Punk | Hardcore 65 Items

Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

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Who better to help you celebrate that most wonderful time of the year than holiday favorites Bad Religion? Tackling eight chestnuts in their classic punk rock style. From "White Christmas" with its nod to pioneersThe Ramones, to the glorious choirboy intro to "Hark! The Herald Angels Sing," Christmas Songs is the record you need to get your holiday household"s toes tapping.

16th (!) Bad Religion album! 16 songs in 35 minutes ... that's punkrock, folks!

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

Originally released in 2012, The Legendary Demos Vol. 1 compiles thirteen demo recordings made from 1962 through 1971. Released for Record Store Day 2023 on milky clear vinyl.Originally released in 2012, The Legendary Demos Vol. 1 compiles thirteen demo recordings made from 1962 through 1971. Released for Record Store Day 2023 on milky clear vinyl.

Dead Ending is back with their second release and it's simply brutal. The first laid the foundation, but this EP better reflects the band firing on all cylinders, with all members now contributing songs. DE II sports screaming guitars, thumping bass, pounding drums and a vocalist who makes you crap in your pants as you run for protection.By now, punks should already be familiar with Dead Ending, the fierce hardcore outlet for Joe Principe (Rise Against), Derek Grant (Alkaline Trio), Jeff Dean (The Bomb, Noise by Numbers) and the legendary vocalist Vic Bondi (Articles of Faith). The band has only played one show to date-at the Punk Rock Bowling Festival in Las Vegas-and will be hitting the road in 2013. "Vic's still schooling us." -Vice "Move over, OFF! there's a new generation-spanning, '80s hardcore-influenced band in town." -Exclaim "This is exactly what pissed off, political hardcore should sound like in 2012." -Punks in Vegas

In March 1979, San Francisco's Deaf Club played host to one of the world's favourite punk bands - Dead Kennedys. Playing a set that was heavily charged with DK's usual political commentaries, unusual and unexpected covers and even a bizarre "Disco" version of the classic 'Kill The Poor', This is a live set that you will all wish you were there to see in person. Originally released in 2004, this is one of only a handful of official DK live albums!

New edition of the Dead Kennedys live album on stunning red vinyl presented in a gatefold sleeve! In March 1979, San Francisco's Deaf Club played host to one of the world's favourite punk bands - Dead Kennedys. Playing a set that was heavily charged with Dead Kennedys usual political commentaries, unusual and unexpected covers and even a bizarre "Disco" version of the classic 'Kill The Poor', this is a live set that you will all wish you were there to see in person. Originally released in 2004, this is one of only a handful of official Dead Kennedys live albums!

DEFEATER’s third full-length, Letters Home, is one of the band’s best records. The album features ten heavy and haunting tracks that continue the story of a working-class family living in post-WWII America. Letters Home revolves around the father of two brothers that listeners were introduced to in two of DEFEATER’s prior releases (2008’s Travels and, most recently, 2011’s Empty Days & Sleepless Nights), giving a background to the character and seeing some of the events from those past albums through his eyes. This is the 11th album in Bridge Nine Records’ special, silver-anniversary series, which was started as a way to celebrate the label’s 25th anniversary. Now in its 28th year, the label has continued to give the silver-edition treatment to the most foundational records for the label.

The highly revered, inspirational, and most recent recording by Bloomington's much-loved Defiance, Ohio. First pressing in eleven years! Remastered, re-cut, and reissued in an aesthetically-pleasing chipboard LP jacket with kraft paper inner sleeves and insert. Edition of 300 copies pressed on 150-gram vinyl.

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First time release with all the songs recorded from this seminal Spanish band. Replica for cover and inside art work. 180 gram vinyl. Espasmódicos were formed in the Malasaña council, Madrid in the first days of 1981. J. Siemens (guitar), Kike (voice) and CSG71 (bass) were the first line-up, completed when Carlos Torero joined them as a drummer. Influenced by the first punk-hc bands coming out but also for some hard-rock elements, soon the first tracks were composed and then, in 1982, the mighty DRO label released their first 7" called "Recomendado para molestar a su vecino", featuring 3 songs that are one of the seminals steps into punk in this country. They had a guest on the person of Karlox from Polansky y El Ardor at the saxophone, something very weird in the bands of that first punk wave. Since the 7" was released the band started to be well known and they went to some Spanish TV shows to promote their work. Carlos Torero decided to leave the band and a studio-session drummer joined in the person of Carlos de Yebra. In 1983 the band recorded their last songs: first they registered the mighty tracks that went on to the great compilation "Punk, qué punk?" released by DRO. This songs were "Tía, vete a cagar" and a free cover-version from Sex Pistols called "Belsen was a gas", something that pointed the band to a weird status as the lyric was something into Nazism or fascism, something that the band never were. The second studio session for that year (and the last ever for the band) was to register their maxi-single "Espasmódicos", five songs together with the great art-work done by J. Siemens and Kike Kruel, very similar to the Crass's stuff and so. Beat Generation, absolutely fan of the band, is more than proud to release this LP with all their discography, together with a replica of the art-work.

