Punk | Hardcore Vinyl 379 Items

Songs To Scream At The Sun was recorded with Kurt Ballou of Converge at GodCity Studio. Combining Ballou’s signature grit and style of recording with Have HEART’s style of music results in a dichotomy of clean, sharp drums, and a variety of guitar tones and sounds when combined, does not hint at one particular or obvious influence. Musically, there are moments which are mid-tempo and melodic, there are moments that are classic hardcore anthems, and it’s balanced with times which are dark and atmospheric. It’s an impressive accomplishment. As frontman Pat Flynn said, Songs To Scream At The Sun is the coming of age story. It’s about the growing process of a young kid shaking the chains of selfishness, but it’s everything about what you lose and gain in that process of growing up. The songs have an honest, yet poetic reflection that digs deep into the private lives that are shared by everyone-the deconstruction and dismantling of one’s life and the eventual rebuilding and rebirth. This is at times dark and depressing, but Flynn’s lyrics never lose hope in what allows people to get strength in these situations. And what’s so strong about the performance and lyrics, aside from the cliché of hardcore singers “meaning what they say,” is that the perception of the lyrics (are they dark, depressing, positive, or hopeful?) is up to the listener to decide.

A top five label-defining album for Bridge Nine, The Things We Carry is a favorite of collectors and is currently in its 14th pressing. It’s hard to believe this classic hardcore record is nearly 20 years old, having come out in August of 2006. In celebration of the band’s reunion shows over the summer of 2024, Bridge Nine has repressed this record featuring some exclusive variants.

Formed by Ken Olden (worlds Collide, Battery, Better Than A Thousand) and Mike McTernan (when Tigers Fight) in 1993, Kingdom Of Lost Souls was the second full-length album and Revelation Records debut, originally released in 1998. Brutally honest and compelling lyrics with a vocal style that can only be described as apocalyptic, the overwhelming production, the matured, dynamic songwriting, and the nightmarish lyrics and vocals make this record a truly intense listening experience.

In the discography of Poison Idea, 1993’s We Must Burn is recognized as the capper on the most prolific period for Portland, Oregon’s Kings Of Punk, as well as the final album from their initial thirteen-year run. Well-seasoned and confident in their sonic skin, this album showed the musical progression the band had made while still holding on to the buzzsaw guitars of TOM “pig Champion” Roberts, the defiant bellow of Jerry A. Lang, and the other elements that positioned them as one of the forerunning units for American Hardcore punk. Continuing with their tireless reissue campaign for Poison Idea TKO Records unleashes We Must Burn for the first time on vinyl in over thirty years, in this hefty two-record set. In addition to the original album, a second LP of bonus material is included. SIde's C and D contain WMB studio outtakes that originally saw release on the posthumous Religion & Politics 10”, plus live tracks from the 1992 “No On 9” festival. This legendary all-day event benefiting Gay Rights, at the Portland Meadows horse race track, saw Poison Idea sharing the stage with Nirvana and Helmet among others. The chance to absorb Poison Idea's scintillating and supposed swan song in the proper format is available to you once again. Act accordingly or be hung like a savior. Housed in deluxe gatefold jackets printed on foil-wrapped mirrorboard cardstock.

BETTY AND THE WEREWOLVES are three girls and one boy from London who whoop and howl through the night as sweetly sung melodies collide with glitter-struck punk guitars. Taking inspiration from luminary lycanthropes Virginia Woolf and Grandma Wolf, they sing ditties about falling in love with David Cassidy and strange encounters on night buses, shouting all the while and scuffing up their party shoes. This is their wonderful second single following their debut 7" last year on DG called 'Euston Station' and it's a homage to 70's super pop pin-up and Partridge Family member, "David Cassidy". It's backed with another live favourite "Plastic". The Werewolves recorded this just after their recent tour dates with FUCKED UP, who have been telling anyone that will listen that BATW are their favourite band in the world. This single will hopefully plug the gap for those who can't wait for the debut album which is due out later in the year.

