The Dog Years Of Quaran-Time, Spiritually Antipodean Canadians Kiwi Jr Return To Disseminate This Year's Annual Report To The Shareholders, Burying The Incriminating Numbers In The Endless Appendices Of A Longform Narrative Record, A 3,000 Word Tract For Stakeholders To Pore Over. These Stories - Memories Of Augusts Past, Unrepressed & Transcribed Fast - Go Down Easier Thanks To Meaningful Changes Enacted In 2019's Kiwicares Pledge: Delivering On A Promise To Transition F...
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TV Priest - Uppers
TV Priest
Uppers
Tape | 2021 | EU | Original (Sub Pop)
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Release: 2021 / EU – Original
Genre: Rock & Indie
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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...
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Bendrix Littleton - Deep Dark South
Bendrix Littleton
Deep Dark South
Tape | 2020 | US | Original (NNA Tapes)
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Release: 2020 / US – Original
Genre: Rock & Indie
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Bendrix Littleton is the writing and recording project of Nashville-via-Dallas musician and producer Bennett Littlejohn. The self-aware, malaise-filled songs on his debut LP 'Deep Dark South' are imbued with the painful beauty of the modern American South, including themes of drug and alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a 'Nashville tuning'). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. 'I tried to pair instruments that typically aren't used together--one's that I've shied away from after playing them with uninspired country music.' 'Deep Dark South' conjures the feeling of wonder one gets from looking up at the vast Southern night sky.
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Dinosaur Jr - Hand It Over
Dinosaur Jr
Hand It Over
Tape | 2020 | EU (Radiation)
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Release: 2020 / EU
Genre: Rock & Indie
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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and first half of the 1990s, issuing a number of highly influential albums in the process. “Hand It Over”, their seventh record, appeared in the spring of 1997 following a lengthy absence, and would prove to be the band’s final album-length offering for a decade. Performed primarily by J Mascis, “Hand It Over” appeared at a time of declining international interest in American alternative rock, but nevertheless received widespread approval and appreciation amongst critics and reviewers. The album was accompanied, unusually, by an EP of non-album songs recorded for the Matt Dillon movie Grace Of My Heart and, later, a vinyl only ‘I’m Insane’ 7” single, all of which are collected here alongside a previously unreleased concert recording made in Stockholm and two tracks performed for ABC TV in Australia. Accompanied by in-depth sleevenotes from Mojo’s Keith Cameron (based on recent and exclusive interviews with J Mascis), this edition provides a final view of a band about to disappear from the limelight but still as engaging and powerful as ever.
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Dinosaur Jr - Without A Sound
Dinosaur Jr
Without A Sound
Tape | 2020 | EU (Radiation)
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Release: 2020 / EU
Genre: Rock & Indie
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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. “Without A Sound”, their sixth record, emerged in the summer of 1994, in the wake of personal bereavement and the departure of longtime drummer and founder member Murph. Performed primarily by J Mascis, “Without A Sound” continued the band’s growth in popularity and commercial achievement, reaching #44 in the US (their highest ever album placing there) and featuring the hit singles ‘Feel The Pain’ and ‘I Don’t Think So’. Released to positive reviews, “Without A Sound” also took Dinosaur Jr around the world, including dates in Australia, New Zealand and Japan, and into the mainstream as the group contributed ‘Blah’ to the hit US TV show Melrose Place.
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Man Man - Dream Hunting In The Valley Of The In-Between
Man Man
Dream Hunting In The Valley Of The In-Between
Tape | 2020 | US | Original (Sub Pop)
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Release: 2020 / US – Original
Genre: Rock & Indie
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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."
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Wolf Parade - Thin Mind
Wolf Parade
Thin Mind
Tape | 2020 | US | Original (Sub Pop)
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Release: 2020 / US – Original
Genre: Rock & Indie
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Iron & Wine - The Shepherd's Dog
Iron & Wine
The Shepherd's Dog
Tape | 2017 | US | Original (Sub Pop)
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Release: 2017 / US – Original
Genre: Rock & Indie
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The Shepherd's Dog is Iron & Wine's third full-length. It was originally released in 2007 to widespread acclaim.
