Rock & Indie Preorder 3292 Items

A Christmas Album Vinyl Me, Please Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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We’ve been following Mackenzie’s career since she came out of nowhere with her incredible debut album in 2013. Since then, we’ve gotten to watch as she’s come into her own as an artist both on stage and in the studio. After diving deep into Sprinter we feel like we’re witnessing the emergence of one of the great artists of our generation... someone who combines the emotional intensity of PJ Harvey with the melodic sophistication of St. Vincent.

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Bright Eyes

LP | 2024 | US | Reissue (Vinyl Me, Please)

I'm Wide Awake, It's Morning Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Traditional Christmas songs performed and arranged by Bright Eyes' Conor Oberst and Maria Taylor along with the help of Jake Bellows, Gretta Cohn, Armand Costanzo, Denver Dalley, Stefanie Drootin, Orenda Fink, Neely Jenkins, Jiha Lee, Andy LeMaster, Mike Mogis, Matt Oberst, Stephen Pedersen, Blake Sennett, Macey Taylor and Nick White.

Limited to 2000 copies, the VMP exclusive version of Bright Eyes' A Christmas Album is pressed on Blue Seafoam Wave vinyl at Independent Record Pressing (IRP). The 1 LP will arrive in a single direct-to-board, foil-stamped and numbered jacket.

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Bright Eyes

Sorry I Haven't Called Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
"I’m Wide Awake, It’s Morning came out in 2005, Conor Oberst’s folky foil to Bright Eyes’ concurrent release, the electronic experiments of Digital Ash in a Digital Urn. It’s distinct placement in an Americana lineage takes center stage, from the detailed, no-holds-barred vulnerability in its storytelling to gripping vocal appearances from Emmylou Harris. For many, it’s looked fondly upon as the well-worn soundtrack to a distinct coming-of-age period, much like the time of exploration Oberst chronicles across the songs on the album, where even the mundane is something worthy of marveling at."

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Vagabon

Denim & Diamonds Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Sorry I Haven't Called, by Lætitia Tamko better known as Vagabon, is the singer-songwriter's first release in 3 years. ‘’'Carpenter' is about that humbling feeling when you desperately want to be knowledgeable, you want to be advanced, you want to be mature, forward thinking, and evolved.'' she says of the lead single. ‘’It’s about being confronted with your limitations. It’s about that A-HA moment, when a lesson from the past finally clicks and you want to run and tell someone who bore witness to the old you, 'I finally get it now.'''

Limited to 1000 copies, the VMP exclusive version of Vagabon's Sorry I Haven't Called is pressed on Transparent Ruby vinyl at GZ Vinyl. The 1LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket. It was mastered by Emily Lazar at The Lodge.

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Nikki Lane

Busy Bee Cafe Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Following the massive success of her 2017 album Highway Queen, Nikki Lane was uncertain whether she wanted to make another album. Exhausted from touring, she spent time at home and was happy lending support to fellow artists like Sierra Ferrell, Lana Del Rey and Spiritualized.

‘’I hadn’t made a record in years and did not really feel interested in making another one,'' she shared. ''What I realized was how many little nuggets I was sitting on.''

Connecting with Queens of the Stone Age frontman Joshua Homme, Lane entered the studio for her next album. With talent on the album like Queens of the Stone Age collaborators Alain Johannes (guitar), Dean Fertita (organ), Michael Shuman (bass), Matt Helders of Arctic Monkeys (drums), Carla Azar of Autolux (drums) and Matt Pynn (steel player), Denim & Diamonds marks Lane's massive return.

Limited to 1,000 copies, the VMP exclusive edition of Denim & Diamonds is pressed on 1LP Seaglass vinyl at United Record Pressing. The album will arrive in a single direct-to-board, foil stamped and numbered jacket along with an 11x22 poster. The album is mastered by Gavin Lurssen of Lurssen Mastering.

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Marty Stuart

LP | 1982 | US | Reissue (Vinyl Me, Please)

The Silver Tongued Devil And I Vinyl Me, Please Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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“The moment country music was born, it started dying — at least according to a particular substrate of purists. For decades, they have dug in their heels for fiddle, for mandolin, for harmonies. Every so often, they get a win, pulling the rope over to their side in the endless tug-of-war between country music that incorporates the pop trends of the day (for both creative and commercial reasons), and country music that prioritizes mining the music’s widely mythologized tradition.

Marty Stuart was one of those artists. On 1982’s Busy Bee Cafe, the singer and mandolin player flaunted his real country bona fides via both his prodigious picking and the gaudy talent among the album’s personnel — earned in the course of a career that had already, apocryphally, lasted a decade in spite of the fact that Stuart was just 24 years old when the album was released. Far from being an appetizer to Stuart’s eventual commercial success, Busy Bee instead showcases his deep reverence for his musical forebears, radio playability be damned. The folksy release falls in line with a persistent strain of traditionalism even more than it does the commerce-minded revivals of Strait and Skaggs — a strain that endures today, fueled in part by inspiring performances like those captured on this album.”

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Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

Infamous Angel Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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Iris Dement

LP | 1982 | US | Reissue (Vinyl Me, Please)

Fruit Vinyl Me, Please Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Infamous Angel is the stunning debut from country singer-songwriter Iris DeMent, and the VMP Country Record of the Month for January 2022. It’s pressed on exclusive 180g Cloudy Blue vinyl.

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The A's

High Top Mountain 10th Anniversary Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Amelia Meath and Alexandra Sauser-Monning have been sharing the stage for upwards of fifteen years; they have now come together for a new band called The A's. Their debut album, Fruit, shares a beautiful ten-song collection that features covers of folk songs, lullabies, ballads and more. The album includes their rendition of “He Needs Me,” the Harry Nilsson and Shelley Duvall classic from 1980’s Popeye along with standouts like the ballads “Swing and Turn Jubilee,” “Copper Kettle,” “Buckeye Jim” and others. Fruit is a glimpse a deep collaboration and friendship between the two artists and bandmates.