This is the first single from the new album 'Triple Distilled' and it's already getting played on BBC 6Music, 'Begging You' was recorded at Ranscombe Studios in Grahams hometown Rochester and it's backed with an exclusive b-side a great instrumental called 'Sitar Spangled Banner'. After a year of touring and the release of their 'Travelled And Unravelled' EP earlier this year, the Gaolers returned to the studio in July 2008 to record their follow up to the critically acclaimed debut album 'Soundtrack To The Daily Grind' with their second album 'Triple Distilled' at Ranscombe Studios in Rochester, Kent which is due for release in October 2008. 'Triple Distilled' is made up of 12 blistering new tracks with fairly autobiographical lyrics telling tales of their life on the road, drinking and smoking. As usual they are the amalgamation of Graham's tuneful and aggressive songs, driven with an energy and attitude, which has been perfectly captured in a simple no-frills studio recording. Buzz couldn't make the recording so Johnny Barker (Ex of The Buff Medways) has stepped in and will also be part of the band that hits the road again around the albums release for another European tour and a headline show at the legendary 100 CLUB in London on October 29th Dan Elektro from the great US band The Woggles is on drums. GRAHAM DAY - Founder member of The Prisoners, Prime Movers & The Solar Flares as well as drummer in The Mighty Caesers and bassist in The Buff Medways alongside old friend Billy Childish.

The LP will be on Yellow and red splattered vinyl!

The first and probably last record of a group of "artists" including Billy Childish and Charles Thompson. This is GREAT punk rock which kicks off with a sample of Tracy Emin. Anachronism in the UK!!!

The 1977 dedut single of this band. Originally recorded on Cambridge's Raw records. Two song limited Colored Vinyl single.

The Cogs are a fun loving, hook crazy fast and furious pop-punk band from New York City. "No Expectations" is an unashamed two minutes of 90mph stop start punk rock while b-side "Vacation Bible School" is a slightly more laid back affair from the same sessions.

Deluxe 20th anniversary 2xLP edition of dorkrorckcorkrod.

Includes 2024 remaster by Justin Perkins and 20th anniversary remix by Steve Albini.

Extensive oral history of dorkrockcorkrod by Mike Faloon.

In 2017 Rolling Stone listed the album as #34 on their "50 Greatest Pop-Punk Albums" list.

"The three-song suite of "Most Violent Rap Group," "Pray For Rain," and "Saturday Night Crap-O-Rama" may be one of the best triple plays in all of rock music, let alone pop-punk" - The A.V. Club

Orange 9mm was formed by vocalist Chaka Malik (burn) in 1992 with Chris Traynor on guitar, Eric Rice on bass, and Larry Gorman on drums. The hardcore rhythm outfit are self-described as a result of being “happy and pissed off at the same time and playing at the moment.” Orange 9mm went on to release two full-lengths on major labels East West and Atlantic, releasing videos, and touring with bands such as Quicksand, Biohazard, Deftones, and more.

Originally released on Johanns Face Records in 1996, this is the first vinyl reissue for ‘Grease, Grits and Gravy’, first album by The Cletus from Charleston, South Carolina. Featuring Johnny Puke on vocals, produced by Mass Giorgini, catchy hooks and infectious melodies. Turn up the volume.

Farside was a melodic punk band from Orange County, CA, founded in 1989. Their sound was a mixture of ’80s post-hardcore (dag Nasty, Hüsker DÜ, and THE Descendents were big influences), ’90s alternative metal (helmet, Quicksand), and the power-pop sensibilities of the late ’70s (Elvis Costello), and as a result, the band never quite fit in on any bill they were booked to play. This resulted in the band never being completely definable, which suited the members just fine. Many current bands have cited Farside as an influence, and it’s clear that their music left a lasting impression on their dedicated and loyal fan base. The Monroe Doctrine, the band’s final album, was the culmination of ten years of progression for the band and reflects their diverse mixture of punk, post-punk, indie, and pop melodies.

A remastered version of the very first Screaming Females album, originally self-recorded and self-released in 2006. Includes such hit singles as “Dinosaurs,” “Baby Jesus” and “Foul Mouth.” An instant classic.

Originally released in 2006, Seattle, WA’s Sinking Ships’ full-length Revelation debut, Disconnecting, took a look at the trials and tribulations of everyday life. Weaving elements of melody and hard-edge riffs, Sinking Ships created a sound all their own, somewhere between the familiar echoes of hardcore bands like Bane and IN MY Eyes, but with their own distinct, morose overtones.

