Punk | Hardcore Vinyl 373 Items

Live @ Granada Theater' is The Get Up Kids one and only live album, originally released in 2005. This album is a much-loved gem within the band's discography, combining much of their greatest hits and successfully capturing their impressive live show. This is the very first pressing of this title on vinyl, as part of Hassle Records collaboration with Vagrant Records, in celebration of their 25th anniversary. Record is pressed onto double transparent light blue vinyl with red splatter, and is packaged in a hand-numbered gatefold outer sleeve.

Reissue of this Descendents classic, a must for any punk fan's record collection.

Songs To Scream At The Sun was recorded with Kurt Ballou of Converge at GodCity Studio. Combining Ballou’s signature grit and style of recording with Have HEART’s style of music results in a dichotomy of clean, sharp drums, and a variety of guitar tones and sounds when combined, does not hint at one particular or obvious influence. Musically, there are moments which are mid-tempo and melodic, there are moments that are classic hardcore anthems, and it’s balanced with times which are dark and atmospheric. It’s an impressive accomplishment. As frontman Pat Flynn said, Songs To Scream At The Sun is the coming of age story. It’s about the growing process of a young kid shaking the chains of selfishness, but it’s everything about what you lose and gain in that process of growing up. The songs have an honest, yet poetic reflection that digs deep into the private lives that are shared by everyone-the deconstruction and dismantling of one’s life and the eventual rebuilding and rebirth. This is at times dark and depressing, but Flynn’s lyrics never lose hope in what allows people to get strength in these situations. And what’s so strong about the performance and lyrics, aside from the cliché of hardcore singers “meaning what they say,” is that the perception of the lyrics (are they dark, depressing, positive, or hopeful?) is up to the listener to decide.

A top five label-defining album for Bridge Nine, The Things We Carry is a favorite of collectors and is currently in its 14th pressing. It’s hard to believe this classic hardcore record is nearly 20 years old, having come out in August of 2006. In celebration of the band’s reunion shows over the summer of 2024, Bridge Nine has repressed this record featuring some exclusive variants.

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First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.As Muzik magazine noted on its initial release "In The Beginning" is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time.

Rancid"s classic second LP, originally released in 1994, is disarmingly good from start to finish. With roots set firmly in their Berkeley punk rock origins, on Let"s Go Rancid set out with heart, soul and vehemence to reach new heights in their music. Some of the highlights are "Salvation," "Radio," and "Nihilism," but all the of the songs bristle with the unmatched signature of Tim Armstrong"s intensely evocative writing style. Recorded in their hometown of Berkeley CA, at legendary Fantasy Studios and mixed in Los Angeles at Westbeach Recorders, Let"s Go foreshadows the ground breaking success that would be found on their next record, And Out Come the Wolves.

Spanning some eight albums and multiple line-ups, "All Ages" contains the very best of Bad Religion"s Epitaph years. It includes live versions of "Do What You Want" and "Fuck Armageddon..." with artwork that is culled from original show flyers! The lyrics sheets are also the original hand-written versions; some of which were scribed on bedroom walls!

Born in the Basement, the 1994 second LP from horror-pop-punk mainstays the Groovie Ghoulies, in many ways marked a pivotal transition point for the band that would set the course for the rest of their career. After the first LP, the band had moved from Los Angeles to Sacramento, the city that would remain their home base for the duration of the band. The title of the record is more factual than one might assume: at the time, the Ghoulies' lineup of Kepi (bass/vocals), Roach (guitar), and Wendy (drums) were all co-habitating in a house by the city cemetery, practicing in the basement, where the record was indeed "born"! This lineup would remain together for the follow-up World Contact Day, which became the best-selling Ghoulies record! They also found themselves working with a prestigious new producer, recording at Seattle's Egg Studios with Conrad Uno (Mudhoney, The Presidents of the United States of America, The Ergs!). This relationship, too, would continue for World Contact Day. Fuelled by fan-favourite Ghoulies staples such as "The Beast with Five Hands," "I Wanna Have Fun," and "Back to the, Garage," the album was a self-released sell-out through two pressings, attracting the attention of legendary Bay Area punk label Lookout Records, who would work with the band through the year 2000, releasing 4 LPs and re-releasing 2, including Born in the Basement. Having already re-released the best-selling classic World Contact Day, Pirates Press Records is proud to present the album that paved the way for it and the long & storied career of the Groovie Ghoulies, Born in the Basement!

