Reggae & Dancehall Vinyl 352 Items

* First ever official reissue * Remastered from the original analog tapes * LP includes insert featuring lyrics with translation, archival photos and liner notes with artist bio and album story

Já Bô Corre D’Mim

After his first LP Stranger Já Catem Traboi, Tchiss decided to further experiment with reggae and funaná, inspired by the local rhythms of the island of Santiago. Gathering some of the best Cape Verdean musicians of the time, in 1984, together with Zé António on guitar, Bebethe on bass and Alírio on drums, he recorded his second LP Já Bô Corre D’Mim. An album that sings of a young man far from home, his unrequited love and saudade, the struggles of street life in a foreign land and a world of inequality. Recorded in just 3 days at the Pomodoro Studio in Sutri, the album fully expresses the deep and layered sound of Tchiss’ music, where upbeat tempo, powerful vocals and electrifying guitar solos tangle together in a dynamic mix of traditional melodies and cosmic reggae.

Tchiss Lopes

With music in his finger tips and football in his feet, Narciso “Tchiss” Lopes was born on the São Vicente island of Cape Verde on July 27th 1959. Surrounded by the island’s vibrant musical scene, Tchiss began playing guitar at the age of 6, and when he was not playing music, he was playing football for one of Mindelo’s best teams.

Soon enough, at the beginning of 1980, the political situation pushed Tchiss to emigrate at the age of 21. With his heart full of hope and ambition, he moved to Portugal and then to Rome, where he obtained an 11-month contract on a Greek cargo ship. As his father before him, Tchiss became a man of the sea, and his first world tour thus began: from Civitavecchia to Lagos, Nigeria to Senegal, Poland to Scotland, all the way to his dream land, Brazil. Experiencing the sounds of Brazil on his own skin, Tchiss returned to Rome, where his musical career finally exploded.

Tchiss toured Italy from north to south, playing in cities such as Milan, Rome, Naples and Palermo, and brought his music all over Europe: in the Netherlands, France, Portugal, Luxembourg and Germany, to name a few. He defines himself a musical communicator and never stops spreading his music and love all around the globe.

Originally released in Jamaica on the Bertram Brown's "Freedom Sounds" label in 1978

Re-issue with two bonus tracks. Mixed at King Tubby's Studios by Scientist & Prince Jammy.

The Silvertones were steeped in the grand tradition of Jamaican vocal trios along with other greats such as The Heptones, The Abyssinians and The Kingstonians. Formed in 1964 by Delroy Denton, Keith Coley and Gilmore Grant, the group recorded under a variety of names in the ska and rocksteady era for Duke Reid’s Treasure Isle and Coxsone Dodd’s Studio One, before hooking up with producer Lee “Scratch” Perry. Originally released in 1973, The Silvertones’ debut Silver Bullets was recorded at Perry’s Black Ark studio with vocal tracks captured at King Tubby’s Dromilly Avenue studio in a marathon, all-night session. While firmly planted in roots reggae, Silver Bullets’ dense harmonies and relaxed vibe harken back to rocksteady. The album marks an interesting point in Jamaican music where the past and the future are visible in the grooves of a single LP—from classic rocksteady-tinged love songs like “That’s When It Hurts” and “Rock Me In Your Soul” to the Rasta anthem “Rejoice Jah Jah Children.” Antarctica Starts Here presents the first widely available domestic release of Silver Bullets. This reissue is part of an archival series that focuses on Trojan’s essential ’60s and ’70s catalogue. Liner notes by JR Gonne.

A seriously soulful vocalist, Earl George appeared on numerous classic records under a number of different names including Earl Lawrence, L Lawrence, George Earl, George Faith and, on occasion, Earl George.

This album ‘One & Only’ was recorded for Phil Pratt. Originally released in 1978 through West London’s Burning Sounds organisation and credited to Earl George, the set contained his three Terminal single releases and seven brand new tunes. Produced by Phil Pratt and featuring Sly & Robbie, Tommy McCook, Ansel Collins.

Another stone cold classic from the vaults of Taxi Records. The Cool Ruler, aka singer songwriter Gregory Isaacs. Perfectly crafted songs and precise rhythm construction by the Taxi Gang at Channel One Studio. Each song drifts seamlessly into percussive dubs with subtle sonic landscapes sculpted by the engineers Maxie & Ernest Hookim at the mixing board

"Good Life" was originally released in 1979 as Greensleeves longplayer number 6 and presents the renown vocal harmony group after Leroy Sibbles had left the group and Naggo Morris had officially joined the trio. The 10-track longplayer was remastered by Kevin Metcalfe, recorded at Channel One studio with producer Joseph Hoo Kim and the musicians of The Revolutionaries. The artwork was designed by Bloomfield/Travis and photographs were taken by David Hendley.

Originally released in 1978 "Leggo Dub" produced by Ossie Hibbert is one of the iconic dub albums of the seventies. Seen as the dub companion to Gregory's classic "Mr. Isaacs" album it boasts six mind-expanding Cool Ruler dub treatments plus four further speaker-shakers to showcase the Revolutionaries in full effect. Now re-released in finest remastered sound quality on VP Records’ sub-label 17 North Parade!

