Reggae & Dancehall Preorder 109 Items

These days it seems as if at every turn, week in week out, the Reggae fraternity grieves the loss of another journey man singer, unassuming session musician or foundational sound man.

The power of remembrance, of tribute, of deeply honouring the historical legacy of so many singers & players has been, from its very inception, central to the mission of Ital Counselor Records. The arrival of Ic008 carries forth this tradition in the form of an epic tribute to two of our most cherished influences who have recently passed on – The ever-spirited drummer Angus “Drummie Zeb” Gaye of Aswad fame and the indomitable UK sound man, the Mighty Zulu Warrior Jah Shaka.

This release brings together some of the usual Ital Counselor collaborators Chris Lane (aka the Dub Organiser, Fashion Records), Soothsayer Horns, Inyaki BDF, along with new IC collaborator Gil Cang (Riz Records, Tuff Scout Records).

Collectively known as the IC All Stars, their mission was to rebuild a mythic dubplate made legendary by Shaka in the early 1980s. Known on the scene as Rasta Serenade, this horns driven instrumental dubplate was a never released version of Aswad’s vocal cut “Just a Little Herb” only ever played on Shaka’s sound. To achieve maximum effect, the Dub Organiser dug back into the Fashion records vaults to unearth an unused loop of ‘Drummie’ marching out a militant beat. Inyaki BDF was recruited to lay down the bassline. Soothsayers horns hit harder still. Chris and Gil put the final guitar, keys, and mix touches to make this 4-cut maxi 12” a sound system killer; a set of big people dubs for the young and old. Meditative and marching; Weighted and spritely Ic008 must mash up sound system dance north, south, east and west. Take a listen and you will hear.

Doublé Doublé" is widely regarded as a classic of the Congolese soukous/rumba genre
and was originally released back in 1981. The sound is characterised by the complex
interplay of guitar melodies, bright horns, funky rhythms and of course,the sublime
vocals of Nyboma Mwan'dido. No Wahala Sounds are proud to bring you this long out of
print gem.

Deep cuts from Nick Manasseh and Jeremy The Equalizer with a solid part-digital rhythm with Danny Red’s militant vocal coming in and out of the mix.

Originally an album track from 1993, this 7” now comes with a hard-to-find dub mix on the flipside.

Repressed due to high demand… ltd 200 with blue artwork sleeve

In the Afro×jazz×global Bass scene, Galliano's Constantine Weir adds a new dimension. And incredibly, Congo Natty is joining as a producer. Featuring lyrics inspired by Islamic mysticism, accompanied by robust electronic bass music that floods the auditory senses. Constantine Weir initially signed with Acid Jazz Records, helmed by Gilles Peterson, and rose to prominence in the 1990s with the acid jazz group Galliano. He has also collaborated with S'Express, Paul Weller, Pressure Drop, Amy Winehouse, Outside, Ocean Colour Scene, Congo Natty, as well as contributed to works by Japanese artists such as United Future Organization (U.F.O) and Hirosi Kamayatsu.

From 1968 through to the mid 1970’s the reggae beat began to slow down,some say due to the extreme heat hitting down onto Kingston Town and its surrounding enclaves. People needed something less strenuous to dance to. The Ska and Rocksteady Sounds (see 101 Orange Street Ks007) that rocked Jamaica previously, had now found a slower tempo and become more ‘Dread’ lyrically to suit the times. Reggae music has always moved within the social climate it found itself in and this set here, as we ‘Return To Orange Street’ was Roots Rock Reggae Time....