Punk | Hardcore 92 Items

Maybe the best Deftones Album back in print!

Nofx returns with The Longest EP, a collection of thirty songs taken from the band’s numerous EP releases. The Longest EP spans Nofx’s first Fat Wreck Chords release The Pmrc Can Suck On This to Cokie the Clown. It includes eight tracks that have never been available on CD or digitally, and two songs previously unreleased in any format. The album’s title continues the band’s trademark witticisms with a play on the title of Nofx’s most popular EP, The Longest Line, which itself is included amongst the impressive track listing. In addition, Nofx commissioned the original artist that illustrated the now famous cover for The Longest Line to create the artwork for The Longest EP. With an ardent and extensive fan base, Nofx’s releases are always met with great anticipation and The Longest EP will be no different.

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “Infinity On High ” is finally back in print on limited vinyl.

After more than 20 years writing smash hits about smashing the state, ANTI-FLAG have complied a comprehensive best of album. Aptly titled A Document of Dissent, this collection houses two decades of material that thoroughly represents Anti-Flag's strong blend of music and message. Originally aimed at toppling oppression, it wasn't long before Anti-Flag's songs were topping the charts. Eventually Anti-Flag landed as the premiere political punk band around with an unparalleled ability to write high-energy, riffy, fist-pumping, sing-along anthems that never lose sight of the band's anti-war, anti-imperialism, pro-human rights ethos. Comprised of 26 tracks, culled from 9 full-length albums spanning 6 labels, A Document of Dissent showcases the evolution of the band's sound with hit after glorious hit, each accompanied by in-depth liners notes from the band illustrating the songs' history and significance. In addition, the packaging includes a biographical timeline of the band cross-referenced with world events. A Document of Dissent is the quintessential Anti-Flag collection for diehard and casual fans alike.

Pinwheel Dewdrop / Blue Vinyl, limited to 200 copies. BANE's legendary album "Don't Wait Up" is getting the deluxe treatment from End Hits Records for its 10th anniversary! Released in the spring of 2014 as End Hits No. 10, it marked the beginning of the end for the iconic hardcore band. Initially, the band intended to record a final 7" to support a two-year-long farewell tour around the globe. However, they were eventually convinced by the label to record and release a full album instead. Upon release, "Don't Wait Up" was an instant success among supporters and critics alike. BANE embarked on a successful final tour and then called it quits. "Don't Wait Up" became a holy grail for vinyl collectors in the meantime.But the stars aligned, and much to the delight of hardcore enthusiasts around the world, the band came back together to tour again. To celebrate this landmark release and the return of BANE as a live band, End Hits Records is releasing an extraordinarily packed re-release of this classic album. The packaging features a deluxe gatefold sleeve with die cuts and is enhanced with layers of glow-in-the-dark lacquer. The ultra-limited anniversary reissue is available now from End Hits Records.

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

Soul Jazz Records" new 10th anniversary edition of their long-out-of-print Punk 45: There Is No Such Thing As Society. This is a one-off limited-edition heavyweight specialedition cyan Colored Vinyl pressing + download code. The album charts the rise of underground punk and post-punk in the UK from 1977-81. This album is fully remastered and relicensed and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers.

A punishing, progressive post-hardcore unit based out of Chico, California, Hail THE SUN employs a lethal blend of blastbeats, breakdowns, and technical riffage. Wake, originally pressed on Blue Swan Records in 2014 and first reissued by Equal Vision Records in 2017, is now available again on milky clear vinyl.

De Brassers were one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions.

The doomed sound they produced channels the dark atmosphere of the late seventies and early eighties: the fear of atomic bombs, cold war pessimism, police violence against squatters, the first cases of Aids, and the grim years of Reagan & Thatcher.

2024 will be the 50th Anniversary of Radio Birdman. To celebrate that milestone, Citadel is pleased to announce the recutting / repressing of all their albums. Radios Appear was Radio Birdman's first full length album. Recorded piecemeal over 1976 and early 1977, on weekends and nights when their home base (Trafalgar Studios Sydney) had no paying customers, it was finally released on the Trafalgar label, created specifically to release their records. In addition to mail order, the album was literally distributed by hand and out of the back of cars. The band thus wrote the Australian handbook on DIY independent music. It was hailed as a breakthrough album in Australian music, a turning point after the scene's early and mid seventies stagnation. Radios Appear was given a 5 star review in Rolling Stone, and the album gave the band a needed boost to depart Sydney as a national touring entity, while still maintaining their renegade status

