Reggae & Dancehall Vinyl 282 Items

Underground Mod Obscurity from South Africa!

Hypnotic and the jewel in Yabbys musical crown. A side taken from the Beware dub Lp and the flipside is the same off key but still charming keyboard cut of the same rhythm.

Classic dub album from 1980 re-issued! Ten speaker-shaking Matumbi powered dubs recorded under the Well Pack Band flag. Produced by Winston Edwards and engineered by the legendary Dennis 'Blackbeard' Bovell. "Dub Conference: 10 Downing Street" - this re-release is timed to coincide with the 2015 UK general election.

Originally released in 1974, killer roots with dub.

Check out this classic Roots material from around 1980 by Wayne Wade produced by Linval Thompson!

Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

Run Come Rally aka ‘Jah Speak with Lightning and Thunder’ 1975.

* A classic roots instrumental from the late 1970s from legendary trombonist Vin Gordon, who played on numerous Studio One classics, as part of the in-house band Soul Vendors as well as countless sessions with Joe Gibbs, Lee Perry and many more.

* Vin played on Aswad’s classic `Warrior Charge’, which from that recording session, `Kojo Hoy’ was born.

* Featuring Aswad Riddim Section - Tony Gad on bass & keys, Angus Gaye on drums and “Bammie” Rose on flute.

* Previously released by Partial in 2015 on 10” (prtl10005) which rapidly sold out. This issue features an extended dub version.

* Tracklist: A Vin Gordon – `Kojo Hoy’ B Vin Gordon – `Kojo Dub – Extended Mix’

Having dominated the rock steady era, Arthur ‘Duke’ Reid was searching for a way to build upon his standing as one of Jamaica’s premiere record producers following the arrival of the new reggae sound towards the close of the Sixties. By releasing Gay Jamaica Independence Time he proved that he still released high quality tracks. Some of the most talented musicians from that period are featured on this record, like U-Roy, The Ethiopians, Alton Ellis and Tommy McCook. Duke Reid may have been late on the reggae scene but his best material stands shoulder to shoulder with the classics of the era and many of the tracks presented here reach that level with ease. The disc closes with the Jamaican National Anthem, as this title was released to commemorate the eighth anniversary of Jamaican independence.
Gay Jamaica Independence Time is available as a limited edition of 750 individually numbered copies on orange vinyl.

U Roy’s chart topper of 1970 “Wake The Nation” released with it’s original dub “Non Violence”.

The compilation you hold in your hands features the best of U Brown’s 1983 release Jam It Tonight, cut at Channel One with the Roots Radics, coupled with enthralling earlier singles laid at Channel with the Revolutionaries. The high points are many in this thoroughly agreeable set that showcases the best of peak-period U Brown; beginning with the devotional ‘Jah Is My Father Still’ and ‘Walk With Jah Love’ from Jam It Tonight, the title track speaks of reggae music’s unstoppable nature and ‘Reggae Gone International’ is a celebratory take of the ‘Pick A Dub’ rhythm, here totally reconfigured, Maxfield Avenue style. ‘Rub A Dub All The Time’ (aka ‘Tu Sheng Peng’) is a killer take of the Dennis Brown song of the same name, while ‘Blow Mr Hornsman Blow’ is an awesome re-working of the ‘Take Five’ rhythm, and ‘Come Along’ a beautiful deejay counterpart to Sugar Minott’s ‘Steal Away Girl’. U Brown has since gone on to enjoy all kinds of musical adventures in the UK, USA, and Europe, where he settled in the 1990s; listen to the artistry on No Stoppin’ This Music and marvel at his enduring talents.

Another inferno is ignited by the legendary producer Jack Ruby in the next installment of the reissue series. Once again, featuring the iconic Tyrone Taylor with "Birds of a Feather," whose vocals soar above a foundation of pure roots reggae, originally recorded in 1976. The heat doesn't stop there, as for the first time on 7-inch vinyl, we unleash the fury of "Death Before Dishonour," an instrumental by Jack Ruby's militant Black Disciples backing band with seriously blazing horns that leave an undeniable mark. This is the first time ever that "Birds of a Feather" and its instrumental counterpart are paired together.

Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.

