Rock & Indie Sale 66 Items

Behold! Every single raw, filthy, ripping old school punk/(death)metal note from Seattles' legendary lords of destruction ever recorded is within this box!

contains: †Black Breaths' 1st demo on cassette! (available for the first time ever!) †Razor To Oblivion EP (with 2 previously unreleased tracks!) †Heavy Breathing vinyl LP †Sentenced to Life vinyl LP †Slaves Beyond Death 2xLP

This essential box also contains a killer 8 page booklet with tons of photos, liner notes from Todd Jones (nails) and a tribute to bass player: Elijah Nelson.

Malfunkshun is an American punk/Love-rock/proto-grunge band formed in 1980 by brothers Andrew (aka Landrew) and Kevin Wood with drummer Regan Hagar.

Combining glam influences with distortion, they were one of the earliest grunge bands from Seattle. Andrew would become the frontman for Mother Love Bone.

"Olympus Awaits" is a definitive compilation of all Malfunkshun recordings. It includes their Return to Olympus album (here on vinyl for the first time ever), compilation appearances and very rare demo recordings with a dark-punk hardcore aesthetic.

This is thee ultimate Love Rock archival release of Mfunk!

Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

Originally released in 2002 on the Sweet Nothing label (snlp/cd 11), Under Sided was recorded in 2001 at WhiteHouse Studios in Weston Super Mare, with Martin Nichols engineering. The band had previously recorded tracks for Mans Ruin 10” at these studios (also famous for Ripcord, Heresy, Slowdive, Hardskin, Decadence Within, Icehouse.. amongst many others!). For the reissue, the original recordings were remastered for vinyl and CD by long time Heads Masterer (!) Shawn Joseph. The resultant 8 tracks, spread over 4 sides of vinyl are some of the best music the Heads have recorded, after a bit of a hiatus following their 2000 US tour / Peel session (included in the boxset / on the 2CD version here), the band regrouped and worked out the tracks for the album, relentless rehearsing for the recording. Very few shows happened in that 2001-2002 timeframe.. band members were busy, earning a living, getting on with life, but they still had some riffs/songs there. Upon release in 2002 the album got great reviews in the press, from Kerrang and Mojo to the Sunday Times, all helping the Bristol fourpiece confirm their cult status, which has continued to current times.. The remastered album is being reissued as a 4LP + 2CD boxset. The extra 2LP features their Peel session from 2000, as well as a couple of compilation tracks (For Mad Men Only / Born To Go), and some unreleased demo versions, as well as 2 exclusive to this set CDS that feature nearly 150 minutes of Live recordings (mastered, but RAW!) from their gigs on the Thekla in Bristol and rehearsal room tapes in 2001 and 2002. The boxset will also have a special slip-mat, stickers, and a 24 page booklet of photos /writings, including recollections by each band member, and others including Stewart Lee. Under Sided is a pounding sike-nightmare that shows the Heads at the peak of their powers, there’s a flow throughout the album of melding psychedelic noise rock to unrelentin rhythms and creating a bad trip for all listening.. open battering-ram “Dissonaut” is a staple in their live shows to this day… even the gentle sooth of “Energy” is enveloped by a white noise fury.. the intensity of some of the tracks: the terror inducing “Bedminster” or “False Heavy” (a tour worn riffmonger from 2000) or the Magnet-esque “Heavy Sea”, showed the band as ferocious as any of the insurgent “stoner” genre of that time. They were never going to make their living out of touring, record sales… as Hugo mentions in his notes for the booklet, “.. we had less boundaries and felt we could experiment more and not worry about commerciality…” but they were able to make this album.

Front cover has a small hole close to spine.
(see photos).

White Vinyl seems unplayed. Original inner sleeves. Gatefold cover is very close to NM. Limited edition. UK reissue from 2013.

Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies.

Available for the first time on vinyl. 5-lp, 180-Gram, vinyl boxed set. Limited edition of 10,000. (The preceding show to the 2022 RSD release from 4/8/72). When the Grateful Dead opened their famed Europe '72 tour at the sold-out, cavernous Wembley Empire Pool in London, they signaled from the very start that they meant business. From the very first notes of this show's opener, “Greatest Story Ever Told,” the Dead were "on," performing a mix of their best-known songs including “Truckin'” and “Sugar Magnolia,” a healthy dose of music from their most recent album, the live album that was a critical commercial success Skull & Roses, including “The Other One,” “Not Fade Away” > “Goin' Down The Road Feeling Bad,” and “Wharf Rat,” along with more than a half dozen songs from Bob's and Jerry's respective 1972 solo albums. If the Dead had opening-night jitters at this show, they sure masked it well with confidence, inventiveness, and inspiration, all hallmarks of what would become known as one of the Grateful Dead's greatest tours ever.

