Punk | Hardcore 119 Items

On their seventh studio album, Deftones prove that they don't need to compromise aggression for ambition. Koi No Yokan ranges from brutal, blunt-force trauma ("Gauze") to epic prog-rock atmospherics ("Tempest"). Opener "Swerve City" sets the tone immediately with a bludgeoning riff, but Deftones also take nuanced approaches to angsty tension, weaving meticulously crafted cosmic rock on "Entombed" and wading through murky, jagged textures on "Rosemary."

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

Nofx returns with The Longest EP, a collection of thirty songs taken from the band’s numerous EP releases. The Longest EP spans Nofx’s first Fat Wreck Chords release The Pmrc Can Suck On This to Cokie the Clown. It includes eight tracks that have never been available on CD or digitally, and two songs previously unreleased in any format. The album’s title continues the band’s trademark witticisms with a play on the title of Nofx’s most popular EP, The Longest Line, which itself is included amongst the impressive track listing. In addition, Nofx commissioned the original artist that illustrated the now famous cover for The Longest Line to create the artwork for The Longest EP. With an ardent and extensive fan base, Nofx’s releases are always met with great anticipation and The Longest EP will be no different.

Red w/ Bone & Purple Splatter Vinyl.I Wish I Could Stay Here is the debut studio album by English rock band Basement. After forming in 2010, the band released a demo and signed to Run for Cover. Following this, the band toured across the UK and Europe in late 2010 and early 2011. They recorded their debut album I Wish I Could Stay Here in May 2011 at Stuck on a Name Studios in Nottingham and released two months later. Following this, the group embarked on tours of the UK, the US and Australia. The album received favourable reviews from critics, and featured on Thrash Hits' top 20 albums of 2011 list."more soul, more emotion, and just more great songs" - Thrash Hits

25 years in the making the Dwarves Are Born Again features heroes from throughout the Dwarves saga. Blag the Ripper, HeWhoCanNotBeNamed, Rex Everything, the Fresh Prince of Darkness and a cast of thousands including Vadge Moore and Sgt. Saltpeter from the notorious Blood, Guts and Pussy record return to crush the ears of a desperate public. You get hardcore punk, ear banging pop and everything in between from the long standing masters of all styles. Damaged rock celebrity cameos mix with twisted phone messages and ear splitting noise all delivered with the pomp and circumstance that only the mighty Dwarves can deliver.

These 10-songs were recorded and mixed by Craig Bowen at Baltimore's A.C.R. Studios but never released. After the session the band decided to continue writing new songs. Six of these songs were re-recorded at Inner Eat Studios and released on Necrophones, while four others remained unreleased, until now. Released in 2012.

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

A special release signifying PPM50 and Post Present Medium as a label for ten years. Wives were a punk band formed in Los Angeles in 2001, they recorded, performed and toured until 2005 when they disbanded. After their last US tour and and before their (_rst and last) UK /Europe tour in 2005 Dean Spunt (bass and vocals) and Randy Randall (guitar) recorded these 7 songs with new drummer Roy Tatum. These were the songs, if you saw them live, Wives were playing, working on and perfecting at the time on the final tour.Recorded By Bobb Bruno in their practice space in 2005 the "Roy Tapes" were shelved and have not been listened to by anyone until they were decided to be released, nearly seven years later. It holds the fury and confusion of the live sets...

Released in late 2012, Odes was the fourth studio album from The Flowers of Hell. It is a covers record and the first release from the group to feature vocals and verse-chorus-verse song structures. Never available on vinyl until now. Greg Jarvis, front man of The Flowers of Hell, has created something very special; the artwork features a die cut outer sleeve, revealing the printed inner sleeve and when removed, revealing more artwork on the inside of the 300gsm outer sleeve. The music has been remastered for LP by Odes co-producer Peter Moore.Pressed in a red 180g heavyweight vinyl, the whole package is stickered and poly bagged, a real show stopper!

Leader of the highly influential and legendary Holly and the Italians is back! After departures into acoustic and electronic music, Holly Beth Vincent makes a true return to form and punk rock roots with “Hey Boy” and “Smash”. What separated Holly from most of her female contemporaries was that she was tuff stuff... sang tuff and played her guitar tuff, really putting the power into the pop. Her performance on this single is no exception. Snottier than thou vocals accompany her chainsaw guitar sound, while that catchy choruses remain completely intact...the makings for the perfect punk single! Both songs clock in at about 2 1/2 minutes and would make a great addition to her early singles collection. Holly Beth Vincent is a life long musician, major label recording artist, hitmaker, and punk rock icon. Here collaborating with producer Travis Ramin she proves she can kick out the jams at a moments notice.!!