Limited to 400 copies, the VMP exclusive edition of The A's Fruit is pressed on 1LP Banana Yellow vinyl at Citizen Vinyl. The album will arrive in gatefold direct-to-board, hand-numbered jacket. It's mastered by Patricia Sullivan of Bernie Grundman Mastering.

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Sturgill Simpson

LP | 2013 | US | Reissue (Vinyl Me, Please)

Music From Grizzly Man Vinyl Me, Please Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
High Top Mountain certainly leaned traditional, but it also set the precedent that Simpson was not an artist content to coast, was not someone just trying to write the easiest song to ride to the top. He was willing to put in the work, and hire $25,000 worth of studio time and band members to make his vision a reality, and didn’t very much care what happened next. Only that he’d done it. Freedom, as a famous country singer once wrote for Janis Joplin, is just another word for nothing left to lose. The most free performer we’ve had these last 10 years is Simpson, who took a trip to High Top Mountain and never came back down.

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Richard Thompson

LP | 2013 | US | Reissue (Vinyl Me, Please)

Lessons For Mutants Vinyl Me, Please Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Richard Thompson's Music from Grizzly Man accompanies the acclaimed documentary, Grizzly Man, following the life and death of Timothy Treadwell, a documentary filmmaker, environmentalist and bear enthusiast.

This VMP exclusive record is pressed on 1LP standard weight Smoke vinyl at Independent Record Pressing. This reissue is remastered by Bob Olhsson. Limited to 1,000 copies, Music from Grizzly Man will arrive in a foil stamped and numbered gatefold tip-on jacket.

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Johanna Warren

The Spur Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Lessons for Mutants marks a shift in Johanna Warren's art and life, from the constant touring, the pandemic and moving to rural Wales. The album began with the same sessions that spawned her previous work, Chaotic Good, and continued into the UK as she was surrounded by a landscape of sheep, cows and plants. The album reflects a theme of metamorphosis in these moments of change for the artist.

Limited to 300 copies, the VMP exclusive edition of Johanna Warren's Lessons for Mutants is pressed on 1LP recycled vinyl at Optimal Media Production, mastered by Sarah Register. The record will arrive in a single direct-to-board, hand numbered jacket along with a download code.

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Joan Shelley

Willie Nelson And Family Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Kentucky-based folk musician Joan Shelley returns to No Quarter Records with her newest album, The Spur. The album was written between the fall of 2019 and 2020 during the peak of isolation due to the COVID-19 pandemic, and recorded the following spring of 2021 while Shelley was pregnant. Shortly afterwards, Shelley married her long-time musical partner and now-husband Nathan Salsburg.

Of the album, Shelley said, ‘’The Spur is the result of a period of opposite extremes: of intellectual hyper-connection and physical isolation. This album will forever be fused with the memory of our marriage, the birth of our child, and the intense joy despite the darkness.''

The record is co-produced by both Joan Shelley and James Elkington, and features Bill Callahan, Meg Baird, British novelist Max Porter and Nathan Salsburg.

The VMP exclusive edition of The Spur will arrive on a 1LP Silver Fox vinyl in a single direct-to-board foil stamped and numbered jacket with a printed inner sleeve. It's mastered by Josh Bonati of Bonati Mastering.

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Willie Nelson

Phases And Stages Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Sound-wise, 1971’s Willie Nelson & Family is no different than the 11 studio albums that precede it: They are awash in the Countrypolitan sound, with strings, horns and backing singers. But the version of ‘’Sunday Mornin,'' complete with its guitar solo — one of the first on Nelson’s legendary Trigger guitar — feels like the first act of defiance and a statement of intent. ‘’If Kris Kristofferson can do this, I can do it too,'' Nelson seemed to be saying. Within 18 months, he’d be in New York making Shotgun Willie, free to follow his muse wherever he went, cementing Kristofferson’s outlaw country jumpoff point. And that’s why Willie Nelson & Family is such an interesting artifact: It’s the last album Willie made in his ‘’Before'' timeline; it’s the point where he started putting it all together and asserting his creative ideas in tangible ways.

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Willie Nelson

LP | 1974 | US | Reissue (Vinyl Me, Please)

Honky Tonk Heroes Vinyl Me, Please Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Willie Nelson wants it known, despite being divorced twice and married thrice before writing the album — including one that was spurred by his second wife finding a maternity ward bill from his eventual third — that Phases and Stages is and was not autobiographical. “The overall theme was not a reflection of my own life,” he said in his 2015 biography It’s A Long Story: My Life. “I was simply making up a story. Sure, I’d gone through breakups and heartaches of my own. What human soul hasn’t?” But when you make an album like Phases and Stages, the most devastating, humanistic divorce record of all time — and be beaten by an ex-wife after she sews you into your sheets — people begin to believe the album is about you and your ex-wives.

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Waylon Jennings

LP | 1973 | US | Reissue (Vinyl Me, Please)

Stand By Your Man Vinyl Me, Please Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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“On Honky Tonk Heroes, Waylon Jennings had no one else to answer to, and the joyful mess of the album testifies to the kind of magic that can happen when you finally cut a lifelong misfit loose.
Honky Tonk Heroes isn’t Jennings’ first great album, but it was the first that captured his wild-hair energy instead of attempting to tame it. It belonged completely to him. It was so liberating that it would unleash a series of triumphs. This is the birthplace of the iconic 1970s Waylon, the one who would go on to slalom across the rest of the decade on a series of increasingly brilliant albums and mountains of cocaine. Waylon Jennings transformed himself into the Waylon, the leader of a movement forever altering the perception of country music in America.”