First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.As Muzik magazine noted on its initial release "In The Beginning" is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time.

From the moment the needle drops on Monster Squad’s 2007 album “Fire The Faith” with the title track’s scorching bass lines, the record serves as a time capsule for a tenuous moment around the world. Radicalized politics, a neverending war, and the onset of an economic depression characterize a period we’d all soon rather forget.All of that, however, served as the fuel behind arguably the band’s most recognizable and revered album from the northern California punk band. Monster Squad firmly entrenched themselves by crafting songs with breakneck speeds and wholly relatable lyrics that fans around the world would sing back as the band took the stage around the globe. “You Are Not Alone” is dedicated to their late friend Robbie Western, which has evolved into one of the band’s most anthemic and popular songs. Many fans credit this track with helping address mental health issues. As more members of the Monster Squad family like Travis ‘Bobby Hill’ Gustafson leave this world far too early, the line “And I ask - why? Our questions will never be answered” hits harder than ever before. The album's artwork, an oil painting by frontman Phil Geck, serves as a bold statement. Created during George W. Bush’s presidency in 2007, it is an anti-war piece symbolizing defiance against government and corporate greed. This reissue boasts a 12x24 double-sided gatefold insert , 18x24 poster of the cover painting, and a two-song flexi, featuring the rare gem “Leach" and the previously unreleased track “State Of Confusion.” Fans will also get a double-sided 11x17 poster, displaying the album release show at Gilman on one side and their 2008 European tour flyer on the other. Pick up a copy on 12" Red w/ Neon Yellow Splatter! SIDE A1. Fire The Faith2. Unmasked3. Force Fed4. You Are Not Alone5. All These Things6. DirtSIDE B7. Separate The Lines8. The Curse (Pay The Price)9. Pull Me Away10. Abrasive11. A Nightmare To Consume12. Reggae Jam13. UntitledFLEXI :1. State Of Confusion2. Leach

Brutal Panda is honoured to join the likes of legendary labels, Trance Syndicate and Amphetamine Reptile, in bringing one of noise-rock's gnarliest albums ever recorded back into print. Originally released in 1994, this reissue of Heroin Man stays true to the original layout, complete with a custom polybag cover and logo sticker. "Heroin Man stands as both the chronological centre of the Cherubs catalogue, and its defining moment. As one of noise rock's finest moments, Heroin Man is both a delicate, tragic statement and send-off to a friend who had OD'd, and a bellowing, roaring, over-amped screwball masterpiece of Butthole Surfers mayhem and Husker Du pop structures. It's sometimes difficult to distinguish between Kevin Whitley's guitar and Owen McMahon's bass, and that's precisely the point -- this is noise rock; and still at others, Whitley's guitar is a washing, white-noise counterpoint to the pummelling rhythm section. This is a dense, sprawling, spiralling work showing a band peaking aesthetically, with perhaps an even more ambitious album to follow. Unfortunately, due to the usual host of reasons, that never occurred. This was the Cherubs final studio album until their reformation 20+ years later." - words by Patrick Kennedy SIDE A:1. Stag Party2. Animator3. Blackhouse4. Baby Huey5. Dave Of The Moon6. Coonass7. Mr. GoySIDE B:1. Cockpit - Kiss The Shine2. Venus Flytrap3. The Big Groovy4. Wornout Balls5. Playdough6. Example Maiden Japan / Devil's Food

Reissue of the classic Australian punk compilation of tracks from 1977-1982. Featuring Bodysnatchers, Skunks, Young Identities, Proles, Public ExecutioN, Press, Thought Criminals, Wrong Kind Of Stone Age, Vacant Lot, Sputniks, Just Urbain, Tactics, Quick And The Dead, Z-Cars, Section Urbane, Rejex, and Chosen FeW.

Reissue for Brisbane, Australia punk rock pride, The Onyas’ 1996 debut album. Defined as a shambolic collage of alcoholic excess, smutty humour and a nihilistic attitude, this album is a raucous journey through the heart of rebellious punk ethos. The album doesn't just invite you to listen; it demands that you join the mayhem. First EU reissue since its original release.

In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

1st press