Punk | Hardcore 264 Items

A special release signifying PPM50 and Post Present Medium as a label for ten years. Wives were a punk band formed in Los Angeles in 2001, they recorded, performed and toured until 2005 when they disbanded. After their last US tour and and before their (_rst and last) UK /Europe tour in 2005 Dean Spunt (bass and vocals) and Randy Randall (guitar) recorded these 7 songs with new drummer Roy Tatum. These were the songs, if you saw them live, Wives were playing, working on and perfecting at the time on the final tour.Recorded By Bobb Bruno in their practice space in 2005 the "Roy Tapes" were shelved and have not been listened to by anyone until they were decided to be released, nearly seven years later. It holds the fury and confusion of the live sets...

Light edge wear. Record looks barely played.

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

Single Sided, Etched, Transparent vinyl. Cover closer to NM

Thee Spivs are back with their second album 'Black And White Memories' in November, following their critically acclaimed debut 'Taped Up' from 2010. This is the lead single from the album called 'T.V. Screen', it's a limited edition 7" with anexclusive b-side, a cover of the Billy Childish classic "Don't Like The Man That I Am" which weirdly enough has also been covered by Pete Molinari and the Singing Loins, both on Damaged Goods! Thee Spivs are Ben Edge (Guit/Vox) Dan May(bass) and Steve Coley (drums). Rock'n'Roll hasn't been this much fun for years, give it a try, you might like it!

[DEU]Limitiert auf 500 7"s auf grünem Vinyl nur für die Europa Tour 2011! "Wir wollten für diese Tour etwas ganz Besonders machen. Das neue Album erscheint erst in ein paar Monaten, so dass uns bei ein paar Bier und guter Pizza in einem Pub in Hackney die Idee kam, den ersten Track auf dem THEE SPIVS Debütalbum mit deutschem Gesang aufzunehmen, so wie das Bands in den Sixties ständig gemacht haben. Also nahm Ben mit der Hilfe von unseren Freunden von Cargo Records Germany deutschen Gesang für diese Doppel-A-Seite auf. Außerdem haben THEE SPIVS soeben die erste Hälfte ihres Album fertig aufgenommen, das später 2011 erscheinen wird." - Ian Ballard, DAMAGED GOODS.www.myspace.com/theespivs[ENG]LIMITED EDITION OF 500 GREEN COLORED 7" SINGLES FOR EUROPEAN TOUR 2011. "We wanted something special to release for the tour and the new album is still months away, so over a few beers and some very nice pizzas in a Hackney pub we came up with the idea of a German vocal on the first track on their debut album as a nod to the great bands of the sixties who did this on a regular basis. So, with a little help from our friends at Cargo Germany Ben re-recorded the vocals in German for this double 'A' side 7"! They have also just finished recording the first half of their second album which will be out later in 2011. " - Ian Ballard, DAMAGED GOODS.

close to NM. tiny seam split

Limited edition.

Still in shrink but opened. tiny wear. green vinyl.

The best ever french 77 punk band with Metal Urbain. Killer and cult..... best lyrics/bests songs A must have for any KBD-PUNK77 lover.

“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

Vinyl is close to NM.

close to NM. Stamped and numbered inner sleeve.

Dark Blue Marble / Light Blue Marble vinyl

Limitiert auf 500 Stück! Über die neue Heimatglück Platte kann man sich gleich dreifach freuen. Endlich eine neue Veröffentlichung und zwar mal wieder ein Longplayer und das auch noch auf Vinyl und auch nur auf Vinyl. Das wird den Heimatglück-Freund besonders freuen. Zusätzlich liegt noch ein Kupon zum kostenlosen Download bei. Musikalisch wieder mal unverkennbar Heimatglück dürfte das Album nicht enttäuschen. Letztes Jahr gab es schon einen kleinen Vorgeschmack auf diese LP in Form einer super-limitierten Split-7" mit der Hamburger Band Herrenmagazin. Mit dem dort vorab zu hörenden Stück ,Leben deklinieren" sind auf der neuen LP zwölf neue Stücke enthalten, die in den letzten drei Jahren entstanden sind. Weiter angereichert wird ,Spass allein genügt nicht mehr" mit zwei neu eingespielten Versionen von zwei Stücken (,Eventuell Morgen" und ,Sahnemund"), die schon von Compilations bekannt sein dürften und zuletzt gibt es anlässlich des 15-jährigen Bestehens mit ,Carlo" noch eine Neuaufnahme von der ersten Split-7" mit Pankzerkroiza Polpotkin. Aufgenommen und produziert in Zusammenarbeit mit Ronnie Henseler/Alien Network (Kommando Sonne-Nmilch u.a.) in Hamburg, mit welchem schon das ,Können gebratene Tauben fliegen?"-Album und die Klartext-7" aufgenommen wurde. Das Cover ist von Pencil Quincy (bekannt ua für die Cover von Digger Barnes) exklusiv gestaltet worden und überhaupt ist die Platte, wie man es von Heimatglück gewohnt ist, besonders hübsch. Dazu gibt es ein Inlay mit allen Texten und Fotos.

"Damaging Acts" is the first single taken from the Cute Lepers upcoming third album "Adventure Time". This 7" release features an exclusive b-side called "Don't Believe The Numbers".

close to NM

clear vinyl. tiny wear

tiny wear

Marbled vinyl is close to NM.

Green Translucent vinyl. Original inner sleeve with seam splits

Orange Transparent vinyl

Orange Clear vinyl. Cover with slightly bumped corners

Still in shrink, but opened, with hype sticker

Clear With Black Splatter vinyl

Dark red vinyl