Punk | Hardcore 285 Items

Relentless" is the long awaited Youth Avoiders second album. The five years between this new full lenght and their debut have been really intense for the band, made of constant live appearances everywhere around the globe. Intensity is the trademark of Youth Avoiders, "Relentless" is the fruit of a five days session in the Normandy countryside studio Swan Sound. To keep it simple, "Relentless" is Youth Avoiders making what they have done so good so far but even better : catchy riffing,

Almost-catchier-than-the-Beatles - The Stranger Seattle trio Wimps channel all of the soul-crushing minutiae of our everyday lives into deceptively sad, yet infectious punk rock. - Noisey Seattle's Wimps (Rachel Ratner, Matt Nyce, and David Ramm) are back with their third album, Garbage People, out July 13th on LP, cassette, CD, and MP3! Known all over as one of the premiere plenty of nonsense guitar/bass/drum groups, Garbage People finds Wimps taking a sonic leap forward (there's saxophone, keyboard, and juuuust enough cowbell) and lyrically (subject matter ranges from gender pay inequality, decline of bee populations as a result of climate change, insomnia, and wanting to steal a pizza ... but only if it's cheese!) On Garbage People, Wimps have successfully filtered the best parts of 70's Rough Trade, the International Pop Underground 7" series, Devo, The B-52s, the Breeders, etc. into a unique and timeless sound that appeals to playlist streaming teens AND adults who own over 500 records.

NEW Re-issue OF THE SKA Meets Pop-punk Classic That Kicked OFF THE Modern SKA Resurgence ON Retail Exclusive Blue Vinyl W/ Marketing Sticker Whatever arguable resurgence that ska punk seems to be having, you can’t attempt to explain it or pinpoint it without referencing We Are The Union or their 2018 masterpiece “Self Care”. Initially a crowd-funded venture that raised over $60,000 worth of support, the record’s release was met with critical success and an instantly sold out modest initial pressing of 600 units. Now for the first time since it’s release the record is available again from the ska-punk focused Bad Time Records (who released the band’s 2021 album “Ordinary Life”), ready to meet the since dramatically expanded ska fan base. The record focuses on mental health in a way that hadn’t been addressed especially by a ska band. Singer Reade Wolcott addressed it in an article for Spin: “At that point, my focus was very pro-normalizing talking about mental health,” Wolcott says of 2018’s Self Care, the band’s first post-hiatus record. Wolcott wanted to push the conversation around mental health and open the possibility of taking complex emotions and putting them at the center of a ska song. “People related to it in a way that I hadn’t seen in the past,” she says of the album’s themes of depression, anxiety and existential crises. - Niko Stratis, Spin With radio-worthy singles like “A Better Home” and “What’s Wrong With Me”, the record is not only important in the annals of ska history but a critical success in the world of independent music, period, and a must have for collectors and fans alike.

Limited edition for Record Store Day 2018!

Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmalayan Records. Between 1979 and 1982, Nick Blinko and Martin Cooper’s Outer Himmalayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UK’s burgeoning post-punk/anarcho punk scene. Outer Himmalayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It’s a snapshot of a period of frenzied creativity by some of the UK’s most thrilling experimental punks.


Before Blinko went on to found the essential anarcho band Rudimentary Peni, whose storied body of work also appeared on Outer Himmalayan, he and label co-founder Cooper were The Magits. The lone release by the minimal synth-and-vocals duo, Fully Coherent, was the inaugural release on Outer Himmalayan — and, in fact, Blinko and Cooper’s impetus for starting the label. The four tracks on Fully Coherent are short, sharp bursts, comprising a total of four minutes. Here, they’re presented alongside the five-and-a-half minute “A Pawn in the Game,” a song that sees Blinko and Cooper get truly weird with the extra space the longer runtime afforded them.


The next release on Outer Himmalayan was S-Haters’ Death of a Vampire 7", which the quartet quickly followed with Stories as Cold as the Irish Sea. The band was recognizably a deathrock act, their gothic punk in the same lineage as Joy Division and PIL’s Metal Box, but it showed the same sonic adventurousness that characterized the rest of Outer Himalayan’s output. “1980,” an oddity taken from the rare Another Bouquet on the Grave of Free Enterprise cassette comp, shows the most experimental flourish, with dueling male/female vocals and a prominent acoustic guitar.


The final Outer Himmalayan release before it became strictly a Rudimentary Peni label was Soft Drinks’ Popstars in Their Pyjamas 7". Popstars ended up being the tongue-in-cheek synth-punk trio’s only release before their breakup, though they would also record “Dangers of Drink,” for the Bouquet of Barbed Wire comp and included here, as well as the one-off track “Misconception,” previously unreleased but now available exclusively on Outer Himmalayan Presents.


All songs have been mastered for vinyl by George Horn at Fantasy Studios. Cover artwork features a collage by Eloise Leigh and each copy includes a 20-page zine featuring liner notes and ephemera associated with the original pressings plus never before seen photos.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Milan, 1979, only two years had passed since the explosion of punk but it seemed like ten years had passed, 1977 had inexorably changed the destiny of a generation of musicians. Milan in those years felt a bit like Manchester, a city in black and white, with monuments grayed by smog, busy and still far from becoming the “Milan to drink” of the mid-80s. The music scene was totally disconnected from the rest of the Italian underground, the bands were born and imploded within a few months. The inputs that arrived thanks to the English weekly New Musical Express and some Italian fanzines were essential to know what happened across the channel almost in real time. The concerts at the 2001 Odyssey, a club where almost all the really important post-punk bands performed, were fundamental to understand and feel part of something that resembled a revolution, a movement that in those years produced little in terms of discography but that today, after almost forty years, we reveal the absolute uniqueness of the proposals of the protagonists of that Milanese season. Sharp guitars, primordial drum machines, synthesizers bought at a high price and 4 tracks cassette recorders were the tools used to affirm their belonging to a creative movement that developed simultaneously throughout Europe.

First time on vinyl. Part of the ongoing UT remaster/reissue series. Originally released in 1982 as a cassette only release. Features five tracks recorded in November 1981 at the Venue. Remastered from original recording by DOMINIQUE BRETHES, these five tracks recorded in 1981 are the perfect accompaniment to the recent 12” reissues of s/t and Confidential (OUT0102) Released in November 2017). New artwork by the band. Includes a download.

Limited edition for Record Store Day 2018!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Limited edition for Record Store Day 2018!

1st press

1st press

1st press

With his brilliant new album "Kill The Lights," West Bay native Tony Molina continues his artistic evolution, steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. From the Byrds-y opener "Nothing I Can Say" to the subtly wrenching "Wrong Town" and the gorgeous folk-picking of "Now That She's Gone" we hear Tony synthesizing his influences with great skill and intention These classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths, reflecting a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries and is totally true to Tony's DIY punk roots.

Hailing from Florida, The Tropics were one of the finest 60s garage bands. Their memorable concerts are still remembered today by the lucky ones who saw them at the time. Between 1965 and 1969, they recorded some explosive and now legendary 45s which are prime examples of garage-rock, teen-beat, folk-rock and proto-psych sounds. Here you’ll find most of those 45 sides along with some rare, previously unreleased on vinyl tracks. Including the classic “As time’s gone” (covered by The Fuzztones) and many more.
Remastered sound in mono, insert with detailed liner notes by Jeremy Cargill (Ugly Things) and rare photos.
“In 1965 The Tropics were the biggest band in Florida…simple as that. I watched them in awe” Tom Petty

Limited edition for Record Store Day 2018!