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180g 2LP 45rpm

Legendary Finnish hardcore punk band Bastards’ discography to be released in a glorious box set in December

Bastards was one of the first Finnish hardcore punk bands coming from Finland in the early 80’s. The band released three albums between 1982-1983: Harhaa (1982, originally only on cassette tape), Järjetön maailma (1983) and Siberian Hardcore (1983). Propaganda Records, the oracle of its time, released the Maailma palaa ja kuolee EP when the band was still active, and some single tracks also appeared on Finnish and international compilations.

Bastards gained international attention and were the first Finnish hardcore band to tour Europe, yet they still ended up quitting the band in December 1983 after just a few active years. Svart Records have now put together all the recorded material by Bastards. Arctic Hardcore – Complete Studio Recordings & Rare Rehearsal Tapes -box set was done as a tight co-operation between the record company and members of the band. The nearly four-hour long compilation contains 136 songs, of which fifty are never released versions or completely unheard material, until now. The box set also contains a thick booklet with the band’s history, lyrics, complete song information and a lot of photos from the band’s active years.

Svart Records proudly presents Arctic Hardcore – Complete Studio Recordings & Rare Rehearsal Tapes on a Svart exclusive red 6LP box set (limited to 100 copies, contains a A2 size poster), black 6LP box set and a 3CD edition. Release date December 8th.

180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Purple wax!

It's the year 2000 and the term "cuddly rock" needs to be reassessed. After the mega-success of the predecessor "13", a new album is on the way. So to warm up, they first recorded an ultra-German punk EP, "5, 6, 7, 8 - Bullenstaat". The genesis of the new album title can be described, but not explained. And: plush.

Under the fluffy cover, "Runter mit den Spendierhosen, Unsichtbarer!" turns out to be a cornucopia of hits, almost all of which still occupy a firm place in the not exactly slender-breasted canon of classics of the best band in the world almost a quarter of a century later and are way ahead of the zeitgeist. Because the ärzte are - surprise! - are extraordinarily diverse, especially when it comes to one topic: Sexual intercourse. There are all kinds of sexual intercourse, including more or less common problems that unfortunately complicate the fun between men, women and everything in between.

"You're even more annoying than Yoko Ono" has not only long since become everyday language, but even landed in the Guinness Book of Records for the short but painful video. "Sometimes Women Have" almost grows into a medium scandal because of the tangible topic, then becomes a radio hit - thanks to the even more tangible video - and ultimately shows an option for feminist self-empowerment. "Rock Rendezvous" is exceedingly F-word intensive and unrestrainedly funny. But BelaFarinRod are also in an extremely good mood in other respects, rhyme their heads off extensively even by their standards and are also totally rock.

die ärzte: Now with a lot of woo-hooing, onprangering, even more pop sex, a fatal lack of kohl and a very simple question: "Does the sun also shine for Nazis?"

Small sticker on cover.
Includes original inner sleeves.

Red/Orange/Yellow glow vinyl!

Nearly twenty-five years after disbanding, Gastr del Sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run. This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!

Red vinyl!

Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies.

Available for the first time on vinyl. 5-lp, 180-Gram, vinyl boxed set. Limited edition of 10,000. (The preceding show to the 2022 RSD release from 4/8/72). When the Grateful Dead opened their famed Europe '72 tour at the sold-out, cavernous Wembley Empire Pool in London, they signaled from the very start that they meant business. From the very first notes of this show's opener, “Greatest Story Ever Told,” the Dead were "on," performing a mix of their best-known songs including “Truckin'” and “Sugar Magnolia,” a healthy dose of music from their most recent album, the live album that was a critical commercial success Skull & Roses, including “The Other One,” “Not Fade Away” > “Goin' Down The Road Feeling Bad,” and “Wharf Rat,” along with more than a half dozen songs from Bob's and Jerry's respective 1972 solo albums. If the Dead had opening-night jitters at this show, they sure masked it well with confidence, inventiveness, and inspiration, all hallmarks of what would become known as one of the Grateful Dead's greatest tours ever.

Hanni El Khatib’s first idea for his Savage Times project was to do something he’d never done before. Instead, he ended up doing …well, everything he’d never done before. He’d be playing new instruments, writing in unfamiliar new ways, opening himself up to an unrelenting stream of ideas and dedicating himself totally to pure musical instinct. And the result? 19 best-of-the-sessions songs,
destined for vinyl release as a Limited Edition 10” LP Box Set, as well as the kind of creative revelations that only happen when you quit looking around and start looking ahead. Originally, he’d hoped to explode the lingering idea that he was simply a blues-rock guitar player, but that’s why Savage Times touches on everything from garage rock to punk to disco, hip-hop and even some unexpected solo-guitar self-portraiture. But on the way, he also exploded his own idea of what he could do—even maybe who he was, or would be. Savage Times was an experiment as well as an experience, that touched on some of the most personal, social & political elements to date.

Front cover has a small hole close to spine.
(see photos).

New King Gizzard box-set ‘Live In Chicago’ available to pre-order now. Recorded live at The Salt Shed in Chicago, it captures 40 tracks across 9 LPs. Includes 132-page hardcover photo book.