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

Restless Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Sara Evans

2LP | 2003 | US | Reissue (Vinyl Me, Please)

Montevallo Vinyl Me, Please Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Restless, the certified platinum fourth studio album from singer Sara Evans, celebrates it's 20th anniversary. The early 2000's hit includes "Backseat of a Greyhound Bus," "Perfect," "Suds in the Bucket" and "Tonight."
The VMP exclusive version of Sara Evans' Restless is pressed on Fruit Punch vinyl at Memphis Record Pressing (MRP). The 2LPs will arrive in a widespine, direct-to-board and foil-stamped jacket.

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Sam Hunt

LP | 2014 | US | Reissue (Vinyl Me, Please)

The Houston Kid Vinyl Me, Please Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Much of Montevallo was deceptive in its simplicity, hiding era-defining songwriting talent and a whole new mode of country crossover behind a seemingly easy-to-replicate formula of marrying traditional country instruments with programmed beats and slick, dynamic melodies. Its velvet revolution won Hunt years of radio dominance and anticipated a tidal wave of what’s been termed “boyfriend country” — legions of imitators who took the singer’s gently flirtatious tack and R&B influences to their cloying extremes. Plenty in Nashville didn’t see Montevallo as a changing of the guard, and even after he’d become a country megastar wrote him off as either a novelty, insufficiently capital-C Country, or both. When confronted with resistance about his own mode of widening country music’s lens Hunt has tended to return to the root of the issue, which runs much deeper than a simple disdain for pop music in country or concern about preserving some of its imagined “authentic” past.

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

Pins And Needles Vinyl Me, Please Edition

Release: 2001 / US – Reissue

Genre: Rock & Indie

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The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Natalie Hemby

LP | 2023 | US | Original (Vinyl Me, Please)

Revolution Vinyl Me, Please Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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As a Nashville resident, Natalie Hemby has graced stages as a country singer and songwriter since she was 19. Fully immersed in the music scene, Hemby has since written songs for numerous artists and has appeared on the writing credits for artists such as Carrie Underwood, Miranda Lambert, Keith Urban, Blake Shelton, Lady Gaga and a score of other artists. Hemby won two Grammy Awards, including one for Best Song Written for Visual Media for the Lady Gaga and Bradley Cooper film A Star Is Born.

In 2019, she joined Brandi Carlile, Maren Morris and Amanda Shires to create the quartet The Highwomen, with whom she released her second album. Pins and Needles sees Hemby’s return to a solo album, fully flaunting her singing and songwriting capabilities to the forefront for her latest imaginative, soul-touching album.

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Miranda Lambert

2LP | 2009 | US | Reissue (Vinyl Me, Please)

Back To The Country Vinyl Me, Please Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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"Miranda Lambert possesses this specific Cool Girl archetype’s enviable quality of being able to be open, honest and vulnerable, while never revealing anything that might give someone leverage over her. She is prickly and sweet, cool and commercial, writes songs that are exceptional and accessible. She’s a songwriter and an entertainer, a country star and a rock star. She isn’t as pop as many of her contemporaries, but she’s not whittling-and-loom-weaving Americana, either. These are tightropes she’s always walked, and still walks. Revolution is the moment she found her balance."

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Loretta Lynn

LP | 1975 | US | Reissue (Vinyl Me, Please)

Neon Blue Vinyl Me, Please Edition

Release: 1975 / US – Reissue

Genre: Rock & Indie

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‘’Loretta Lynn had started working on her 25th studio LP, Back to the Country, in 1972. Its eventual opening track, ‘’The Pill,'' was a song about the birth control pill and the freedoms it could give a woman from — but not limited to — a philandering husband. At first, it was put in Lynn’s back pocket after a recording session when the label deemed it too controversial to release. The label was right, of course. It was controversial. But they were wrong about the consequences of releasing a song so polarizing. Though radio stations across the country banned ‘’The Pill,'' that only made it more alluring to fans who helped boost its sales, making it one of her biggest sellers of all time. Lynn may not have been close to being one of the “outlaw” musicians of the late ’60s — not decked in leather nor caught smoking weed with Willie Nelson — but you could easily argue she was among the most outlaw of them all.''

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Joshua Hedley

John Michael Montgomery Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Joshua Hedley's sophomore album goes forward in time from his debut's 1950s and '60s country ballads. Neon Blue explores the early 1990s territory of country while still having Hedley's modern flare.

Hedley said, “The last bastion of country music was the early 1990s, roughly 1989 through 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ‘97, when country veered off into pop territory. Neon Blue asks, 'What if that fork never happened? What if country kept on sounding like country?'”

The album is co-produced by Jordan Lehning and Skylar Wilson, and mixed by Kyle Lehning.

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John Michael Montgomery

Ocean Front Property Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Remembrances of ’90s country largely reduce the genre to the twin pillars of Garth and Shania, with a wholesale writing-off of the artists who made the genre as commercially successful as pop in the early-to-mid ’90s. And while it might not be the most beloved period among country connoisseurs — the 2010s and the ’70s seem to be the ordained decades — the era’s artists are worthy of reappraisal, its albums way more charming and enduring than they’ve been given credit for. John Michael Montgomery is a symbol of an era, but it’s also 10 songs of earnest, open and, most importantly, fun country music that you can absolutely love like that."

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George Strait

LP | 1987 | US | Original (Vinyl Me, Please)

Groover's Paradise Vinyl Me, Please Edition

Release: 1987 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Ocean Front Property, the 1987 multi-Platinum smash-hit from George Strait, is the VMP Country Record of the Month in December 2022. Celebrating the record's 35th anniversary, our edition is pressed on 180g "Am I Blue" colored vinyl with lacquers cut...

