Punk | Hardcore 117 Items

Punk Rock Factory is back and bigger than ever with their new album, All Hands On Deck! Dropping via their new label, Cooking Vinyl, this album is a wild and nostalgic tribute to the massive hits of the 1990s. The Welsh pop-punk heroes, known for their energetic, tongue-in-cheek reworkings of iconic songs, have outdone themselves with a lineup of covers that will have you reliving the glory days of 90s music - but with a high-octane punk twist!

Double LP, one color, one black, the full remastered original album plus a whole new LP with the 'Live '88' set with the same line-up. Includes a 30x30 cm 8 pages booklet with an exclusive interview to Ben Weasel by Andrea Manges, booklet cover by Manuel Cossu. Gatefold, gold laminated sleeve.

Double LP, one color, one black, the full remastered original album plus a whole new LP with the 'Live '88' set with the same line-up. Includes a 30x30 cm 8 pages booklet with an exclusive interview to Ben Weasel by Andrea Manges, booklet cover by Manuel Cossu. Gatefold, gold laminated sleeve.

Double LP, one color, one black, the full remastered original album plus a whole new LP with the 'Live '88' set with the same line-up. Includes a 30x30 cm 8 pages booklet with an exclusive interview to Ben Weasel by Andrea Manges, booklet cover by Manuel Cossu. Gatefold, gold laminated sleeve.

Double LP, one color, one black, the full remastered original album plus a whole new LP with the 'Live '88' set with the same line-up. Includes a 30x30 cm 8 pages booklet with an exclusive interview to Ben Weasel by Andrea Manges, booklet cover by Manuel Cossu. Gatefold, gold laminated sleeve.

The time was right when Joe Strummer and Joe Simonon of The Clash decided to take the so-called long and winding road. This famous show at the Station Pub in Gateshead was more than an intimate affair. And it was part of the acoustic busking tour the band took after the release of their latest studio album, Cut The Crap. This set is dated May 11, 1985, and it’s a brilliant example of the rootsy folk heritage the two were delivering at the time. This particular recording was produced while the band was performing outside The Station in Gateshead, Newcastle in front of what sounds like a lucky 50 or so people! You hear a single acoustic guitar with some clavinets or wood blocks clapping out the beat...and then the reaction from the crowd in -between. The sound is crisp and clear even if the band was playing "off-mike". A rarity in its own.

Not much has been written written about the conceptual hardcore band inspired by and named after a 9th century antisocial loner monk-poet of China’s Tang dynasty. Han-shan [the band] existed from 1991 to ‘93 in California. Their lyrics covered themes of solitude, mystery, poverty, and discord, directly inspired by the verses of the titular poet. Han-shan’s music was psychopathic, with blood-curdling vocals, and messy but powerful, in the vein of Void, Siege or Septic Death. The band played to the absolute limits of their physical ability and then some, with a sound that complemented their West Coast contemporaries—bands like Heroin, Mohinder, Second Story Window, Antioch Arrow and Angel Hair. Recorded in San Diego by Matt Anderson in late 1993 and originally released posthumously in early 1994 on the tiny Soledad record label, Hans-shan’s eight song seven inch EP came packaged in a manila envelope, each one hand-printed with a woodcut block and roller, with the art and insert referencing both the poet and Tang dynasty China. LG Records has carefully reproduced this cover art and returned to the original multitrack tape. Tim Green has remixed the recording at Louder Studios for a significantly more powerful, and yes, Louder, 12” 45rpm release. Members of Han-shan had previously been in Suckerpunch, Brain Tourniquet, End of the Line, and John Henry West; and went on to play in Behead The Prophet Nlsl, Solid Gold, Drunk Horse, Astral, Tight Bro’s from Way Back When, Sex/Vid, Very Paranoia, Low Plateau and Nudity. For fans of fast, out of control hardcore with a raw emotional edge. And saxophone.