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Weyes Blood - Titanic Rising
Weyes Blood
Titanic Rising
Tape | 2019 | US | Original (Sub Pop)
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Release: 2019 / US – Original
Genre: Rock & Indie
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Flight Of The Conchords - Live In London
Flight Of The Conchords
Live In London
Tape | 2019 | US | Original (Sub Pop)
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Release: 2019 / US – Original
Genre: Rock & Indie
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Allah-Las - Calico Review
Allah-Las
Calico Review
Tape | 2016 | US | Original (Mexican Summer)
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Release: 2016 / US – Original
Genre: Rock & Indie
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The Shins - Wincing The Night Away
The Shins
Wincing The Night Away
Tape | 2016 | US | Original (Sub Pop)
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Release: 2016 / US – Original
Genre: Rock & Indie
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Nirvana - Bleach
Nirvana
Bleach
Tape | 2015 | US | Original (Sub Pop)
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Release: 2015 / US – Original
Genre: Rock & Indie
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Patti Smith - Dream Of Life
Patti Smith
Dream Of Life
Tape | 2008 | US | Original (Arista)
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Release: 2008 / US – Original
Genre: Rock & Indie
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Suki Waterhoise - Memoir Of A Sparklemuffin
Suki Waterhoise
Memoir Of A Sparklemuffin
Tape | 2024 | EU | Original (Sub Pop)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Stiv Bators - Disconnected
Stiv Bators
Disconnected
Tape | 2024 | EU (Radiation Reissues)
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Release: 2024 / EU
Genre: Rock & Indie
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Originally released in 1980, Stiv Bators first solo effort. As we all know, Mr. Bators was the man who destroyed Rocket from the Tombs, from which he hijacked half the members to found one of the most influential American punk bands to have existed, The Dead Boys. Stiv has turned in his broken teeth for a more power pop oriented solo career. This is not an album recorded by a has-been former punk idealist; instead its a true step forward into another unknown arena packing all the glare and attitude that remained from the last. Bomp Records 50th anniversary reissue.
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Tsatthoggua - We Are God
Tsatthoggua
We Are God
Tape | 2024 | EU | Original (Osmose Productions)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Azketem - Azketem
Azketem
Azketem
Tape | 2024 | EU | Original (Darkness Shall Rise Production)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Pernice Brothers - Who Will You Believe
Pernice Brothers
Who Will You Believe
Tape | 2024 | US | Original (New West)
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Release: 2024 / US – Original
Genre: Rock & Indie
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Beach Slang - The Things We Do To Find People Who Feel Like Us
Beach Slang
The Things We Do To Find People Who Feel Like Us
Tape | 2015 | UK | Original (Big Scary Monsters)
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Release: 2015 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
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Urn - Soul Destroyers
Urn
Soul Destroyers
Tape | 2024 | EU | Original (Osmose)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Picture
Coming Soon
Gjendød
Livskramper
Tape | 2024 | EU | Original (Osmose)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Nidafjällen - Evig Stillhet
Nidafjällen
Evig Stillhet
Tape | 2024 | EU | Original (Darkness Shall Rise Production)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Fessus - Pilgrims Of Morbidity
Fessus
Pilgrims Of Morbidity
Tape | 2024 | EU | Original (Darkness Shall Rise Production)
12,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Burgonet - Ancient Armors And Fogotten Hymns
Burgonet
Ancient Armors And Fogotten Hymns
Tape | 2024 | EU | Original (Darkness Shall Rise Production)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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The Troops Of Doom - A Mass To The Grotesque
The Troops Of Doom
A Mass To The Grotesque
Tape | 2024 | EU | Original (Alma Mater)
12,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Mütiilation - Black Metal Cult
Mütiilation
Black Metal Cult
Tape | 2024 | EU | Original (Osmose)
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Tors - Miracle
Tors
Miracle
Tape | 2024 | Original (Glassnote Music Llc)
12,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Little Kid - A Million Easy Payments
Little Kid
A Million Easy Payments
Tape | 2024 | US | Original (Orindal)
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Release: 2024 / US – Original
Genre: Rock & Indie
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A camera zooms in without crowding its subject. A song about someone else's damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little KID’s new album and Orindal Records debut, A Million Easy Payments, the urgency in Kenny BOOTHBY's voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band's lilting folk rock arrangements carry Boothby's stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It's a record of depression and frustration that doesn't stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It's a record with blood in its veins. Little Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom's work renders a portrait of Little Kid's twin musical strengths—as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza NIEMI's cello, ANH PHUNG's flute, Seth ENGEL's percussion, Peter GILL’s pedal steel, and Aaron POWELL’s voice.