The B-Sides features 11 tracks recorded between 2008 and 2011 by The Gaslight Anthem. The Side One Dummy Records release includes the studio track “She Loves You,” rare acoustic takes on some of the bands’ biggest songs, an inspired version of The Rolling Stones’ “Tumbling Dice,” sparse covers of songs by Fake Problems and Lightning Dust, a ripping live version of “State of Love and Trust” and more! Vinyl also comes with a digital download code.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

2024 feiern Booze & Glory ihr 15-jähriges Jubiläum und ihr Meilenstein-Album "As Bold As Brass" hat 10-jähriges Jubiläum: Grund genug, diese Platte endlich wieder erhältlich zu machen. Rerelease des lange ausverkauften Albums. Kommt mit einem neuen Gatefold-Cover, mit UV-Druck und glänzendem Artwork. Die Musik ist neu gemastert. Ltd. 150 Exemplare Clear Vinyl weltweit.

The Flatliners' Chris Cresswell dials down his trademark screams to a simmering, melodic growl, and hands in his wailing electric guitar for a more soulful acoustic on the latest One Week Records release. Originally conceived by Lagwagon frontman, and now highly evolved solo-artist, Joey Cape, the idea behind One Week Records was to enlist his favorite musicians to come to his professional live-in studio where they'd collaborate to produce and record an entire album in, you guessed it, one week. The process begot some of Cresswell's most intimate and honest music to date. All 10 tracks encapsulate warm yet stirring melodies that create a feeling of proximity rarely displayed on a recorded album. Flatliners fans will be immediately charmed by this new incarnation of Chris' unique and gripping songwriting.

Beyond, though short lived in the Nyhc scene (1988–1989), made an impact with their personal brand of Long Island metaltinged hardcore with intricate riffage. The Dew It! demo was supposed to be recorded for Schism but the label folded before it got off the ground. They sold their demos through Some Records on the Lower East Side until the store closed and the rest were sold through mailorder. Originally recorded on a 1” tape and mixed on cassette, Dew It! has been remixed to give it the sound that was previously intended. Backed with the demo is Beyond’s live set on WYNU’s legendary punk and hardcore radio show, “Crucial Chaos,” which was started in the late ’80s and still continues to this day, nearly 25 years later. Members of Beyond have gone on to bands like Quicksand, Bold, Inside OUT, Burn, Shelter, 108, and more. Revelation Records has combined these two gems on vinyl and paired it with a 20 page 12” x 12” booklet.

Habi, the owner of "ne" Records in Sweden receits ....My first encounter with Blitzkrieg Bop didn’t happen until the early 90’s, I was on the lookout for rare punk vinyl when I came across their first EP. Soon after I started to search desperately for all their records. I bought an unplayed copy of “Let’s Go” from Vinylshrine, little did I realize that the owner of Vinylshrine was John Hodgson aka Blank Frank, the singer with the band! I thought I had heard all the band had to offer but in 2013 a new compilation called “Live ‘77 & Beyond” came out on John’s own Opportunes label. I contacted him and was overjoyed to learn that there were a number of unreleased tracks, both live and studio, in good enough quality to merit another release. I really liked the songs I was sent and now we are here, with a new album called “The Usual Suspects.” With a bunch of previously unreleased tracks exclusive to this release, and a lavish gatefold sleeve and insert with many previously unseen photographs, together with a CD version of the album, this is an album you can really “Let Go and enjoy!”

Solunski Front were a hardcore punk band from Belgrade,Serbia from 80s, formed in 1981. A1-a6 recorded in studio "Borut Činč" september 1984. B1-b9 recorded in studio "Kora" september and oktober 1983. B10-b11 live 1984.

Originally released by Oi! the Boat (U.S.A.) and Randale Records (Europe) in 2014,“This Means War“ is THE OLD FIRM CASUALS debut LP. This incredible album really showcases the explosive burst onto the scene that this band made - and created something permanent and timeless to show the importance of this band to the world of streetpunk & Oi!. Taking a few songs from previously released (and highly acclaimed) singles, and elevating them by sandwiching them together with new tracks, this record became a fan favourite quickly. With its original pressings now out of print, Pirates Press Records is proud to re-issue this integral record, globally, adding a few extra finishing touches in the process. Two versions are available: gold and silver. The gold vinyl is housed in a jacket printed on gold foil (the “snake“ design), and the silver vinyl is available in a jacket printed on silver foil (the “Wolf” design). This album also includes the bonus track “Watford Tuxedo“ which appears after a locked groove on the B-side. Go get ‘em folks - these are truly a ‘must have’ for any punk rock vinyl collector!