Legendary Tacoma, Washington mathcore/hardcore/metal band Botch's debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band's debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the release of their final EP, An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023. 25th anniversary re-issue of Botch's critically lauded debut album. Botch have their first live performances in over 20 years for early 2023. Botch have been included on "Most Influential lists" by outlets like Decibel, Rock Sound, Alternative Press, A.V. club + more

GAUZE's 4th album, originally released in 1997 after their U.S. tour!!

Repressed on 180 gram vinyl!

Repressed on 180 gram vinyl!

In the discography of Poison Idea, 1993’s We Must Burn is recognized as the capper on the most prolific period for Portland, Oregon’s Kings Of Punk, as well as the final album from their initial thirteen-year run. Well-seasoned and confident in their sonic skin, this album showed the musical progression the band had made while still holding on to the buzzsaw guitars of TOM “pig Champion” Roberts, the defiant bellow of Jerry A. Lang, and the other elements that positioned them as one of the forerunning units for American Hardcore punk. Continuing with their tireless reissue campaign for Poison Idea TKO Records unleashes We Must Burn for the first time on vinyl in over thirty years, in this hefty two-record set. In addition to the original album, a second LP of bonus material is included. SIde's C and D contain WMB studio outtakes that originally saw release on the posthumous Religion & Politics 10”, plus live tracks from the 1992 “No On 9” festival. This legendary all-day event benefiting Gay Rights, at the Portland Meadows horse race track, saw Poison Idea sharing the stage with Nirvana and Helmet among others. The chance to absorb Poison Idea's scintillating and supposed swan song in the proper format is available to you once again. Act accordingly or be hung like a savior. Housed in deluxe gatefold jackets printed on foil-wrapped mirrorboard cardstock.

Back in the year 2000, Julien Temple directed this account of Punk pioneers the Sex Pistols short but hugely influential initial career. The soundtrack – a mix of their classic tracks, rarities and a sprinkling of diverse artists from the Bay City Rollers and Sailor to Tappa Zukie and The Who – was only ever available on CD, making this its vinyl debut. Uncluttered by the other artists tracks, the OST spread across 2 slices of red and white vinyl includes sing along family favourites Liar, Anarchy In The UK and No Fun alongside lesser known but no less essential cuts Don’t Give Me No Lip, Road Runner and What’cha Gonna Do About It. The latter cover of The Small Faces classic comes complete with amended lyrics reflecting the spirit of the times. Ltd edition and numbered to 3k units.

This is where it all starts. Without any reminiscing about their former band Operation Ivy, Matt Freeman (bass) and Tim Armstrong (guitar/vocals) blast through their debut without any hints of ska or blatant Clash plagiarizing. On the contrary, this album rips through 15 tracks of high-energy punk that"s accompanied by heavy bass leads and Armstrong"s permanently slurred vocals. And to top it all off, the lyrical content deals with urban blight and the lifestyle of being a public nuisance. With this trademark sound, Rancid provides the perfect soundtrack for any car chase that includes massive property damage; is it a wonder MTV wouldn"t touch this? -Mike DaRonco

One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against The Machine.