Among the most important full-length album works from one of reggae’s greatest singers, "Mr. Isaacs" shows the great Gregory Isaacs in the prime of his career in 1976. Better known for his love songs, Isaacs was equally adept at cultural themes. The tracks "Set The Captives Free" and "Slave Master" are among the most popular in his catalogue, the latter immortalized on film in the movie 'Rockers'. The track "Storm" became an early favourite in the dancehall, its rhythm track (aka the Storm riddim) is re-imagined no fewer than 75 times over the last 40 years. Gregory Isaacs love of Rocksteady shines in his cover of the Silvertones’ "Smile", and his soulful side comes through on a cover of The Temptations’ "Get Ready". The breadth of material on "Mr. Isaacs" is the hallmark of a reggae classic!

Re-issue of the album from 1982, recorded at Channel One & Harry J Studios with the Roots Radics and mixed at Channel One by Soldgie Hamilton!- "Look How Me Sexy" features nine Linval Thompson productions while the hit title track, produced by Henry "Junjo" Lawes, features one of the top reggae riddims of its time ("I'm Not Getting Crazy"), which is most known by Frankie Paul's "Worries In The Dance". While most of the album's ten tracks fit the lovers rock style of the era, it also includes the brooding "I Spy", with the riddim that was also used for Eek-A-Mouse's "Do You Remember". Furthermore dubbed out versions exsist of "Are You Ready", "Call Me", "Things Couldn't Be The Same" and "Holding On To My Girlfriend", all mixed by Scientist and released in the´Greensleeves Dub Classic series.

Linval Thompson was one of the first reggae singers of his era to move into self-production, he was known initially as a roots and culture artist, recording for various producers including Bunny "Striker" Lee before initiating his own studio sessions in 1978. In 1979, he mentored Henry "Junjo" Lawes as a producer, who in turn would become one of the most successful producers of the early 1980s, eclipsing Thompson in terms of output.

8 tracks

Overdue re-issue of the longplayer from 1982 of this great UK Reggae band. LP-vinyl has the original album track order and also for the first time on CD with seven additional tracks including John Peel session tracks. The Capital Letters have reformed in 2013 and perform live again.

Classic dub album from 1980 re-issued! Ten speaker-shaking Matumbi powered dubs recorded under the Well Pack Band flag. Produced by Winston Edwards and engineered by the legendary Dennis 'Blackbeard' Bovell. "Dub Conference: 10 Downing Street" - this re-release is timed to coincide with the 2015 UK general election.

Scientist was only 20 years old when, working with fellow producer “Junjo” Lawes, came up with this stunner, a sinuous groove party with cartoonlike special effects (a lots of bongs and boings like pans hitting one another, blips and squeals that sound like a Pac-Man game). All the “song” titles are references to boxing (a motif that Scientist was obviously mining for all it was worth), and all are great individual bits of dub sound that cohere into a meaningful whole.

Hopeton “Scientist” Brown and Lloyd “Prince Jammy” James both learned their dubcraft at the feet of the universally-acknowledged master of the art form, King Tubby. The 10 tracks from this classic LP from 1980 sound pretty strong in terms of style and approach, all of them are quietly brilliant, reflecting a complete mastery of the form. Rhythms are supplied by the unstoppable Roots Radics band!

Originally issued in 1976 for the Fay Music imprint, here's the Dub classic re-printed for the 21st century on wax.

Scientist’s name will be found on many dub releases in people’s record collections. His connection to King Tubby is inseparable and many would say that when dub had fallen on quieter times it was Scientist who breathed new life into it. His paired down mixing style suited the new dancehall reggae sound that came as the 70’s rolled into the 80’s. This 1982 LP includes the priceless dub to Johnny Osbourne’s classic Give A Little Love, as well as further cuts to the likes of Hugh Mundell and Wayne Jarrett. Scientist is always in control! Includes 6 bonus tracks!

The cosmic theme is well served on ten effects-riddled tracks, with the rockers style material being littered by all manner of stratosphere-breaking sounds from the mixing board, strategically adorned with snatches of ghostly echo and pneumatic percussion. It’s certainly an appropriate mood for a post-apocalyptic battle involving cartoon machines! Another DUB ESSENTIAL ALBUM from the legendary SCIENTIST!

Rids the World of the Curse of the Vampires (1981) not only ably displays the mix masters varied approach of, but clocks in as one of his best outings! Scientist keeps things lively with plenty of reverb and echo-treated percussion, ghostly piano parts, video game sound effects, and other various wobbly interjections from the mixing board. And adding to the record’s expert evocation of the Halloween spirit are some fiendishly voiced intros, the cover art’s cartoon potpourri of horror film characters, and the dubious claim made in the liner notes that Scientist mixed it all at midnight on Friday the 13th (reach for the flashlights kids). Along with Keith Hundson’s Pick a Dub and Lee Perry’s Blackboard Jungle Dub, this excellent Scientist release is one of the essential dub albums available.