Quatro Muchachos is the third Man-Eaters entry in an ongoing tale of crushingly primal punk rock that asks only one question of its listeners, will you raise your lighter to their rock? Inhale, hold, and release. Get ready for a lifelong addiction to the purest rock on the streets. Firing on all conceivable cylinders on this junior effort, the album works as a veritable best of for the band. The purest, and most refined Eaters effort to date. Bringing to mind the best elements of Hot steel and acid-era Nervous Eaters, The Album by Eater, tinges of A Minute to Pray a Second to Die Flesh Eaters, and the 70s psychedelic progressive Welsh group Man. Yet, neither nervous, children, or fans of prog rock, Man-Eaters third installment sways distinctly on a playing field of its own. Hailed the world over for their bombastic and crystal-clear sound and image, unforgettable, and sometimes forgettable live performances, and immortal hymns. Punk Rock Legends Man-Eaters have changed the lives of Rockers for more than four years plus. With powerful storytelling, their music and concerts bring to life universal themes like friendship, loyalty, and integrity. Man-Eaters unite people of all ages and backgrounds in a worldwide community, providing them with motivation and inspiration to achieve their dreams, overcome, and conquer any obstacles in their path, and to write their own history. With unfaltering courage, always true to themselves, Man-Eaters have endured and inspire victory to all who come to know them. They give their fans what they love them for; massive, powerful soundtrack of their lives, songs that celebrate the audacity of the individual and the spirit of the community. Deeply embedded into the inner core of the hardest of rock, dwells these quatro muchachos, unaffected by the modern world, hard at work erecting, and orchestrating the foundations of rock pillars that this entire world rests upon. The boys are back, and god dammit they’ve done it again.

"Old City, New Ruins" takes its title from Rome, the city where the band is based. It depicts the contemporary ruins of the capital, yet it's merely a pretext to expose the complexities of everyday life common to Western societies and their major cities, foremost among them. The album unfolds episode by episode, driven by the need to express anger and frustration, but also the antidotes to them. Social references abound, as well as intimate reflections and even profound investigations into the psychoses of the marginalized and abandoned. It tells the story of collective strength, musically expressed through a choral quality that runs deep in the band."Old City, New Ruins" is a unique hardcore album, inspired both by emerging currents of the genre - such as Comeback Kid, Turnstile, Trapped Under Ice - and by the European and Northern European heavy tradition - like Kvelertak, Turbonegro - to the pantheon of influences of Feldspar: Nirvana, Motorhead, Gorilla Biscuits, Slayer and everything in between. The album consists of ten songs, with bellicose episodes alternating with cathartic moments, explosions of energy accompanied by timeless slogans, songs for celebration and songs for war, moments for reflection, and others for denunciation. All of this alternates within the ten tracks preceding the instrumental that gives the album its title, also the final track of the record, a sort of Carpenteresque ballad that serves as the soundtrack to visualize the marvelous and creepy ruins Feldspar speaks of. Production note: for the album, Feldspar worked alongside Nick Terry, a legendary figure in the English music scene, known for his productions with Ian Brown/Stone Roses, The Libertines, Turbonegro, Simian Mobile Disco, Kvelertak, Peaches, and more. His involvement adds international depth to the project. The artwork was entrusted to Chris Wilson, an American illustrator renowned for his work on covers for bands like MindForce, Scowl, Combust, and Gel, essentially the cream of the crop of contemporary American hardcore.

Klasse Kriminale is a legendary punk Oi!band from Savona, Italy, founded in the 1980s by Marco Balestrino. The band is a key figure in both the Italian and international Street Punk scene, known for their extensive discography, including 12 studio albums. "Belin, Dei Pazzi!" is their last album, a tribute to the early Punk band from Savona and Genoa and to that sound born in the 80's, when it all started. Obsc...