In the twenty or so years since his brainchild, The Dead Kennedys, officially disbanded, Jello Biafra has made a career of spoken word gigs interspersed with musical collaborations with some of the most compelling figures in underground music. Recording projects and touring with the likes of Melvins, NoMeansNo, DOA, Mojo Nixon, and Lard (with Ministry's Al Jorgensen) among others have kept his "punk as political weapon" message sharp, but the lack of his own band made these collaborations usually short-lived and left Biafra with a ton of songs that never saw the light of day. Inspired by The Stooges gig on Iggy Pop's 60th birthday in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. After cramming practices for a month, the four-piece dubbed themselves Jello Biafra and the Axis of Merry Evildoers! and featured Biafra, Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), and Billy Gould (Faith No More) The band took the stage in a sold-out two-night stand at San Francisco's Great American Music Hall. Flush from that exhilarating triumph, nine months of rehearsal and writing followed; they added ace guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle), and christened themselves Jello Biafra and the Guantanamo School of Medicine. The Audacity of Hype was produced by Biafra and engineered by hip hop producer and longtime co-conspirator Matt Kelley (Hieroglyphics, The Coup, Digital Underground, Victims Family, Tumor Circus) at Prairie Sun Recording in Cotati, CA, and San Francisco's Hyde Street Studios. The band's twin guitar attack retains some of the space-punk overtones and spy-music-on-meth chaos of The Dead Kennedys while adding a healthy dose of Detroit-style proto-punk flavored with Weiss' industrial excursions into metal percussion.

Record Store Day 2021 Release. Reissue for KK’s third album, originally issued on the Twins label in 1993. Fully Remastered edition featuring one bonus track, full color poster by Alteau and double-sided lyric insert. Limited to 500 copies.

Brutal Panda is honoured to join the likes of legendary labels, Trance Syndicate and Amphetamine Reptile, in bringing one of noise-rock's gnarliest albums ever recorded back into print. Originally released in 1994, this reissue of Heroin Man stays true to the original layout, complete with a custom polybag cover and logo sticker. "Heroin Man stands as both the chronological centre of the Cherubs catalogue, and its defining moment. As one of noise rock's finest moments, Heroin Man is both a delicate, tragic statement and send-off to a friend who had OD'd, and a bellowing, roaring, over-amped screwball masterpiece of Butthole Surfers mayhem and Husker Du pop structures. It's sometimes difficult to distinguish between Kevin Whitley's guitar and Owen McMahon's bass, and that's precisely the point -- this is noise rock; and still at others, Whitley's guitar is a washing, white-noise counterpoint to the pummelling rhythm section. This is a dense, sprawling, spiralling work showing a band peaking aesthetically, with perhaps an even more ambitious album to follow. Unfortunately, due to the usual host of reasons, that never occurred. This was the Cherubs final studio album until their reformation 20+ years later." - words by Patrick Kennedy SIDE A:1. Stag Party2. Animator3. Blackhouse4. Baby Huey5. Dave Of The Moon6. Coonass7. Mr. GoySIDE B:1. Cockpit - Kiss The Shine2. Venus Flytrap3. The Big Groovy4. Wornout Balls5. Playdough6. Example Maiden Japan / Devil's Food

In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

First official reissue of the much sought after debut album from NYC metalcore band Bloodclot! Self-released in 2008, "Burn Babylon Burn" is the first album by Bloodclot, led by former Cro-mags frontman John "Bloodclot" Joseph and featuring ex-BIOHAZARD drummer Danny Schuler, former Spudmonsters/biohazard guitarist Scott Roberts, and ex-MERAUDER bassist Rick Lopez. Long out of press and sought after by collectors around the world, "Burn Babylon Burn" is now reissued by Back On Black on CD and limited edition red vinyl!

The Youth Are Getting Restless is a live album from Bad Brains, recorded at the Paradiso Theater in Amsterdam, the Netherlands, in 1987 by the Vpro. The show was part of the band's I Against I tour. This reissue marks the sixth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Originally released in 1990. Ten studio-recorded songs + seven live tracks recorded during a show in Scotland. You can feel that sense of presence that only a live performance can provide, and it continues to radiate an overwhelming energy even today.