Legendary Finnish hardcore punk band Bastards’ discography to be released in a glorious box set in December

Bastards was one of the first Finnish hardcore punk bands coming from Finland in the early 80’s. The band released three albums between 1982-1983: Harhaa (1982, originally only on cassette tape), Järjetön maailma (1983) and Siberian Hardcore (1983). Propaganda Records, the oracle of its time, released the Maailma palaa ja kuolee EP when the band was still active, and some single tracks also appeared on Finnish and international compilations.

Bastards gained international attention and were the first Finnish hardcore band to tour Europe, yet they still ended up quitting the band in December 1983 after just a few active years. Svart Records have now put together all the recorded material by Bastards. Arctic Hardcore – Complete Studio Recordings & Rare Rehearsal Tapes -box set was done as a tight co-operation between the record company and members of the band. The nearly four-hour long compilation contains 136 songs, of which fifty are never released versions or completely unheard material, until now. The box set also contains a thick booklet with the band’s history, lyrics, complete song information and a lot of photos from the band’s active years.

Svart Records proudly presents Arctic Hardcore – Complete Studio Recordings & Rare Rehearsal Tapes on a Svart exclusive red 6LP box set (limited to 100 copies, contains a A2 size poster), black 6LP box set and a 3CD edition. Release date December 8th.

Svart Records proudly present Swallow The Sun's magnum opus "Songs From The North I, II & Iii" vinyl reissue

Swallow The Sun, Finnish Death-Doom band hailing from the city of Jyväskylä, released their sixth studio album "Songs From The North I, II & Iii" back in 2015 via Century Media. This 5LP monolith is now getting the reissue treatment by Svart Records for the first time with the original album art and presented in a glorious box set. Containing a booklet and with three different vinyl color variants, this soon-to-be-collectors-item is pressed in limited quantities and will be available on June 14th 2024.

Swallow The Sun was established in 2000 by Juha Raivio. The band's Death-Doom style focuses on both melody and atmosphere, while also moving around more gothic and black metal territories. "Songs From The North I, II & Iii" is an epic triple album of Gloom, Beauty, and Despair. It depicts the three different facets of the band's style with Gloom being the death/doom album, Beauty mostly acoustic and folksy material, and Despair the funeral doom album.

Yellow marbled vinyl! Includes slipmat!

close to NM. Limited edition. Direct Disk. OBI is missing.

Records housed inside a full-colour, mirror-board printed, hardcover book featuring alternate front cover artwork, extra artwork, lyrics and credits all within a full-colour, mirror-board printed hardcover slide-out box.
Vinyl is very close to NM, some hairlines and scuffs. Box has tiny wear.

Gatefold cover with some storage wear, ring wear and some yellowing.
Records with some hairlines. Included are 4 one-sided 29x21 cm sheets
with pictures of the musicians and a 12-page 12" sized booklet

Triple vinyl LP pressing + Blu-ray edition. Experience Hendrix announces a collection that couples the brand new feature length documentary Music, Money, Madness... Jimi Hendrix In Maui with the accompanying live performances on both audio and video. The film chronicles the Jimi Hendrix Experience's storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the documentary incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. Executives and several Rainbow Bridge cast members, as well as it's director Chuck Wein. The Blu-ray will include the full documentary as well as the 16mm color film shot of the two afternoon performances captured on July 30, 1970 mixed in both stereo and 5.1 surround sound. Also included in the package will be Live In Maui - both of the aforementioned sets spread across 2 CDs, newly restored and mixed by longtime Jimi Hendrix engineer Eddie Kramer, and mastered by Bernie Grundman. Included are breathtaking renditions of crowd favorites like "Foxey Lady, " "Purple Haze" and Voodoo Child (Slight Return), " as well as then-unreleased songs like "Dolly Dagger" and "Freedom" that showcased the new direction Hendrix was moving toward.

Purple wax!

Red vinyl!

Mastered from the Original Master Tapes for Unsurpassed Analog Sound: Mobile Fidelity's 180g 45RPM 2LP Set Opens Up Scale of Lush Orchestral Architecture and Elegant Baroque Textures.

A reissue of the debut album from John Dwyer under the OCS moniker. Original released in 2003 as a double CD. This is the first time it has seen a vinyl treatment! Lovingly remastered at Golden and cut by Carl Saff

2022 reissue. Still in shrink but opened with hype sticker. Clear and splattered vinyl seem unplayed.

Purple vinyl!

* 20–track collection includes Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags performing a Betty Davis classic, Ethan & Maya Hawke interpreting Willie Nelson, and Angel Olsen paying homage to Karen Dalton * Double LP pressed on special limited edition color wax * Featuring new cover art by renowned British artist Sophy Hollington * Booklet with track–by–track notes by Lydia Hyslop For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says Lita founder, Matt Sullivan. Thus, Lita’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite Lita artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends. From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.

Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos. *Special Edition includes a Cd-r of a interview program with the producers of "Beam Penetration" in 1970. At the end of the program, the Flower Travellin' Band appeared with motorcycles and performed in the studio. Also includes insert with English translation of the interview.

Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

Die cut cover and die cut original inner sleeve. UK repress.

Gimmick cover with Original inner sleeve. OBI is missing.

US original.

Record close to near mint, faint surface noise audible in the run-ins of the first track on both sides but just for a few rounds.

Cover close to VG+ with just a small seam split at the lower edge.

It's the year 2000 and the term "cuddly rock" needs to be reassessed. After the mega-success of the predecessor "13", a new album is on the way. So to warm up, they first recorded an ultra-German punk EP, "5, 6, 7, 8 - Bullenstaat". The genesis of the new album title can be described, but not explained. And: plush.

Under the fluffy cover, "Runter mit den Spendierhosen, Unsichtbarer!" turns out to be a cornucopia of hits, almost all of which still occupy a firm place in the not exactly slender-breasted canon of classics of the best band in the world almost a quarter of a century later and are way ahead of the zeitgeist. Because the ärzte are - surprise! - are extraordinarily diverse, especially when it comes to one topic: Sexual intercourse. There are all kinds of sexual intercourse, including more or less common problems that unfortunately complicate the fun between men, women and everything in between.

"You're even more annoying than Yoko Ono" has not only long since become everyday language, but even landed in the Guinness Book of Records for the short but painful video. "Sometimes Women Have" almost grows into a medium scandal because of the tangible topic, then becomes a radio hit - thanks to the even more tangible video - and ultimately shows an option for feminist self-empowerment. "Rock Rendezvous" is exceedingly F-word intensive and unrestrainedly funny. But BelaFarinRod are also in an extremely good mood in other respects, rhyme their heads off extensively even by their standards and are also totally rock.

die ärzte: Now with a lot of woo-hooing, onprangering, even more pop sex, a fatal lack of kohl and a very simple question: "Does the sun also shine for Nazis?"

Red/Orange/Yellow glow vinyl!

Dark red vinyl version!

“You don’t want your stuff to vanish,” says Joe Pernice about the twenty-fifth anniversary reissue of Overcome By Happiness. “Not that I’m looking to get famous, but you need to connect with the world. There’s something that reaffirms your own life in that echo that comes back to you—even if it’s your own voice coming back.” The story of Overcome By Happiness is one of great risk and greater payoff. It’s the story of a disgruntled country singer struggling to define himself against prevailing musical trends. It’s the story of a songwriter just finding his voice, an artist so desperate to express himself that he scrapped one band to form another, risking his record contract and arguably his career to put the sounds he heard in his head onto tape. It’s the story of a musician embracing the sounds of his childhood: AM easy listening, sophisticated chamber pop, baroque lounge music, Bread, the Carpenters, Bacharach, Manilow. It’s the story of a poet driving through Massachusetts in a rusted-out Bonneville with a wooden bumper. This time has come for this story to be told on vinyl. Released 25 years later to the day, New West Records is proud to present the remastered 25th anniversary edition of Overcome By Happiness on vinyl. This release features two orange and white splatter LPs held by thumb notch sleeves inside of a hardback book gatefold. The album audio also includes a 13 Track Bonus LP featuring 8 Previously Unreleased Demo Recordings The package features a 52-page book showcasing extensive liner notes, printed lyrics, forward and track by track written by Joe Pernice as well as previously unseen photographs. Each copy comes with a 5x7 autographed print.

Type O Negative is an American goth-metal band formed in Brooklyn in 1989 by Peter Steele (lead vocals, bass) along with childhood friends Kenny Hickey (guitar, backing vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussions), who was later replaced by Johnny Kelly. They signed to Roadrunner Records and released their debut album Slow, Deep and Hard in 1991.

Bloody Kisses is the third album by Type O Negative, released on August 17, 1993. It is the album that would put Type O Negative into mainstream popularity in metal fandom following a somewhat lack of success with their first two albums. According to several reviews, the album lays the foundation of gothic metal for not just Type O Negative but other bands to follow. ''Bloody Kisses'' established Type O Negative motifs, such as songs originally recorded by another band restylized into gloomy gothic metal, sample-heavy soundscapes in between songs, and dry, satirical humor.

Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification (not just Type O Negative). This is the last album to feature the band's original line-up, as drummer Sal Abruscato would leave Type O Negative in late 1993 and was replaced by Johnny Kelly.

Gatefold cover is close to NM! Green vinyl!

Received an 8.1 rating from Pitchfork.

Vinyl with scuffs and hairlines. Cover with a slightly bumped corner

Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood



“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks



The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.