Punk | Hardcore 349 Items

2. Auflage mit neuem Cover., aber gleicher Musik.

Strike Anywhere blend the sounds of fast melodic punk rock with a taste of that classic hardcore edge. The band musicianship is outstanding and has catchy and thought-provoking lyrics. The band emerged in 1999 from Richmond, VA. Vocalist Thomas Barnett (ex-Inquisition), guitarists Matt Smith and Matt Sherwood, bassist Garth Petrie (ex-Count Me Out), and drummer Eric Kane took a staunchly political and activism-minded approach to hardcore and punk traditionalism, drawing comparisons in both sound and vision to such stalwart acts as Avail and 7 Seconds. Artist

Record Store Day 2020 Release.
Limitation: 1000 copies.

Pre-GWAR mayhem. This is the band that started it all. Before Oderus Urungus, Dave Brockie fronted Richmond VA art-punk weirdos, Death Piggy. All 3 of their EPs are combined with unreleased and compilation tracks on 180 gram vinyl with experimental etchings, remastered from the original tapes and with liner notes written by the band's guitarist Russ Bahorsky. Bonus: 20 minute never before heard live improv acoustic set from 1984, recorded as the band surprised business owners and pedestrians on the street with an impromptu performance. First American vinyl pressing in over 30 years.

Side A 1 G-o-d Spells God 2 Splatter Flick 3 Eat The People 4 Fat Man 5 Nympho 6 Bathtub In Space 7 No Prob, Dude 8 Mangoes & Goats 9 Welcome To The Record 10 Boner 11 Showbiz 12 Dinner In The Morning

Side B 1 Whippin' Around The Bay 2 Ceramic Butt 3 Poet 4 Ground ''b'' Sound 5 Joey Died Today 6 Minute 2 Live 7 Scabs (unreleased) 8 Ewoks (unreleased) 9 Fear Of Murder (rare)

-Bonus- 20 minute live improv acoustic set from 1984, captured as the band surprised business owners and passerby on the street by showing up unannounced with their instruments. (only Available With THE Download OF THE Album, Included With THE Purchase OF THE LP) 1. Hey, It's Okay 2. Jeff Slater 3. You Can Eat Dinner If You Want To 4. Something In A / The Day After The Music Died 5. Jingle Bells / Leprosy 6. Purple Haze

If "Joy As An Act Of Resistance" was meant to detail the band's manifesto, the band's highly anticipated third album, "Ultra Mono," is the sound of IDLES heading to the front for these principles, ram in hand. Musically constructed to capture the feel of a hip-hop album (Kenny Beats has also participated in programming on several tracks) the songs have a double language, mixing vitriolic sneers with a direct social comment on the band's past work. Not far below the surface of the slogan they gave themselves, is a deeply complex and brutally relevant album that chews clichés and spits them out in the form of great art for the masses. Active presence and self-acceptance are also at the heart of "Ultra Mono" whose most songs were written in the recording studio, and the phrase "I am I" serves as a lyrical and spiritual mantra. Ultimately "Ultra Mono" is a celebration of the community, the one on which IDLES has been striving to build itself since its beginnings, to form something bigger than itself. As their audience grows, initially attracted by a sense of non-belonging, they create together a diverse congregation of people that offers each of them their place.

Now grown out of the bedroom and operating as a fully functional band, London via Ukraine's POWERPLANT follow up last year's 'People Of The Sun' LP with this new 5 track banger. The Devo / Tubeway Army / Screamers / Lost Sounds comparisons are still there but also the weirder tracks are weirder, the faster tracks are faster and is Theo fucking crooning on the opener? One way to find out. To better days! Limited to 500 copies pressed on clear vinyl. Shoved inside a reverse board sleeve complete with lyric sheet.

The French hardcore group STINKY –- who have played more than 350 concerts across 15 different countries in support of their first two albums, including a standout performance at last year's Hellfest – will release their third full-length album “Of Lost Things,” on M-Theory.

It was in 2006 that Detroit punks THE SUICIDE MACHINES called it a day after 15 years and six full-throttle, super-charged and confrontational albums. The break didn’t last too long—in 2009, the four-piece reconvened to play the occasional local shows and embarked on a handful of tours. Finally, the band is back with a brand-new album—the first since War Profiteering Is Killing Us 15 years ago! Revolution Spring, the band’s seventh album and Fat Wreck debut, picks up right where they left off—full of blistering, rousing songs finding the band in truly explosive and energetic form. Over the course of a couple of years, the band wrote a total of 30 songs. With the help of both LESS THAN JAKE's bassist ROGER LIMA, who produced Revolution Spring, and THE CODE's frontman MARC CODE, The Suicide Machines whittled those down to the 16 that make up this record. While on the one hand, these songs serve as an overview of the band’s career and the different permutations of punk they’ve dabbled in over the years, it also possess the energy, spontaneity and enthusiasm of a band many years their junior—albeit with the wisdom that comes from being alive for a few decades. Recorded in “about 12 days” at Rancho Recordo, Revolution Spring is a powerful and cohesive combination of hardcore, ska and anthemic punk rock.

