Reggae & Dancehall 362 Items

The Minyo Crusaders' 2017 debut album “Echoes of Japan” LP will be back in stock on vinyl! Purists beware, as these ten Japanese musicians have decided to give a cumbia, reggae, salsa, ethiopian groove and afro-funk twist to min'yo, an ancestral Japanese folk song genre of which they were all fans before they met. Their debut album, the eminently exotic (even zany) Echoes Of Japan, features ten tracks from the min'yo repertoire sung in the grand tradition of the style, to the sound of Afro-Latino brass and percussion. A delightful example of successful fusion, however unlikely it may seem.

On the 50th anniversary of the band's inception at an event in Harlem, NY to commemorate Malcolm X's birthday on 19 May 1968, influential spoken word artists, poets and commentators The Last Poets are set to make a glorious and relevant return with their first album in over 20 years, 'Understand What Black Is'.
Produced by Ben Lamdin (Nostaglia 77) and Brighton legend Prince Fatty, whose speciality is traditional reggae and dub production's, 'Understand What Black Is' is a ten-track album which speaks of a revolutionary struggle defined by both race and identity, that has never sounded more relevant. Released on Studio Rockers, there will also be an accompanying single featuring remixes of the title track "Understand What Black Is" by Mala (South London collective Digital Mystikz) and UK Dance music innovators Dego and Kaidi.
Since the initial line-up of Dahveed Nelson, Gylan Kain and Felipe Luciano formed in East Harlem's Marcus Garvey Park, The Last Poets have produced under various guises over the subsequent years. However, it was their seminal output, namely 1970's 'The Last Poets' under both Umar bin Hassan and Abiodun Oyewole that secured their legacy, becoming one of the most important influences in early hip hop.
Throughout the last 20 years, the band have remained largely on hiatus. But their influence could still be felt with their tracks being sampled by The Notorious B.I.G, NWA, A Tribe Called Quest, Dr.Dre and Snoop Dogg. Umar has recorded various solo albums and featured on Common and Kanye West's Grammy Nominated 'The Corner'. Abiodun appeared on the Red Hot Organization's album, Stolen Moments which was named "Album of the Year" by Time. He also conducts weekly open house poetry readings, where he constructively critiques upcoming poets, helping to nurture them. He has also conducted classes at Columbia University, where he teaches creative writing.
The inauguration of Donald Trump as US President in 2016 inspired Hassan and Oyewole to resurrect the group to create a brand new record, modern and edgy, and deeply relevant and reflective of our times.
Tracks on 'Understand What Black Is' include 'How Many Bullets', which bridles with defiance as Oyewole works through a litany of injustices suffered by black people in the US: " You've Tried
To Blow My Brains Out With Bigotry, Chopped Off My Wings, So I Couldn't Fly Free, And Dared Me To Be Me, Took My Drum, Broke My Hands, Yanked My Roots Right Up Out Of The Land, And Riddled My Soul With Jesus" 'What I Want To See' describes a utopia - a refuge from hurt and those who'd make "our vision blurred, and our faith obscure", whilst the title track 'Understand What Black Is' aims to transcend ethnicity: "understand what black is….It's the source from which all things come...black is a hero, not a villain."
The album even takes reference from Prince's 2003 album of instrumentals, 'News', which Hassan drew comparisons from with his own childhood experiences: "That poem took me about a year to write….I just kept writing and writing but not getting too far and then I heard that album and the musicianship was amazing. I was left wondering if it was jazz, classical, rock or maybe something new but all those images that I write about came to me from listening to that album. I loved Prince in that movie Purple Rain because my father was a talented musician but he was into brutalising Mama at times and in the movie there's a Jerome and my name is Jerome, so it was like he was telling my life story as well."
The album acts as a body of work between individual members each speaking of their own personal journeys, but feeding into the much larger narrative of struggle and oppression, alongside a fervent hunger for social change. These are struggles and tests of personal resolve that have directly shaped and moulded the bands' unique sound over the course of an impressive 50 years, and their powerful and influential commentary remains as relevant as ever.

A great collection of classic roots recordings from the mid-70's for the singer who came close in challenging Bob Marley & Dennis Brown for reggae's crown. All re-mastered recordings available as 30-Track 2CD-Deluxe Digipak and 23-Track 2LP-set in a gatefold sleeve, both with in-depth sleeve notes by Noel Hawkes. The release is supported by several summer festival appearances.

Only Johnny Clarke would come close to challenging Bob Marley & Dennis Brown for reggae's crown, his unequaled run of hit songs, powered by Bunny Lee and King Tubby's aggravating versions, continued without a pause during the mid-70's leading Johnny to twice being named Jamaica's Artist Of The Year (and the signing of a two album recording deal with Virgin's Frontline label). Many of Johnny Clarke's classic roots recordings gathered here were first given wider international exposure in 1998 with the release of Blood & Fire's excellent 13-Track "Dreader Dread - 1976-1978" compilation, which has disappeared from the market for several years. Now re-mastered and drastically expanded, with a new artwork and entitled "Creation Rebel" the release captures the very essence of what is now regarded as the golden age of roots music!

