Punk | Hardcore 270 Items

"Re-release of this classic album. 1-sided vinyl with an etching on the b-side featuring artwork by Kyle Pellet (the etching is of the drawing pictured). 1000 copies pressed on black vinyl." - Asian Man

A special release signifying PPM50 and Post Present Medium as a label for ten years. Wives were a punk band formed in Los Angeles in 2001, they recorded, performed and toured until 2005 when they disbanded. After their last US tour and and before their (_rst and last) UK /Europe tour in 2005 Dean Spunt (bass and vocals) and Randy Randall (guitar) recorded these 7 songs with new drummer Roy Tatum. These were the songs, if you saw them live, Wives were playing, working on and perfecting at the time on the final tour.Recorded By Bobb Bruno in their practice space in 2005 the "Roy Tapes" were shelved and have not been listened to by anyone until they were decided to be released, nearly seven years later. It holds the fury and confusion of the live sets...

Comes with original inner sleeve. Record looks unplayed.

Light edge wear. Record looks barely played.

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “From Under The Cork Tree” is finally back in print on limited vinyl.

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

25 years in the making the Dwarves Are Born Again features heroes from throughout the Dwarves saga. Blag the Ripper, HeWhoCanNotBeNamed, Rex Everything, the Fresh Prince of Darkness and a cast of thousands including Vadge Moore and Sgt. Saltpeter from the notorious Blood, Guts and Pussy record return to crush the ears of a desperate public. You get hardcore punk, ear banging pop and everything in between from the long standing masters of all styles. Damaged rock celebrity cameos mix with twisted phone messages and ear splitting noise all delivered with the pomp and circumstance that only the mighty Dwarves can deliver.

"On their debut EP, Seahaven explores a very transparent back-and-forth between their dark and light sounds, a lot like what we saw Brand New do on Deja Entendu and The Devil and God Are Raging Inside Me. Vocalist/guitarist Kyle Soto has that voice that exudes an audible pain sometimes, while at other times sounding so damn hopeful that it might break your heart even more. When Seahaven is playing sadder and darker music, it tends to be more in the vein of perhaps Crime In Stereo, or to compare the band to a more contemporary peer, Balance & Composure. Not many bands are playing this type of music, and a large percentage of the groups that are trying aren't doing it very well. Seahaven isn't just doing it well - they border along fantastic." - Absolutepunk.net

The best ever french 77 punk band with Metal Urbain. Killer and cult..... best lyrics/bests songs A must have for any KBD-PUNK77 lover.

180 gram vinyl!

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

Special edition for Record Store Day 2011

De Brassers were one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions.

The doomed sound they produced channels the dark atmosphere of the late seventies and early eighties: the fear of atomic bombs, cold war pessimism, police violence against squatters, the first cases of Aids, and the grim years of Reagan & Thatcher.

Nofx returns with The Longest EP, a collection of thirty songs taken from the band’s numerous EP releases. The Longest EP spans Nofx’s first Fat Wreck Chords release The Pmrc Can Suck On This to Cokie the Clown. It includes eight tracks that have never been available on CD or digitally, and two songs previously unreleased in any format. The album’s title continues the band’s trademark witticisms with a play on the title of Nofx’s most popular EP, The Longest Line, which itself is included amongst the impressive track listing. In addition, Nofx commissioned the original artist that illustrated the now famous cover for The Longest Line to create the artwork for The Longest EP. With an ardent and extensive fan base, Nofx’s releases are always met with great anticipation and The Longest EP will be no different.

Red w/ Bone & Purple Splatter Vinyl.I Wish I Could Stay Here is the debut studio album by English rock band Basement. After forming in 2010, the band released a demo and signed to Run for Cover. Following this, the band toured across the UK and Europe in late 2010 and early 2011. They recorded their debut album I Wish I Could Stay Here in May 2011 at Stuck on a Name Studios in Nottingham and released two months later. Following this, the group embarked on tours of the UK, the US and Australia. The album received favourable reviews from critics, and featured on Thrash Hits' top 20 albums of 2011 list."more soul, more emotion, and just more great songs" - Thrash Hits

In 2013, Kingston, PA’s Title Fight made their Revelation Records debut with the four new tracks on this 7” EP release entitled Spring Songs. The record, which was produced, engineered, mixed, and mastered by Will Yip at Studio 4, showed the unyielding potential of a band that had been hard at work writing and touring for their first four years. Spring Songs showed the band pushing their boundaries even further and, once again, refusing to be categorized.

Thee Spivs are back with their second album 'Black And White Memories' in November, following their critically acclaimed debut 'Taped Up' from 2010. This is the lead single from the album called 'T.V. Screen', it's a limited edition 7" with anexclusive b-side, a cover of the Billy Childish classic "Don't Like The Man That I Am" which weirdly enough has also been covered by Pete Molinari and the Singing Loins, both on Damaged Goods! Thee Spivs are Ben Edge (Guit/Vox) Dan May(bass) and Steve Coley (drums). Rock'n'Roll hasn't been this much fun for years, give it a try, you might like it!

[DEU]Limitiert auf 500 7"s auf grünem Vinyl nur für die Europa Tour 2011! "Wir wollten für diese Tour etwas ganz Besonders machen. Das neue Album erscheint erst in ein paar Monaten, so dass uns bei ein paar Bier und guter Pizza in einem Pub in Hackney die Idee kam, den ersten Track auf dem THEE SPIVS Debütalbum mit deutschem Gesang aufzunehmen, so wie das Bands in den Sixties ständig gemacht haben. Also nahm Ben mit der Hilfe von unseren Freunden von Cargo Records Germany deutschen Gesang für diese Doppel-A-Seite auf. Außerdem haben THEE SPIVS soeben die erste Hälfte ihres Album fertig aufgenommen, das später 2011 erscheinen wird." - Ian Ballard, DAMAGED GOODS.www.myspace.com/theespivs[ENG]LIMITED EDITION OF 500 GREEN COLORED 7" SINGLES FOR EUROPEAN TOUR 2011. "We wanted something special to release for the tour and the new album is still months away, so over a few beers and some very nice pizzas in a Hackney pub we came up with the idea of a German vocal on the first track on their debut album as a nod to the great bands of the sixties who did this on a regular basis. So, with a little help from our friends at Cargo Germany Ben re-recorded the vocals in German for this double 'A' side 7"! They have also just finished recording the first half of their second album which will be out later in 2011. " - Ian Ballard, DAMAGED GOODS.