Punk | Hardcore 347 Items

Limited edition for Record Store Day 2014

In a frenzy of adrenaline and aggression, Slipknot unleashed their sonic onslaught upon the Dynamo Open Air Festival in Nijmegen, Holland, on June 3rd, 2000. Ferocious energy, they left an indelible mark on the metal landscape, igniting mosh pits and exhilarating fans with their raw intensity.

Ozzy Osbourne, legendary Prince of Darkness, electrified Kemper Arena with his iconic presence on April 28, 1986. The roaring crowd bore witness to an unforgettable night of rock 'n' roll history.

In the heart of Paris, Green Day electrified the Elysée-Montmartre on February 3rd, 1998, their infectious energy pulsating through the airwaves. With anthemic melodies and punk spirit, they ignited a frenzy among fans, leaving an unforgettable mark on the City of Light.

Bad Brains' performance at the 9:30 Club in Washington D.C. on April 19th, 1982, is legendary within the punk and hardcore community. The band was at the peak of their power. The 9:30 Club, a hub for D.C.'s burgeoning punk scene, provided the perfect backdrop for Bad Brains' explosive performance. The band's influence on both the local scene and the broader landscape of punk music cannot be overstated.

Eleventh issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary Uk82 punk band Exploited fourth single originally released in 1981 on Secret Records.Limited to 500 copies.

In 2013, Kingston, PA’s Title Fight made their Revelation Records debut with the four new tracks on this 7” EP release entitled Spring Songs. The record, which was produced, engineered, mixed, and mastered by Will Yip at Studio 4, showed the unyielding potential of a band that had been hard at work writing and touring for their first four years. Spring Songs showed the band pushing their boundaries even further and, once again, refusing to be categorized.

This is The Zeros' third single, a pioneer punk rock band formed in 1976 in Chula Vista, California. Comparisons with The Ramones are often made when describing the energetic and fierce guitar driven sound of the group. After a 2-year gap, following their two first singles on Greg Shaw's very own Bomp! Records, the band released this third 45 on Test Tube Records. 'They Say That (Everything's Alright)' is a fabulous song by Hector Peñalosa. "Getting Nowhere Fast" is another classic by Javier Escovedo. In spite of the excellence of these two tracks, The Zeros lost the momentum generated by the first two singles, leaving the third as an afterthought. Soon after, the band broke up.First time reissue! Incl. artwork replica on retro style record sleeves.

This very personal take on the Stooges' "I Wanna Be Your Dog" from 1983 is one of the most iconic and sought-after records from the early years of Spanish punk music. This short-life band led by girls made an historical appearance on Spanish TV that generated an unprecedented media, and even legal, uproar. Available again after 15 years out of print with its original artwork and including a poster of the band.On the morning of Saturday, April 16, 1983, the Spanish television show "Caja de Ritmos" aired the video 'Me gusta ser una zorra', a personal adaptation of The Stooges' classic 'I Wanna Be Your Dog', by the Basque punk band Vulpes. The media, and even legal, uproar that their television appearance generated had unprecedented consequences in the entire history of TVE (Spanish National Television), including the resignation of the program's director.Taking advantage of the notoriety achieved by the band, Dos Rombos -an independent Spanish label- would materialize the release of the single, previously modifying the name of the group by adding a final 'S' that would only increase the controversy: Vulpess.Closely watched by the police and beset by far-right violence, the gigs to present the single frequently ended in incidents. The story of this pioneering band, led by girls (Loles Vázquez on guitar, Estíbaliz Markiegui on vocals, Ruth Astigarraga -former member of N-634- on bass and Bernardo Vázquez -from M.C.D.- on drums; as well as Lupe Vázquez and Mamen Rodrigo), would soon come to an end, elevating the Vulpess to the category of myth, and their only proper release of the early 80s becoming a sought-after collector's item, and an icon of the early years of punk music sung in Spanish and an icon of a historical period in which Spain was moving towards full democracy, getting over last vestiges of the still recent dictatorship.

Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound.

No Atlanta punk record from the 1980s creates such a lather as the debut single by DDT (except maybe Neon Christ's single, but I digress). Self released in 1983, merely finding a copy would put you into serious debt. That is, until now. Audio was restored by Jason NeSmith at Chase Park from a spotless copy of the record given to Chunklet by Joe Perry who recorded the single at his Bombay Studios in Smyrna. Never before reissued until right now. Get in on the ground floor of Atlanta's punk scene from 40 years ago

"Back to Mystery City" by Hanoi Rocks channels the grit and glamour of the urban underground, intertwining sleazy rock riffs with poetic lyricism. It's a sonic journey through the shadows of city streets, showcasing the band's distinct fusion of punk attitude and rock 'n' roll swagger.

Hanoi Rocks' "Oriental Beat" pulsates with a unique blend of glam rock and punk energy, capturing the band's rebellious spirit against the backdrop of 1980s Helsinki. With catchy hooks and raw intensity, it solidifies their status as pioneers of the Finnish rock scene.