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Doug Sahm

LP | 1974 | US | Reissue (Vinyl Me, Please)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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'Groover's Paradise' is the third studio album from Doug Sahm, and the VMP Country Record of the Month for April 2022. It's here on AAA 180g "Texas Sunshine" colored vinyl, with lacquers cut from the original master tapes by Ryan Smith of Sterling Sound.

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Just Because I'm A Woman Vinyl Me, Please Edition

LP | 1968 | US | Reissue (Vinyl Me, Please)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Coat Of Many Colors Vinyl Me, Please Edition

LP | 1971 | US | Reissue (Vinyl Me, Please)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
What’s most apparent, though, across Coat of Many Colors — through the pain, the work, the heartbreak and even the cruelty — is Parton’s complete, undying adoration for life and the people in it. “Early Morning Breeze,” a track that subtly veers into psychedelic folk, is a spiritual meditation that observes and appreciates the simplicity of an early morning walk through a meadow and a moment of prayer. Album closer “A Better Place To Live” takes time to imagine what an actively kinder world would look like. Bold and brilliant “Here I Am,” in retrospect, serves as a much more definitive, and more fitting, introduction to her self-driven rise than a simple “Hello, I’m Dolly.” Sung almost exclusively in Dolly’s unhinged all-out belt, the song’s a pipe-showcasing testament to the simple power of showing up: lending a hand, offering an understanding ear, knowing how much love you’ve got to give and shelling it out indiscriminately.

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9 To 5 And Odd Jobs Vinyl Me, Please Edition

LP | 2003 | US | Reissue (Vinyl Me, Please)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Dolly's 2003 star-spangled masterpiece features "God Bless The USA," "Go to Hell," "Color Me America" and "Tie a Yellow Ribbon." If this album doesn't make you say "MURICA" nothing will.

Limited to 2000 copies, the VMP exclusive version of Dolly Parton's For God and Country is pressed on "Red, White and Bluegrass" vinyl at GZ Vinyl. The 2LPs will arrive in a widespine, reverse board, numbered jacket.

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Hello, I'm Dolly Vinyl Me, Please Edition

Folksinger Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Dave Van Ronk

LP | 1972 | US | Reissue (Vinyl Me, Please)

You Belong There Vinyl Me, Please Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Dave Van Ronk was bemused by the title of this album. He didn’t think of himself as a folksinger and had mixed feelings about what he wryly called ‘the Great Folk Scare’ of the 1960s. And yet, he was a central figure on that scene and this album was instrumental in shaping a new sense of what it meant to be a folk musician. A generation of guitarists took him as a model and honed their skills on his arrangements of ‘Come Back Baby’ and ‘Cocaine Blues,’ and his masterful reimagining of older traditions made him a defining voice of the folk-blues revival, showing that a young, urban performer could reshape songs from rural sources into modern, personal statements that were as rough and honest as anything from the hills or prairies.”

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Daniel Rossen

Lonely Weekends Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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As the lead vocalist of Grizzly Bear and a founding member of Department of Eagles, Daniel Rossen has long been steeped in the spotlight alongside bandmates. You Belong There is his debut solo album, written across an isolated location in upstate New York and in Santa Fe with Daniel Rossen performing almost all of the parts on the album. The album explores themes of adulthood and the adventure of new possibilities. After all, a solo album is a new adventure in itself.

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Charlie Rich

LP | 1969 | US | Reissue (Vinyl Me, Please)

Still Life Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
After recording demos with Sam Phillips that he considered "too jazzy" Charlie Rich was given a stack of Jerry Lee Lewis records to study and "come back when [he got] that bad". The single "Lonely Weekends" hit Top 30 and earned a gold record for selling one million copies. The album features classics such as "C.C. Rider," "You're Gonna Be Waiting" and "Apple Blossom Time."

Limited to 1000 copies, the VMP exclusive edition of Charlie Rich's Lonely Weekends is pressed on Sky Blue vinyl at Softwax Record Pressing. The AAA 1LP will arrive in a single, direct-to-board jacket.

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Carson McHone

Superstar Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Still Life, Carson McHone’s third album and first release with Merge Records, quivers like a tightrope, with songs about existing within the tension of the in between and surviving beyond the breaking point. These are stories of sabotage, confusion, and surrender. The album is a testament to the effort of reaching, sometimes flailing, for understanding and for balance. Still Life invites us to gasp at our own reflection and acknowledge the unsettling beauty in this breath.

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Caroline Rose

Buck Owens And His Buckaroos

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
With one foot in a bucket of painfully earnest reflection, and the other in a pool of the sick, sunny oddball pop satire she does so well, Caroline Rose wrote, recorded and produced Superstar in her 10’x12’ home studio and on a portable rig she’d set up in green rooms while touring behind her 2018 album, LONER. The album’s first track finds its protagonist the recipient of an accidental call from Hollywood’s glamorous Chateau Marmont hotel, which they take as a sign to leave everything behind and pursue their star-studded destiny. What ensues is an indulgent, glistening sonic wonderland located at the crash site of innate personal aspiration and a bloated, absurd and fickle collective definition of success, fame and the artist in the era of late-capitalism. Superstar is a double-edge examination of the destructive and motivating forces of the human ego in a time and place that stokes its most aggrandizing desires, all wrapped up in brilliant, wonky modern earworms and a world as shiny as it is unsettling.

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Carnegie Hall Concert Vinyl Me, Please Edition

LP | 1966 | US | Reissue (Vinyl Me, Please)

5th Gear Vinyl Me, Please Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“In the first 75 years of Carnegie Hall being in operation, country music was an intermittent guest in the hallowed hall. In March 1966, however, a country band from Bakersfield, California, took to Carnegie Hall’s stages at the peak of their powers, as only the second country band to headline a show there, and ultimately released — outside of At Folsom Prison — the most important live country album ever. An album that proved many things between its two sides: that country music had an audience around the world already, and that the artist behind the album’s gamble on himself and his sound proved that you didn’t need to go to Nashville and sell out to sell big. With Carnegie Hall Concert, Buck Owens and His Buckaroos entered the pantheon of country music, becoming part of its very fiber, and altered the way it was considered in big cities and at record labels.”