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Death - Individual Thought Patterns
Death
Individual Thought Patterns
Tape | 1993 | Reissue (Relapse)
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Release: 1993 / Reissue
Genre: Rock & Indie
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Death - The Sound Of Perseverance
Death
The Sound Of Perseverance
Tape | 2024 | Original (Relapse)
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Release: 2024 / Original
Genre: Rock & Indie
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Death - Spiritual Healing
Death
Spiritual Healing
Tape | 2014 | Reissue (Relapse)
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Release: 2014 / Reissue
Genre: Rock & Indie
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Death - Leprosy
Death
Leprosy
Tape | 1988 | Reissue (Relapse)
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Release: 1988 / Reissue
Genre: Rock & Indie
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Cigarettes After Sex - Cigarettes After Sex
Cigarettes After Sex
Cigarettes After Sex
Tape | 2017 | UK | Reissue (Partisan)
12,99 €*
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Release: 2017 / UK – Reissue
Genre: Rock & Indie
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Davíd Wunderlich - First They've Built Their Walls
Davíd Wunderlich
First They've Built Their Walls
Tape | 2023 | EU | Original (Unterschall)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Hidden Lines - Uusi Aalto
Hidden Lines
Uusi Aalto
Tape | 2023 | EU | Original (Unterschall)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Fixed Lens - Fixed Lens
Fixed Lens
Fixed Lens
Tape | 2023 | EU | Original (Unterschall)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Teenage Jesus & The Jerks - Live 1977
Teenage Jesus & The Jerks
Live 1977
Tape | 2023 | EU (Radiation Reissues)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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Visionary No Wave legend Teenage Jesus and The Jerks created a confrontational sound, with a shifting line-up as a platform for Lydia Lunch’s shouted vocal shocks, accompanied by her jagged guitar noise, non-melodic bass, and minimalist drums. This must-have live anthology is culled from six performances undertaken during their heyday, these atonal, in-your-face blasts somehow even more caustic than their studio work, rendering an aural assault not for the fainthearted. Benefitting from the presence of James Chance on select numbers, this uncompromising collection of staccato eruptions will get right up your nose – a must for all Jerks fans.
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Lydia Lunch - Queen Of Siam
Lydia Lunch
Queen Of Siam
Tape | 2023 | EU (Radiation Reissues)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spirited, surprisingly broad and defiantly dissonant, Queen Of Siam’s dense layers were designed to provoke and inflame; listen closely to fully decode.