The Gonads Greater Hits, Volume Two: The Mutt's Nut, another great collection released in 2012

Recorded over 6 months by Jon Drew at Giant Studios in Toronto, Year of the Ox is the band's fourth record in the continuing 12-year cycle and adds to its evolving retinue of guest musicians. The patient and building Year of the Ox features Nika Rosa Danilova of Zola Jesus for a guest vocal passage and Toronto's string quartet, New Strings Old Puppets. B-side "Solomon's Song," a gothic vampire love tribute to Twilight, features a 5-minute saxophone solo from Aerin Fogel of the Bitters and heavy synthing from Trust.

"On their debut EP, Seahaven explores a very transparent back-and-forth between their dark and light sounds, a lot like what we saw Brand New do on Deja Entendu and The Devil and God Are Raging Inside Me. Vocalist/guitarist Kyle Soto has that voice that exudes an audible pain sometimes, while at other times sounding so damn hopeful that it might break your heart even more. When Seahaven is playing sadder and darker music, it tends to be more in the vein of perhaps Crime In Stereo, or to compare the band to a more contemporary peer, Balance & Composure. Not many bands are playing this type of music, and a large percentage of the groups that are trying aren't doing it very well. Seahaven isn't just doing it well - they border along fantastic." - Absolutepunk.net

This is the sixth studio album by American metalcore band Every Time I Die. Buffalo's magnificently brutal metallic punk ensemble Every Time I Die have unleashed their brand new album titled Ex Lives. The new album was produced by renowned heavy rock producer Joe Baressi (The Melvins, Queens of the Stone Age, Parkway Drive) and offers an unrelenting onslaught of ingeniously composed and furiously executed cathartic hardcore. This is the band's highly anticipated follow up to 2009's raging masterwork New Junk Aesthetic which Absolute Punk heralded as a musical "weapon of mass destruction" and Allmusic.com described as "the group further refining its signature approach with a new sonic clarity - energized and passionate, delivering its blend of old and new sounds with a directness that gives the ferocious music an unusually broad appeal."

Svart Records are happy to present an official reissue of the 2010 album by the cult US party punk rock big band The Kings Of Nuthin’. Out of print for years on vinyl.

“Boasting tenor, baritone sax, piano and even washboard amidst the standard rock instrumentation, the Kings of Nuthin’ command an impressive arsenal and an eight-man roster. Even more importantly, they have the style and swagger to boot, led by the crotchety vocals of Torr Skoog and with guest windpipes by Lenny Lashley (Darkbuster/the Piss Poor Boys), Kevin Stevenson (the Shods), Stephanie Dougherty (Deadly Sins), and guest bass saxophone by Dana Colley of famed Mass jazz band Morphine.”

Svart Records are happy to present an official reissue of the 2010 album by the cult US party punk rock big band The Kings Of Nuthin’. Out of print for years on vinyl.

“Boasting tenor, baritone sax, piano and even washboard amidst the standard rock instrumentation, the Kings of Nuthin’ command an impressive arsenal and an eight-man roster. Even more importantly, they have the style and swagger to boot, led by the crotchety vocals of Torr Skoog and with guest windpipes by Lenny Lashley (Darkbuster/the Piss Poor Boys), Kevin Stevenson (the Shods), Stephanie Dougherty (Deadly Sins), and guest bass saxophone by Dana Colley of famed Mass jazz band Morphine.”

Import From Argentina. CJ Ramone's Album From 2012 Reissues ON Limited AND Numbered 180gr Vinyl.

After only three months of playing shows, DAG Nasty went into Inner Ear Studios with IAN Mackaye. Dag With Shawn was recorded on Halloween Day 1985 and features the original line-up of the band with Shawn Brown on vocals. Initially songs from this session were to be released as a four-song 7-inch on Dischord, but shortly after the recording Shawn left Dag Nasty and the tape was shelved. In early 1986 the band re-recorded the entire album with new vocalist Dave Smalley and released it as Can I Say. Shawn went on to form the much loved Swiz and Dag Nasty went through several more line-up changes over the years, including another vocal switch when Dave Smalley was replaced by Peter Cortner. This original session has only been previously available as partial out-takes and unauthorized bootlegs and, until now, has never been released in its complete form. This recording, taken from restored master tapes, offers a unique view into the early development of one of DC’s most influential bands. LP includes a download.