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Brad Paisley

2LP | 2007 | US | Reissue (Vinyl Me, Please)

Waging Peace Vinyl Me, Please Edition

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
"“Brad Paisley might be his generation’s most staunch traditionalist, who simultaneously is able to stay current on the charts. He’s able to walk a fine line between being of the past, and being of the present. He’s able to sound like both Buck Owens and Don Rich rolled into one, a man who can work his voice and his Telecaster into overdrive serving as his own ace guitarist, but who will also record with LL Cool J. Paisley hit his tallest peak — which he hasn’t even really begun to descend — with his best-selling and beloved LP ‘5th Gear.’ It’s a bursting-at-the-seams album with 19 songs and 73 minutes, nearly testing the bounds of the CD format and now appearing on vinyl for the first time.”"

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Alex Williams

Spark Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Alex Williams became recognized as a one-to-watch outlaw country artist, drawing comparisons to Chris Stapleton and Sturgill Simpson for his signature, cavernous vocal and gritty, go-your-own-way charisma. Now, following his major label debut in 2017 (Better Than Myself / BMLG), he returns with his sophomore record, Waging Peace.

“Before I made my first record, I had not toured. I had no road band and a very slim amount of experience in the studio,” Williams adds. “These past 4 years since leaving Big Machine to become fully independent, and the release of Better Than Myself has been a whirlwind. I’m very glad that I waited 5 years to make another record because it’s given me time to really find my voice as a songwriter, experience life on the road and all the pain and joy that has come my way in more ways than one.”

Limited to 300 copies, the VMP exclusive edition of Alex Williams' Waging Peace is pressed on Clear vinyl at The Vinyl Lab. The 1LP will arrive in a single, direct-to-board, autographed and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Whitney

The Will To Live Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?

So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.

SPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.

Listen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship.

In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels—Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

Limited to 1,000 copies, the VMP exclusive edition of Whitney's SPARK is available on Cloudy Clear & Purple Cornetto vinyl. The record is pressed at GZ Vinyl and will arrive in a single direct-to-board, foil stamped and hand-numbered jacket.

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Titus Andronicus

2LP | 2022 | US | Original (Vinyl Me, Please)

Jailbreak Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
The Will to Live, produced by Titus Andronicus singer-songwriter Patrick Stickles and producer Howard Bilerman (Arcade Fire, Leonard Cohen, The Whole Nine Yards), brings listeners on an emotional journey ranging from depths of fear all the way to gratitude.

Limited to 600 copies, the VMP exclusive edition of Titus Andronicus' The Will to Live is pressed on 2LP Blue and Green Galaxy vinyl at Precision Record Pressing. It will arrive in a triple gatefold direct-to-board, foil stamped and numbered jacket along with a download code. It's mastered by Matthew Barnhart at Chicago Mastering Service.

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Thin Lizzy

LP | 1986 | US | Reissue (Vinyl Me, Please)

Hootenanny Vinyl Me, Please Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“When Thin Lizzy’s Jailbreak was released on March 26, 1976, rock ’n’ roll was at a fascinating crossroads. The old-school dinosaurs who led ’60s rock — The Who, Led Zeppelin, The Rolling Stones — were still standing but limping along, already sounding like nostalgia acts to younger listeners. The next generation of arena-rock groups — Aerosmith, Kiss, Black Sabbath —were grounded in a more flamboyant, “party till you puke” sensibility that would soon be subsumed by the ascendent heavy metal movement.
Jailbreak would prove as foundational to the future sound of metal as AC/DC’s High Voltage or Motörhead’s Motörhead, just as Thin Lizzy’s no-nonsense musical approach informed the sensibility of punk.”

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The Replacements

LP | 1983 | US | Reissue (Vinyl Me, Please)

Flood Vinyl Me, Please Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The Replacements built an entire career out of rebelling, reacting and kicking against the pricks. And they never kicked harder than on their 1983 album Hootenanny — a stylistic free-for-all that would mark the band’s true artistic departure point.

Crucially, though, it would be Hootenanny that freed the band from its early punk trappings and set them loose. Even though they’d assimilated a variety of genres on the record, Westerberg would note proudly that Hootenanny was “the first album that sounds just like us. The first one, I think, that is our style.”

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Stella Donnelly

Major Arcana 10th Anniversary Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly’s record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around.

Donnelly’s early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a border-restricted world. By paying closer attention to the natural world around her, Donnelly recalls “I was able to lose that feeling of anyone’s reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self.” Reconnecting with this ‘small self’ allowed Donnelly to tap into creative wells she didn’t know existed.

Looking back at the Banded Stilt, Donnelly ultimately appreciates how when “seen in a crowd they create an optical illusion, but on its own it’s this singular piece of art.” While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it’s well worth diving in.

Limited to 500 copies, the VMP exclusive edition of Stella Donnelly's Flood is pressed on 1LP Opaque Orange vinyl at Independent Record Pressing. It will arrive in a single direct-to-board, foil stamped and hand numbered jacket.

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Speedy Ortiz

LP | 2013 | US | Reissue (Vinyl Me, Please)

The Center Won't Hold Vinyl Me, Please Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Speedy Ortiz's 2013 debut studio album turns 10 this year. Major Arcana, with its whip smart lyricism, twisted guitars and brutal confidence, is celebrated here in a special 10th anniversary edition.

