Punk | Hardcore 211 Items

The fifth Teenanger album Teenager, is a collection of thirteen songs, a thinly-veiled investigation into Canada’s Telecom stranglehold and its effect on consumer spending, an odeto simpler and more violent times, proof that climate change exists, a fraudulent scheme to ensure maximum ROI, and more than anything, a fantastic piece of future punk history. Teenanger are musical baristas. They have made you a customized non-dairy Unicorn Frapuccino of a record that combines all of punk’s best sub-genres: art-punk, post-punk, ambient-punk, synth-punk, peace-punk, garage-punk, bunk-punk, punk-core, plaid-punk, nu-punk and of course, punk-punk.

So Sick, the debut album on In the Red Records by Southern California punk quartet the Side Eyes, raises interesting questions about nature versus nurture—the eternal scientific debate about whether a human being’s personality is predetermined by genetics or whether it’s actually shaped by the environment one grows up in. Their lead singer, Astrid McDonald, is a fascinating test case. The 22-year-old Angeleno is the real-wild-child daughter of Go-Go’s guitarist-songwriter Charlotte Caffey and Redd Kross singer-guitarist Jeff McDonald. How much has McDonald’s notoriously fiery onstage presence been influenced by basic heredity and how much was her personality inspired by being raised by two legendary punk-pop icons?

Similarly, how did growing up together as brothers in New Jersey affect the hard-driving musical attack of 22-year-old guitarist Kevin Devine and 20-year-old bassist Chris Devine? Much of rock history has been fueled by the unique familial dynamics and sibling rivalries of brothers in bands, from the Everly Brothers and the Kinks’ Ray and Dave Davies to Redd Kross’ Jeff and Steven McDonald. When the two Devines’ aggressive approach is combined with 23-year-old San Diego native Nick Arnold’s remorselessly throttling drumming, the Side Eyes end up as a powerfully controlled punk rock machine that blows past the sonic barriers of their past inspirations.

Parasite kicks off with the title track, a rowdy throwback to a younger, angrier
incarnation of the band. Crafted in the wake of the election and during a tumultuous
period in the band members' private lives, "Parasite" is pure catharsis. "During the
making of our last album, I didn't want to scream anymore, I just wanted to sing and
focus on melody. When we came to this recording, I just wanted to scream and
curse," says guitarist/vocalist Julia Kugel. If the EP is meant as a journey through the
various stages of the band's career, it certainly storms out of the gate with the same
kind of piss-and-vinegar of their eponymous debut. And while "Wipe Out" is another
rowdy venture, with bassist Meredith Franco taking over the lead vocal duties over a
steady barrage of pointed power-chords, it also showcases the rousing choruses that
elevated the trio from underground heroines to an internationally renowned garage
act. Despite the adverse times, The Coathangers' mastery of pop cannot be contained
forever, as is evident in the EP's single "Captain's Dead", with its sultry verses,
triumphant chorus, and a bombastic freak-out of noisy guitar. The journey through
The Coathangers' musical evolution leads to a revamped version of "Down Down" off
2016's Nosebleed Weekend LP and the smoky twang of "Drifter", in which
drummer/vocalist Stephanie Luke demonstrates her knack for solid Dusty Springfieldstyle
ballads.

Fucked Up is a rare band. They’re a mutant strain of post-hardcore, arenapunk super-talents capable of reworking the strange and the beautiful into something cohesive, but never at the expense of their signature, addictive, furious entropy. They are truly a blitzkrieg of song and lyric.

Is it work-shy and lazy to call a live record whose songs fl ow seamlessly into one another ''epic?'' What if every track is a battering ram of rabid guitar, fugitive vox, death match bass and roaring drums? No matter how you dice it… one word won’t ever be enough to explain a band like Fucked Up. All substitutions will pale in comparison to the experience itself. That goes for every blurb and every pixelated cell phone video out there. But…our record does the show justice.

Fucked Up got their start as many often do, making the rounds on punk and DIY circuits in Toronto, around Canada and later into the USA. Punk is a genre known for its velocity, brevity and politics, although here we have an almost complete inversion of those core traits: songs don’t race the clock, mythology and storytelling weaving fully realized narratives, and a bipartisan set with a 100% approval rating.

Kaleidoscope are a rare group, having continually evolved and expanded in form since their inception. Volume 3 marks the first Kaleidoscope release of 2017, a masterfully crafted follow-up to several cassette releases on their own D4MT Labs imprint and a 7” EP on Katorga Works. Since then, the three members of Kaleidoscope have taken up residency in a shared Brooklyn apartment and basement studio. In doing so, their collective spirit of creativity and resourcefulness has risen to an all-time high. The six tracks on Volume 3 serve as a testament to the group's unique and unwavering commitment to an original sound—one that is undoubtedly crafted with a well-refined taste for international punk and hardcore, but also embraces experimentation. Engineered entirely in the group's home studio and layered with original samples, overdubs, and guest instrumentation from an ensemble of friends. The end result is simple—a highly impressive production that commands repeat listening. Volume 3 is presented with the recognizable aesthetic of previous Kaleidoscope releases, directed by guitarist/vocalist INFORMATION MAN [SHDK], though truly a cohesive group effort. Packaged with a Risographed lyric booklet that serves as a proper companion piece to each transmission.