The World/Inferno Friendship Society’s long awaited new album dares one to try and decipher its multi-layered, encrypted message, while being dragged kicking and screaming through a succession of flashbacks, alternate realities and drug and alcohol induced delusions. While this ensemble is known for its utter disregard for boundaries of genre, All Borders Are Porous To Cats deliberately pushes the limits of what could possibly be perceived as punk rock. It scores tales of fugitives, arson, larceny, perjury, drug addiction and freedom with elements of soul, funk, latin, polka, and classical music, as well as the band’s signature punk cabaret sound. Three years in the making, five missed release dates, five lost band members, many a bridge burned, and a defamation lawsuit waiting to happen, The World /Inferno Friendship Society invites the listener to enjoy the fruits of their perpetual torment.

This seventh full-length album finds the collective reset and reinvigorated, behind the lyrics of Jack Terricloth, apparent possessor of the punk rock fountain of everlasting style and rage. The album follows Cat In The Hat (no relation), an undocumented refugee who is framed for a crime and requires the assistance of a ragtag gang of miscreants, academics, orchestra-caliber musicians, and radical insurgents—sometimes art does in fact imitate life!

The album’s release comes in tandem with the release of accompanying book One Smashed Window For Every Divided Soul, an illustrated combination tour journal and narrative exploration of Cat and his travails. The book acts as a companion piece to the album’s story, sifting through archival documents and fabulist accounts of the band’s East Coast tour of 2017.

LONG KNIFE's sophomore release Meditations on Self Destruction LP from 2015 back in print. Crazed hardcore. Feral punk hardwired with brutality seemingly on the edge of collapse. Long Knife continue their path of destruction while refining the Portland hardcore sound.

When it came to the follow-up of their 1990 magnum opus Feel The Darkness, failure was not an option for Poison Idea. Seeking a way to expand their musical horizons while still retaining their cranked-up style, UK-cum-Chicagoian producer Iain Burgess (Big Black, The Effigies, Naked Raygun) was brought in to assist in this audacious feat. The results—1992’s Blank Blackout Vacant—successfully showcased a meshing of Poison Idea's classically surging sound and a new found refinement: demonstrated by the brass section on tracks like the driving opener “Say Goodbye” or the chugging, Motörhead-esque “Forever and Always”. Rolling on with their relentless reissue schedule for Portland’s Kings of Punk, TKO replenishes the double-disc edition of Blank Blackout Vacant first introduced back in the maddening year of 2020. Along with the album’s original batch of thirteen tracks capped off by a thundering version of New York Dolls'’ “Vietnamese Baby”, you get a bonus LP containing a bevy of B-Sides, covers by acts as disparate as Lords Of The New Church, The Who, and Booker T. & The MGs., as well as a live on-air performance on Portland’s long-running community radio station Kboo from the Fall of 1991. Originally released at a pivotal point in the band's career, Blank Blackout Vacant remains an essential component in the understanding of the band's epic trajectory.

The 3-track "Forever" E.P. on Transluscent Red 10" Vinyl is limited to 250 copies and features two new compositions, the title track "Forever" and "My Slum Soul", plus an incendiary new version of an old live favourite "Ink Runs Dry". Folk Devils, the London group that took their name from a well-known academic text on social scapegoating, and who blazed a trail across the UK's independent music scene of the mid-80s with their unique brand of post-punk energy, have returned with their first new music in 35 years. Recorded at London's famous Konk Studios in North London and mixed and co- produced by Grammy Award-winning engineer Rik Simpson, the re-born Folk Devils drew inspiration from the release of their 2016 career retrospective "Beautiful Monsters" and the reactions at subsequent live shows around the UK with kindred spirits Membranes, Inca Babies and The Cravats. Founder members, guitarist Kris Jozajtis and bassist Mark Whiteley, reformed the group by recruiting members of a short-lived 1987 version of Folk Devils; guitarist Nick Clift and drummer John Hamilton. Together with singer Dave Hodgson they soon discovered they had created a well-oiled twin-guitar juggernaut that brimmed with the same restless, twisted blues that characterized the first and second iterations of the band from 1983-87 when they were fronted by the highly underrated and now sadly-departed singer/songwriter Ian Lowery. Hodgson, a fellow transplant from the North-East, had known Lowery in the early 80s prior to Folk Devils, when the two were in their respective post-punk bands Ski Patrol and Parting Shots.

Like new, record looks unplayed. Comes with insert.