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Hippo Campus - 3
Hippo Campus
3
Tape | 2022 | EU | Original (Grand Jury)
12,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Queensrÿche - Frequency Unknown
Queensrÿche
Frequency Unknown
LP | 2016 | EU | Original (Cleopatra)
12,99 €*
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Release: 2016 / EU – Original
Genre: Rock & Indie
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Harborlights - Isolation Ritual
Harborlights
Isolation Ritual
Tape | 2019 | EU | Original (Deathwish)
12,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Wear Your Wounds - Rust On The Gates Of Heaven
Wear Your Wounds
Rust On The Gates Of Heaven
Tape | 2019 | EU | Original (Deathwish)
12,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Hesitation Wounds - Chicanery
Hesitation Wounds
Chicanery
10" | 2019 | EU | Original (Deathwish)
12,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Jaguar - Power Games
Jaguar
Power Games
Tape | 2023 | EU | Original (Iron Grip)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Nasty Savage - Nasty Savage
Nasty Savage
Nasty Savage
Tape | 2023 | EU | Original (Iron Grip)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Jaguar - Power Games
Jaguar
Power Games
LP | 2023 | EU | Original (Iron Grip)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Angel Witch - Angel Witch
Angel Witch
Angel Witch
Tape | 2023 | EU | Original (Iron Grip)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Saint Nicotine - Saint Nicotine
Saint Nicotine
Saint Nicotine
Tape | 2023 | EU | Original (Smash)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Awakebutstillinbed - Chaos Takes The Wheel And I Am A Passenger Blue Cassette Edition
Awakebutstillinbed
Chaos Takes The Wheel And I Am A Passenger Blue Cassette Edition
Tape | 2023 | US | Original (Tiny Engines)
12,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-07-05
awakebutstillinbed return with chaos takes the wheel and i am a passenger, their first new full-length album in five years. From the very first moment, with its warm, opening guitar strum, absib pick up exactly where they left us at the end of their debut album. Produced by Joe Reinhart (Hop Along, Beach Bunny) and engineered by Jack Shirley (Joyce Manor, Jeff Rosenstock), the new album is sonically massive, allowing the band to peak higher and swoop to more intimate depths than ever before.
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Ichigo Evil - Nee Naw Mixtape
Ichigo Evil
Nee Naw Mixtape
Tape | 2023 | UK | Original (Kit)
12,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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"What happens when you take stop-start, prog-jazz weirdos Evil Usses and mix them with someone even stranger? Well, Ichi's DIY dada-pop genius isn't going to make things more normal is it?
Witness new combo Ichigo Evil knock at the doors of perception with dayglo skronk and one stringed fiddles. For fans of: Black Midi & Damo Suzuki, Melt Yourself Down, Cornelius." Headfirst Bristol Staff Picks
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The Cure - Live At The Ontario Theater Washington Dc 1984
The Cure
Live At The Ontario Theater Washington Dc 1984
Tape | 2023 | EU (Tape It Dee Dee)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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The Cure had been gradually building their U.S. fan base when they embarked on their third American tour to promote their 1984 studio release, The Top. This recording was made on that tour, and features the band during their most defining musical period. Coming off the success of hits like “Let’s Go To Bed” and “Boys Don’t Cry,” Robert Smith and the band had finally come to the point where they could take The Cure’s eccentric, characteristically dark sound and combine it with a more radio-friendly approach.
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Joy Division - Ajanta Theatre Derby 1980
Joy Division
Ajanta Theatre Derby 1980
Tape | 2023 | EU (Tape It Dee Dee)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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Massive as Joy Division were becoming, they still played Shit-Holes like this former, partially demolished, cinema in Derby. The old seats were still in place, except for a few that were torn off of their perches to allow dancing, if required. Again, another cavernous sounding audience recording,and again we are treated to a joint band version of "Girls Don't Count" for the rarity value. Due to cancellations, probably due to Ian's failing health, this would turn out to be the penultimate Joy Division performance, before.....well, you know what happened next.
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The Kids - The Kids
The Kids
The Kids
Tape | 2023 | EU (Radiation Reissues)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs New York fashion contest. Originally released on the Philips label in 1978, and highly acclaimed as one of the best punk records Ever, The Kids' debut album is now reissued on solid black cassette, with two bonus tracks recorded in 1977. This is pure and quintessential punk rock.