Re-issue of the massive 1984 Roots Radics backed superstar clash! Produced by Henry 'Junjo' Lawes at Channel One with Soldgie at the controls. King Yellowman and the Colonel face off Volcano style. Heavyweight riddims include the Prison Oval Rock, Lecturer, Fever, Stars, and Rougher Yet!

The 1982 solo-album by founding member of Black Uhuru!

Vinyl re-issue in the original 1981 LP artwork! This is Eek-A-Mouse finest album recorded and mixed at Channel One and King Tubby's studio by Scientist, Prince Jammy and Barnabas, produced by Henry 'Junjo' Lawes with the Roots Radics as backing band!

Originally released in 1980, this album is the final work to emerge from the Black Ark studio, before its permanent destruction. It concludes a series of such LP masterworks as Super Ape, War In A Babylon, Police And Thieves, and The Return Of The Super Ape. Enthrallingly, it crosses the soundworld of Roast Fish Collie Weed And Cornbread with new hybrids — like the irresistible elevenminute opener, rolling and delirious, a kind of reggae prophesy of Marvin Gaye’s Sexual Healing, but musically richer, and more glazed, randy and visionary.

Dub tracks from Black Uhuru's first album "Love Crisis", from 1977!

Limitierte Neuauflage der beliebten LP von 1982 mit dem markanten Cover des jungen Triston Palma. Aufgenommen und abgemischt im Channel One Studio mit Soldgie am Mischpult, als Musiker fungierte die Roors Radics Band mit dem Produzenten Jah 'Nkrumah' Thomas. 10-Track Longplayer mit den Evergreens und Titelstück "Joker Smoker" und "Two Timer"!

reissue incl. rare 12" mixes

This is a gem of a Chicago soul masterpiece by Barbara Acklin, faithful to the original, but sublimated into a superb lovers' rock with tough drum & bass. On the flip side is a refreshing number by Charisma. The ear-catching phrase, reminiscent of Young-Holt Unlimited's "Soulful Strut," is impressive.

This is one of Leroy Simmonds' best-known songs, with a melancholy voice that is irresistible. It was a hit in the U.K. at the time and was later remade by other labels such as Ariwa, but this is the first take. The reverse side is a Lovers Rock version of "Come On Sister," which also has a disco/funk take.

Fully remastered and licensed, ltd to 500 copies. Cult re-issue from this short-lived Bristol project. Their debut 4-tracks EP was self-released on Restriction Records in 1984 giving birth to a collective experience fueled by several members: Andrew Clarke (amj Almighty Groove, AMJ Dub Collective) Clive Smith, Rob Smith (co- founder of the influential trip hop band Smith & Mighty), plus members of Zion Band. Produced by Mad Professor at London Ariwa Studios and featuring extraordinaire trombone player Vin Gordon aka Don Drummond Jr. (The Skatalites, The Upsetters) this quintessential mini-album merged the original Jamaican reggae-dub feel with a more contemporary approach, focusing on the experience of established British bands like Aswad and Black Uhuru.

Recorded in the infamous Stone Castle Studio in Carimate (Como) by the two brothers Alberto & Gianni Tirelli, this is the last album recorded before the passing of Alberto. (Gianni is also known for certain Italo Disco masterpieces such as “Magic Dance” by Loui$.) Amore Mandarino is An act of bold and improvised genius, being entirely recorded in one night with little to no preparation. What resulted will be forever immortalized in your record collection with this exploration of exquisite fraternal expression throughout a multitude of genres. “Marzia Non C'e” is a 6 minute long downtempo dreamy soundtrack to the deepest of summer balearic sunrises. “Dimmi Per Chi” an Italian Reggae not-Reggae excursion served with ultra smooth spoken word lyrics. “Un Colpo Al Cuore” channeling nuances of Italian bastard cousin of Dire Straits in captivating danceable rock form. Arrangement and production standards running high, clearly a product of a golden age in Italian studio recording and session musicianship. Can't go wrong. Includes insert with letter from Gianni to Alberto, R.I.P..

Tado's cut of Zion Gates, the Yabby You classic, with a hard dub. Backed with No More Heartache, “an original Harry J Beltones classic.”

Heavy roots reggae album from 1988 by avant-jazz horn player Jamaiel Shabaka. Remastered and released as a double LP gatefold sleeve in an edition of 500. With its unusual jazzy/improv'd sonic essays among straight-up heavyweight roots tracks, saying that 'The Land Of The Rising Sun' is an unusual-sounding reggae album is an understatement, and far from a surprise: after all, who in the reggae world started improving for days on end with Sun Ra?

A reissue of a classic roots reggae album, originally released in 1982.

"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates.

Re-released for Jamdung distributed exclusively by Kudos in limited edition LP from the original master tapes is available again at an affordable price, but hurry!

Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did.

Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others.

Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

Essensial