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Fuzz Club presents another huge King Gizzard And The Lizard Wizard bootleg box-set, in the shape of the 9LP monster 'Live In Chicago’. Recorded over three nights of the Aussie psych-rock polymaths raining down on The Salt Shed in Chicago, this bootleg captures 40 tracks of live Gizz spread across 18 sides of vinyl. Live In Chicago was recorded live June 11, 12 and 13 2023, mixed by the band's Stu Mackenzie and Sam Joseph and remastered for vinyl by James Plotkin exclusively for this edition.

Each of the three nights comes in its own 3LP slipcase, all housed together in one giant hand-numbered slipcase alongside a 132-page hardcover photo book, including photos licensed exclusively for this vinyl release. All 9 LPs come on 180g multi-coloured vinyl (with a unique effect configuration for each night) in their own heavy card jacket with 3mm spine and premium archival rice paper inner-sleeves by Mint. The artwork for each jacket works as a puzzle and forms one giant artwork. Exclusive collage album art and design by Elzo Durt with metallic silver laminated detailing through out all slipcases, jackets and the photo book. Includes large poster with the original cover art by Jason Galea. The box-set is packaged in a bespoke foam-lined box to protect it during shipping.

close to NM. Limited edition. Direct Disk. OBI is missing.

Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood



“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks



The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

A reissue of the debut album from John Dwyer under the OCS moniker. Original released in 2003 as a double CD. This is the first time it has seen a vinyl treatment! Lovingly remastered at Golden and cut by Carl Saff

In the discography of Poison Idea, 1993’s We Must Burn is recognized as the capper on the most prolific period for Portland, Oregon’s Kings Of Punk, as well as the final album from their initial thirteen-year run. Well-seasoned and confident in their sonic skin, this album showed the musical progression the band had made while still holding on to the buzzsaw guitars of TOM “pig Champion” Roberts, the defiant bellow of Jerry A. Lang, and the other elements that positioned them as one of the forerunning units for American Hardcore punk. Continuing with their tireless reissue campaign for Poison Idea TKO Records unleashes We Must Burn for the first time on vinyl in over thirty years, in this hefty two-record set. In addition to the original album, a second LP of bonus material is included. SIde's C and D contain WMB studio outtakes that originally saw release on the posthumous Religion & Politics 10”, plus live tracks from the 1992 “No On 9” festival. This legendary all-day event benefiting Gay Rights, at the Portland Meadows horse race track, saw Poison Idea sharing the stage with Nirvana and Helmet among others. The chance to absorb Poison Idea's scintillating and supposed swan song in the proper format is available to you once again. Act accordingly or be hung like a savior. Housed in deluxe gatefold jackets printed on foil-wrapped mirrorboard cardstock.

Yellow marbled vinyl! Includes slipmat!

Shotmaker was formed in 1993 by three friends from the small towns of Tweed and Belleville in Ontario, Canada: Matt Deline (drums, vocals), Tim McKeough (guitar, vocals), and Nick Pye (bass, vocals). The band relocated to Ottawa in 1994 before ending its run in 1996. They are widely recognized for influencing the direction of emo and post-hardcore music.

During their relatively short time together Shotmaker harnessed the collective creativity of the Canadian DIY community to make something special happen. They wrote and recorded two 7”s, two LPs, a split LP (with Washington, D.C., based Maximillian Colby) and numerous songs for compilations and other split records. The band thrived on playing live shows and completed three coast-to-coast North American tours in addition to many smaller tours. They regularly shared the stage with bands like Policy of 3, Los Crudos, Unwound, Rorschach, Cap’n Jazz, Indian Summer, Rye Coalition, Modest Mouse, Propagandhi, Hoover, Clikatat Ikatowi, Blonde Redhead and Fugazi.

"A Moment in Time: 1993-1996" is a band-curated, 3xLP box set on colored vinyl. Also included is a 12 page booklet with never before seen images from Canadian photographer Shawn Scallen who chronicled much of the band's history. All the music has been mastered for vinyl by Brad Boatright at Audiosiege in Portland, OR.

Gatefold cover with some storage wear, ring wear and some yellowing.
Records with some hairlines. Included are 4 one-sided 29x21 cm sheets
with pictures of the musicians and a 12-page 12" sized booklet

Quantity: 7500
Release type: RSD Exclusive Release

Recorded June 5, 1970 • First official release • Includes the song “Someday Soon” that was only performed live • 2-lp set 1. Intro/Adolf Hitler (Poem) 2. Roadhouse Blues 3. Someday Soon/Harvest Moon 4. Mystery Train/Train Coming Round The Bend 5. Break On Through 6. Five To One 7. Backdoor Man/Willie Dixon 8. The End 9. When The Music’s Over

Gimmick cover with Original inner sleeve. OBI is missing.

Sometimes regarded as the most complete Who Best Of, this version with a replica of the original 8-page booklet and pressed on Colored Vinyl (Pink and Green) was mastered by long time Who engineer Jon Astley and cut by Miles Showell at Abbey Road.

Die cut cover and die cut original inner sleeve. UK repress.

Records housed inside a full-colour, mirror-board printed, hardcover book featuring alternate front cover artwork, extra artwork, lyrics and credits all within a full-colour, mirror-board printed hardcover slide-out box.
Vinyl is very close to NM, some hairlines and scuffs. Box has tiny wear.

Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box