Reggae & Dancehall Vinyl 397 Items

Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.

HHV exclusive vinyl edition on multi-colored vinyl, limited to 100 copies. Only available at hhv.de!

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers. Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'. The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs. 'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

Scientist was only 20 years old when, working with fellow producer “Junjo” Lawes, came up with this stunner, a sinuous groove party with cartoonlike special effects (a lots of bongs and boings like pans hitting one another, blips and squeals that sound like a Pac-Man game). All the “song” titles are references to boxing (a motif that Scientist was obviously mining for all it was worth), and all are great individual bits of dub sound that cohere into a meaningful whole.

TRS Records unveils the next instalment of our Harry J reissues, shining a spotlight on the timeless classic "Callie Weed." The debate over who the lead singer is has been resolved, confirming that Jackie Bernard from the group Kingstonians is, in fact, the soulful voice driving this iconic song. Teaming up with Bernard, are friends Telford "Tilly" Nelson and Leroy Sibbles who contribute unique background vocals that effortlessly enhance Bernard's emotive delivery. Coming together to provide the instrumental backdrop was the Soul Syndicate band, enhancing the composition's depth. Reflecting on the creation of "Callie Weed," Telford Nelson vividly recalls auditioning the song on his guitar for producer Harry J in 1975. Before the official recording, Harry J reached out to Leroy Sibbles (who had just returned from living abroad in Canada) in hope to enrich the track with his distinctive backing vocals. This collaborative effort resulted in a dynamic blend, showcasing the different vocals and musical elements. It's important to note that the record was initially attributed to the 'Heptones Expression,' likely for marketing reasons. However, in reality it was Telford Nelson's composition from the beginning. As the only member of the actual Heptones involved in this recording, Leroy Sibbles contributed by providing a subtle touch of backing vocals, even though Nelson's harmonies takes precedence in the final vocal mix following Jackie Bernard's lead. Remarkably, on the Dub side, Telford's vocals are isolated in the mix, resulting in a clear and distinct presence.

Another inferno is ignited by the legendary producer Jack Ruby in the next installment of the reissue series. Once again, featuring the iconic Tyrone Taylor with "Birds of a Feather," whose vocals soar above a foundation of pure roots reggae, originally recorded in 1976. The heat doesn't stop there, as for the first time on 7-inch vinyl, we unleash the fury of "Death Before Dishonour," an instrumental by Jack Ruby's militant Black Disciples backing band with seriously blazing horns that leave an undeniable mark. This is the first time ever that "Birds of a Feather" and its instrumental counterpart are paired together.

"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates.

Re-released for Jamdung distributed exclusively by Kudos in limited edition LP from the original master tapes is available again at an affordable price, but hurry!

Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did.

Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others.

Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

Essensial

Produced By Donovan Germain, recorded at Channel One and Harry J's, backed by The Roots Radics & The Taxi Gang, originally released in 1982. A pre-digital taste of what was to come.

There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented.In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.

Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

Rids the World of the Curse of the Vampires (1981) not only ably displays the mix masters varied approach of, but clocks in as one of his best outings! Scientist keeps things lively with plenty of reverb and echo-treated percussion, ghostly piano parts, video game sound effects, and other various wobbly interjections from the mixing board. And adding to the record’s expert evocation of the Halloween spirit are some fiendishly voiced intros, the cover art’s cartoon potpourri of horror film characters, and the dubious claim made in the liner notes that Scientist mixed it all at midnight on Friday the 13th (reach for the flashlights kids). Along with Keith Hundson’s Pick a Dub and Lee Perry’s Blackboard Jungle Dub, this excellent Scientist release is one of the essential dub albums available.

Peak 1987 all time, top tier digital reggae. Killer one-away rhythm and awesome militant vocal from Hopeton Lindo. One of our all time favorite politically conscious reggae tunes, still relevant today. Better still, this release is taken straight from the original master tape and is nearly a full minute longer than the original release, wherein Hopeton drops a bit of our favorite dancehall vernacular. Real hardcore DKR heads will know when they hear it.

Get ready for a double dose of roots fire with the next Jack Ruby reissue! This 12" packs a serious punch on both sides. First up, the legendary Tyrone Taylor with "Move Up Black Man." Originally recorded in 1976, this anthem for empowerment is finally getting its rightful release as a single. Next up, for an absolute deep roots experience, we have "Free Rhodesia" a monumental instrumental on the "Rockfort Rock" rhythm featuring the full lineup of the Black Disciples backing band. Jack Ruby himself introduces the band one by one, and for those who remember, this track gets a mention in the iconic film "Rockers," where Ruby requests the drumming talents of the one and only Leroy "Horsemouth" Wallace.

A truly exceptional song showcasing the pinnacle of Jack Ruby's productions, "Black Slavery Days" by The Skulls stands out as a remarkable gem that gained significant popularity in the Ochi Rios sound system scene. The lead singer of The Skulls, Tony Thomas, penned all their tunes, bringing his experience from singing with the original Justin Hinds & the Dominos group. This piece is a manifestation of pure 70's roots music in all its glorious essence.

Cool Rasta is an album by The Heptones, which consisted of Earl Morgan, Barry Llewellyn, and Leroy Sibbles. Brought up in the Trench Town area of Kingston, their first successful record was Fatty Fatty, first released in 1966. Since then, they have had several hits including 'Country Boy,' 'Mama Say,' and 'Book Of Rules.' At the guiding hand of top producer, Harry Johnson they recorded Cool Rasta, which came out in 1976. The title track of the album is a typical example of The Heptones at their brilliant best.

Remastered and pressed on audiophile virgin vinyl for your listening pleasure.