Pirates Press Records are happy to announce the long overdue reissue of one of The Slackers most acclaimed albums, Wasted Days. Their fourth studio double album, originally released in 2000, hasn’t been available since 2013, and is an essential component to any Slackers collection! It showcases The Slackers' innovative incorporation of diverse influences to create a sound that is truly their own - from ska, reggae, rocksteady, and dub to soul, R&B, calypso, jazz, and rock ’n roll. Led by Vic Ruggerio's unmistakably Bronx accented vocal stylings, the band never lose touch with the scrappy energy of where they call home, New York City. With The Slackers continuing to tour the world throughout the end of 2022 and early 2023 in support of their recent full length “Don’t Let The Sunlight Fool Ya” it seems only right to get their back catalog back in press for the new fans they never fail to make at every single show. Be sure to catch them in a town near you!

The music on Blackout rocks, has a truckload of sweat, blood and energy & conveys an intense insight into relationships (Walk Away) & personal politics (Gonna Be A Blackout Tonight - lyrics written by Woody Guthrie after the band was given special exclusive access & permission to use the words of Woody Guthire through his family). The record still contains rousing tunes rooted in Irish music & American Folk (Black Velvet Band & The Dirty Glass) and destined to be a Boston Bruins call to arms classic called "Time To Go". And it"s important to mention that each member of the band played a crucial role, working hand in hand to create this new record. Everyone"s influence from the youngest member of the band to the most experienced, bring together their many influences to play a role in creating an all time gem of a rock record. With each new record, they just don"t let up, their passion, life experience & and true commitment to music fans shines through on every song.

Originally released by Hopeless Records in 2006, now remixed and remastered with love by Jeff Dean (the Bomb). Jeff truly ripped the lid off this record and brought a newfound clarity and immediacy! To all those who loved these songs already, allow us to reintroduce you. Includes a bonus song and shiny updated artwork by Sergie Loobkoff. Colored vinyl; includes download code.

Limited double-LP version of the 2008 CD originally issued on Load, compiling the best live and studio recordings by the final iteration of this group. "60 second bursts of chaotic rock 'n' roll that barbarize whole histories of freakout style, from free jazz through classic hardcore, boogie, blues, Black Flag, Germs, most explicitly through Beefheart, but all hyper-condensed into ultra-kranky riffs that Orcutt plays at hallucinatory speed, compressing Zoot Horn Rollo style avant confusion into lighting runs and metallic two note knock-outs. Hoyos's style is so primitive that it's wildly avantgarde, with an instinctive feel for time that confounds the most advanced improvisatory strategies with the most hysterical. And her vocals are post-Yoko in the truest sense, not directly informed by her but sharing the same spontaneous energy and a-musical appeal, sometimes breaking from songs completely to expand on barely articulated vocal rants and fever pitched bouts of screaming. The whole group existed in a zone that was constantly beyond technique. The arc of their career was perfect, the mission truly accomplished, and all that's left is this amazing series of recordings, a body of work that has had a disproportionate effect on the minds, if rarely the actual sound of the underground."—David Keenan , The Wire, December 2008

Full Circle is the emotional and pivotal album that followed the tragic death of founding member and bassist Jason Mathew Thirsk. Dedicated to the memory of Thirsk, Full Circle is hard as nails, reflective and ultimately redemptive. Despite the somber task at hand, the record is exhilarating and uplifting . With the help of long time friend Randy Bradbury on bass, Pennywise was able to look inward and work through the issues that would have torn a lesser band apart. Full Circle also features a moving re-recording of "Bro Hymn" and a special hidden piano instrumental of Unknown Road.

Limited to 500 copies. This red vinyl release for Record Store Day will be of interest to the strong fanbase of Kory Clarke and Warrior Soul. It’s full of rare and never-been-on-vinyl outtakes from the band many still consider the voice of a generation.

NYC Girl/Gimme Some Of This/Punk Rock N' Roll/5 Ways To The Gutter/Last Decade Dead Century/If You Think You're Bad/My Sky/Makin' It Holy/Raised On Riots/Kiss Me/Space Age Playboys (Unreleased)