Reggae & Dancehall Vinyl 82 Items

New repress of the first album "Midnight Walkers". We have used the same vinyl metal works as the first 2012 pressing.

After several releases on 7 and 12inch, Stand High Patrol, the french crew of Pupajim, Rootystep and the legendary Mac gyva is back with a long awaited LP. With strictly brand new killer dubadub, digital and hip hop tracks including crazy echos, “Midnight Walkers” is totally unique! It contains all elements of a Stand High live session and offers an evolving dubadub. With the crazy voice of Pupajim and totally timeless dubs, the first album of the three “dubadub musketeerz” deals with the particular originality that made of Stand High Patrol one of the toughest dub sound system of France. Every bass addict and every dub fan should enter the Stand High experience. If you are ready, fasten your seat belt and run the track! We hope that you will enjoy the flight!

Almost a decade after it's initial release, we're VERY happy to say this much in-demand Red Motorbike 12" is almost back in our hands. This enduring dedication to the dubwise has been going for eye-watering prices 2nd hand, so load 'em up !

Stix is back in 2014 with a scorching Disco Reggae Volume 2!

“…the greatest man that came to Jamaica and changed the whole beat from ska to rock steady was Lyn Taitt. He was from Trinidad but Byron Lee did bring him come to Jamaica as an organist but he started playing guitar and the rest is history! We should call him rock steady… it’s Lyn Taitt as he was the man! He played lead guitar and ska at the same time…” Bunny Lee

As the frantic, frenetic pace of ska finally let up in 1966 the cool, cool sound of rock steady came to the fore. This languid, soulful music was the complete musical antithesis of its more famous antecedent and the gentle guitar of Lyn Taitt would forever define the sound of rock steady.

Trinidadian Nerlyn ‘Lyn’ Taitt had been given a contract by Byron Lee to travel to Jamaica to play at the Independence celebrations in 1962 but fell in love with Jamaica and decided to stay joining The Sheiks and then The Cavaliers before forming Lyn Taitt & The Comets. Lyn also recorded as a guest guitarist with The Skatalites before Lyn Taitt & The Jets came together in 1966.

The rock steady beat was slower, more measured and the emphasis was placed on the bass. It no longer gave equal emphasis to every beat but, instead, played a repeated pattern that syncopated the rhythm. The

rhythmic focus shifted to the core of the music to the bass and the drums where it has remained ever since.

“For that tempo the tempo is very slow with the bass and guitar line playing the same thing. You used to use two guitars. Hux Brown and myself or another guitarist and myself. And it was very slow but with a definite bass line going straight through the song…” Lyn Taitt

Lyn Taitt & The Jets were soon in such great demand that they would often play up to five sessions a day for as many different producers but they were not the only rock steady band. When the Skatalites had broken up in 1965 Jackie Mittoo formed Studio One’s house band The Soul Brothers (who soon became The Soul Vendors) and Tommy McCook decided to work with Duke Reid at Treasure Isle studio with The Supersonics. Bobby Aitken’s Carib Beats eschewed subtlety for drive but together these musicians were responsible for establishing the rules of rock steady music.

Their gentle approach allowed vocalists such as Alton Ellis, Ken Boothe and Desmond Dekker and harmony groups including The Techniques, The Melodians, The Uniques and The Paragons and many, many more to demonstrate their prowess.

Rock steady only lasted for a brief period, from 1966 to 1968, but its significance to the subsequent development of Jamaican music is incalculable and it would go on to shape each successive musical movement over the next four decades. Deejays, dub, digital and dance hall all stepped to the tune and pace of rhythms whose

origins were grounded in the rock steady beat and it is impossible to ever overstate its importance... or its beauty.

With Raggasonic 3, the Big Red / Daddy Mory duo gives us an explosive album, faithful to the recipes that made it successful. As a logical follow-up to their reformation, the Raggasonic records a new album in order to satisfy the long wait of their most voracious supporters of all ages. We could see them sowing collective hysteria its last two years during the old plows, the Bataclan, Paris Olympia filled to the full, in front of 1 million spectators at SOS racism in front of the Eiffel Tower, La fête de humanity, Solidays and many more. RAGGASONIC 3 will be released on October 15, 2012. We find their producer, always Frenchie, at the controls. The first extract "it'll clash" set fire to the first listen, we find in Raggasonic 3 the very essence of the group with titles like "Identity", "Changing the story" "Life" of the themes that concern us all of them who question our society. Raggasonic has lost none of his verve and remains very sensitive to hot topics in society, such as multiculturalism, anti-communitarianism, struggles and different forms of engagement. A lyrical and inter-generational fight that they have been carrying out with brio for more than 20 years.

From the Reggae Loves Soul album. ..

Annivesary edition with new artwork on green vinyl including download code.

Whenever it’s love or misery, hear the cry for a better life & understanding. With drums & bass! Once again, Earth Sound comes out with two exclusive tunes from the Pottinger production vault, recorded in 1966 at Federal Record, Kingston, Ja. Living In
Misery an alternative take of Go Back Home by The Harmonizers plus Oh Ye Mahee by Stranger Cole & The Conquerors. Bongoman rocksteady is sufferers’ rocksteady.

Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

Classic '70s deep roots, it rarely gets better than these! First released in 2012

MU330’s Ultra Panic has been out of print for years. This pressing is 1,000 on half/half random color and includes a 2 sided insert and new label art.

Tradesman has been grafting hard in the studio making another massive digital riddim named ‘Springbox’. On it Speng Bond vividly paints a vocal picture of a rammed dance as he has to ‘Fight fi come in’ while Parly B rips it up with the ‘Rudeboy skank’. One of the discs carries a dub on the flip, the other a clean riddim track - ideal for dropping versions to mash up any dance hall. These vinyls are strictly limited to 500 so you will need to move fast to secure your copy.

Restless Marshaits hailing from Geneva are based around the core of Jil and Stuff. They released a sizeable amount of new roots classics throughout the 1990s and 2000s. Recently becoming active again, they are best remembered for the sessions they recorded at Kingston, Jamaica in the mid/late 90s with legendary musicians such as Vin Gordon, Deadly Headly and Dizzy Moore. The original releases have been since long deleted, but some are now unearthed thanks to Partial Records.

Download code is included!

Rare and unreleased Augustus Pablo from the vaults of Gussie Clark. Includes full 12" versions of the mind-bending 'No Entry' and 'Classical Illusion' (complete with King Jammy dub). Also included is the rare JA 45 take, two unreleased Skylarking shock-outs and impossible to find 45's like 'Believe A Dub'. This is classic Augustus Pablo - Are you ready to be Dubbed?

The Quasi Dub Development (QDD) has been founded as a collective four years ago by Luca Fadda and F.S. Blumm. After “Limousine To The Guillotine” (2011) comes now their new album. The QDD love Dub, obviously, but they play it by hand with their many instruments and effects, instead of working in the studio along the classic post production methods of the genre. Their friendly, handmade „Quasi Dub“ is at the same time experimental and accessible. This sound has convinced nobody else than of the pioneers of the Dub genre, Lee Perry, to make an appearance in “Let's Communicate”.

Back In Stock for summer 2013! - Erstmalige Vinyl-Wiederveröffentlichung des Longplayers von 1981! - Aufgenommen im Channel One und King Tubby's Studio und overdubbed im Mark Angelos Studio (London), am Mischpult saßen in Kingston Barnabas & Scientist, sowie Mark Lusardi in London. Hier handelt es sich um eine Henry 'Junjo' Lawes Produktion und einen Klassiker der DeeJay Historie im Combination-Style. Musiker: Bass: Flabba Holt, Robbie Shakespeare, Drums: Santa Davis, Sly Dunbar, Style Scott, Guitar: Sowell, Bo Pee, Dwight Pinkney, Chinna Smith, Bingy Bunny, Horns: Dave Cummings, Hameed Taroghion, Mark Alder, Keyboards: Ansel Collins, Delroy Donaldson, Gladdie Anderson, Steelie, Winston Wright, Percussion: Mikey Spratt, Skully, Sky Juice.

On the third and final part in the series of updates of The Pass The Kouchie riddim, Kasi teams up with the great Tippa Irie for a version of the Faith Evans classic, backed with a drum & bass style mix with Mr Williamz vocalling ‘Tommy Ranks’.

Side A lifts the vocal from Devil’s Pie by D’Angelo and adds it to a nicely
rocking reggae groove result! And on the flip side there's a killer reggae dub version of WU-TANG’s
C.R.E.A.M !!

Picturedisc, ltd. 500 copies

Der lang vergriffene Longplayer als Vinyl-Wiederveröffentlichung im Original Cover von 1981! Ein Klassiker im DeeJay Genre - Toyan liefert hier sein bestes Album ab mit exzellentem Toasting über Riddims wie "Gunman", "Ice Cream Love", "Jacqueline", "Another One Bites The Dust". Die LP wurde im Channel One Studio mit den Roots Radics aufgenommen und bei King Tubby's von Scientist abgemischt!

/ A Social Version

Includes reworks by 7 Samurai & Mocambo!

We're very pleased to be releasing four brand new songs on this EP by the recently reformed CASE. Following on from their compilation album from last year which brought together all their original early recordings. This 7" is limited to 500 copies on white vinyl.CASE formed in Croydon in 1979 after being introduced to each other by Slimy Toad from Johnny Moped. Case played the pubs of south London and finally released their one and only 7", the heat From The Chaff' EP in 1983, it reached the top of the independent charts and led to them being played heavily on BBC radio including plays by John Peel, Janice Long & Kid Jensen. Originally, in 1980, CASE played prima...

Released in 2014, "Greater Than Great" is the 5th album by Jamaican singer Skarra Mucci, the first for Undisputed Records, bringing together the cream of Reggae Digital productions from Bizzarri Records, DreadSquad, Irie Ites Records, Weedy G Soundforce, Deebuzz Musik, Hard2Def, Soulove / Delamix, D&H Records, Kskamp and Rawkaz Clan which the toaster comes to ride brilliantly. Greater than great, it's just legend! The album "Greater Than Great" offers eclectic versions navigating between Dancehall, Digital, Reggae and Raggamuffin. Skarra Mucci proves once again that he is one of the rare singers capable of putting his voice on all styles of Reggae with a capital "R" and transforming them into instant classics, like "My Sound », his biggest hit found on this album.