Reggae & Dancehall 314 Items

New repress of the first album "Midnight Walkers". We have used the same vinyl metal works as the first 2012 pressing.

After several releases on 7 and 12inch, Stand High Patrol, the french crew of Pupajim, Rootystep and the legendary Mac gyva is back with a long awaited LP. With strictly brand new killer dubadub, digital and hip hop tracks including crazy echos, “Midnight Walkers” is totally unique! It contains all elements of a Stand High live session and offers an evolving dubadub. With the crazy voice of Pupajim and totally timeless dubs, the first album of the three “dubadub musketeerz” deals with the particular originality that made of Stand High Patrol one of the toughest dub sound system of France. Every bass addict and every dub fan should enter the Stand High experience. If you are ready, fasten your seat belt and run the track! We hope that you will enjoy the flight!

Great Disco-Reggae versions of classic hits by some artists as diverse as Madonna, Herbie Hancock, Justin Timberlake, The Commodores, The O'Jays, Curtis Mayfield, Harry Nilsson or Sugarhill Gang.

The Frightnrs escort Daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade.

Crafted under the meticulous eye of black-belt reggae mastermind/producer Victor Axelrod (aka Ticklah), Nothing More to Say is a rocksteady masterpiece the likes of which has not reared it's head since the golden era of Studio One. However, you'll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. Like all things Daptone, this record is above all soulful and honest.

Cut loud and proud with tracks carefully selected "Sweet Reggae Music" includes first time on LP appearances for the much sought after sound-system favorites "Whom Shall I Be Afraid Of", "Praise His Name" & "Pon Your Toe" alongside the broader than Broadway hits "Here I Come", "Mary Long Tongue", "Mini Bus" etc. - During this golden age of Jamaican music Barrington Levy was the undisputed lord of the dancehall - "Sweet Reggae Music" is 100% black vinyl proof!

Horace Andy’s Tuffest tune ever – See A Man’s Face + Jackie Mittoo’s Killer original instrumental cut to Freddy McGregor’s Bobby Bobylon. Serious!

Jamaican trio Israel Vibration are one of Reggae's great vocal groups from the 1970s roots era. The trio re-formed in 1988, signed to the RAS label and set to work on a new album known as 'Strength Of My Life'. Produced by Doctor Dread and backed by the mighty force of the Roots Radics, the I-Vibes returned to form and found a new strength and power. The Radics perfectly complement their songs, laying down bass driven rhythms to create a masterful backdrop over which the harmonies conjure up a wide spectrum of moods. Featuring on this Limited 12" release is the crucial and perhaps more relevant to our current climate 'Middle East' plus 'Greedy Dog' with guest musician Augustus Pablo on melodica duties. Under licence and for the very first time ever with their Dub counterparts this release is one for the fans!

A blistering collection of ska tunes from Clement 'Sir Coxsone' Dodd's legendary Studio One Records, Jamaica's foundation label of reggae music. Featuring classic cuts from the originators of Ska - The Skatalites, The Wailers, Lee Perry - alongside a heavy dose of superb rarities from the might vaults of 13 Brentford Road - pure Ska Fever !

Heavyweight soul providers Fat Freddy’s Drop are about to take flight once again with the worldwide release of new album Blackbird!

Jetzt neu aufgelegt und wieder auf Lager! - "Freedom & Fyah" ist das Studioalbum, das ursprünglich im Sommer 2016 veröffentlicht wurde. Zu den Gästen gehören Protoje, Ky-mani Marley, Sugus, Sandy Smith und Pupa Avril. Aufgenommen, abgemischt und produziert wurde der Longplayer von Alborosie mit zusätzlichen Arbeiten von James "Bonzai" Caruso, Errol "Flabba" Holt, Phillip "Winta" James und mehr. Holen Sie sich jetzt Ihr Exemplar!

Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’
Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.
The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.