The 2017 EP by this band with previous releases on Goner and In The Red. The tracks on Side 2 are called 'Final Exit' and 'Double Hits'.

New 7" from Leeds' finest! Fact #1 - Cyanide Pills are a brilliant live band. Anyone who has seen
them at Rebellion Festival or on one of their jaunts around Europe will agree. Fact #2 - They
write great songs. Fact #3 - 'Big Mistake' is the first single taken from their new album Sliced and
Diced Fact #4 - You will love it! Keeping the spirit of '78 alive, the band's mix of punk blasts and
melodic power-pop has never sounded better. With razor-sharp twin guitars, a pounding
rhythm section and un-matched lyrical barbs, 'Big Mistake' is taken from the band's new album
Sliced And Diced and is backed by an exclusive B-Side. Since the last LP (2013's Still Bored), the
band have gigged alongside some of the biggest names in punk including Buzzcocks, UK Subs,
Johnny Moped, The Lurkers and many more. Cyanide Pills will be touring Europe in March and
also play Rebellion Festival in Blackpool this August. Like the previous album, Sliced and Diced
was recorded at The Billiard Room in Leeds by Wedding Present producer Carl Rosamond

New York hardcore’s Backtrack debut EP is back in stock thanks to Flatspot Records. This EP put the band on the map as the new generations torchbearers of NYHC. They have toured far and wide with their ferocious live performances winning over fans from Long Island to Beijing.

Incredible but true, your fave label discovered an entire unreleased punk rock album from the land of spaghetti and mandolino! Uniplux were one of the few bands of 1977 Roman punk scene that included bands such as Trancefusion, Elektroshock, Luxfero, Ulster Punk Group, Apologia Di Reato, Bads, Stigma, Ddt. This band released two singles, the first, released for a major label RCA and entitled ‘Chi siamo noi?’ came out in 1982. The second one, ‘Maledetto rock’, (Pogo records), came out two years later in 1984. Both records are very hard to find and sought after, mainly because Uniplux offered a unique vision of melodic punk rock. in 1997, a bunch of European punk collectors compiled ‘killed by death 201’, dedicated to Italian 1977/82 punk rock scene, selecting the track “U.X.” to represent this band. After over 36 years, Rave Up Records unearthed from the tomb 11 killer tracks!!!! Amazing Italian punk with female vocals. For fans of Generation X, Buzzcocks, Penetration and all the early UK punk rock.

After six long years, finally the new album by Hamburg's beloved punk toddlers. After the 'Auf Eis' Album and the 'Monsignore Krusenotto' EP, here they are fresh and drunk as ever.

print on side A
music on side B

+ booklet, stickers & downloadcode. Limited to 300 copies.

Limited edition clear vinyl only release featuring audio from the Bad Brains 1982 live DVD. REISSUED FOR 2014 IN LIMITED CLEAR VINYL! This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982.

Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different.

Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

Light edge wear. Record looks barely played.

Battery was a staple of the Washington, D.C., hardcore scene during the ’90s, formed by a who’s-who of that scene, including members of Damnation A.D., Better Than A Thousand, Shelter, Ashes, and Worlds Collide. From 1991-1998, the band released numerous EPs and LPs that have mostly been in high demand for reissues leading up to Revelation Records reissuing Whatever It Takes… in 2014. To coincide with the band’s appearances at Damaged City Fest in D.C. and Rev Fest in California in 2017, Battery hand-selected their favorite tracks from throughout their career for this release, presenting only the most powerful of their output.

Like new, record looks unplayed. Comes with insert.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

New pressing of 768 on coke bottle clear vinyl!

Splatter Red Blood Vinyl with a couple of light scuffs

Vinyl is close to NM.

close to NM. Stamped and numbered inner sleeve.

close to NM. With insert

White With Black And Hot Pink Splatter vinyl. Still in shrink, but opened, with hype sticker

Vinyl with a couple of light marks, close to VG+

Single sided vinyl

Orange Clear vinyl. Cover with slightly bumped corners

Yellow vinyl

Vinyl with a couple of light scuffs. Cover with slightly bumped corner. Wiht insert. Beautiful copy.

Lime green vinyl. Copy n° 085 / 205

Cover closer to NM. Copy n° 31 / 30