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “From Under The Cork Tree” is finally back in print on limited vinyl.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

When THE Release OF Various Junk Shop Glam Compilations Created AN Ever Growing Demand FOR Those Great Lost Nuggets OF THE Glitter ERA IT Didn´t Come AS A BIG Surprise That IN THE Wake NEO Glam Bands Started TO Rise. Giuda Paved THE WAY, FAZ Waltz Come TO Mind BUT Then THE WAS Little More, WAS There? BUT Wait! Since THE Days OF Rodney Bingenheimers English Disco LOS Angeles HAS Always Been THE Epicentre OF Glam IN America. While Glam NEver Made IT BIG IN THE U.S., IT Nonetheless NEver Completely Disappeared. Glam Aficionados Kept ON Deejaying Their OWN Shows TO A Small Circle OF Committed Supporters. Enter Noah Wallace. TO SAY Noah Knows A BIT About Junk Shop Glam Would BE THE Understate-ment OF THE Year! Ever Since HE DiscoVERED THE Milk´n´cookies Album HE NOT Only Build UP THE Most Comprehensive Collection OF Junk Shop Glam Obscurities, HE Also HAS THE Deepest Understanding OF ALL Facets OF THE Genre, HE Lives IT, HE Breezes IT! SO Putting Together HIS OWN Band IN 2010 WAS A Logical Step. HE Named IT: Hammered Satin. IN 2012 Hammered Satin ReleaseD A Very Limited Tape Which Brought Them TO THE Attention OF Burger Records, AND 2014 Gave Birth TO Their Great First Album GlamORAMA. Oddly Enough THE Album – Which IS EN PAR With THE Very Best NEO Glam YOU CAN Think OF! – Failed TO Make AN Impact IN Europe. IT WAS NOT Distributed Here AND TO This Very DAY A Copy OF THE Original IS NOT Easy TO Locate. TOO Great TO BE Ignored I Came TO THE Decision That Europe Needed This Record! SO When Noah Agreed I Started TO Work ON A Reissue AND Finally… Here IT IS!!! Hammered Satin ARE Still Going Strong AND Have Added Ex-germs Drummer DON Bolles TO THE Line UP!

When THE Release OF Various Junk Shop Glam Compilations Created AN Ever Growing Demand FOR Those Great Lost Nuggets OF THE Glitter ERA IT Didn´t Come AS A BIG Surprise That IN THE Wake NEO Glam Bands Started TO Rise. Giuda Paved THE WAY, FAZ Waltz Come TO Mind BUT Then THE WAS Little More, WAS There? BUT Wait! Since THE Days OF Rodney Bingenheimers English Disco LOS Angeles HAS Always Been THE Epicentre OF Glam IN America. While Glam NEver Made IT BIG IN THE U.S., IT Nonetheless NEver Completely Disappeared. Glam Aficionados Kept ON Deejaying Their OWN Shows TO A Small Circle OF Committed Supporters. Enter Noah Wallace. TO SAY Noah Knows A BIT About Junk Shop Glam Would BE THE Understate-ment OF THE Year! Ever Since HE DiscoVERED THE Milk´n´cookies Album HE NOT Only Build UP THE Most Comprehensive Collection OF Junk Shop Glam Obscurities, HE Also HAS THE Deepest Understanding OF ALL Facets OF THE Genre, HE Lives IT, HE Breezes IT! SO Putting Together HIS OWN Band IN 2010 WAS A Logical Step. HE Named IT: Hammered Satin. IN 2012 Hammered Satin ReleaseD A Very Limited Tape Which Brought Them TO THE Attention OF Burger Records, AND 2014 Gave Birth TO Their Great First Album GlamORAMA. Oddly Enough THE Album – Which IS EN PAR With THE Very Best NEO Glam YOU CAN Think OF! – Failed TO Make AN Impact IN Europe. IT WAS NOT Distributed Here AND TO This Very DAY A Copy OF THE Original IS NOT Easy TO Locate. TOO Great TO BE Ignored I Came TO THE Decision That Europe Needed This Record! SO When Noah Agreed I Started TO Work ON A Reissue AND Finally… Here IT IS!!! Hammered Satin ARE Still Going Strong AND Have Added Ex-germs Drummer DON Bolles TO THE Line UP!