Limited to 1000 copies, the VMP exclusive version of Speedy Ortiz' Major Arcana (10th Anniversary) is pressed on "The Moon's Reflection" vinyl at Precision Record Pressing (PRP). The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket with a download code. It was mastered by Emily Lazar and Chris Allgood at The Lodge

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Sleater-Kinney

LP | 2019 | US | Original (Vinyl Me, Please)

Desire Pathway Vinyl Me, Please Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Why you'll love it...
There's a lot of assumptions about what three women, when they get to a certain age, what they sound like, you know?” Carrie Brownstein says. “The sound of this record is a sound that I'm pretty sure no women our age have made before.” After over 25 years of making music together, Sleater-Kinney find new ways to keep doing what their music’s always done with reckless finesse: challenge and disrupt. Reflective of a time when our system’s flaws bubble to the surface more with each passing day, Sleater-Kinney’s ninth studio album The Center Won’t Hold eagerly busts open the surface and exposes the cracks, with a lyrical brilliance and sonic language that effortlessly morphs between brazen, chilling fervor and soft, urgent despair. Boasting Annie Clark’s (St. Vincent) first full-length production credit, it shocks, unapologetically taking up space in far more ways than one, and most unexpectedly, it gleams.

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Screaming Females

Pocket Fantasy Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Desire Pathway is Jersey rock band Screaming Females' first release of all new material since 2018. The trio recorded Desire Pathway at Pachyderm Studios, the same Minnesota space where Nirvana recorded 1993’s In Utero. Bandleader Marissa Paternoster shared a brief statement about the lead single “Brass Bell,” calling it “a song about surrendering your autonomy to something so overwhelmingly powerful you willingly relinquish your ambitions and self-worth.” She continued, “My intention was to draw an interesting dichotomy between the muscular nature of the song and the rather bleak, worried lyrics.” Limited to 750 copies, the VMP exclusive version of Screaming Females' Desire Pathway is pressed on Red vinyl at Citizen Vinyl. The 1LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket. It was mastered by Ed Brooks at Resonant Mastering.

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Mamalarky

Nightbirds Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Six months into the pandemic, three-fourths of art-rock four-piece Mamalarky plunged into a new experiment: they moved in together. In September 2020, the trio rented a giant old house with vaulted ceilings, a tire swing and a bare bones little studio room. There, the band made its largely home-recorded sophomore full-length, Pocket Fantasy. The album is an instant-classic sunny-day record, imaginative and introspective, an enveloping listen of sky high hooks and keyboards that soar with joyful abandon. ‘’It's more alive,'' guitarist and vocalist Livvy Bennet says, ‘’and less over-thought. It felt like it was pouring out continually.''

Limited to 300 copies, the VMP exclusive edition of Pocket Fantasy is pressed on 1LP standard Mythic Green vinyl at GZ Vinyl. This record will arrive in a single direct-to-board, foil stamped and numbered jacket and was mastered by Joe LaPorta at Sterling Sound.

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Labelle

U.F.O. Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
50 years after its release, Nightbirds stands not only as the group’s peak, but as one of the most vibrant and scintillating releases from the glam rock era. In a moment when popular favor tended to congeal around lone white men making music, Labelle dug into the power of its triadic bond. The three voices wove together, each distinct in its character and yet all pulsing with a singular desire: to cleave open the limits of this world and clear the ground for the future that hung just above the clouds, sounding down to us, so close you could taste it in the rain.

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Jim Sullivan

LP | 1969 | US | Reissue (Vinyl Me, Please)

Celebration Rock Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.

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Japandroids

LP | 2012 | US | Reissue (Vinyl Me, Please)

Over & Over Vinyl Me, Please Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The second VMP Essentials release went out to something like 20 people; we’ve obviously pressed many more than that for this release of Japandroids’ breakout LP, one of the 2012’s best albums for remembering your friends and the nights you can’t remember. On exclusive “Fire’s Highway” colored vinyl with a 20-page lyric and photo booklet, our edition goes well with a pint.

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Jackie Hayes

Pussy Cats Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
VMP Rising alum, Jackie Hayes, releases her first full-length album Over & Over which she describes as “a diary of how I felt of my last year or so, a stream of consciousness, internal monologue, scattered thoughts piecing them together to make full songs." Hayes says, "a lot of it can be open to interpretation, a lot of times i don’t know what i’ve written about until i’m done.” Couple this all out confessional lyricism with the driving guitars and growling-at-times vocals and you have everything we love about Jackie Hayes.

Limited to 300 copies, the VMP exclusive version of Jackie Hayes' Over & Over is pressed on Baby Blue vinyl at SONY DADC. The 1LP will arrive in a single, direct-to-board, numbered jacket. It was mastered by Ryan Schwabe.

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Harry Nilsson

LP | 1974 | US | Reissue (Vinyl Me, Please)

Veckatimest Vinyl Me, Please Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The 50th-anniversary edition of Harry Nilsson's Pussy Cats is the VMP Essentials Record of the Month for April 2024. It's pressed on 180g "Mucho Mungo/Mt. Elga" vinyl, with lacquers cut from tapes (AAA) by Ryan Smith at Sterling Sound.

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Grizzly Bear

2LP | 2009 | US | Reissue (Vinyl Me, Please)

En Ar For Mycket Och Tusen Aldrig Nog Vinyl Me, Please Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Off the coast of Cape Cod lies a small uninhabited island called Veckatimest. The island is a physical space, but for the band Grizzly Bear, it is also a state of mind. Veckatimest is the name of the band’s third full-length record, originally released in 2009 on Warp Records. It is a stunning piece of music, one that catapulted what was once frontman Ed Droste’s bedroom project into something far grander and more publicly lauded than the band could’ve ever imagined.

Veckatimest represents a definitive, landmark sort of moment for indie rock. It moved a genre to the thing that was all the rage on blogs, to fertile grounds for pop and rap to reap from. Jay and Bey watching Grizzly Bear at a random show in Brooklyn eventually led to people like Ezra Koenig and Josh Tillman penning a track on Lemonade, and Chairlift’s Caroline Polachek on Beyoncé. Indie music, in other words, isn’t really the same thing that it once was. The summer of 2009, and Grizzly Bear, have a lot to do with that.