Second release on Robert Pollard's new Splendid Research label is a vinyl & CD reissue of a 1984 demo cassette by Children's Crusade, post-punk teenage band of Guided By Voices' Doug Gillard. The Cleveland guitarist went on to record for Scat, Homestead and Restless Records with the bands Death of Samantha, Cobra Verde, My Dad Is Dead, and Gem, before joining GBV (1996-2004), then Nada Surf (2010-2016), then rejoining GBV (2016-present), as well as playing on albums by Richard Buckner, Neko Case and others. 1980s Cleveland was a hotbed for indie rock, following in the Northern Ohio footsteps of Pere Ubu, The Dead Boys, The Styrenes, Mirrors and Devo. "Children’s Crusade was a fleeting blotch on the wild, mid-80s Cleveland underground music scene, slowly seeping through like a drop of oil on the uniformly black jeans of that era – noticeable only after it settles, spreads, and you realize it won’t come out in the wash."

San Diego, California’s Bent Blue began as a band intent on referencing early hardcore punk with an emphasis on fast, melodic riffs and an overt social consciousness. Over time, the Four-piece has honed their sound and injected a healthy level of introspection into their lyricism. Their Indecision Records debut and first full-length, So Much Seething, sees the band oscillate between straightforward hardcore and a post-hardcore sound. Less fast punk, but more bounce. Heavier in hooks and more introspective than ever, Bent Blue set out to write an eclectic hardcore record made for listening from start to finish.

The long playing record splayed out in front of you is the third strike of the Retail Simps’ iron claw. In baseball a strike out is a loathsome outcome, in bowling it’s gold. I ask you, dear listener to sift through these delicate poles of meaning and experience these 16 toons free from the qualitative chains that burden your ear in favour of the openness and exploratory liberation of a child. This one landed the Simps in W.B.A. (world builders anonymous) after total and utter detachment from reality ensued. After copious amounts of blind encouragement from their label boss and his peers (all victims of half-Zheimers) and trace amounts of measurable success (money? no sir), the groups’ egos were operating at a loss, or at least a state of confusion. Faced with the pitfalls of modern drudgery and the music industry’s impending and unrelenting judgement, their perseverance was yet again tested. Through the magical transportive inspiration of rock n roll, our unequivocally handsome protagonists found salvation thrice. R n B stimulation, ponk agitation and slop rock demonstration saved them from themselves, from the downcast stares of detractors, from the cruelness of the everyday. Art as therapy for the clinically insane. A functional state of illness is the bottom line of this cultural achievement. Herein, the band exercises the democratic tools they learnt in their formative years as craftsmen and apply them broadly to a new swath of material. The crucial pin prick guitar, exasperated (ing) vocal maelstrom and beatific pounding of the previous 2 slabs carry over, but new strategies in expounding are implicated for varied and freewheeling results. The spotlight has been flayed, with every simp performing dutifully on the microphone, every simp sitting behind the drumthrone, every simp penning refrains, every simp trading high end for low and visa versa. They have triggered an uncanny singularity. If you have followed the band up to this point, or even happened upon them begrudgingly, with the raw and open ear these savants require, this will truly be Your version of the band. With their service weapons cocked, Total Punk brings you, Thine Retail SIMPS!" —someone who cares

Yucca Alta Records is ecstatic to present our inaugural release: the debut, self-titled LP from the Corsano Baiza Watt Trio. This is an all-improvised, mind-blowing, punk AF mind-meeting between Chris Corsano, one of America's premier avant-garde drummers, and two legendary SoCal punk pioneers: guitarist Joe Baiza (Saccharine Trust, Universal Congress Of) and bassist Mike Watt (Minutemen, fIREHOSE). The bulk of this LP consists of studio recordings made deep in the Mojave Desert (Landers, CA to be exact) in December of 2023. The Corsano Baiza Watt Trio had never played, or even entirely met, before this session; what you hear is the surprise and fierce delight of 3 great musicians coming together in real time. The first track, "51 Card Solitaire," begins abruptly in mid-flight, capturing the exact moment that recording began, as the trio played together for the very first time. The LP's explosive last 2 tracks are taken from the trio's first-ever live show, in Watt's long-time home base of San Pedro, CA, in front of a joyous, fully lit audience. The level of group interaction revealed in these 7 tracks is truly startling. Corsano's buoyant multi-dimensional kineticism is in full effect; Baiza effortlessly mixes noir-ish, bopping single-note phrases with feral string scrapes and vicious chord-flailing; Watt holds down strong anchoring bass lines like the sailor he is, then flies abruptly, thrillingly off-script.