Originally released by Oi! the Boat (U.S.A.) and Randale Records (Europe) in 2014,“This Means War“ is THE OLD FIRM CASUALS debut LP. This incredible album really showcases the explosive burst onto the scene that this band made - and created something permanent and timeless to show the importance of this band to the world of streetpunk & Oi!. Taking a few songs from previously released (and highly acclaimed) singles, and elevating them by sandwiching them together with new tracks, this record became a fan favourite quickly. With its original pressings now out of print, Pirates Press Records is proud to re-issue this integral record, globally, adding a few extra finishing touches in the process. Two versions are available: gold and silver. The gold vinyl is housed in a jacket printed on gold foil (the “snake“ design), and the silver vinyl is available in a jacket printed on silver foil (the “Wolf” design). This album also includes the bonus track “Watford Tuxedo“ which appears after a locked groove on the B-side. Go get ‘em folks - these are truly a ‘must have’ for any punk rock vinyl collector!

Originally released in 2005 on CD only. Now available on vinyl for the first time.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

Svart Records are happy to present an official reissue of the 2010 album by the cult US party punk rock big band The Kings Of Nuthin’. Out of print for years on vinyl.

“Boasting tenor, baritone sax, piano and even washboard amidst the standard rock instrumentation, the Kings of Nuthin’ command an impressive arsenal and an eight-man roster. Even more importantly, they have the style and swagger to boot, led by the crotchety vocals of Torr Skoog and with guest windpipes by Lenny Lashley (Darkbuster/the Piss Poor Boys), Kevin Stevenson (the Shods), Stephanie Dougherty (Deadly Sins), and guest bass saxophone by Dana Colley of famed Mass jazz band Morphine.”

Svart Records are happy to present an official reissue of the 2010 album by the cult US party punk rock big band The Kings Of Nuthin’. Out of print for years on vinyl.

“Boasting tenor, baritone sax, piano and even washboard amidst the standard rock instrumentation, the Kings of Nuthin’ command an impressive arsenal and an eight-man roster. Even more importantly, they have the style and swagger to boot, led by the crotchety vocals of Torr Skoog and with guest windpipes by Lenny Lashley (Darkbuster/the Piss Poor Boys), Kevin Stevenson (the Shods), Stephanie Dougherty (Deadly Sins), and guest bass saxophone by Dana Colley of famed Mass jazz band Morphine.”

2010 release from the critically acclaimed Punk trio. Last year, Screaming Females toured relentlessly in support of their critically acclaimed third album Power Move. Their hard work landed them spots opening for Dinosaur Jr., Throwing Muses, and Jay Reatard, plus dates touring with Arctic Monkeys and the Dead Weather. The year brought them to a wider mainstream consciousness, gaining attention for their Punk Rock sensibilities and their raucous live shows driven by front woman Marissa Paternoster’s famed guitar heroics. On Castle Talk, the trio proves their abilities as more than just a pint-sized guitar shredder. Castle Talk showcases their growth together as a unit, as a band, with some of their most complex and confident songwriting to date.

Defiance, Ohio return with their third full-length album with No Idea! Were we super excited to get the call where they said they were recording? You bet! Eleven new songs.”—No Idea

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

First full-length studio album in 8 years. As the name of the album implies, their latest offering tackles the soaring refrains of 12 of the most beloved Divas in music. Celine, Cher, Madonna, Christina, Boy George. all the greats, done up in the way that only the punk rock prima donnas from the Gimmes can.

Recorded over 6 months by Jon Drew at Giant Studios in Toronto, Year of the Ox is the band's fourth record in the continuing 12-year cycle and adds to its evolving retinue of guest musicians. The patient and building Year of the Ox features Nika Rosa Danilova of Zola Jesus for a guest vocal passage and Toronto's string quartet, New Strings Old Puppets. B-side "Solomon's Song," a gothic vampire love tribute to Twilight, features a 5-minute saxophone solo from Aerin Fogel of the Bitters and heavy synthing from Trust.

"On their debut EP, Seahaven explores a very transparent back-and-forth between their dark and light sounds, a lot like what we saw Brand New do on Deja Entendu and The Devil and God Are Raging Inside Me. Vocalist/guitarist Kyle Soto has that voice that exudes an audible pain sometimes, while at other times sounding so damn hopeful that it might break your heart even more. When Seahaven is playing sadder and darker music, it tends to be more in the vein of perhaps Crime In Stereo, or to compare the band to a more contemporary peer, Balance & Composure. Not many bands are playing this type of music, and a large percentage of the groups that are trying aren't doing it very well. Seahaven isn't just doing it well - they border along fantastic." - Absolutepunk.net

Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

The Vancouver-based street punk band Bishops Green's 'Pressure' - Pressed on Gold Nugget vinyl to celebrate the band’s 10th anniversary!

