Reggae & Dancehall 221 Items

Vinyl with a couple of light scuffs. Original inner sleeve

Handstamped cover, handstamped white label. Colored vinyl.

Record is close to NM.

Record slightly warped but still enjoyable and close to VG+.

Small light scuff on both sides.

Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

Part of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes!'No equal..' awesome tune backed by an incredible dub featuring what sounds like infinite echo.

Cover with bumped corners

Both recorded in 1961 at the RJR Studio. The a side is a monsterous early 'Shuffle' Ska Inst. The B side is a previously Unreleased Mid Tempo Early Ska Vocal.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

On the occasion of the new 2023 edition of his album "Dancehall President" released in 2016 on Undisputed Records, Skarra Mucci unveils an alternative cover for the vinyl version.

Nicknamed "King Skarra" or "The Dancehall President", Skarra Mucci is undoubtedly one of the most versatile and interesting singers on the current Reggae scene. With an inexhaustible flow and judicious crossovers between reggae/dancehall, hip-hop and soul, Skarra Mucci transcends riddims and eras with mad class. Between Shaggy and Damian Marley, he reconciles tradition and modernity, old-fashioned raggamuffin and current productions.

"Dancehall President" is no exception in this area with reggae, dancehall, hip hop, dubstep influences and featurings such as Beenie Man, Willy William, Yaniss Odua, Horace Andy and Mandinka.

CD comes in a soft case, instead of the original crystal case. All booklets included.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Reissue, in vinyl format only, of the last Androcell album released in 2014.

300 copies pressed in double 180 grams black vinyl, remastered for this special release.

Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

The first and foremost exponent of the ‘singjay’ style, Eek A Mouse, has carried all before him over the past thirty years busily blurring the distinctions between roots, dancehall and crossover reggae. Eek-ology collects up a number of rare and in-demand non-album sides including the early self produced ‘Ripton Hylton’ recordings along with the Joe Gibbs sessions where he first unveiled his brand new Eek-A-Mouse style. Mouse’s long and successful partnership with producer Junjo Lawes is represented by the non-album ‘For Hire And Removal’ and tracks like ‘Rude Boys A Foreign’ recorded for Gussie Clarke and ‘Taller Than King Kong’ for King Jammy still ram the dance today!

Tappa’s Classic ‘pick UP THE Rockers’ CUT AT Channel ONE BY THE Revolutionaries,

Along Side It’s King Tubby DUB CUT.

Jetzt neu aufgelegt und wieder auf Lager! - "Freedom & Fyah" ist das Studioalbum, das ursprünglich im Sommer 2016 veröffentlicht wurde. Zu den Gästen gehören Protoje, Ky-mani Marley, Sugus, Sandy Smith und Pupa Avril. Aufgenommen, abgemischt und produziert wurde der Longplayer von Alborosie mit zusätzlichen Arbeiten von James "Bonzai" Caruso, Errol "Flabba" Holt, Phillip "Winta" James und mehr. Holen Sie sich jetzt Ihr Exemplar!

Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations, not to be missed.

The dub master Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations that are not to be missed. Similar to King Yoof’s recent album endeavour called ‘Homage To The King’, Radikal Guru exerts his speciality in various tempo ranges with the ‘Dub Mentalist’ LP. The result is just as exciting as his existing back catalogue; all mastered to meet the requirements of the true Moonshine vibration. The polish producer once again shows appreciation to both the dancefloor fans and the more meditating listeners. Fusing his compelling sound in dub, reggae and dubstep with timeless, old school samples makes every release a reminiscing journey. The amount of dread and energy will most definitely spark a riot across the globe.

Radikal Guru executes his mix-up of dub by incorporating a dose of happiness and psychedelics. The effects take over the mixes in wild fashion; delays spin off the tasty spring reverberation tails, delivering a comfortable setting. Radikal’s horns, including the trumpet, saxophone and trombone joined the Radikal Guru’s live melodica to complement each other in rhythm and sound. The collaborations featuring Moonshine familiars Jay Spaker, Echo Ranks, Solo Banton, Violinbwoy and Earl 16 bless the righteous sound waves, as the bassweight, immersive vocals and tight arrangements speak for themselves. Whether it is the bass weight, vocal parts or simply the rhythms, you know exactly when Radikal Guru’s music is being played on a true sound system. The contribution of the polish dub genius, to the healing of the nations and to global dub culture trembles, as he immediately reveals why his ‘Dub Mentalist’ LP forms an important chapter in our history of Moonshine Recordings material.

Top quality soulful, sophisticated music from 1974

Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions.

Emotional Rescue looks back again with a 2022 repress, digging deep in to the early 80s Bristol post punk scene of Pig Pag, the Wild Bunch and the Dug Out club. A short lived project of just 3 releases, Mouth trail-blazed leftfield percussive jams in the rich vain of Liquid Liquid and ESG but in their own jazz-infused way. Centered round the cultural melting post of the St Paul's district, it's pubs, clubs and blues parties threw together young and old to the sounds of dub, funk, jazz and soul and took the spark lit by punk rock and new wave and spawned music that still resonates today. Consisting of a floating line up based around main members Andy Guy and Rob Merrill, alumina included a young Nellie Hooper before he would go on to be a founding member of the Wild Bunch and on to produce the likes of Bjork, U2 and Madonna. Based around a hard tribal drumming, mixing guitar, trumpet, shouted vocals and effects, the thrown in the mix nature was inspired as much by avant-jazz than punk's do it yourself attitude. Here then, on one EP are their complete recordings, including as the title cut, their best and deepest, Voyage To The Bottom Of The Sea. Featured on a compilation LP from the legendary Y Records, its bottom heavy dub sound is augmented by female and toasted vocals riding a top a heavy stepper style riddim. This is followed by an increasingly dizzy array of percussion jams. Acab Part 2) is all skips and trumpets, while the versions of Take Your Coat Off perfect skat vocal / tom interplay, before the finale busts out the rockabilly influences in full effect with jagged guitar, skipping hats meets double bass punk style.

The Frightnrs escort Daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade.

Crafted under the meticulous eye of black-belt reggae mastermind/producer Victor Axelrod (aka Ticklah), Nothing More to Say is a rocksteady masterpiece the likes of which has not reared it's head since the golden era of Studio One. However, you'll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. Like all things Daptone, this record is above all soulful and honest.

Horace Andy’s Tuffest tune ever – See A Man’s Face + Jackie Mittoo’s Killer original instrumental cut to Freddy McGregor’s Bobby Bobylon. Serious!

The Gaylad’s powerful Rocksteady Proto-roots anthem + The Sounds Dimension’s superb 60s Rastafarian instrumental – Deep and Heavy!