Clear vinyl, limited to 200 copies.Started before, almost failed during and finally completed after the pandemic, "Für 3 Minuten 11" is the third album by Mannheim punk band Kaptain Kaizen. As an homage to the average length of a pop song, the title symbolizes the question of the why of one's own creativity, the art of switching off in these times and the unforgettable pleasure of a fleeting moment. The ten tracks on the record examine various topics, mostly in a critical examination of current social developments. For example, "Hängepeters" denounces the careless handling of the legacy of colonial crimes, while "Lindnereffekt" takes aim at the increasing superficiality in politics. Kleiekotzer" takes a critical look at the role of the media in society's shift to the right. But that is only one side of "Für 3 Minuten 11". The Carpe Diem anthem "Panini" shows that things can also be lighter and more liberating, and the song "Pflugschreiber" sends a musical greeting to the pride of Mannheim's adopted city in its pop academy. It is the intense mixture of profound lyrics and energetic sound with a pinch of hope and cheerfulness that makes "Für 3 Minuten 11" the musical equivalent of an intense, short-lived moment to be enjoyed to the full.

From São Paulo, the largest metro area in the southern hemisphere, hails Point OF NO Return. Founded in 1996, this three-singer Brazilian band has long carried the vegan, straight-edge banner in the tropics, singing about political issues and playing a metallic, mosh-infused brand of hardcore. After releasing two albums, one EP, and extensively touring South America and Europe in the early 2000s, the band went on hiatus in 2006. At the point the band stopped playing, they had written nine new songs, which they planned to eventually record and release as a third album. However, life got in the way as members formed families and some moved away from São Paulo. Slowly, they began to progress toward finishing and recording the new songs: instruments were recorded in Brazil in 2017, lyrics were written between 2019 and 2024, and vocals were recorded between 2023 and 2024. The result is Point OF NO Return’s new album, The Language Of Refusal, whose title refers to hardcore punk as a transnational community, a form of art, and a means of expression for those discontent with the way things are. With songs addressing some of the most pressing issues today, such as deforestation and labor exploitation in the Amazon rainforest, the inequities of global warming, the rise of global conservative populism, and the challenges of organizing dissenting political movements, the album delivers these topics in a mix of late-’90s mosh core, SLAYER-esque riffs, gang vocals, and hints of Napalm Death.

Sharp Tongues is a melodic hardcore band formed in late 2020, hailing from Gothenburg, Sweden. After two EPs and numerous shows and festivals, they are already an established act. Their music draws inspiration from the ’90s wave of classic hardcore with a special love for Carry ON and IN MY Eyes, while incorporating modern elements that give their sound a fresh and contemporary feel. Despite their relatively short time existing, the band has already made a significant impact. Sharp Tongues has been mentioned in various podcasts, blogs, and online publications. Their music has also extended to the airwaves, with their song “glow” being played on Australian and Canadian radio stations.

Sharp Tongues is a melodic hardcore band formed in late 2020, hailing from Gothenburg, Sweden. After two EPs and numerous shows and festivals, they are already an established act. Their music draws inspiration from the ’90s wave of classic hardcore with a special love for Carry ON and IN MY Eyes, while incorporating modern elements that give their sound a fresh and contemporary feel. Despite their relatively short time existing, the band has already made a significant impact. Sharp Tongues has been mentioned in various podcasts, blogs, and online publications. Their music has also extended to the airwaves, with their song “glow” being played on Australian and Canadian radio stations.