Deluxe vinyl reissue of The Meteors' 2012album!

Deluxe vinyl reissue of The Meteors' 2012album!

Long awaited reissue for the 'Garotos Do Suburbio' LP. Unavailable for many years on any format, this is the 1985 'Rotina' demos that resulted in the "Panico Em Sao Paulo" 12", one of the most acclaimed releases for these living legends of South American Punk. 14 tracks that, in the words of founding member Clemente Nascimiento, 'reflect the environment of a time full of new discoveries, that redefined the work of the band, a time when the only certainty we had was the passion for our music'.

Limited edition clear vinyl only release featuring audio from the Bad Brains 1982 live DVD. REISSUED FOR 2014 IN LIMITED CLEAR VINYL! This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982.

Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different.

Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

"Re-release of this classic album. 1-sided vinyl with an etching on the b-side featuring artwork by Kyle Pellet (the etching is of the drawing pictured). 1000 copies pressed on black vinyl." - Asian Man

Rising Memphis stars with members from many various outfits, EX-CULT(formerly SEX CULT) crams catchy punk rock through the "we can do anything" mindset of pioneers like the Urinals, Australia's X or Wire. "M.P.D." is a track off the upcoming self-titled debut album due November 13 on Goner Records. The B-side, an ace cover of "No Fun on the Beaches" by Aussie punkers The Chosen Few, is exclusive to this release.

THE KARL HENDRICKS TRIO is a Pittsburgh rock institution. Having released nine full-lengths and six singles of uncompromising, emotionally charged, very loud rock over the course of twenty years, it's probably safe to call them an American rock institution as well. A former bedroom 4-track confessionalist, Karl Hendricks formed the Trio late in 1991. The band has undergone numerous line-up changes since, having had four different drummers, four different bass players, and during the two separate spans when the band augmented to a four-piece dubbed appropriately enough, the Karl Hendricks Rock Band, two different rhythm guitarists. The one constant has been, of course, Karl himself. The Trio debuted on record with 1992's Buick Electra, released on Karl's own Peas Kor label. From the mid '90s to the early 2000s the trio released several albums on Merge Records, and in 2007, Hendricks self-released the one and only Karl Hendricks Rock Band album, The World Says, on his Surplus Anxiety imprint. Comedy Minus One's release of The Adult Section in 2012 officially marks the end of the Karl Hendricks Rock Band Mark II and the return of the stripped-down Trio line-up. Karl's sound and his approach to songwriting have only gotten more nuanced and thoughtful with age. Musically, the Trio remains rooted in a muscular yet melodic sound built on a massive wall of guitars, and a bass and drum assault that powers things forward as much as it anchors them down. It's a straightforward aesthetic but it has allowed Karl's guitar playing to develop into a more sprawling and heroic version of the spirited six-string blasts of his youth. Edition of 500 copies with bonus CD version.

NOW AVAILABLE!!! THE BLIND SHAKE are a detuned, garage-stomp, punk trio from Minneapolis, MN. Two brothers, MIKE and JIM BLAHA, front the band and play baritone and regular guitar respectively, while longtime friend DAVE ROPER plays drums. Known for ferocious live shows and collaborations with psychedelic noise legend MICHAEL YONKERS, The Blind Shake have toured North American basements and bars for several years and have released six albums and a handful of singles.

180 gram LP limited edition. This is the movie event of the year, winner of the Public Prize at the Berlinale in February 2012! Finally on 180 gram HQ vinyl the original soundtrack to the docufiction Diaz - Don't Clean Up This Blood by Daniele Vicari about the Videla-esque police brutalities that took place in 2001 during the G8 in Genoa.

Recorded and mixed by Mauro Teho Teardo a versatile composer, researcher and performer with the help of the Balanescu Quartet and a number of eclectic guests.

Featuring "Evolution Revolution Love" by Tricky. ++ Music by Teho Teardo featuring The Balanescu Quartet.

Music written, recorded, mixed and produced by Teho Teardo at Basement Recordings, Rome and Studio 108, London march/december 2011.