Following a very impressive and critically acclaimed debut 12”, this 2014 full-length album picked up right where that left off. At the core, the songs on Pressure are similar but with a noticeable growth and maturation to them. Their lyrics continued to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity... This album was another milestone in the genre of streetpunk and oi! music!

Bishops Green’s music is raw and energetic with a style firmly embedded in the historic roots of Streetpunk and Oi! All of the members of Bishops Green have been playing in bands together since the ‘90s and this history combined with the group’s ability to draw from different punk genres, enables the creation of a catchy sing- along sound that makes sure that any audience feels like they are part of the show!

After only three months of playing shows, DAG Nasty went into Inner Ear Studios with IAN Mackaye. Dag With Shawn was recorded on Halloween Day 1985 and features the original line-up of the band with Shawn Brown on vocals. Initially songs from this session were to be released as a four-song 7-inch on Dischord, but shortly after the recording Shawn left Dag Nasty and the tape was shelved. In early 1986 the band re-recorded the entire album with new vocalist Dave Smalley and released it as Can I Say. Shawn went on to form the much loved Swiz and Dag Nasty went through several more line-up changes over the years, including another vocal switch when Dave Smalley was replaced by Peter Cortner. This original session has only been previously available as partial out-takes and unauthorized bootlegs and, until now, has never been released in its complete form. This recording, taken from restored master tapes, offers a unique view into the early development of one of DC’s most influential bands. LP includes a download.

Remastered reissue after 10 years of the fantastic 1st album “umareta”, which was self-produced in 2014 with only 350 copies and sold out immediately! Limited numbered analog LP of 500 copies (first LP release)!

Limited edition clear vinyl only release featuring audio from the Bad Brains 1982 live DVD. REISSUED FOR 2014 IN LIMITED CLEAR VINYL! This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982.

Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different.

Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

Re-issue of Buzzcocks' 9th studio album 'The Way' on stunning Clear vinyl! It was their first album since 2006 and ninth overall, Shelley and Diggle delivered their patented fuzzed out melodies with traces of surf rock, hard rock and influences from both Ramones and The Beatles. Shelley’s voice sounded great, especially considering his age, and the hooks and riff heavy sounds are a great reminder of the legacy these legends are still cultivating. This clear vinyl is surely a must-have for any Buzzcocks fan collection!

The Number Ones take you to power/punk-pop heaven with their razor sharp 10-track s/t debut album. They are a Dublin based four-piece featuring members of Cian Nugent and The Cosmos (Matador No Quarter), Cheap Freaks (Big Neck), Strong Boys (Milk Run) and The Pacifics (Bachelor). Each track is a golden nugget of power pop fun that never stretches the three minute limit. Although this sort of music is been done a million times before, it sounds fresh in the hands of The Number Ones. This is pure summer fun for fans of Rudi, Protex, Exploding Hearts, Buzzcocks and The Tranzmitors.

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Last fall, while touring on the Fat Wreck Chords debut full-length album Neon Fiction, Sundowner made a pit stop at Little Elephant Studio in Toledo, OH. Run by two engineers, Rob Courtney and Brian Gross-bias, Little Elephant has built a reputation recording high quality video of bands performing live and making those performances available to the public. Once the Sundowner session was complete, Chris Mccaughan was so happy with the outcome that he decided to release the audio recordings on a 7" via Fat Wreck Chords in conjunction with Little Elephant rolling out the video footage. The 7", titled Little Elephant Sessions, contains four tracks total; one from each of the three Sundowner full-lengths and one Lawrence Arms classic. All four songs are done in the stripped-down intimate style that has endeared so many fans to Sundowner, just Chris, his guitar, and artistically-crafted, unforgettable songs.

Sexual Humans In Turmoil (or our favorite: Skinheads In Tuxedos) more commonly known as S.H.I.T., debut with four urgently executed 100% uncommon hardcore punk tracks in the modern Toronto style. Collective Unconciousness speaks to a vast generation of sleeping strength and rusted mobility. It's time. Organize. Stand tall. Believe in your movement. Check your spelling. Honest, important music gets made less frequently then it should and gets noticed even less. Don't be a dullard, wake up and smell the S.H.I.T. Sounds: Falco. Art: Jaybo.

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This was meant for the US Tour in November, but now it's a Re-Import. You know the story.

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