Formed with an acute awareness that they wanted to step away from the traditional sounds they had made in previous bands, Kill Holiday was forged with the idea that they wanted to break new personal ground. Seasonal is a retrospective on those early, experimental years for the

band. Compiled by founding member O. Paz, this collection of record- ings features the complete output from the pre-Revelation era of the

band while he was still a member. Started as a simple passion project

for the guitar player, it now culminates into physical form as a limited- edition, one-time vinyl pressing of 250 copies on burgundy vinyl.

Spawned from the Nwhc territory, Heiress has been forging their own path since 2006 when guitarist Wes Reed set out on his vision to concoct bleak, dynamic, forward-thinking, hardcoreinformed metal along with friends Justin Martinez (jough Dawn Baker) on drums, John Pettibone (undertow, Himsa) on vocals, and Mat Houot (nurser) taking up bass duties. In 2023, the band embraced a second guitarist in Bob Reed (devotion, Supercrush), adding his resonance and warmth to their existing soundscape. Always difficult to pin down or pigeonhole, Heiress’ stylistic fluidity has allowed them to share the stage with bands like Bl’ast!, Eyehategod, Cave IN, Integrity, HOT Water Music, Voivod, 40 Watt SUN, and YOB.

Warsaw, Poland's greatest garage punk band is back with a raging double shot of blood & guts '70s punk rock 'n' roll that's tailor-made for the 7" format.

LA Sacree Grole is a tale by the Tamerantong company, set to music by Ludwig VON 88. Tamerantong! is a theatre company based in Mantes-la-Jolie, Paris-Belleville and Saint-Denis that puts on shows with children and young people from these neighbourhoods. Ludwig VON 88, road companions of the great hours of alternative rock (Bérurier Noir, Parabellum...) is also the only rock band capable of rhyming in ‘ong’. Tamerantong! had long been plundering their repertoire for their shows. In retaliation, the Ludwigs decided to compose the soundtrack to ‘La Sacrée Grôle’: a Gallic legend told and sung by twenty kids from Paris-Belleville. In the heart of the land of the Arvernes, reigns a valiant free people. Their village lies on the edge of a dreadful forest where no one ever ventures. But the time has come for all the peoples of Gaul to enter the fearsome forest and set off in search of the Sacred Pole! La Sacrée Grôle premiered at Paris-Belleville and was performed from 1996 to 1998 in Paris (Café de la Danse, Palace, Trianon, Café Éphémère / Les Halles), Mantes-la-Jolie, Briançon, Rouen (Festival Débarquement Jeunes) and Montreal/Quebec. This record, released for the first time on vinyl by the Archives de la Zone Mondiale label, includes 7 previously unreleased songs by Ludwig VON 88.

Antifascist Raw Melodic Streetpunk from Stuttgart.Probably the most Californian of all German street punk bands comes from Stuttgart. Although NECKARIONS are not stingy with borrowings from the Dead Kennedys, they have developed their own no-frills style. After only 3 days, the 4 guys had the album `Waterfront' in the can, as refreshingly rough and dirty as the river that flows through their hometown.

Antifascist Raw Melodic Streetpunk from Stuttgart.Probably the most Californian of all German street punk bands comes from Stuttgart. Although NECKARIONS are not stingy with borrowings from the Dead Kennedys, they have developed their own no-frills style. After only 3 days, the 4 guys had the album `Waterfront' in the can, as refreshingly rough and dirty as the river that flows through their hometown.