(Teho Teardo - guitars, bass, rhodes, piano, electronics, synth, theremin; Balanescu Quartet: Alexander Balanescu - violin, James Shenton - violin, Katie Wilkinson - viola, Nick Holland - cello; Martina Bertoni - cello, Alexis Fletcher, Giacomo Orsi, Henry Marseille - violin, Remy Dault, JC Goodwin, Susan Rosenthal - viola, Lee Leibowitz, Doug Pierce, Matthew Quinlan - bass)

Dead Ending is a no-frills, '80s-hardcore-influenced band featuring members of Rise Against, Alkaline Trio, Articles Of Faith and The Bomb. On tour in 2006, Bomb guitarist Jeff Dean met and befriended Vic Bondi, the frontman of legendary Chicago punk heroes Articles of Faith. They bonded over hyper-aggressive '80s bands and discussed the possibility of starting a group themselves. When he got home, Dean got busy and wrote some tunes, then recruited longtime friend and Alkaline Trio drummer Derek Grant to help him lay the tracks down. Bondi liked the songs and signed on. Joe Principe of Rise Against came aboard on bass soon after that, and boom! Dead Ending was born. Dead Ending will make their live debut at Punk Rock Bowling in Vegas this year and will do shows and small touring runs whenever their busy lives all align. They're also in the beginning stages of writing a full-length. First 500 copies on gold vinyl. Included digital download coupon.

Special edition for Record Store Day 2011

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

The best ever french 77 punk band with Metal Urbain. Killer and cult..... best lyrics/bests songs A must have for any KBD-PUNK77 lover.

Latest single by THEE SPIVS taken from their recent "Black And White Memories" album with an exclusive B-side, a cover of Patrick Fitzgerald's "Safety Pin Stuck In My Heart". Lovingly pressed on traditional black vinyl. **LIMITED TO 500 COPIES!** Both tracks were recorded at Gizzard studios with Ed Deegan at the controls. Flickin V's is already a live favourite and is set to become an anthem for disaffected youth worldwide. The cover features Ben's uncle, who you may have heard about on their first album. He's the one with ASBO. We can't think why!

DISCO//OSLO... hat rein garnichts mit sich duellierenden Halbstarken zu tun und noch weniger mit norwegischen Alkoholmonopolen. DISCO//OSLO: Das steht für Punkrock. Das steht für Melodie. Das steht für vier Persönlichkeiten, mit dem gleichen Ventil. Punkrock hat eine lange Tradition in Oldenburg. Die "harte Schule" der norddeutschen Kleinstadt geht an Keinem spurlos vorbei. Zwischen aussterbendem "plattsnack" und gutsituierter Mittelschicht, sozialisiert laute Gitarrenmusik und bringt nach wie vor die "besseren Menschen" dieser Welt hervor. Ende 2009 trifft man sich das erste Mal, um einen Ausgleich vom Ausgleich zu schaffen, der in diesem Fall Namen wie BITUME, ALARMSIGNAL, SKAMBULÉ (rip), PARADOX etc. trägt. Nach zwei Besetzungswechseln, einer sehr positiv aufgenommenen Demo - 2012 das erste Album. DAS ALBUM... enthält 14 Songs, die durch verschiedene Aufenthalte der einzelnen Bandmitglieder (Jakarta, Portland, Madrid, Oldenburg etc.), ein Jahr der Aufnahme benötigte. Lyrisch stehen persönliche, politische sowie solzialkritische Themen in Wechselwirkung und so werden die Texte von treibendem, melodieprägnatem Punkrock getragen. Dieser Sound wird von Außenstehenden immer wieder mit Bands wie Turbostaat, Pascow oder auch Leatherface verglichen, jedoch im gleichen Satz auch immer auf die eigenständige, sowie authentische Art hingewiesen. Gemixt und gemastert wurde das Ganze in der Oldenburger Tonmeisterei von "Role" himself, der bereits Knöpfe bei Escapado, Just Went Black, Tackleberry, The Now-Denial etc. gedreht hat. Für das Aussehen ist "Ralf Rohde" verantwortlich, der bereits für Künstler wie CJ Ramone, Panteón Rococó, Nitrominds, Karamelo Santo etc. gearbeitet hat. Veröffentlicht wird das Album in Form einer 12inch Vinyl LP (inkl. Downloadcode) in Deutschland, England und Frankreich.

Thee Spivs are back with their second album 'Black And White Memories' in November, following their critically acclaimed debut 'Taped Up' from 2010. This is the lead single from the album called 'T.V. Screen', it's a limited edition 7" with anexclusive b-side, a cover of the Billy Childish classic "Don't Like The Man That I Am" which weirdly enough has also been covered by Pete Molinari and the Singing Loins, both on Damaged Goods! Thee Spivs are Ben Edge (Guit/Vox) Dan May(bass) and Steve Coley (drums). Rock'n'Roll hasn't been this much fun for years, give it a try, you might like it!