Legions of converted souls worldwide have hailed the name INTEGRITY since 1988. Dwid Hellion and company surged out of the Cleveland underground with a seething style of metal hell-bent on murder, revenge, the occult, and beyond. Amidst countless eras, labels, and line up shifts, founding member/singer, Dwid Hellion continues to carry the band forward, forming his own label, the "Holy Terror Empire", and becoming as iconic within the extreme music underworld as David Koresh, Jim Jones, and Pol Pot are to population control. Over time, the visual and musical dimensions of INTEGRITY have grown fathoms, culminating into the most diverse album in the band's storied existence. Packaging is a Gatefold, on TWO COBRASIDE exclusive colors, 550 copies each "FIRESPLATTER" and METALLIC GOLD Vinyl!

Iron Chic is a melodic punk band from Huntington Station, NY. Formed back in 2008, the band released a five-song demo tape followed by the Shitty Rambo 7” the next year, and finally their debut full-length, Not Like This, in 2010—all on Long Island-based Dead Broke Rekerds. The band garnered quite a bit of attention, not only for their music, but also because they were hailed as a “supergroup” (Punknews.org), featuring members of Latterman, Small Arms Dealer, and more. Immersed in the DIY scene, this 2015 release found Iron Chic recording the album themselves, and coming out poised for a bigger release than they ever have before.

Slushat' comrades! White Glove Test is Iron LUNG's third studio album and follow-up to 2007's wildly successful Sexless//No Sex. What started out being the ‘slow industrial’ concept album and pointedly left-field endeavor turned into a frantically paranoid and claustrophobic power-violence masterpiece complete with water tight stop/start compositions leading the way to crushing sludge bits intermingled with blistering hardcore pummel. It's what adults of the Cold War era would refer to as ‘your typical kill-your-mother-kill-your-father type stuff’.

2 songs from these underappreciated DC punkers originally released in 1979. 2 classic KBD bangers, even better than the usual DC punk you know.

1st press

It is with pleasure that Rastilho Records | Alma Mater Records announce the reissue of "Live By The Code", by a key band of the worldwide hardcore movement - Terror. "Live by the Code" is the fifth studio album by Los Angeles hardcore punk band Terror. It was released in 2013 on Victory Records. For over a decade, Los Angeles, CA hardcore outfit Terror has acquired a fiercely loyal following not only through their multiple recorded outputs but also through their live shows. "Live By The Code" was mixed by Matt Hyde (Hatebreed, Slayer) and produced by Chad Gilbert (New Found Glory, Shai Hulud, H20, A Day To Remember)

180 gram vinyl!

South Bay / L.A. punk featuring members from Black Flagg, ALL and Descendents. Produced by Bill Stevenson (producer for Rise Against, Alkaline Trio, Comeback Kid, NOFX, lemonheads, …). Artwork by Raymond Pettibon who created the Black Flag logo.

Drawn up by some of the most unsavory souls in the Boston, MA underground hardcore scene and reinforced by members who have done time in infamous area bands like Mind Eraser, Righteous Jams, Mental, Xfilesx and many others, THE Rival MOB have become the darlings of the current hardcore scene, inspiring shameless violence and playing high on the bill at the most important hardcore festivals in America; This Is Hardcore in Philadelphia, Sound And Fury in California, and Chaos in Tejas in Austin, TX. In between serving time with their current other projects World WAR 4, Give, NO Tolerance, and Boston Strangler, the band will be playing on both coasts highlighted once again by the big summer festivals as well as their first-ever trip across the Atlantic to Europe. The band’s Revelation Records debut picks up right where their previous EP, Hardcore For Hardcore, left off, with vocalist Brendan Radigan spewing venom at the ills that plague both the outside world and the scene itself, all delivered over fast, stage dive-inspiring hardcore that brings to mind the best of mid-to-late ’80s New York hardcore bands like Youth OF Today, Warzone, and Breakdown.

In 2013, Kingston, PA’s Title Fight made their Revelation Records debut with the four new tracks on this 7” EP release entitled Spring Songs. The record, which was produced, engineered, mixed, and mastered by Will Yip at Studio 4, showed the unyielding potential of a band that had been hard at work writing and touring for their first four years. Spring Songs showed the band pushing their boundaries even further and, once again, refusing to be categorized.

1st press

Youth Avoiders' first full length is exactly the best you would have expected after their different E.P's. These 5 guys combine great songwriting with great sense of melody and catchiness. This first album is made of 11 songs and the band hasn't feared to explore new things, more complex structures without loosing their energy and straightforwardness. The result is an urgent and solid record. This is the third Youth Avoiders' release on Destructure and like the "Time Flies" e.p it's a corelease with Build me a Bomb.