Reggae & Dancehall Vinyl 318 Items

Jamaica’s supreme rhythm builders during the 1980s and 90s, Steely and Clevie joined forces at King Jammy’s in the aftermath of ‘Sleng Teng,’ with Clevie on drum machines and Steely on synths, to fashion countless hit rhythms for the rising stars of the dancehall movement. Dubbist was the first Steely and Clevie dub album, an irresistible collection of tough digital dub workouts that strips bare the computerised wizardry at the duo’s core. Collecting dubs cut at various studios, including King Jammy’s and Tuff Gong, these killer dubs will delight all digital dancehall fans

One of the most popular and high profile of Jamaican reggae vocalists, Gregory Isaacs was a rough diamond who clawed his way out of the harsh western Kingston ghetto with an instantly recognisable voice that was wonderfully emotive, expressing both his toughness and determination for betterment, as well as the bleeding heart of a vulnerable lover. New Dance is one of the excellent mid-1990s dancehall albums expertly produced by Anthony Dehaney, alias Bunny Gemini, working as usual with the Firehouse Crew, this time with Fatman Thompson of King Tubby’s studio at the mixing desk and guitarist Lascelles Beckford of the Gifted Roots band as special guest. As usual, Gregory rides the rhythms with considerable aplomb, feeling completely natural atop the hard-edged rhythms and tackling a range of topics along the way. Much of the album deals with love lost, love gained, and love deferred; ‘Say A Special Prayer’ revamps the evergreen ‘Send Me The Pillow That You Dream On’ and ‘New Dance’ salutes the allure of dancehall music in the open air. This is one of Mr Isaacs’ better offerings from the mid-1990s, worth getting to know if you’re not already familiar with it, and a must-have if you’ve worn out your original copy.

Fully licensed, 140 gr vinyl. Reissued for the first time on vinyl, an amazing showcase of roots & reggae lovers, originally released on Trojan in 1977.Although his place as a reggae pioneer cannot be questioned, Owen Gray has felt for many years that he never got his due from Jamaica, his homeland. On August 6 2023, the government finally recognized his contribution awarding him with the honor of Order Of Distinction, Jamaica’s sixth-highest honour. Gray, now 87, is ecstatic about what he considers an overdue and deserved reward. In the rocksteady era, he recorded for producer Sir Clancy Collins AKA sir collins .His popularity continued throughout the 1960s, working with producers such as Clement Dodd, Prince Buster, Sydney Crooks, Arthur "Duke" Reid, Leslie Kong, and Clancy Eccles, including work as a duo with Millie Small, with songs ranging from ska to ballads. He continued to record regularly, having a big hit in 1968 with "Cupid". His 1970 track "Apollo 12" found favour with the early skinheads, and in 1972 he returned to Island Records, recording reggae versions of The Rolling Stones' "Tumblin' Dice" and John Lennon's "Jealous Guy", although they met with little success. During this period, he regularly had releases on Pama and Pioneer Internacional label, Camel Records, and one single on Hot Lead Records. He had greater success in Jamaica, however, with "Hail the Man", a tribute to Emperor Haile Selassie, which was popular with the increasing Rastafari following.

Prepare to be captivated by the soul-stirring melodies of Abe Broadway's timeless masterpiece "Take Away." Despite his brief career and recording less than a handful of songs, each one serves as a testament to his talent. Notably, he self-produced all of his works with unwavering dedication, leaving an unforgettable impact that continues to resonate.

"Take Away" was originally recorded in late 1972, and the composition showcases the musical brilliance of the early The Upsetters band (before disbanding and forming other groups). It includes the talented organist Glen Adams, brothers Aston Barrett on bass and the unmistakable Carlton Barrett on drums, the soulful trombone melodies of Vin Gordon, and the skilled guitar work of Alva Lewis. Unfortunately, "Take Away" suffered from bootlegging a few years ago. However, we are delighted to bring you the long-awaited legitimate reissue of this remarkable song.

"Take Away" continues to shine as an absolute gem that withstands the test of time and tugs at your heart. And with this highly anticipated reissue, its brilliance can be savored anew.

Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on Missyou). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.

The reissue of "Jah Lives" by Thanks & Praises, originally released in 1988, is out now on 7". This captivating song was initially unveiled as an obscure vocal-only B-side, tucked away on the rare High Gate imprint serving as a perfect example of conscious underground US Digi roots.

Recorded and mixed at Monkey Hill Studio in Queens, NY, it was the creative hub of the talented musician and producer Dennis Mann (who is featured on drums and percussion here). Although the studio ventured into diverse music genres, only a select few reggae tracks were ever recorded within its walls. We are honored to present "Jah Lives" as a testament to the rich musical legacy left by Dennis Mann.