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Dirt Buyer - Dirt Buyer II
Dirt Buyer
Dirt Buyer II
Tape | 2023 | EU | Original (Bayonet)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Joe Sutkowski (Dirt Buyer)'s new album is a documentation of making it to the other side. Sutkowski grew up in New Jersey, and although he lives in Brooklyn now, he remains " an emo kid at heart ," garnering inspiration from bands like My Chemical Romance and Muse, the latter of whose theatrical, dramatic performances inspired the band's own vocal-forward, soaring takes. Initially working together as a duo while Sutkowski and Ruben Radlauer (Model/Actriz) were at school in Berklee, the band's self-titled 2019 debut album was recorded on an IPhone in their practice room on just drums and guitar, and the quietly striking, nuanced stylings earned them accolades far beyond the " fake record label " the two made up to originally release their music. The band's new album, Dirt Buyer II , was recorded in February 2020, and represents a foray into heavier material that marks a deeper shift for the band. Now working as a trio, Sutkowski is flanked by Tristan Allen on bass and Mike Costa on drums, a fellow Berklee grad who cut his teeth playing in bands across Boston including past collaborations with Sutkowski. Half-recorded while the band was on tour with Surf Curse, the record finds Sutkowski reaching out for places, people and beliefs to ground him. Throughout the album he attempts to wrap his head around the idea of fate and how you can brush up against other people and then leave them behind. The songs themselves play with this concept of light and dark intertwined. Oscillating between urgency and cathartic release and more stripped-back elegies, Sutkowski faces the reality that while the people he'd rather forget can still live on through music, he is able to move on at the same time. Half-recorded in his mother and uncle's upstate house where he turned the living room into a studio, he contemplates the beauty and disaster around him - all refracted through visceral visual imagery of how the physical earth meets the unknown to converge in something greater than ourselves. " This is all a living chronicle of all I want to do, which is feel good and be happy ," he admits. " I'm a completely different person now - a better version of myself ." Processing the past, Sutkowksi has emerged with newfound belief, fully intact and with a new path forward to the future.
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Diners - Domino
Diners
Domino
Tape | 2023 | US | Original (Bar / None)
12,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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On Domino, Diners has replaced their gentle pop sound with a more bombastic rock and roll approach while maintaining their upbeat positive world view. Diners teamed up with power pop prince Mo Troper and Grammy nominated engineer Jack Shirley to deliver her best record yet.
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V.A. - Tapes Not Dead Volume 5
V.A.
Tapes Not Dead Volume 5
Tape | US | Original (Tapeheadcity)
12,99 €*
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Release: US – Original
Genre: Rock & Indie
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ere it is! Volume 5 of the "Tapes Not Dead" series!!!! I'm super excited about how this years came out! I think it's one of the best yet! 21 awesome songs from bands and artists of today that release their music on cassette personally curated by yours truly.. Charlie Tapes. One of our main objectives as a store/label has always been to introduce new music in hopes you find something you really like. Tapes Not Dead is our mixtape to you!

Volume 5 also includes the ongoing Tapehead City comic series about a cassette who becomes a monster and befriends a girl named Keeks.



200 limited edition yellow copies were made using Fox Rtm911 which is one of the best performing tapes currently being manufactured.
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Cut Worms - Cut Worms
Cut Worms
Cut Worms
Tape | 2023 | US | Original (Jagjaguwar)
12,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Katie Ellen - Cowgirl Blues
Katie Ellen
Cowgirl Blues
Tape | 2017 | US | Original (Lauren)
12,99 €*
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Release: 2017 / US – Original
Genre: Rock & Indie
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Candy Whips - Automaton
Candy Whips
Automaton
Tape | 2022 | US | Original (Kitten Rob)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Current Joys - Love + Pop
Current Joys
Love + Pop
Tape | 2023 | US | Original (Secretly Canadian)
12,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Love + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooks, and songs that move from concept to completion with prolific speed. But Love + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty. It is not so much a twist as it is a unique multiverse identity for Current Joys, as Nick Rattigan's set out to "capture this sonic moment and harken back to the way I first released music." The story of Love + POP begins with one of those house parties: the kind that bulldozes your home and, in its aftermath, leaves a wreckage that finds you flattened but also ready to be new. In that mess and mayhem, Rattigan watched Everybody's Everything, the documentary of Lil Peep, and recorded a cover of "walk away as the door slams". But the itch wasn't scratched, and what began as a moment of homage morphed into something bigger, deeper and more fundamental, a point where the seemingly haphazard - in his home, in Peep's process - opened Rattigan up to an entire creative space and a new approach to bending or even detonating genre. Crucially, all of this was recorded at home, in what Rattigan calls a "tribute to the process of creating" in a DIY space. And what began as a singular passion project unexpectedly grew into a uniquely collaborative record for Current Joys. "I've set out to make collaborative records before," Rattigan explains, "but they often end up totally me, with just a couple exceptions. But then this record gave me the opportunity to be extremely collaborative, to let other people write instrumental tracks, sending links around for people to mess with and weigh in on. I sat down to do credits and realized here were all these people and styles and they all came together and worked." Love + POP's cover art is an airbrush/spraypaint rendition of the Wild Heart album cover, which is itself a photo of Rattigan's grandparents kissing. It is sacred in some ways and shredded in others. This idea - the aggressive reimagining of something timeless into a present, finite style - is Love + POP.