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Dungen

Bitte Orca Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
En Är För Mycket och Tusen Aldrig Nog is the astonishing new album by Dungen. The Swedish rock band includes Gustav Ejstes, Reine Fiske, Mattias Gustavsson and Johan Holmegaard. The beginning stages of this masterpiece were recorded in Gothenburg, Sweden, in 2017. The nine-track album was recorded with producer Mattias Glavå, who combined his creativity with the compelling sounds of Dungen. With decades of being a band, Dungen is not afraid to bring their sound to new heights.

En Är För Mycket och Tusen Aldrig Nog takes listeners on a journey to ‘’find their emotional center,'' which ties to bandmate Gustav Ejstes' journey of sobriety. Esjstes shared ‘’Some artists, you feel like, ‘stick to your guns, the first three albums were so much better.’ But I can’t stay in one box.''

Limited to 1,000 copies, the VMP exclusive edition of Dungen's En Är För Mycket och Tusen Aldrig Nog is pressed on 1LP Black and White Marble vinyl at GZ Vinyl. The record will arrive in a single direct-to-board, foil stamped and numbered jacket along with a download code. The album is mastered by Mattias Glavå of Kungsten Studios.

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Dirty Projectors

Nebraska Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Bitte Orca, 10 years after its original release, still retains its awe-inspiring power; its knotty, complex, stunning compositions have not been dulled by the passing of time, and in context, seem even more radical. The two albums leading up to Bitte Orca were a from-memory recreation of a Black Flag album (2007’s Rise Above), and a “glitch opera” about Eagles frontman Don Henley (2005’s The Getty Address). So when Bitte Orca came out, with its complex choral arrangements, and its deconstructed avant-pop and R&B, it felt like a shock to the system, a left-field masterpiece from out of nowhere. Bitte Orca would start a fertile creative period for the band, and cement frontman David Longstreth as one of the most adventurous indie rock auteurs

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Bruce Springsteen

LP | 1982 | US | Reissue (Vinyl Me, Please)

Back Home Vinyl Me, Please Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
"“Released on September 30, 1982, Bruce Springsteen’s sixth studio album, Nebraska, came in a stark sleeve, dominated by David Michael Kennedy’s black-and-white photograph of a perfectly flat highway stretching down a barren wintertime plain. It sold enough copies to earn a Gold Record award, and if some listeners were mystified, or even disappointed, by the gloomy music, critics doubled down on their praise for Springsteen’s writerly skill and artistic daring. Other artists were inspired by the work; generations of subsequent musicians, ranging from Rage Against the Machine’s Tom Morello to pop country singer Kelly Clarkson, cited Nebraska as a crucial influence on their careers. Forty years later, the power of Nebraska is undiminished.”

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Big Joanie

Farm To Table Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Black feminist punk band Big Joanie’s Back Home references the search for a place to call home. Stephanie Phillips, the band’s singer and guitarist, shared, “We were really ruminating on the idea of a home and what it means. It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there.”

The band tapped artist Angelica Ellis for the album’s artwork, an embroidered image of drummer Chardine Taylor-Stone’s nephew, a style of art common in Caribbean homes post-Windrush that were a callback to the homes they left behind.

In Back Home, the band pieces together sounds ranging from intense guitars to emotive strings that fully illustrate their range as artists. Limited to 750 copies, the VMP exclusive edition of Big Joanie's Back Home is pressed on 1LP Opaque Yellow vinyl at Independent Record Pressing. The record will arrive in a single direct-to-board, foil stamped and numbered jacket with lyrics and credits printed on the inner sleeve, along with a download code. The album is mastered by Amy Dragon of Telegraph Mastering.

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Bartees Strange

Reason In Decline Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Bartees Strange's Farm to Table marks the artist's debut album on 4AD. The album is a follow up to his 2020 debut album, Live Forever, which explored the physical places that shaped him. Now, Farm to Table speaks about the people who've done the same across his life, with special attention to his family.

The VMP edition of Bartees Strange's Farm to Table is pressed on 1LP Transparent Green vinyl at GZ Vinyl. The record will arrive in a single direct-to-board, foil stamped jacket. The album is mastered by Sarah Register.

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Archers Of Loaf

LP | 2024 | EU | Original (Rama Lama)

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Archers of Loaf's origins begin in Chapel Hill, North Carolina, in 1991 with Eric Bachmann (vocals/guitar), Eric Johnson (guitar), Matt Gentling (bass) and Mark Price (drums) rising through the underground with their edgy sound featuring elements of punk and rock. In 1998, after the release of four studio albums, several EPs and numerous singles, the band departed and went their separate ways. Over two decades later, Archers of Loaf reemerged with new music, a single titled ‘’Raleigh Days,'' signaling their comeback. Now approaching almost 25 years later, they're cementing their return with their new album, Reason in Decline.

Limited to 500 copies, the VMP exclusive edition of Archers of Loaf's Reason in Decline is pressed on 1LP Opaque Purple, Black and White Swirl vinyl and will arrive in a single direct-to-board, foil stamped and numbered jacket along with a download code. The album is mastered by Bob Weston of Chicago Mastering Service.

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Guds Pengar

Jag Går Dit Solen Skiner

27,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Det Malmöbaserade bandet har de senaste åren etablerat sig som något av en kultakt med en lojal fanskara. 2020 års debutalbum mottog lovord från Popmani, HYMN, GAFFA, P3, DN och brittiska Amazing Radio, och bandet pekades ut som ett av Malmös största framtidshopp av Sydsvenskan. 18 oktober släpper man äntligen sitt andra album där man fortsätter att utveckla sin dynamiska indierock med en ljudbild som är både ljuvlig och omskakande. Albumet är likt debuten inspelat med Joakim Lindberg (Solen, Vit Päls, Per och Olof m.fl.).