Limitiert auf 500 Stück! Über die neue Heimatglück Platte kann man sich gleich dreifach freuen. Endlich eine neue Veröffentlichung und zwar mal wieder ein Longplayer und das auch noch auf Vinyl und auch nur auf Vinyl. Das wird den Heimatglück-Freund besonders freuen. Zusätzlich liegt noch ein Kupon zum kostenlosen Download bei. Musikalisch wieder mal unverkennbar Heimatglück dürfte das Album nicht enttäuschen. Letztes Jahr gab es schon einen kleinen Vorgeschmack auf diese LP in Form einer super-limitierten Split-7" mit der Hamburger Band Herrenmagazin. Mit dem dort vorab zu hörenden Stück ,Leben deklinieren" sind auf der neuen LP zwölf neue Stücke enthalten, die in den letzten drei Jahren entstanden sind. Weiter angereichert wird ,Spass allein genügt nicht mehr" mit zwei neu eingespielten Versionen von zwei Stücken (,Eventuell Morgen" und ,Sahnemund"), die schon von Compilations bekannt sein dürften und zuletzt gibt es anlässlich des 15-jährigen Bestehens mit ,Carlo" noch eine Neuaufnahme von der ersten Split-7" mit Pankzerkroiza Polpotkin. Aufgenommen und produziert in Zusammenarbeit mit Ronnie Henseler/Alien Network (Kommando Sonne-Nmilch u.a.) in Hamburg, mit welchem schon das ,Können gebratene Tauben fliegen?"-Album und die Klartext-7" aufgenommen wurde. Das Cover ist von Pencil Quincy (bekannt ua für die Cover von Digger Barnes) exklusiv gestaltet worden und überhaupt ist die Platte, wie man es von Heimatglück gewohnt ist, besonders hübsch. Dazu gibt es ein Inlay mit allen Texten und Fotos.

[DEU]Limitiert auf 500 7"s auf grünem Vinyl nur für die Europa Tour 2011! "Wir wollten für diese Tour etwas ganz Besonders machen. Das neue Album erscheint erst in ein paar Monaten, so dass uns bei ein paar Bier und guter Pizza in einem Pub in Hackney die Idee kam, den ersten Track auf dem THEE SPIVS Debütalbum mit deutschem Gesang aufzunehmen, so wie das Bands in den Sixties ständig gemacht haben. Also nahm Ben mit der Hilfe von unseren Freunden von Cargo Records Germany deutschen Gesang für diese Doppel-A-Seite auf. Außerdem haben THEE SPIVS soeben die erste Hälfte ihres Album fertig aufgenommen, das später 2011 erscheinen wird." - Ian Ballard, DAMAGED GOODS.www.myspace.com/theespivs[ENG]LIMITED EDITION OF 500 GREEN COLORED 7" SINGLES FOR EUROPEAN TOUR 2011. "We wanted something special to release for the tour and the new album is still months away, so over a few beers and some very nice pizzas in a Hackney pub we came up with the idea of a German vocal on the first track on their debut album as a nod to the great bands of the sixties who did this on a regular basis. So, with a little help from our friends at Cargo Germany Ben re-recorded the vocals in German for this double 'A' side 7"! They have also just finished recording the first half of their second album which will be out later in 2011. " - Ian Ballard, DAMAGED GOODS.

"Damaging Acts" is the first single taken from the Cute Lepers upcoming third album "Adventure Time". This 7" release features an exclusive b-side called "Don't Believe The Numbers".

2010 release from the critically acclaimed Punk trio. Last year, Screaming Females toured relentlessly in support of their critically acclaimed third album Power Move. Their hard work landed them spots opening for Dinosaur Jr., Throwing Muses, and Jay Reatard, plus dates touring with Arctic Monkeys and the Dead Weather. The year brought them to a wider mainstream consciousness, gaining attention for their Punk Rock sensibilities and their raucous live shows driven by front woman Marissa Paternoster’s famed guitar heroics. On Castle Talk, the trio proves their abilities as more than just a pint-sized guitar shredder. Castle Talk showcases their growth together as a unit, as a band, with some of their most complex and confident songwriting to date.

1st press

1st press