More than 4 years after "Sculpture Of Violence," Giver from Cologne, Germany, announce their third album "The Future Holds Nothing But Confrontation" for September 20, 2024, on End Hits Records. In recent years, Giver have not only refined their hardcore sound to be more brutal and atmospheric with elements of metal and post-punk, but thematically, it's clear that their new album serves as an even more drastic political manifesto. Capitalism, culture wars, the climate crisis, and their societal implications and consequences are central themes on "The Future Holds Nothing But Confrontation." Giver critique the prevailing neoliberalism and its ongoing agitation for the uncompromising pursuit of happiness and satisfaction. The band explains: "What neoliberalism has established is a lonely place. Its driving force is the individualized pursuit of constant fulfillment, altering the way we interact with each other. Whatever we do to achieve satisfaction, there's always a lingering sense of something missing. Happiness and contentment are never the goal; they've been replaced by profit margins and excess. These are endless and extremely unevenly distributed. Anger arises in this vacuum. With this album, we want to remind that it's the economic conditions and inequalities that should be the target of our collective frustration. They create depression, despair, and a downward spiral. Being anti-fascists is not enough; we must also be anti-capitalists." This anger is also reflected musically in the furious 11 new tracks. Filled with powerful guitar riffs and sometimes bilingual lyrics, some of the songs also introduce a new, deep style of spoken word for Giver, making the eventual eruptions that much more impactful. With the release of their third album, Giver venture into fresh and melodic territory, integrating elements of post-punk, black metal, and hardcore into a sound that sits somewhere between bands like Oathbreaker, Converge, or Chelsea Wolfe. Although "The Future Holds Nothing But Confrontation" builds on a foundation of biting, powerful metal, it also incorporates dark vocal lines that could be found on a Fontaines D.C. or Idles record. "The Future Holds Nothing But Confrontation" was produced by Lewis Johns (Rolo Tomassi, Employed To Serve, Funeral For A Friend).

The first vinyl edition of NYC trio Weak Signal's second album, 2022's War&War, originally issued digitally by Colonel Records. Weak Signal is Sasha Vine, Tran and Mike Bones. Ryan Sawyer plays additional percussion throughout. Sarim Al-Rawi plays additional guitar throughout. Cass McCombs plays guitar on "Spooky Feeling." Produced and Mixed by Jonathan Kreinik at Vitos Fall 2020 and Union Pool Spring 2021. Mastering and lacquers by Carl Saff. War And War is a novel by László Krasznahorkai. "crazily focused & powerful"—Jennifer Kelly, Dusted "a slyly incendiary collection wracked with rippling tension"—Raven Sings The Blues "a mesmerizingly morose journey, yet a scenic one too. Just don't whack it on the turntable when you're feeling at your most fragile."—JR Moores, The Quietus

Blue Vinyl Edition.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.
Includes poster.

Includes original inner sleeve.

Purple & White Vinyl Edition.
Includes original inner sleeve.
Record is close to VG+.

Record with just a few paper scuffs.

A new Ceremony 7” single to help commemorate 10 years of their landmark album Rohnert Park. Rohnert Park cemented Ceremony’s legacy as a once-in-a-generation California punk band, and indeed one of the all-time great, quintessentially California bands, period. It’s no wonder that, ten years on, its reputation has only grown. This 7” single features “The Doldrums (Friendly City)” on side A and an unreleased track unearthed from the original Rohnert Park recording session on side B.

When it came to the follow-up of their 1990 magnum opus Feel The Darkness, failure was not an option for Poison Idea. Seeking a way to expand their musical horizons while still retaining their cranked-up style, UK-cum-Chicagoian producer Iain Burgess (Big Black, The Effigies, Naked Raygun) was brought in to assist in this audacious feat. The results—1992’s Blank Blackout Vacant—successfully showcased a meshing of Poison Idea's classically surging sound and a new found refinement: demonstrated by the brass section on tracks like the driving opener “Say Goodbye” or the chugging, Motörhead-esque “Forever and Always”. Rolling on with their relentless reissue schedule for Portland’s Kings of Punk, TKO replenishes the double-disc edition of Blank Blackout Vacant first introduced back in the maddening year of 2020. Along with the album’s original batch of thirteen tracks capped off by a thundering version of New York Dolls'’ “Vietnamese Baby”, you get a bonus LP containing a bevy of B-Sides, covers by acts as disparate as Lords Of The New Church, The Who, and Booker T. & The MGs., as well as a live on-air performance on Portland’s long-running community radio station Kboo from the Fall of 1991. Originally released at a pivotal point in the band's career, Blank Blackout Vacant remains an essential component in the understanding of the band's epic trajectory.

Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

Blue single sided Vinyl!