Lovers cover of the Manhattans' dance classic masterpiece "Crazy". The urban sound faithful to the original song is superb. The flip side is a first-class cover of the classic by the Blood Sisters, a sister group to One Blood. Both sides are recommended for soul music fans!!

The debut album from the I & I Band, originally released in 1981. Excellent British roots, includes the tracks Marijuana, Jah Made Them All and Marcus Children.

Originally released in 1987, this album is considered by many to be the birth of modern "third wave" ska in the USA. Remastered audio with "new" artwork that includes illustrations by legendary comic book artist BOB Fingerman. Repressed on random color vinyl in picture sleeve

1988 debut from these US ska legends, finally reissued.

The Silvertones were steeped in the grand tradition of Jamaican vocal trios along with other greats such as The Heptones, The Abyssinians and The Kingstonians. Formed in 1964 by Delroy Denton, Keith Coley and Gilmore Grant, the group recorded under a variety of names in the ska and rocksteady era for Duke Reid’s Treasure Isle and Coxsone Dodd’s Studio One, before hooking up with producer Lee “Scratch” Perry. Originally released in 1973, The Silvertones’ debut Silver Bullets was recorded at Perry’s Black Ark studio with vocal tracks captured at King Tubby’s Dromilly Avenue studio in a marathon, all-night session. While firmly planted in roots reggae, Silver Bullets’ dense harmonies and relaxed vibe harken back to rocksteady. The album marks an interesting point in Jamaican music where the past and the future are visible in the grooves of a single LP—from classic rocksteady-tinged love songs like “That’s When It Hurts” and “Rock Me In Your Soul” to the Rasta anthem “Rejoice Jah Jah Children.” Antarctica Starts Here presents the first widely available domestic release of Silver Bullets. This reissue is part of an archival series that focuses on Trojan’s essential ’60s and ’70s catalogue. Liner notes by JR Gonne.

One-off pressing limited-edition deluxe box set triple-vinyl edition complete with a free 45 single + art print + an exact-replica reproduction Mystic Revelation 1977 mag/zine + download code.

Like Sun Ra's Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound.The group's stunning, unique and groundbreaking 1973 album 'Grounation', a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye's 'What's Goin' On', a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric 'Im' Brooks' and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

Like Sun Ra's Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound.The group's stunning, unique and groundbreaking 1973 album 'Grounation', a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye's 'What's Goin' On', a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric 'Im' Brooks' and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

Even though Lennon & McCartney compositions have been recorded by every genre of artist in the music industry, this selection by The Jamestown Sheiks, is unique in that the famous songs are presented in reggae style, and what a treat it is! Every song is a gem and it is refreshing to hear a different treatment of these all-time pop standards.

"Good Life" was originally released in 1979 as Greensleeves longplayer number 6 and presents the renown vocal harmony group after Leroy Sibbles had left the group and Naggo Morris had officially joined the trio. The 10-track longplayer was remastered by Kevin Metcalfe, recorded at Channel One studio with producer Joseph Hoo Kim and the musicians of The Revolutionaries. The artwork was designed by Bloomfield/Travis and photographs were taken by David Hendley.

A very rare independent LP known among Japanese new wave maniacs is officially reissued on Music That Shapes! THE AIR Music International is an experimental band that brings a background of dub and roots reggae to avant-garde free jazz sessions with fuzzy psychedelic guitars. The album was self-produced in 1984 in collaboration with the indie label ICR. The album is dedicated to LEE Perry and quotes Holger Czukay and Upsetters. This album has an unparalleled vibe and is highly recommended for dub, free jazz, new wave, environmental music and ambient music lovers.

The reissue of "Jah Lives" by Thanks & Praises, originally released in 1988, is out now on 7". This captivating song was initially unveiled as an obscure vocal-only B-side, tucked away on the rare High Gate imprint serving as a perfect example of conscious underground US Digi roots.

Recorded and mixed at Monkey Hill Studio in Queens, NY, it was the creative hub of the talented musician and producer Dennis Mann (who is featured on drums and percussion here). Although the studio ventured into diverse music genres, only a select few reggae tracks were ever recorded within its walls. We are honored to present "Jah Lives" as a testament to the rich musical legacy left by Dennis Mann.

