Reggae & Dancehall Vinyl 488 Items

Sonia Ferguson's debut song, released in 1978. The original song is a mellow instrumental by The Memphis Horns, but the lyrics attached to the song, except for the chorus part, are her original. The reverse side is a representative song by The Heptics (an alias of Paul Dawkins), released in 1979. It is a mature lovers' rock song with a light rhythm and elegant and beautiful electric piano tone. Paul's gentle voice with a hint of elegance accelerates the romantic mood of the song.

A cover of Ollie Baba's song, which appeared only on Sonia Ferguson's only album, "Magic Lady" (1980). It is a pure and healthy love song. The flip side is a Smokey Robinson classic that everyone knows, backed by the iron-clad rhythm section of Sly & Robbie, and is one of the biggest hits of the UK Lovers Rock era.

This is a gem of a Chicago soul masterpiece by Barbara Acklin, faithful to the original, but sublimated into a superb lovers' rock with tough drum & bass. On the flip side is a refreshing number by Charisma. The ear-catching phrase, reminiscent of Young-Holt Unlimited's "Soulful Strut," is impressive.

A mellow stepper lovers cover of T.I.M.E's soulful reggae classic. The album version is a different take from the one released as a single at the time. The reverse side is a great lovers rock song with a heavy one-drop backed by One Blood!!

This is one of Leroy Simmonds' best-known songs, with a melancholy voice that is irresistible. It was a hit in the U.K. at the time and was later remade by other labels such as Ariwa, but this is the first take. The reverse side is a Lovers Rock version of "Come On Sister," which also has a disco/funk take.

Cover with promo stamp on the back, closer to VG+

Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

First official re-issue for this roots reggae masterpiece, originally recorded in 1977. The Bushrangers, also known as Clem Bushay All Stars is the house band of producer Clem Bushay. They recorded the ''Stuntman'' album with musicians like Barry McVicker, Bunny McKenzie, Candy McKenzie, Carl Lewis, Dennis Bovell, Desmond Charles, Hughie, Janet Kay, Jimmy Haynes, Jimmy Mack, Jimmy Stratdan, Joseph Charles, Junior Bailey, Junior English, Michael Charles, Stanley, Suzy Browne, Moon Rocks and Zabandis...The album was also produced by Bushay.

Original inner sleeve. Original US pressing.

Fully remastered and licensed, ltd to 500 copies. Reissued on vinyl for the very first time! Originally released in 1983, this reggae lovers album was recorded by Scientist, produced by Bunny Lee, with the best of Jamaican musicians like Sly & Robbie, Jackie Mittoo, Winston Wright, Earl Chinna Smith ans more...

Edwards was born in Jamaica in 1938 where he was raised with fourteen siblings. Strongly influenced by Nat King Cole, he began performing at the age of 14. He came to the attention of Chris Blackwell in 1959. Edwards had four number one singles in Jamaica between 1960 and 1961, all self-written ballads with Latin-influenced music. When Blackwell set up Island Records in London in 1962, Edwards travelled with him. Edwards worked as a singer and songwriter for Island, recording as a solo artist and also duets with Millie Small, as well as performing duties such as delivering records. He wrote both "Keep On Running" and "Somebody Help Me", that became number one singles in the United Kingdom for The Spencer Davis Group. He continued to work as a recording artist himself, with regular album releases through to the mid-1980s. Much of his later work was produced by Bunny Lee, and he also worked with The Aggrovators.

Fully remastered and licensed, ltd to 500 copies. The soulful reggae singer "Best Of"! Originally released on Empire (Channel One's sub label). Hits from late 70's to 1984, recorded at Channel One studio with Sly & Robbie, Earl Chinna Smith, Dean Fraser, Deadly Headly and many more...

Delroy George Wilson (5 October 1948 – 6 March 1995) was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica's first child star, having first found success as a teenager. His youngest son, Karl "Konan" Wilson, has found success as part of British duo Krept and Konan. His voice matured as he left his teens, around the time of ska's transition to rocksteady and this period in the late 1960s produced many hits including one of the first rocksteady records, "Dancing Mood", "Jerk in Time" (with the Wailers), "Feel Good All Over", "I'm Not a King", "True Believer in Love", "Rain From the Skies", "Conquer Me" and "Riding for a Fall". "Won't You Come Home", a duet with Ken Boothe on a rhythm originally cut by The Conquerors for Sonia Pottinger has become one of the most-versioned Jamaican tracks ever. After leaving Studio One he recorded for other labels, with varying degrees of success, and set up his own short-lived W&C label. He enjoyed success with Bunny Lee in the late 1960s and early 1970s with tracks such as "This Old Heart of Mine", "Footsteps of Another Man", and "Better Must Come". His double A-side "It Hurts"/"Put Yourself in My Place" was a skinhead favourite and narrowly missed UK chart success. He recorded a version of "Run Run", a song he had originally recorded for Dodd, for maverick producer Keith Hudson. Wilson toured the UK and recorded for Trojan Records in 1970.