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Laraaji & Kramer - Baptismal
Laraaji & Kramer
Baptismal
Tape | 2023 | US | Original (Joyful Noise)
12,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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The 'Baptismal' project started out when Kramer invited me to collaborate with him on a project, and Itend to think in terms of what the listeners are open to hearing these days. In my mind was a recordingthat let the listeners leave the busy mind generated by mainstream media, so I came up with the idea ofa baptism, immersive kind of LP in which the listener would Become totally present with the music. Isuggested to Kramer the title 'Baptismal', and that the tracks would be called 'Gedunk', a comicalreference to the idea of being immersed in water, my own baptism as a child in the Christian faith, theBaptist church. I started by sending Kramer several tracks of Zither-centric music in the length ofindividual LP sides. Kramer would complement the tracks with plush drones and return it to me. Then wewould discuss. Soon we had enough material to move toward completing the album. I performed withpiano keyboard, ZITHER and voice. We collaborated entirely by sending audio files back and forth viaonline transfer. We haven't had physical contact at all during the project, but it went smoothly with someminor suggestions to help us to shape up our navigation til we finally arrived. The album cover wassuggested by Kramer, which I think is very appropriate. The project started in 2022. Mark Kramer, an oldyoung friend. We connected in New York City when he was here in the 80s.-Laraaji, Jan. 2023I met Laraaji by chance in NYC's Central Park one fine summer day in 1985. I'd been thinking about thewisdom vs. the futility of starting my own record company a lot in those days, and as I walked throughone of the parks many tunnels, I heard what I'd recognized to be Laraaji's 'Day of Radiance' playing onwhat i'd assumed to be someone's beatbox. I thought to myself, "How nice it is to be alive in NYC in 1985on a day like this in Central Park and knowing that someone loves this wondrous LP from Eno's ObscureRecords label as much as I do."But when I emerged from the tunnel I saw not a beatbo...
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Unbroken - Ritual
Unbroken
Ritual
Tape | 1993 | US | Reissue (Indecision)
12,99 €*
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Release: 1993 / US – Reissue
Genre: Rock & Indie
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The first album release from San Diego’s Unbroken. The tracks on this album offer a glimpse into the starting point of what would become one of the ’90s most iconic hardcore bands. Although the cultish following this band has been able to maintain for the last three decades stem from their sophomore album, Life.Love.Regret., this early batch of songs have garnered their own interest due to scarcity as this album has not seen an official pressing since the mid ’90s. To commemorate the 30th anniversary of this album, we are making this limited pressing available on all formats.
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The Prisoners - In From The Cold
The Prisoners
In From The Cold
Tape | 2023 | EU (Radiation Reissues)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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British garage rock revivalist's 1986 album for Stiff Records' 54321 Countdown affiliate. The Prisoners got their start in the same Medway River delta area of Britain as Billy Childish's Pop Rivets. After the band's demise singer/guitarist/songwriter Graham Day went on to join Childish's Thee Mighty Caesars & eventually formed the Prime Movers, organist James 'Jamie' Taylor went on to form the James Taylor Quartet.
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Heavy Mother - Comical Uncertainty
Heavy Mother
Comical Uncertainty
Tape | 2023 | EU | Original (Feel It)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Nowaves - Odd Secrets
Nowaves
Odd Secrets
Tape | 2023 | EU | Original (Phantom)
12,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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