Punk | Hardcore 252 Items

Who better to help you celebrate that most wonderful time of the year than holiday favorites Bad Religion? Tackling eight chestnuts in their classic punk rock style. From "White Christmas" with its nod to pioneersThe Ramones, to the glorious choirboy intro to "Hark! The Herald Angels Sing," Christmas Songs is the record you need to get your holiday household"s toes tapping.

Comes with original inner sleeve. Record looks unplayed.

Light edge wear. Record looks barely played.

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

Latest single by THEE SPIVS taken from their recent "Black And White Memories" album with an exclusive B-side, a cover of Patrick Fitzgerald's "Safety Pin Stuck In My Heart". Lovingly pressed on traditional black vinyl. **LIMITED TO 500 COPIES!** Both tracks were recorded at Gizzard studios with Ed Deegan at the controls. Flickin V's is already a live favourite and is set to become an anthem for disaffected youth worldwide. The cover features Ben's uncle, who you may have heard about on their first album. He's the one with ASBO. We can't think why!

DISCO//OSLO... hat rein garnichts mit sich duellierenden Halbstarken zu tun und noch weniger mit norwegischen Alkoholmonopolen. DISCO//OSLO: Das steht für Punkrock. Das steht für Melodie. Das steht für vier Persönlichkeiten, mit dem gleichen Ventil. Punkrock hat eine lange Tradition in Oldenburg. Die "harte Schule" der norddeutschen Kleinstadt geht an Keinem spurlos vorbei. Zwischen aussterbendem "plattsnack" und gutsituierter Mittelschicht, sozialisiert laute Gitarrenmusik und bringt nach wie vor die "besseren Menschen" dieser Welt hervor. Ende 2009 trifft man sich das erste Mal, um einen Ausgleich vom Ausgleich zu schaffen, der in diesem Fall Namen wie BITUME, ALARMSIGNAL, SKAMBULÉ (rip), PARADOX etc. trägt. Nach zwei Besetzungswechseln, einer sehr positiv aufgenommenen Demo - 2012 das erste Album. DAS ALBUM... enthält 14 Songs, die durch verschiedene Aufenthalte der einzelnen Bandmitglieder (Jakarta, Portland, Madrid, Oldenburg etc.), ein Jahr der Aufnahme benötigte. Lyrisch stehen persönliche, politische sowie solzialkritische Themen in Wechselwirkung und so werden die Texte von treibendem, melodieprägnatem Punkrock getragen. Dieser Sound wird von Außenstehenden immer wieder mit Bands wie Turbostaat, Pascow oder auch Leatherface verglichen, jedoch im gleichen Satz auch immer auf die eigenständige, sowie authentische Art hingewiesen. Gemixt und gemastert wurde das Ganze in der Oldenburger Tonmeisterei von "Role" himself, der bereits Knöpfe bei Escapado, Just Went Black, Tackleberry, The Now-Denial etc. gedreht hat. Für das Aussehen ist "Ralf Rohde" verantwortlich, der bereits für Künstler wie CJ Ramone, Panteón Rococó, Nitrominds, Karamelo Santo etc. gearbeitet hat. Veröffentlicht wird das Album in Form einer 12inch Vinyl LP (inkl. Downloadcode) in Deutschland, England und Frankreich.

First time release with all the songs recorded from this seminal Spanish band. Replica for cover and inside art work. 180 gram vinyl. Espasmódicos were formed in the Malasaña council, Madrid in the first days of 1981. J. Siemens (guitar), Kike (voice) and CSG71 (bass) were the first line-up, completed when Carlos Torero joined them as a drummer. Influenced by the first punk-hc bands coming out but also for some hard-rock elements, soon the first tracks were composed and then, in 1982, the mighty DRO label released their first 7" called "Recomendado para molestar a su vecino", featuring 3 songs that are one of the seminals steps into punk in this country. They had a guest on the person of Karlox from Polansky y El Ardor at the saxophone, something very weird in the bands of that first punk wave. Since the 7" was released the band started to be well known and they went to some Spanish TV shows to promote their work. Carlos Torero decided to leave the band and a studio-session drummer joined in the person of Carlos de Yebra. In 1983 the band recorded their last songs: first they registered the mighty tracks that went on to the great compilation "Punk, qué punk?" released by DRO. This songs were "Tía, vete a cagar" and a free cover-version from Sex Pistols called "Belsen was a gas", something that pointed the band to a weird status as the lyric was something into Nazism or fascism, something that the band never were. The second studio session for that year (and the last ever for the band) was to register their maxi-single "Espasmódicos", five songs together with the great art-work done by J. Siemens and Kike Kruel, very similar to the Crass's stuff and so. Beat Generation, absolutely fan of the band, is more than proud to release this LP with all their discography, together with a replica of the art-work.

Dead Ending is back with their second release and it's simply brutal. The first laid the foundation, but this EP better reflects the band firing on all cylinders, with all members now contributing songs. DE II sports screaming guitars, thumping bass, pounding drums and a vocalist who makes you crap in your pants as you run for protection.By now, punks should already be familiar with Dead Ending, the fierce hardcore outlet for Joe Principe (Rise Against), Derek Grant (Alkaline Trio), Jeff Dean (The Bomb, Noise by Numbers) and the legendary vocalist Vic Bondi (Articles of Faith). The band has only played one show to date-at the Punk Rock Bowling Festival in Las Vegas-and will be hitting the road in 2013. "Vic's still schooling us." -Vice "Move over, OFF! there's a new generation-spanning, '80s hardcore-influenced band in town." -Exclaim "This is exactly what pissed off, political hardcore should sound like in 2012." -Punks in Vegas

“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

Few paper scuffs, tiny corner wear.

Cheryy cola coloured vinyl is close to NM. Cover has tiny corner wear.

Vinyl is close to NM.

close to NM. Stamped and numbered inner sleeve.

Green vinyl seems unplayed. with booklet. Limited edition

Vinyl is close to NM. With insert. tiny wear

Clear w/ White Smoke vinyl

White vinyl. tiny wear.

Beige vinyl and cover are close to NM.

clear red vinyl. tiny wear. with OBI

clear vinyl. tiny wear. With insert

Stickered PVC sleeve. With insert. close to NM

Brown vinyl is close to NM. Limited edition.

Blue translucent Vinyl with a couple of light scuffs, close to NM. With inserts.

Grey vinyl. Tiny wear. With insert.

Single sided Clear / Blue vinyl. close to NM. With inserts

White vinyl. Stickered PVC sleeve. Limited edition. Tiny wear.

Clear vinyl. With insert.

Orange Clear vinyl. Cover with slightly bumped corners

Solid Pink with Yellow Mix vinyl

Vinyl closer to NM

Pink vinyl. Still in shrink, but opened, with hype sticker

Yellow vinyl