As a side technical note it is worth mentioning that "Jah Lives" was originally recorded using a multi-track cassette recorder, also known as Portastudio. Despite some inherent difficulties of extracting audio from a 35 year old cassette and dealing with issues such as sound bleeding, we took on the challenge of restoring it to revive the true essence of the song. To release 'Jah Lives' solely as a vocal cut would have been a tremendous disservice, so we also embarked on a meticulous restoration process to present the song in all its proper glory. In addition to the never-before-heard instrumental version, the reissue will offer listeners the chance to fully embrace the complete spectrum of the song and truly appreciate its beauty.

Delving into the captivating world of the NY reggae scene of 1989, "So Dem Say" by Winston Fisher (aka Fisha) is an extraordinary yet elusive one-away record. Cherished by Digi dancehall aficionados, it's now poised to make a long-awaited comeback. Originally released as a 12" vinyl single, this sought-after classic is set to be revived in an economical 7" edition with none of its original essence, timing and power compromised. Everything remains intact and sourced directly from the original sources. Stay tuned for the highly anticipated release of this timeless gem.

Rare reggae collection originally released in 1975. Featuring guest musicians Ken Boothe, Delroy Washington, Bob Davis, Gene Rondo and former members of the Cimarons. Some of the tracks have been recorded at the Black Arc Studio with engineer Lee ‘Scratch’ Perry. All tracks produced by Clem Bushay.

U Roy’s chart topper of 1970 “Wake The Nation” released with it’s original dub “Non Violence”.

Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

Sonia Ferguson's debut song, released in 1978. The original song is a mellow instrumental by The Memphis Horns, but the lyrics attached to the song, except for the chorus part, are her original. The reverse side is a representative song by The Heptics (an alias of Paul Dawkins), released in 1979. It is a mature lovers' rock song with a light rhythm and elegant and beautiful electric piano tone. Paul's gentle voice with a hint of elegance accelerates the romantic mood of the song.

A cover of Ollie Baba's song, which appeared only on Sonia Ferguson's only album, "Magic Lady" (1980). It is a pure and healthy love song. The flip side is a Smokey Robinson classic that everyone knows, backed by the iron-clad rhythm section of Sly & Robbie, and is one of the biggest hits of the UK Lovers Rock era.

This is a gem of a Chicago soul masterpiece by Barbara Acklin, faithful to the original, but sublimated into a superb lovers' rock with tough drum & bass. On the flip side is a refreshing number by Charisma. The ear-catching phrase, reminiscent of Young-Holt Unlimited's "Soulful Strut," is impressive.

A mellow stepper lovers cover of T.I.M.E's soulful reggae classic. The album version is a different take from the one released as a single at the time. The reverse side is a great lovers rock song with a heavy one-drop backed by One Blood!!

This is one of Leroy Simmonds' best-known songs, with a melancholy voice that is irresistible. It was a hit in the U.K. at the time and was later remade by other labels such as Ariwa, but this is the first take. The reverse side is a Lovers Rock version of "Come On Sister," which also has a disco/funk take.

All time party Studio One dancehall tune from the legendary Lone Ranger, guaranteed to make people dance. Monster, monster tune! 100% Essential! Released for the first time on Soul Jazz Records as loud 7" bullets! Newly remastered, clean pressings. Limited-edition Pure Fire!

These two tracks were initially released on separate singles, “The Rooster” was released on Duke (a Trojan sublabel) in 1970 whilst “The Saint” was released on Trojan the same year in 1970. This is the first time these two MCCook’s Boss tracks are released together and it is also the first re-release on 7inch vinyl single of these two rare and in demand Skinhead hits.

Attention: This is a special limited edition - strictly limited to 500 copies - one release only.

Fully remastered and licensed, ltd to 500 copies. Reissued on vinyl for the very first time, the third Paragons album, originally released in 1982 on the UK reggae label Starlight. All songs are backed by the Aggrovators, the Bunny Lee’s house band, that includes Sly & Robbie, the Barrett brothers - both also with Bob Marley & the Wailers - Jackie Mittoo, Earl “Chinna” Smith, Winston Wright and many others. Produced by Bunny Lee, mixed by Prince Jammy. “Now” marked the Paragons return to the scene, in a big way. Great vibrations, dreamy melodies, a roots reggae masterpiece, not to be missed!

A mid-tempo, cool arrangement with falsetto vocals, this reggae tune is reminiscent of the free soul that swept Japan in the 90's. Only a few hundred copies of this extremely rare tune were released in Jamaica at the time.

A gorgeous disco track with Susan's whisper voice and melancholy melody. Originally released in 1988, this is a great masterpiece that is hard to believe it is more than 30 years old now!!

Alpha Blondy (born Seydou Koné; 1 January 1953 in Dimbokro, Ivory Coast) is a reggae singer and international recording artist. Many of his songs are politically and socially motivated, and are mainly sung in his native language of Dioula, French and in English, though he occasionally uses other languages, for example, Arabic or Hebrew.