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Thoughts & Observations Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Coronas

LP | 2024 | Original (Mvka Music Limited)

27,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Human Target Yellow Vinyl Edition

Thy Art Is Murder

LP | 2024 | EU | Original (Nuclear Blast)

28,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red Scare Industries: 20 Years Of Dreaming And Scheming

V.A.

CD | 2024 | UK | Original (Red Scare Industries)

11,99 €*

LP | 2024 | UK | Original (Daydream Library Series)

Release: 2024 / UK – Original

Genre: Rock & Indie

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"20 Years Of Dreaming And Scheming is 17 unreleased songs from all across the Red Scare expanded universe. We've got some new faces, some Red Scare regulars, some beloved alumni, some guest artists, and even some inactive bands that reformed to give us a new track. Because it's our 20th birthday, we're doing a buncha parties and PR around the milestone, but most importantly, we have these 17 songs. Assembling this has been a labor of love and a heartfelt paean to the punks. We love y'all, and these songs are for you. Sure, there's a couple stinkers in the bunch, but most of them are RAD, and you can only hear these tunes right here. Dreamin' and schemin' indeed!"

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Schande

Once Around

23,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Whispers In The Static Grey Vinyl Edition

Steve Kilbey

LP | 2024 | UK | Original (Easy Action)

29,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Universal)

Torpor

Abscission

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Universal)

Cower

Celestial Devastation

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Guided Tour HHV Exclusive Black Smoke Vinyl Edition

High Vis

LP | 2024 | US | Original (Dais)

24,99 €*

The Savage Goddess Hot Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Only available at HHV and the bands own shop.!

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Trap Girl

LP | 2024 | US | Original (Kill Rock Stars)

28,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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A Rhizome Revolution Part 2

Yobrepus

LP | 2024 | EU | Original (Apollon)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Apollon Prog Retro)

Electric High

Colorful White Lies

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Insideoutmusic)

Frost*

Life In The Wires

30,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Building The Perfect Beast

Don Henley

2LP | 2024 | Original (Universal)

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Backside Of 30 Black Vinyl Edition

Cody Jinks

LP | 2024 | EU | Original (Late August)

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Backside Of 30 Colored Vinyl Edition

Cody Jinks

LP | 2024 | EU | Original (Late August)

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Otherly Love)

Karl Blau

Vultures Of Love

26,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2011 | EU | Reissue (The Urban Era)

Akua Naru

The Journey Aflame

36,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Sin Querencia Black Vinyl Edition

Immortal Bird

LP | 2024 | US | Original (20 Buck Spin)

26,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Sin Querencia Bone Cloudy Vinyl Editoin

Immortal Bird

LP | 2024 | US | Original (20 Buck Spin)

27,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Non Serviam)

Isolert

Wounds Of Desolation

45,99 €*

Lost In Space: Beneath The Desert Floor Chapter 5

Release: 2024 / EU – Original

Genre: Rock & Indie

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Isolert is a black metal band from Greece (Volos), formed in 2015 as a duet by Panagiotis T. and Nick S. The band's style combines intense melodies with aggressive elements and merciless vocals, creating an epic atmosphere amidst a landscape of agony. Lyrical themes of a falling world, of despair and desolation preached through endless, enraged screams, in the rhythm of infuriated drums. Isolert's new album "Wounds of Desolation" will be released in 2024, through Non Serviam Records. With the addition of George S. (Kosmovorous, Herald) on the band's ranks since 2021 and with a faster, more ferocious approach interwoven in epic melodies, Isolert's 3rd full-length album presents ..... (διάκεια δίσκου) of unforgiving black metal. 1.The Downfall's Monologue (Intro)2.The End of Beauty3.Flesh. Torn. Asunder!4.Where Dreams Die5.Children of the Void6.Spewing Venomous Gloom7.Herald of Demise8.Reflections of Nothingness

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Rollerball

LP | 2024 | US | Original (Ripple Music)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ripple Music)

Cortez

Thieves And Charlatans

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Emergency At The Old Waldorf 1979

999

LP | 2024 | US | Original (Liberation Hall)

29,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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7" | 2024 | Original (Abbruch)

The Noname

Anti EP

12,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Dear Eddie... 16 S. Booklet

Eddie Cochran

LP | 2024 | EU | Original (Rockstar)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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An Empire Colored Vinyl Edition

A Swarm Of The Sun

LP | 2024 | EU | Original (Pelagic)

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Every Heaven Surf's Up Blue Vinyl Edition

Humdrum

LP | 2024 | US | Original (Slumberland)

22,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Year Of The Banana Black Vinyl Edition

Rubblebucket

LP | 2024 | US | Original (Egghunt /Clandestine)

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Year Of The Banana Indie Exclusive Yellow & Brown Splatter Vinyl Edition

Rubblebucket

LP | 2024 | US | Original (Egghunt /Clandestine)

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Pelagic)

Lizzard

Mesh

28,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Immortal? Translucent Green Vinyl Edition

Arena

2LP | 2024 | UK | Original (Verglas Music)

75,99 €*

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“Immortal?” by Arena in 2000 was the bands 4th release.For the first time the original release has been remastered and released on Vinyl.The double gatefold has two Translucent Green 180g vinyl discsFull colour cardboard inner sleeves with all the original artwork and lyrics. Side ONE 1.Chosen2. Waiting For The Flood3. The Butterfly ManSide TWO1.Ghost In The Firewall2. Climbing The Net3. Friday’s DreamSide THREE1. MoviedromeSide FOUREtching of Arena Logo

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A Swarm Of The Sun

An Empire

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Smartpunk)

Yellowcard

Lights & Sounds

35,99 €*