As a side technical note it is worth mentioning that "Jah Lives" was originally recorded using a multi-track cassette recorder, also known as Portastudio. Despite some inherent difficulties of extracting audio from a 35 year old cassette and dealing with issues such as sound bleeding, we took on the challenge of restoring it to revive the true essence of the song. To release 'Jah Lives' solely as a vocal cut would have been a tremendous disservice, so we also embarked on a meticulous restoration process to present the song in all its proper glory. In addition to the never-before-heard instrumental version, the reissue will offer listeners the chance to fully embrace the complete spectrum of the song and truly appreciate its beauty.

Tena Stelin’s ‘Wicked Invention’ is one of the most highly-sought UK digital roots reggae vocal albums, produced by Sound Iration (Nick Manasseh & Scruff), essentially, this is the vocal version of the classic dub album `Sound Iration in Dub’. This vocal set, like the vocal counterpart was released on Wau! Mr Modo in 1989. Features the sound system belters ‘Orthodox Music’, `Jah Equity’ and the title track. Limited to 500 copies only.

Mallory Williams (son of Jamaican pianist and band leader, Luther Williams), a celebrated musician, singer, arranger, and producer, launched his musical journey in 1976 as a keyboard player in various bands within Jamaica's vibrant tourism industry. Along his path, he performed and toured with prestigious groups like Jimmy Cliff's Oneness Band and also We The People Band, providing backing for countless Jamaican artists.

In 1985, during the reggae's digital revolution, Mallory Williams collaborated with Tony DaCosta (from Skatalites fame) and his group the Tony DaCosta Affair (tda), to craft the remarkable single "Yu Saaf." This release not only showcases DaCosta's impressive vocal range but also highlights Mallory's instrumental talent, which incorporates a pioneering proto-digital rhythm. We are thrilled to announce that the 7" reissue of this single will be released back again on Mallory's original 'now' imprint. "Yu Saaf," which translates to "You're Soft" is a pure sound business! It not only serves as a testament to Mallory's production skills but also possesses the power to silence any selectors.

Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

Tapper Zukie’s ‘Black Man’ album originally came out in 1978 as a Jamaican only release on Tapper’s’ Stars imprint. Long deleted it has become a classic in Mr Zukie’s vast cannon of musical biscuits and is well overdue this worldwide release for the first time.

Fully remastered and licensed, ltd to 500 copies. The city of Bristol has undoubtedly a rich reggae heritage. The criminally neglected Talisman finally benefits of a long overdue release, collecting their first efforts plus a series of extra tracks. You’ll get their first two singles released on Recreational Records - Run Come Girl/Wicked Dem and Dole Age/Free Speech, both released in 1981 – plus a selection of five long lost contribution. Originally formed in 1977 as Revelation Rockers, a name they soon changed, Talisman were considered the top reggae act in town alongside local contemporaries Black Roots. The band – popular for their intense live shows – opened for such glorious and diverse acts as Burning Spear, The Clash and The Rolling Stones ! This proper release on vinyl allows a new generation of fans to catch with their original style. Talisman certainly shows a different side of the UK reggae flourishing scene – think about Aswad, Steel Pulse and Misty In Roots – putting Bristol back on the map !

A gorgeous disco track with Susan's whisper voice and melancholy melody. Originally released in 1988, this is a great masterpiece that is hard to believe it is more than 30 years old now!!

Reissued for the very first time on vinyl "Wadada Magic", Suns Of Arqa's majestic second album. The wicked world of Michael Wadada is well represented here: an ever-changing kaleidoscope of tribal dub, early electronics , proto-wave and global beat. Special guests on vocals Prince Far I and Prince Hammer, while on bass the true genius of Lizard from Creation Rebel / Singer & Players.

Fully remastered and licensed, ltd to 500 copies. Welcome to the realm of creator and mentor Michael Wadada, the man behind the exotic manoeuvres of Suns of Arqa, one of the most sought after world beat fusion project of the early eighties. His main goal was to increase the vibrations of classical Indian raga with the rhythms of Niyabinghi drumming, epitomized in England by contemporary dub producers. Released in 1980 on Manchester’s own Rock Steady Records, Revenge Of The Mozabites is an essential masterpiece paving the way for future over the border contamination. Deeply informed by cosmic mysticism the album still reverberates with the hidden sounds of earth & soul.

Killer 1989 digital bizniz from the one and only