Two albums that shook the world! The release of these two ground-breaking dubs sets in 1975 altered the course of modern music forever. Dub From The Roots & Roots Of Dub make up a crucial selection of King Tubby’s mind-altering dub versions.
Produced by Bunny ‘Striker’ Lee – both albums are essential!

The ace reissue of these wicked dub albums collecting together classic 70's dub versions by dub pioneer and leader of ‘roots’ music in Jamaica, King Tubby! Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard. All the tracks on here are versions of classic tracks from Cornell Campbell, Johnny Clarke, Horace Andy, Linval Thompson, Derick Morgan & Hortense Ellis dubbed out by the King of Dub King Tubby!’

British-born Sheila Hylton's name is cat nip for reagge-loving record diggers. The vocalist spent much of her childhood in Jamaica and has an effortlessly soulful take on roots and lovers' rock. She recorded several albums and many singles but none are as sought after as her cover of 'It's Gonna Take a Lot of Love', which was originally written by Neil Young. An original copy of this 45rpm will cost you about a week's wages so Jaywax has pressed up this version so you can own your own mint copy. Flip it over for the instrumental dub version 'Labamba' which is laden with percussion, keys and studio trickery.

Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd at the legendary Studio One. By 1968, he had formed the group Sons of Negus and the first overtly Rasta record label, Zion Disc. As Rasta filtered into the mainstream, Henry released more music including albums for Trojan, Dynamic and Grounation labels. Originally released in 1974, Peace And Love – Wadadasow is Dadawah’s magnum opus. Produced by Lloyd Charmers, the album features slinky basslines, wah-wah guitar, hypnotic keyboards, dubbed-out studio trickery and, of course, the propulsive drumming and rhythmic chanting characteristic of Nyahbinghi. Antarctica Starts Here presents the first widely available domestic release of Peace and Love - Wadadasow. This reissue is part of an archival series that focuses on Trojan’s essential ’60s and ’70s catalogue. Liner notes by JR Gonne.

Emotional Rescue is delighted to reissue for the first time, the legendary Ernest Ranglin teaming up with Noel Williams aka King Sporty, on this 1983 meeting of reggae guitar legend and Miami disco boogie don that resulted in this highly sought after 6 track mini-LP.
A defining guitarist and composer in the development of Jamaican music, Ranglin leads little introduction. In a career spanning over 50 years, he was involved in the move from mento and calypso to ska and on to reggae, playing on the groundbreaking recording of My Boy Lollipop itself, before going on to work with the likes of the Skatalies, Prince Buster, Jimmy Cliff and Bob Marley. Born in 1932 in Manchester, West Jamaica before moving to Kingston, Ranglin's self-taught chordal and rhythmic approach blended jazz, mento and reggae with percussive guitar solos. On moving to Florida in 1982, he teamed up with scene king, Williams to present 'a new style', mixing the bass heavy boogie disco the producer was famous for with Ranglin's unique playing. Featuring a who's who of the Miami scene including Bobby Caldwell, Timmy Thomas, Betty Wright and Williams himself, the rearranged order starts here with Soft Touch. A retake of Thomas' TK Disco and Cosmic) classic Africano, before a skanking remake of the William's standard, Keep On Dancing and title bomber Be What You Want Be, crown the match of reggae and vocal disco. Also, included is a beautiful take on Anthony Hester's R&B classic, In The Rain, while the record closes with the choice Papa "Doo" and jammer Why Not.

Run Come Rally aka ‘Jah Speak with Lightning and Thunder’ 1975.

Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.

Within any musical style, there are a few select works that resonate so strongly with audiences that they come to define the genre itself, taking on a mythical quality that transforms the album into something greater than the sum of its individual parts. Meets Uptown Rockers, the 1976 collaboration between producer instrumentalist Augustos Pablo and visionary dub engineer Osbourne “King Tubby” Ruddock, is one of those historic releases. The album, which features Pablo playing melodica, clavinet, piano and organ,
contains some of the greatest dub songs of all time, including Jacob Miller’s “Baby I Love You So,” and the darkly seductive title track. The chemistry between Pablo’s beautiful “Far East” signature sound and King Tubby’s meticulous attention to sonic detail results in an album the Virgin Encyclopedia of Reggae says is “regarded by many as one of the greatest dub albums of all time.

Hopeton “Scientist” Brown and Lloyd “Prince Jammy” James both learned their dubcraft at the feet of the universally-acknowledged master of the art form, King Tubby. The 10 tracks from this classic LP from 1980 sound pretty strong in terms of style and approach, all of them are quietly brilliant, reflecting a complete mastery of the form. Rhythms are supplied by the unstoppable Roots Radics band!

The 1982 solo-album by founding member of Black Uhuru!

Limitierte Neuauflage der beliebten LP von 1982 mit dem markanten Cover des jungen Triston Palma. Aufgenommen und abgemischt im Channel One Studio mit Soldgie am Mischpult, als Musiker fungierte die Roors Radics Band mit dem Produzenten Jah 'Nkrumah' Thomas. 10-Track Longplayer mit den Evergreens und Titelstück "Joker Smoker" und "Two Timer"!

Reissued for the very first time on vinyl here's Prince Alla's (aka Keith Blake) debut album, under the Ras Allah pseudonym, originally released on Tappa Zukie's Stars Records in 1978. Featuring a who's who of the roots reggae community with top notch contributions from the likes of Sly & Robbie, Earl ‘Chinna’ Smith, Don Drummond Jr., Bingy Bunny (Roots Radics) and more. Recorded at the almighty Black Ark and mixed at Tubby's. Produced and Arranged by Tappa Zukie.

Very rare 70s roots by The Ethiopians, produced by Niney The Observer. A steady rhythm with playful piano topped off with hearthfelt vocals. On the flip side, as expected, a deadly Observer dub.