The studio and label Digital B of producer Bobby "Digital" Dixon became the ruling production house in the musical revolution that swept through Jamaica from the mid-80's onwards with a lethal selection of dancehall weapons and chartbusting reggae hits. "X-Tra Wicked" gathers many of his bestever productions from those heady times when specialist stores were awash with 7-Inch singles, freshly arrived from Jamaica, and reggae music was once more on the rise. This great double 2LP-set presents 24 selected tracks in a double wide vinyl jacket, with just the top hits from the two Bobby Digital Reggae Anthology releases.

Combining the signature soundscapes of Scorn with tartareous textures, the newest album “The Only Place” reaches a psychedelic groove, based on what Harris calls “Pushing an original idea further” with his own shades of light and dark and celestial electricity of what SCORN is. These 10 new tracks add elements unheard in Scorn since Evanescense and Gyral - ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris’ abilities to generate feelings in a lost world of his own creation. credits Mixed by MJ Harris in the Lad’s Old Room B14 Vocals on Distortion by Kool Keith, recorded at Studio G Brooklyn Vocals Engineered by Tony Maimone, Assisted by Ross Colombo Bass Guitar on Distortion by Submerged, recorded at Blue Site I Saaremaa Mastered by Daniele Antezza for Dadub Mastering Studio Artwork and Layout by Machine™

Twenty years on, The Black Seeds mark the 2 decade anniversary of their debut album ‘Keep On Pushing’ as a first ever vinyl release. In 1998, The Black Seeds formed their roots in Wellington - a creative, 90s rock based community that was embraced by the sounds of the likes of Shihad, Fur Patrol and Weta.

2001 marked the beginning of the Welly Roots sound and the release of The Black Seeds – ‘Keep On Pushing’ – reaching platinum sales in New Zealand and shaping the funk, soul, Afrobeat and other eclectic elements over their dub/reggae foundation.

Keep On Pushing’s bold themes of love, optimism and solidarity has resonated with fans across the world, shaping them as the creative, vibrant 8 piece band they are today.

"This album marked a change culturally as well as in sound, a south pacific take on soul, where we were proud of our multicultural heritage and our accents. It was a move away from DJ’s to a big band sound. It was the beginning of The Black Seeds as a party band, we wanted to create a funky feel good sound that embraced everyone who experienced it."

- Barnaby Weir, Lead singer and founding member

This special anniversary vinyl edition will feature mixes of all ten tracks from the original album.

Stick Figure's third full-length album, ''Smoke Stack.'' Written, recorded and self-produced by Scott Woodruff, this album truly showcases the musical growth of Stick Figure.

- ''Smoke Stack'' possesses all the elements that we have fallen for in previous albums, but this time around Stick Figure has amplified the sound to give us 14 new smoking tracks to keep our mind in motion and the positive energy flowing.

- One of the top five selling and streaming reggae artists in America.

Soul Jazz Records' new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars, all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more. The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down! This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography.

Popcaan first unveiled his latest project titled Fixtape via Unruly / OVO Sound last year.



Fixtape includes a star-studded lineup, such as the Nineteen85-produced track “twist & Turn” featuring Drake and Partynextdoor. Additional guest appearances include French Montana, Preme, Masicka, Stylo G, Dane Ray, Frahcess One, Tommy Lee, and Jada Kingdom. Fixtape continues Popcaan's historic narrative as one of the most prominent global superstars in the reggae space today. It is also the follow-up to his Vanquish mixtape, which was released after it was announced that he had signed to OVO Sound.



The 19-track body of work is powered by Popcaan’s potent energy, lyrics, and unique amalgam of genres from hip-hop to dancehall and pop. Fixtape is further proof that his cultural appeal spans from the streets to the club.

Wairunga finds the Freddy juggernaut digging deep to debut five songs and revisit two classics captured in an outdoor performance sans audience but with wild weather elements playing an important creative role in producing this unique live album.

Recorded in Wairunga, high above Waimarama Beach in New Zealand, it is place etched into the DNA of Fat Freddy’s Drop who’ve roamed here for over 20 years; to party, relax between tours, make a song Wairunga Blues in its honour and even to get married. Farmed by the Parker family for a century, Wairunga is an oasis of green pasture and native tree filled valleys that fall away to the ocean below.

In inimitable Freddy's fashion the new tunes run a gamut of genre busting styles. Coffee Black is layered with cosmic hot buttered soul and cinematic wigged out psyche-blues while Shady continues Freddy's Afro-Acid adventures with Fitchie’s beat-making tapping into a South African township brand of techno Freddys experienced on tour. Bush Telegraph is a reggae classic featuring MC Slave aka Mark Williams on the mic with freshly minted yum char spiced rhymes of hope. The other new tracks Leave Your Window Open and Dig Deep are loose rhythmic experiments that the band have been working on for a long time. Versions were developed, rehearsed, but then set aside – dismissed, demonised - only to be revived with new energy in some future moment of creative cohesion. The results are loose-limbed; broken and bruised beats smashing into subterranean bass and twisted up melodies. Bones and Wairunga Blues are the two classics from Freddy's vast back catalogue. Off the Blackbird album, Bones has aged beautifully - like a fine wine - the song’s component parts matured and melded together in harmony and balance. DJ Fitchie rates this 2021 vintage superior to the 2013 original. Wairunga Blues has been a work-in-progress since it was released on Bays in 2015. Kuki dials up some appropriately off-kilter keys to match the wonky-funk laid down by Fitchie’s bass line and the horns. It’s a mighty comeback – and a fitting tribute to this magical place.